DOCSLIB.ORG

Boston Symphony Orchestra Concert Programs, Season 51,1931-1932, Trip

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

CARNEGIE HALL .... NEW YORK Thursday Evening, January 7, at 8.45 Saturday Afternoon, January 9, at 2.30 PRoGRZWVE £: 2 ^ "flu BOSTON SYMPHONY ORCHESTRA: I88H931" By M. A. De WOLFE HOWE Semi'Centennial Edition It is seventeen years since M. A. De Wolfe Howe's history of the Boston Symphony Orchestra was published. The Fiftieth season of the Orches- tra seemed a fitting time to re-publish this prized narrative of its earlier days, and likewise to record, , in additional chapters, the last years of Dr. Muck's conductorship, and the years of Henri Rabaud, Pierre Monteux, and Dr. Serge Koussevitzky. New appendices include a complete list of the music played at the regular concerts, giving the dates of performances. The soloists and the personnel through fifty years are also recorded, and the address on Henry Lee Higginson made by Bliss Perry at the Bach Festival, March 25, 1931. Now on sale at the Box Office, or by money order to Symphony Hall, Boston Price $1.50 (postage included) CARNEGIE HALL - - - NEW YORK Forty-sixth Season in New York FIFTY-FIRST SEASON, 1931-1932 INC. Dr. SERGE KOUSSEVITZKY, Conductor THURSDAY EVENING, JANUARY 7, at 8.45 AND THE SATURDAY AFTERNOON, JANUARY 9, at 2.30 WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1932, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. FREDERICK P. CABOT ......... President BENTLEY W. WARREN Vice-President ERNEST B. DANE ......... Treasurer FREDERICK P. CABOT ARTHUR LYMAN ERNEST B. DANE WILLIAM PHILLIPS N. PENROSE HALLOWELL EDWARD M. PICKMAN M. A. DE WOLFE HOWE HENRY B. SAWYER FREDERICK E. LOWELL BENTLEY W. WARREN W. H. BRENNAN, Manager G. E. JUDD, Assistant Manager Dr. SERGE KOUSSEVITZKY Fifty-first Season, 1931-1932 Dr. SERGE KOUSSEVITZKY, Conductor Violins. Burgin, R. Elcus, G. Gundersen, R. Sauvlet, H. Cherkassky, P. Concert-master Kassman, N. Hamilton, V. Eisler, D. Theodorowicz, J. Hansen, E. Lauga, N. Fedorovsky, P. Leibovici, J. Pinfield, C. Mariotti, V. Leveen, P. Tapley, R. Thillois, F. Zung, M. Knudson, C. Gorodetzky, L. Mayer, P. Diamond, S. Zide, L. Fiedler, B. Bryant, M. Beale, M. Stonestreet, L. Messina, S. Murray, J. Del Sordo, R. Erkelens, H. Seiniger, S. Violas. Lefranc, J. Fourel, G. Bernard, A. Grover, H. Fiedler, A. Artieres, L. Cauhape, J. Van Wynbergen, C. Werner, H. Avierino, N. Deane, C. Gerhardt, S. Jacob, R. Violoncellos. E. Bedetti, J. Langendoen, J. Chardon, Y. Stockbridge, C. Fabrizio, L. Zighera, A. Barth, C. Droeghmans, H. Warnke, J. Marjollet, Basses. Kunze, M. Lemaire, J. Ludwig, O. Girard, H. Moleux, G. Vondrak, A. Oliver, F. Frankel, I. Dufresnc, G. Kelley, A. Flutes. Oboes. Clarinets. Bassoons. Laurent, G. Gillet, F. Polatschek, V. Laus, A. Bladet, G. Devergie, J. Mimart, P. Allard, R. Amerena, P. Stanislaus, H. Arcieri, E. Panenka, E. Allegra, E. (E-flat Clarinet) Piccolo. English Horn Bass Clarinet. Contra-Bassoon. Battles, A. Speyer, L. Bettoney, F. Piller, B. Horns. Horns. Trumpets. Trombones. Boettcher, G. Valkenier, W Mager, G. Raichman, J. Pogrebniak, S. Schindler, G. Lafosse, M. Hansotte, L. Van Den Berg, C. Lannoye, M. Grundey, T. Kenfield, L. Lorbeer, H. Blot, G. Perret, G. Adam, E. Voisin, R. Mann, J. Tubas. Harps. Timpani. Percussion. Sidow, P. Zighera, B. Ritter, A. Sternburg, S. Adam, E. Caughey, E. Polster, M. White, L. Organ. Celesta. Librarian. Snow, A. Fiedler, A. Rogers, L. ) The SAVOY- PLAZA PLAZA Ideally located on Fifth The Savoy-Plaza, Avenue at the entrance to newer associate of Central Park, The Plaza The Plaza, faces Cen- offers the highest standards tral Park and offers of hospitality and cuisine. the same excellence Near business . transpor- of hospitality and tation. .theatres. .shops cuisine that distin- . yet away from the noise guishes The Plaza. and confusion of the city. JohnD.Owen Manager CARNEGIE HALL NEW YORK Forty-sixth Season in New York Fifty-first Season, 1931-1932 Dr. SERGE KOUSSEVITZKY, Conductor SECOND CONCERT THURSDAY EVENING, JANUARY 7 AT 8.45 PROGRAMME Corelli .....* Suite Sarabande—Gigue—Badinerie Beethoven . Symphony No. 4 in B-flat major, Op. 60 I. 'Adagio; Allegro vivace. II. Adagio. III. Allegro vivace. Trio. Un poco meno allegro. IV. Finale: Allegro, ma non troppo. Sibelius ..... Symphony No. 4 in A minor, Op. 63 I. Tempo molto moderato quasi adagio. II. Allegro molto vivace. III. II tempo largo. IV. Allegro. Frid ......... Suite for Orchestra I. Aria e Allegro. II. Passacaglia. III. Scherzo. IV. Intermezzo. V. Perpetuum mobile. (First Performance in New York) STEINWAY PIANO There will be an intermission of ten minutes after Beethoven's symphony The music of these programmes is available at the 58th Street Library 5 .' Suite: (Sarabande-Gigue-Badinerie) . Arcangelq Oorelli (Born at Fusignano, near Iinola, Italy, on February 17,* 1653; died at Rome on January 8, 1713) This Suite was arranged by Ettore Pinellif by taking movements from Corelli's Op. 