DOCSLIB.ORG

Missouri Historical Revi Ew

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Missouri Historical Revi Ew MISSOURI HISTORICAL REVI EW, CONTENTS Missourians Abroad—Daniel Cowen Jacklin Grace L. Gilmore Jayhnwkers in Missouri, 1858-1863 Hildegarde R. Herklotz A Century of Missouri Music Ernst C. Krohn The New Journalism in Missouri Walter B. Stevens The Followers of Duden William G. Bek Shelby's Expedition to Mexico John N. Edwards Pioneer Life in Southwest Missouri Wiley Britton Historical Notes and Comments Historical Articles in Missouri Newspapers STATE HISTORICAL SOCIETY of MISSOURI April, 1923 THE MISSOURI HISTORICAL REVIEW Vol. XVII April, 1923 No. 3 CONTENTS. Missourians Abroad—Daniel Cowen Jackling , 257 GBACE L. GILMORE Jayhawkers in Missouri, 1858-1863 266 HlLDEGARDE It. HERKLOTZ A Century of Missouri Music 285 ERNST C. KBOHN The New Journalism in Missouri 321 WALTER B. STEVENS The Followers of Duden 331 WILLIAM G. BEE Shelby's Expedition to Mexico 348 JOHN N. EDWARDS Pioneer Life in Southwest Missouri 358 WILEY BRITTON Historical Notes and Comments 376 Historical Articles in Missouri Newspapers 405 FLOYD C. SHOEMAKER, Editor The Missouri Historical Review is published quarterly. The subscription price is $1.00 a year. A complete set of the REVIEW is still obtainable—Vols. 1-16, bound, $65.00; unbound, $32.00. Prices of separate volumes given on request. All communications should be addressed to Floyd C. Shoemaker, Secretary, The State Historical Society of Missouri, Columbia, Missouri. "Entered as second-class matter at the postoffice at Columbia, Missouri, under act of Congress, Oct. 3, 1917, Sec. 44%-" CONTRIBUTORS Miss GRACE L. GILMORE has been employed in The State Historical Society since June, 1922. She received her degree of A. B. from the State University of Iowa, having specialized in history. Miss Gilmore contributed in the final compilation of the Messages and Proclamations of the Governors of the State of Missouri (1820-1864, 3 vols.), recently published by The State Historical Society. Miss HILDEGARDE ROSE HERKLOTZ received her A. B. (1921) and M. A. (1922) from Washington University. She was awarded an undergraduate scholarship in that institution in 1918 in recognition of her work in the Cleve­ land (St. Louis) high school. In her academic studies she majored in history and is today teaching history in the Collinsville (111.) high school. Her home is in St. Louis. ERNST C. KROHN, pianist and composer, was born in New York City but has been a resident of St. Louis since 1899. He was secretary of the Musicians' Guild of St. Louis for seven years and was also a member of the International Music Society, Music Teachers' National Association, and the Missouri Music Teachers' Association. He has composed many piano pieces and has con­ tributed articles on piano study to the Etude and the Musician. His mono­ graphic study of "The Bibliography of Music" appeared in The Musical Quar­ terly. WALTER B. STEVENS, author and journalist, is the most popular historical writer in Missouri. Mr. Stevens has over a score of books to his credit and in 1921 published a Centennial History of Missouri. He has held several im­ portant public positions, including the secretaryship of the Louisiana Purchase Exposition at St. Louis. He is president of The State Historical Society. His home is in St. Louis. WILLIAM G. BEK, a native Missourian, is head of the department of Ger­ manic languages in the University of North Dakota. His contributions, brochures, and translations relating to German settlements in the United States, place him among the highest authorities in this line of historical research. His translation of "Duden's Report," lately published in the Review, is regarded by scholars as one of the most important contributions to western history that has appeared in recent years. JOHN N. EDWARDS (deceased), one of the most widely known journalists of Missouri, was a member of Shelby's expedition to Mexico. He is regarded by some competent authorities as having been the greatest master of journalistic writing that the State has produced. WILEY BRITTON, author, public official, and Civil War veteran, is a native Missourian. Born in Newton county in 1842, he has spent much of his life in western and southwestern Missouri. From 1871 to 1905 he was special agent of the War Department and later special examiner of the Bureau of Pensions in investigating war claims in Missouri, where he examined fifteen thousand witnesses. Mr. Britton is the author of several valuable works on the Civil War, among which are The Civil War on the Border (2 vols.) and Memoirs of the Rebellion, 1863. (256) MISSOURIANS ABROAD—NO. 12 DANIEL COWEN