5—"XII Suonate a violino e violone o cembalo" published in folio at Rome in 1700. There were half a dozen editions of this work before 1799. It was arranged in an edition published at London and Amsterdam as a set of trios for two flutes and a bass. Francesco Geminiani arranged the sonatas as "Concerti grossi" and published them in London (s. d.). Single sonatas in Op. 5 have been edited by Delphin Alard; by Ferdinand David (Folies d'Espagne, the last movement in Op. 5)$ Corelli, famous violinist and composer, was a pupil of Giovanni Benvenuti at Bologna. (The story that the four years younger Giovanni Battista Bassani was his teacher is now discredited.) Little is known about Corelli until he went to Rome in 1671, became a member of the Capranica Theatre Orchestra, and studied com- position with Matteo Simonelli. It appears that Corelli lived in Germany in 1679-81; was in the service of the Elector of Bavaria at Munich; was in the company of Jean-Baptiste Farinelli, the concertmaster at Hanover of the orchestra maintained by the Elec- tor George, who became George I. of England. § He was also at Heidelberg. In 1682 he made Rome his abiding place. There his violin playing and the publication of his twelve sonatas for two violins, violoncello, and basso continuo brought him great renown. The Cardinals Benedetto Pamphili and Pietro Ottoboni befriended him. The latter lodged him in his palace, and there Corelli con- ducted concerts on Mondays. He bequeathed to Ottoboni a valuable collection of paintings and about f300,000. The Cardinal accepted the pictures, but gave the money to Corelli's relatives. The story that, going to Paris in 1672, he excited Lulli's jealousy, who by in- *This date is given by Riemann. Paul David, in Grove's Dictionary, gives February 12 or 13. "The dates of Corelli's, birth and death depend on the translation of Corelli's epitaph as copied by Dr. Burney in his "History," says David. fPinelli, born in 1843 at Rome, died there in 1915. A violinist and conductor, he was zealous in the cultivation of concert and chamber music in Rome and other Italian cities. "To this end he successfully devoted his long and strenuous activities as violinist, conductor, and teacher." He studied the violin with Ramacciotti at Rome ; with Joachim at Hanover. In 1866 he founded at Rome the Society for Chamber Music. With Sgambati in 1869 he organized at the R. Accademia di Santa Cecilia at Rome a school of violin and pianoforte playing, the beginning of the R. Liceo Mus. di Santa Cecilia. In 1867 he founded the Societa Orchestrale Romana, which he con- ducted for many years, bringing out important works of "the classical symphonic art," almost unknown till then in Italy. $An oblong edition 4to, with an engraved frontispiece, signed Ant. Meloni del P. P. Bouche, sculp, two full-page engravings and 68 full-page engraved plates of music, sold by John Walsh, London, about 1699, was unknown to F6tis. It was not in 1907 in the British Museum, which has editions published at Rome, Venice, and Amsterdam circa 1700. §George I. sent Farinelli as Resident Minister to Venice. He died in 1720, having been born at Grenoble in 1655. 6 : trigues and annoyances drove him away, is probably without foundation. In his latter years he was a prey to melancholy. Modest, amiable, he was simple in his life; almost shabbily dressed; always going on foot instead of taking a carriage. Many stories are told of his great fame as a violinist ; of his adventure with the King of Naples and Alessandro Scarlatti; of his playing to Handel. At Naples he was technically unfortunate. Eeturning chagrined to Rome, he found that the public favored an oboe virtuoso ; that a violinist named Valentini, an inferior player, was applauded. Hence the melancholy of Corelli's later years. But it is not easy to separate, in the early biographical sketches of Corelli and his contemporaries facts from idle gossip. As violinist he laid the foundation for technical development and writing for the solo instrument; as a composer he founded the manner of orchestral writing on which the future development rested. He was not a brilliant virtuoso, a Hexenmcister, but his style was distinguished by breadth, emotion, and nobility. Sir Hubert Parry said of Corelli, the composer "Corelli, was almost the first composer who showed a consistent instinct for style, and this marks one of the most important attain- Analytic Symphony Series DITSON PUBLICATION A Twentieth Century Musical Home Necessity THE ANALYTIC SYMPHONY SERIES Great Symphonies, arranged in the simplest possible playable form for two hands on the piano, with remarkably clear analy- ses by the eminent teacher and theorist, Dr. Percy Goetschius. Understanding depends upon knowledge, and this can be secured only by a study of the music itself, therefore real enjoyment of symphonic works is hugely enhanced by the use of this simplified edition.
Recommended publications
  • Denison University Bulletin, Granville, Ohio 1956-1957, 126Th Academic Year

    Denison University Bulletin, Granville, Ohio 1956-1957, 126Th Academic Year

    ITY BULLETIN CATALOG.NUMBER 1956-57 !•-« ■) i ti . s - ,t y**.~ >**« ENISON UN l-V E R S I TY BULLETIN CATALOG NUMBER 1956-57 i Cfj tyieuT oPrke Gu«fius BENISON UNIVERSITY und a.portion, oftke tyi/Zqge of GRANVILLB- OHIO DENISON UNIVERSITY BULLETIN Granville, Ohio 1956-57 126tli -Academic IJeear A COLLEGE OF LIBERAL ARTS AND SCIENCES Founded 1831 CATALOG NUMBER Volume LVI, No. 3 October. 1956 Ih. Doniton Univ.rlity Bulletin is publilhod by Doniion Unlvartily, Gronvillo, Ohio, lour lim.i o y.af in Juno. Auguil, Oclobor. ond No.ombor. Enlwtd oi ucond clan malt.r at th. Poit OBic. at GranvilU. Ohio, und«r ih. Act ol Auguit 24. 1912. CALENDAR 1956-1957 I til !»'« MKST I1HMIU New Student Days. Saturday-Thursday. row JANUABT •-(.'ember 8-13 Registration Day. Thursday. - M r n r t s \i r w T i - September IS 1 4 -. 4 : .-12344 ClaNH twtfin Monday. September 17 9 9 10 U tt 11 14 4 : * i iv II u Homerumidit, Saturday. October I ■■ i* ii ii ;o .'0 :i 13 14 IS 14 17 1* I* Dad'i Das*. Saturday. October 27 . :« .: II 20 21 22 II 2. 30 31 27 28 19 SO 31 . Hi..' ■ ■.'iving V»r»! i»n begins Wednesday. November 21, noon Ih-n.niv-.i Vacation end* Air.t n FEHRl'ARY Monday. November 21, noon Pre-ReitU(ratk>n Day. Saturday. M 1 tt T K S a M T w T V - I December 8 _ 1 S 4 IS CfcrtJtau Vacation basins .-.
  • June 1902) Winton J