JACKLING BY GRACE L. GILMORE "Work, work, more work. That's the formula. For ten years I averaged fifteen hours a day. I've worked steadily, persistently, ever since I was old enough to know what work was. And this is my definition of work: To repeat mechanic­ ally the same task is not work; that is labor. The work I mean, is continuous, purposeful, constructive effort, followed by accomplishment. If you leave the engine of your auto­ mobile running while it stands at the curb, the motor burns fuel and oil, goes through all the motions, and in time will wear itself out; but the car performs no work. Thousands of men are running the car of their life with the throttle wide open, without noticing that the wheels are spinning deeper and deeper into the sand. Effort alone won't do it. It must be definite, constructive effort; it must be continuous, and it must produce results. Whenever I found that my best efforts failed to produce the expected results, I chose another road and went at it again until I got there."—D. C. Jackling. Daniel Cowen Jackling was left an orphan before he was two years old. At twenty, he began to work his way through college. At forty Mr. Jackling was a millionaire and work was his motto. Genius, a handsome name frequently given to hard working men after they have finished a tough job, is the name that has been given to Mr. Jackling, and it is one which he justly deserves since his amazing achievements in the copper industry. Sixteen years ago several mines in the Oquirrh Moun­ tains in Utah were abandoned. They had been worked for twenty-five years and gold, silver and lead could no longer be had in paying quantities. It was well known that these mines contained enormous quantities of copper ore, but it was of such low grade that it would not repay the cost of mining. (257) 258 MISSOURI HISTORICAL REVIEW. D. C. Jackling, who had been an engineer in one of these mines, had studied this low-grade ore. Men that knew some­ thing about the mines laughed at him for wasting his time on ore in which only two parts in a hundred were worth anything. But when the mines closed down, Mr. Jackling raised a little capital, went East and interested capitalists in New York and Boston. Then he went back to the mines, bought the old equipment at a low price and the Utah Copper Company started operations. In 1917, this company with Jackling at its head, produced the greatest copper tonnage of any mine in the world. It has, from the beginning, paid handsome profits on perhaps the lowest grade ore ever carried to a smelter. It handles every day a far greater tonnage of raw materials, minerals and metal than any other mine in operation. In 1916, six tons of explosives were used every day, shattering fifty thousand tons of surface waste and porphyry ore. At the smelter, the results were 200 ounces of gold, 2,000 ounces of silver and 400,000 pounds of copper every day, an aggregate value of $75,000. That was the daily average for a year. Jackling's father and mother lived in Bates county, Missouri, before there were any railroads west of St. Louis. The father, Daniel Jackling, was born in England in 1822. He came to the United States while a young man and was naturalized in this country. Following the rush of settlers in the early fifties he was engaged in a small way in the ship­ ping business of the Pacific. Later, he moved to Bates county, Missouri, and engaged in the trading and forwarding business, on the Santa Fe trail at the old town of Hudson, near what is now Appleton City. Here Daniel Cowen Jackling was born August 14, 1869. Jackling's father died in December, 1869, and his mother died before he was two years old. His mother's sister, Abigail Duhn, with whom he was taken to live, married and they lived on a farm during all the early part of Jackling's life. Young Jackling's first ambition was to be a school teacher. When he was eighteen, he was working as a farm hand for a salary of fifteen dollars a month. The district school teacher at the time was making thirty dollars a month. M -v>Jl^H I 1 ^%;*.\.v' ffi^^^^^^^^H 1 DANIEL COWAN JACKLING MISSOURIANS ABROAD—NO. 12. 259 This looked like a big salary to Jackling. He decided to be­ come a teacher in order to save money to buy land, and at­ tended the normal school at Warrensburg, Missouri, the next winter with this definite purpose in mind. During his first winter at the W7arrensburg normal school, the district teacher left his school, and went to St. Joseph to clerk in a hardware store with a salary of $75 a month. Jack­ ling heard of this and immediately changed his plans. He decided that if he could become a country school teacher, he might also become a clerk and make $75 a month.