    June 1902) Winton J

    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 6-1-1902 Volume 20, Number 06 (June 1902) Winton J. Baltzell Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Baltzell, Winton J.. "Volume 20, Number 06 (June 1902)." , (1902). https://digitalcommons.gardner-webb.edu/etude/471 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. THE PUBLISHER OF THE ETVDE WILL SUPPLY ANYTHING IN MUSIC. 11^ VPl\W4-»* _ The Sw»d Volume ol ••The Cmet In Mmk" mil be rmdy to «'»!' >* Apnl "* WORK m VOLUME .. 5KI55 nETUDE I, Clic.pl". Oodard. and Sohytte. II. Chamlnade. J^ ^ Sthumann and Mosz- Q. Smith. A. M. Foerater. and Oeo. W. W|enin«ki. VI. kowski (Schumann occupies 75 pages). • Kelley» Wm. Berger, and Deahm. and Fd. Sehnett. VII. It. W. O. B. Klein. VIII, Saint-Saens, Paderewski, Q Y Bn|ch Max yogrich. IX. (llazounov, Balakirev, the Waltz Strau ’ M g Forces in the X. Review ol the Coum a. a Wholes The Place ol Bach nr Development; Influence ol the Folks Song, etc.
  • La Recepción Temprana De Wagner En Estados Unidos: Wagner En La Kleindeutschland De Nueva York, 1854-1874

    La Recepción Temprana De Wagner En Estados Unidos: Wagner En La Kleindeutschland De Nueva York, 1854-1874

    Resonancias vol. 19, n°35, junio-noviembre 2014, pp. 11-24 La recepción temprana de Wagner en Estados Unidos: Wagner en la Kleindeutschland de Nueva York, 1854-1874 F. Javier Albo Georgia State University, Atlanta, USA. [email protected] Resumen Este trabajo se centra en la recepción de la música de Richard Wagner, limitado a un marco geográfico específico, el de la ciudad de Nueva York –en concreto el distrito alemán de la ciudad, conocido como Kleindeutschland– y temporal, el comprendido entre la primera ejecución documentada de una obra de Wagner en la ciudad, en 1854, y la definitiva entronización del compositor como legítimo representante de la tradición musical alemana a partir del estreno de Lohengrin en la Academy of Music, en 1874. Se destaca la labor de promoción a cargo de los emigrantes alemanes, en su papel de mediadores, en los años 50 y 60 del siglo XIX, una labor fundamental ya que gracias a ella germinó la semilla del culto a Wagner que eclosionaría durante la Gilded Age, la “Edad dorada” del desarrollo económico y artístico finisecular, que afectó a todo el país pero de manera especial a Nueva York. Asimismo, se incluye una aproximación a la recepción en la crítica periodística neoyorquina durante el periodo en cuestión. Palabras clave: Wagner; Recepción temprana en Nueva York; Músicos alemanes y emigración, 1850-1875; Crítica periodística. Abstract This study discusses the early reception of Richard Wagner’s music in New York, starting with the first documented performance of a work by Wagner in the city, in 1854, and the momentous production of Lohengrin at the Academy of Music, in 1874.
  • An Open Letter to President Hai'ding

    An Open Letter to President Hai'ding

    THE AMERICAN MONTHLY 261 266 THE AMERICAN MONTHLY SQUARE DEAL * -+Z v +l* The National Elections HWRONG TOBE H advise the election of a republican Congress for would have pushed it through, if it had not been for the ALL SCHUFtt^fI WEthe following reasons: masterly strategy of Senator Lodge. First, we still have confidence in Mr. Harding What credence can be placed in Mr. Hitchcock’s prom- n and his policy of good-will in the world; ises now, that he will work for the abrogation of the monVhlv Secondly, nothing could throttle Mr. Harding’s efforts treaty which he fought hard to have passed when he was completely saddling him a hostile Con- in power? None. more than with VOLUME XIV 25 CENTS A COPY $ 1.35 FOR SIX MONTHS $2.50 PER YEAR NEW YORK, NOVEMBER, gress. It is pernicious anti-Harding propaganda to say: And again Mr. Hitchcock has suddenly discovered that 1922 NUMRjtd ° there is a Horror on the demands the with- Address: 93 Fifth Avenue, New York City “We are in favor of Mr. Harding, but desirous of elect- Rhine, and En,ered as sec August 10, °nd-class matter, 1914, at the Post Office at New York, under the Act March 3 drawal of the uncivilized French troops. For four years F"St ,SSUed of 1870 ing a democratic Congress”; 1 ' AuSUSt 10- 1914’ undef the °f “The Fatherland” and published umnterruptedly day! he has known the facts, and done NOTHING. Is it to the present Thirdly, while not at all satisfied with much that was likely that be will be able or even willing to take any that was not done by the republican Con- done and more effective steps after the election is over? gress these past two years, we are convinced that this Hitchcock Wilson’s and his election republican Congress was a vast improvement over the was man Friday, of the Month would cheer the defeated than Diary democratic Congress under Wilson.
  • History of German Immigration in the United States and Successful

    History of German Immigration in the United States and Successful

    w*r» . & <J> 1> t U *7* y"J, 7^ ^ ,/~ J i- ^ « *^ ^V ^VB *bVB * ^ <>••••<** CARL SCML'RZ. HISTORY OF V& GERMAN IMMIGRATION IN THE UNITED STATES AND Successful German-Americans and Their Descendants BY GEO. VON SKAL 1908 I of CuI\mRESS* I wo tAKiiei o SEP 17 laua UUtt LX_ AAC. > ) | a. S « 3 J f a. To the memory of the late (Earl ^rlutrz who, a steadfast and loyal American, remained true to German ideals, and devoted his life to the betterment of his adopted country, never forget- ting or belittling the gifts he had received from the land of his birth, this utnrk is iirMratrii COPYRIGHT, 1908, BY F. T. & J. C. SMILEY NEW YORK CITY — INTRODUCTION THIS work is intended to be a record of all that Germans have accomplished in the United States a record of honest endeavor, energy, perseverance, strength and achievement. It shall, in addition, show the part that the American citizen of German blood has taken in the making of these United States, in peace and war, on the battlefield as well as in the counting house, the workshop and laboratory, in the realm of science and education or in the long fight that was neces- sary to extend civilization and culture over a continent. It contains a history of German immigration in the United States from the first settlements to the present day, showing what the Germans were who left the fatherland, why they came, and what they did in their new country. Every incident throwing light upon the work done by the German element has been made use of to give a complete, though concise, and impartial re- cital of its activity, and a description of the influence it has exerted upon the development of the Union.
  • The P Presby Erian Church

    The P Presby Erian Church

    R E V . \V I L L I A M O H N C H I C H E S TE R D . D . J , T H E P Presby erian Church A H I ST O RY O F T H E O L D E ST O R GA N I Z AT I O N I N C H I C A G O Wi th B i og ra ph i ca l Ske t c h e s of th e P a s tors a n d C opi ou s Ext a c ts f r o m" t h e C ho ir Re ds r : ; cor ’ ’ P H I L O Mi AMsi o i f l s Me mb e r of th e Commi tte e on Mu sic sin c e 1 8 7 4 WI T H I L L U ST R A T I O N S C L A Y T O N F. S U M M Y C o . C H I C A G O 1 9 0 0 LIST O F I LLU ST RAT I N O S. D REV . W . J . CHICHESTER , D . , M M T B F B E ORIAL A LET , ORT DEAR ORN , B . D . REV . JOHN LATCHFORD , D , B ” RICK CHURCH , FIRST PRESBYTERIAN CHURCH B M E . WA ASH AVENUE . CHURCH , M M O R . JA ES TIS , FIRST PRESBYTERIAN CHURCH M G F. B R . EORGE ACON , F B I IRST PRES YTERIAN CHURCH ( NTERIOR ), M A .
  • Pierre Boule

    Pierre Boule

    SALLE PLEYEL CENTRE ARTISTIQUE DE PARIS Administrateur général : Henri VIEILLARD-BARON FESTIVAL FESTIVAL D'AUTOMNE ESTIVAL A PARIS DE PARIS JEUDI 18 SEPTEMBRE 1975 NEW YORK PHILHARMONIC DIRECTION: PIERRE BOULE/ La tournée européenne du New York Philharmonic a pu être réalisée grâce à undon d'IBM WORLD TRADE CORPORATION Le New York Philharmonic enregistre en exclusivité sur disques CBS Piano STEINWAY Représentant en France : Bureau International des Concerts et Conférences Ch. et C. KIESGEN, 252, Faubourg Saint-Honoré, 75008 PARIS Tél. 924-21-25 Document de communication du Festival d'Automne à Paris - tous droits réservés LE NEW YORK PHILHARMONIC ETSON PASSE Il y a quelques années le critique américain James Huneker put Le hombre des solistes de premier plan qui se sont produits avec écrire :« L'histoire du Philharmonique de New York est celle-là le New York Philharmonie n'est pas moins impressionnant :Isaye, même de la musique aux Etats-Unis ». Ce faisant il ne se contentait Bull, Gottschalk, Sarasate, Wieniawsky, Vieuxtemps, Casals, Thibaud, pas de résumer en une phrase l'activité ininterrompue de l'orchestre Busoni, AlmaGluck,Hofmann,Carreno,Joseffy,Feuermant4 depuis 1842 mais soulignait aussi le travail de pionnier qui fit de Schnabel, Cortot, Kreisler, Rachmaninov, Lilli Lehmann, Lhevin.ne, cet orchestre le chef de file de toute une tradition musicaleassocier Nordica, Horowitz,Heifetz,Casadesus,Rubinstein, Paderewsky, les ,oeuvres nouvelles à celles qui sont déjà familières au public. Schumann-Heink, Flagstadt, Tourd, Novaes, Milstein, Hess, Stern, Tebaldi,Cliburn,Anderson,aistrakh,Farrel,Szigeti,Serkin, Le Philharmonique de New York fut fondé en tantque coopérative Schwartzkopf,Piatigorsky,Menuhin,Lotte Lehmann,Melchior, à une époque où un Washington Irving quittait les U.S.A.pour Francescatti, Guilels, Richter, Sutherland, Nilsson, Rostropovitch..
  • April 1911) James Francis Cooke

    April 1911) James Francis Cooke

    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 4-1-1911 Volume 29, Number 04 (April 1911) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 29, Number 04 (April 1911)." , (1911). https://digitalcommons.gardner-webb.edu/etude/568 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. TWO PIANOS THE ETUDE FOUR HANDS New Publications The following ensemble pieces in- S^s?^yssL*aa.‘Sffi- Anthems of Prayer and Life Stories of Great nai editions, and some of the latest UP-TO-DATE PREMIUMS Sacred Duets novelties are inueamong to addthe WOnumberrks of For All Voices &nd General Use Praise Composers OF STANDARD QUALITY A MONTHLY JOURNAL FOR THE MUSICIAN, THE MUSIC STUDENT, AND ALL MUSIC LOVERS. sis Edited by JAMES FRANCIS COOKE Subscription Price, $1.60 per jeer In United States Alaska, Cuba, Po Mexico, Hawaii, Pb’”—1— "-“-“* *k- "•* 5 In Canada, »1.7t STYLISH PARASOLS FOUR DISTINCT ADVANCE STYLES REMITTANCES should be made by post-offlee t No.
  • Michael Gielen EDITION 11 Künstlerbiographien | Artists’ Biographies ⊲ Sinfonie Nr

    Michael Gielen EDITION 11 Künstlerbiographien | Artists’ Biographies ⊲ Sinfonie Nr

    Michael 17 CD Mahler Gielen Complete Symphonies Das Lied von der Erde ▪ Des Knaben Wunderhorn ▪ Lieder eines fahrenden Gesellen ▪ Rückert-Lieder ▪ Kindertotenlieder SWR Sinfonieorchester Baden-Baden und EDITION Vol. 6 Freiburg 1988–2014 + DVD: Symphony No.9 Inhaltsverzeichnis deutsch english deutsch english deutsch english Table of Contents Des Knaben Wunderhorn 44 113 ⊲ Sinfonie Nr. 3 ⊲ Des Knaben Wunderhorn Das Lied von der Erde 47 117 O Mensch 60 128 Der Schildwache Nachtlied 70 138 Trackliste | Tracklisting 4 Es sungen drei Engel 60 128 Wer hat dies Liedlein erdacht? 71 139 Über die Michael Gielen EDITION 11 Künstlerbiographien | Artists’ Biographies ⊲ Sinfonie Nr. 4 Des Antonius von Padua Fischpredigt 71 139 About the Michael Gielen EDITION 81 Juliane Banse 51 119 Die himmlischen Freuden 61 128 Christiane Boesiger 51 119 ⊲ Sinfonie Nr. 8 Lied des Verfolgten im Turm 72 140 Michael Gielen – Lebenslauf 14 Eugenie Grunewald 51 120 Teil I 61 129 Rheinlegendchen 73 141 Michael Gielen Chronology 84 Christiane Iven 51 120 Teil II 62 130 Lob des hohen Verstandes 73 141 Siegfried Jerusalem 52 120 Trost im Unglück 74 142 Michael Gielen – Eine Biographie – ⊲ Lieder eines fahrenden mit eigenen Worten 15 Cornelia Kallisch 52 121 Gesellen Das irdische Leben 74 142 Michael Gielen – A Biography – Elisabeth Kulman 53 121 Wenn mein Schatz Hochzeit Der Tamboursg’sell 74 142 macht 66 134 in his own words 85 Peter Lika 53 122 Wo die schönen Trompeten Ging heut’ morgen übers Feld 66 134 blasen 75 143 Alessandra Marc 53 122 Texte | Liner notes deutsch english Ich hab’ ein glühend Messer 67 135 Das himmlische Leben 75 143 Peter Mattei 54 122 Sinfonie Nr.
  • George F. Bristow Concertmaster, 1850-55 Philharmonic Member 1842-84 B

    George F. Bristow Concertmaster, 1850-55 Philharmonic Member 1842-84 B

    George F. Bristow Concertmaster, 1850-55 Philharmonic Member 1842-84 b. New York, 1825 d. New York, 1898 A founding member of the New York Philharmonic from 1842, George Bristow was the first Concertmaster to succeed U.C. Hill, the founder of the Orchestra. A working musician for most of his life, Bristow began playing in the Olympia Theatre orchestra at the age of 11, and maintained an eclectic performance career even after he joined the Philharmonic six years later. In addition to his work as a violinist, Bristow was conductor of the Harmonic Society from 1851 and director of the Mendelssohn Union. He was also an active church organist and a dedicated composer, writing cantatas, overtures, quartets, anthems, songs, piano pieces and an opera Rip Van Winkle . The Philharmonic has performed eight of his works, the most recent being his String Quartet Op. 2 performed in 2002 at a Philharmonic Ensembles concert. Richard Arnold Concertmaster 1885-1909 Philharmonic Member 1876-1909 b. Eilenberg, Germany, 1845 d. New York, 1918 German violinist Richard Arnold was an important leader of the Philharmonic both as musician and administrator. In addition to his duties as Concertmaster he was a Director of the Society from 1879-95, and Vice President from 1895-1918. Under his watch the Philharmonic made its seminal transition from self-governing organization to modern business administration in 1909 with a managing staff and board. It was at this time that Gustav Mahler was hired as Music Director, and it was with Richard Arnold that Mahler did much of his corresponding.
  • Boston Symphony Orchestra Concert Programs, Season 51,1931-1932, Trip

    Boston Symphony Orchestra Concert Programs, Season 51,1931-1932, Trip

    CARNEGIE HALL .... NEW YORK Thursday Evening, November 19, at 8.45 Saturday Afternoon, November 21, at 2.30 PRoGRTWVE "Ike BOSTON SYMPHONY ORCHESTRA: 188M931" By M. A. De WOLFE HOWE Semi'Centennial Edition It is seventeen years since M. A. De Wolfe Ilowe's history of the Boston Symphony Orchestra was published. The Fiftieth season of the Orches- tra seemed a fitting time to re-publish this prized narrative of its earlier days, and likewise to record, in additional chapters, the last years of Dr. Muck's conductorship, and those of Henri Rabaud, Pierre Monteux, and Dr. Serge Koussevitzky. Xew appendices include a complete list of the music played at the regular concerts, giving the dates of performances. The soloists and the personnel through fifty years are also recorded, and the address on Henry Lee Higginson made by Bliss Perry at the Bach Festival, March 25, 1931. Now on sale at the Box Office, or by money order to Symphony Hall, Boston Price $1.50 (postage included) CARNEGIE HALL - - - NEW YORK Forty-sixth Season in New York FIFTY-FIRST SEASON, 1931-1932 INC. Dr. SERGE KOUSSEVITZKY, Conductor THURSDAY EVENING, NOVEMBER 19, at 8.45 AND THE SATURDAY AFTERNOON, NOVEMBER 21, at 2.30 WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1931, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. FREDERICK P. CABOT President BENTLEY W. WARREN Vice-President ERNEST B. DANE Treasurer FREDERICK P. CABOT ARTHUR LYMAN ERNEST B. DANE WILLIAM PHILLIPS N. PENROSE HALLOWELL EDWARD M. PICKMAN M. A. DE WOLFE HOWE HENRY B.
  • Dissertation Document

    Dissertation Document

    Three Dissertation Recitals of Trombone Music by John William Gruber A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts (Music: Performance) in the University of Michigan 2018 Doctoral Committee: Professor David Jackson, Chair Professor Colleen Conway Professor Michael Haithcock Professor Fritz Kaenzig Professor Edward Norton John William Gruber [email protected] Ó John William Gruber 2018 Table Of Contents ABSTRACT iii First Recital Program 1 Program Notes 2 Second Recital Program 7 Program Notes 8 Third Recital Program 13 Program Notes 14 ii Abstract Three trombone recitals given in lieu of a written dissertation for the degree A. Mus. D. in performance. Saturday, September 30, 2017, Hankinson Rehearsal Hall, Moore Building, University of Michigan. Liz Ames, piano; Becky Bloomer and Ben Thauland, trumpets; Morgan LaMonica, horn; Phillip Bloomer, tuba; Colleen Bernstein, Danielle Gonzalez and Alec Ockaskis, percussion; Elliott Tackitt, conductor. Fantasy for Trombone, by Malcolm Arnold; Harvest: Concerto for Trombone, by John Mackey; Hommage A Bach, by Eugene Bozza; Romance, by William Grant Still; Suite for Brass Quintet, by Herbert Haufrecht. Monday, December 11, 2017, Stamps Auditorium, Walgreen Drama Center, University of Michigan. Liz Ames, piano; Rhianna Nissen, mezzo-soprano; Joel Trisel, baritone. “Almo Factori” from Motetto de Tempori, by František Ignác Antonín Tuma; Cinque canti all’antica, by Ottorino Respighi; Lieder eines fahrenden Gesellen, by Gustav Mahler; Basta, by Folke Rabe; Vocalise Etude, but Olivier Messiaen; Cançao de Cristal, by Heitor Villa-Lobos; “Vocalise” from Fourteen Songs, op. 34, by Sergei Rachmaninoff; What Will Be, Will Be Well, by Andrew Selle.