Load more

Recommended publications
  • Denison University Bulletin, Granville, Ohio 1956-1957, 126Th Academic Year
    ITY BULLETIN CATALOG.NUMBER 1956-57 !•-« ■) i ti . s - ,t y**.~ >**« ENISON UN l-V E R S I TY BULLETIN CATALOG NUMBER 1956-57 i Cfj tyieuT oPrke Gu«fius BENISON UNIVERSITY und a.portion, oftke tyi/Zqge of GRANVILLB- OHIO DENISON UNIVERSITY BULLETIN Granville, Ohio 1956-57 126tli -Academic IJeear A COLLEGE OF LIBERAL ARTS AND SCIENCES Founded 1831 CATALOG NUMBER Volume LVI, No. 3 October. 1956 Ih. Doniton Univ.rlity Bulletin is publilhod by Doniion Unlvartily, Gronvillo, Ohio, lour lim.i o y.af in Juno. Auguil, Oclobor. ond No.ombor. Enlwtd oi ucond clan malt.r at th. Poit OBic. at GranvilU. Ohio, und«r ih. Act ol Auguit 24. 1912. CALENDAR 1956-1957 I til !»'« MKST I1HMIU New Student Days. Saturday-Thursday. row JANUABT •-(.'ember 8-13 Registration Day. Thursday. - M r n r t s \i r w T i - September IS 1 4 -. 4 : .-12344 ClaNH twtfin Monday. September 17 9 9 10 U tt 11 14 4 : * i iv II u Homerumidit, Saturday. October I ■■ i* ii ii ;o .'0 :i 13 14 IS 14 17 1* I* Dad'i Das*. Saturday. October 27 . :« .: II 20 21 22 II 2. 30 31 27 28 19 SO 31 . Hi..' ■ ■.'iving V»r»! i»n begins Wednesday. November 21, noon Ih-n.niv-.i Vacation end* Air.t n FEHRl'ARY Monday. November 21, noon Pre-ReitU(ratk>n Day. Saturday. M 1 tt T K S a M T w T V - I December 8 _ 1 S 4 IS CfcrtJtau Vacation basins .-.
    [Show full text]
  • June 1902) Winton J
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 6-1-1902 Volume 20, Number 06 (June 1902) Winton J. Baltzell Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Baltzell, Winton J.. "Volume 20, Number 06 (June 1902)." , (1902). https://digitalcommons.gardner-webb.edu/etude/471 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. THE PUBLISHER OF THE ETVDE WILL SUPPLY ANYTHING IN MUSIC. 11^ VPl\W4-»* _ The Sw»d Volume ol ••The Cmet In Mmk" mil be rmdy to «'»!' >* Apnl "* WORK m VOLUME .. 5KI55 nETUDE I, Clic.pl". Oodard. and Sohytte. II. Chamlnade. J^ ^ Sthumann and Mosz- Q. Smith. A. M. Foerater. and Oeo. W. W|enin«ki. VI. kowski (Schumann occupies 75 pages). • Kelley» Wm. Berger, and Deahm. and Fd. Sehnett. VII. It. W. O. B. Klein. VIII, Saint-Saens, Paderewski, Q Y Bn|ch Max yogrich. IX. (llazounov, Balakirev, the Waltz Strau ’ M g Forces in the X. Review ol the Coum a. a Wholes The Place ol Bach nr Development; Influence ol the Folks Song, etc.
    [Show full text]
  • An Open Letter to President Hai'ding
    THE AMERICAN MONTHLY 261 266 THE AMERICAN MONTHLY SQUARE DEAL * -+Z v +l* The National Elections HWRONG TOBE H advise the election of a republican Congress for would have pushed it through, if it had not been for the ALL SCHUFtt^fI WEthe following reasons: masterly strategy of Senator Lodge. First, we still have confidence in Mr. Harding What credence can be placed in Mr. Hitchcock’s prom- n and his policy of good-will in the world; ises now, that he will work for the abrogation of the monVhlv Secondly, nothing could throttle Mr. Harding’s efforts treaty which he fought hard to have passed when he was completely saddling him a hostile Con- in power? None. more than with VOLUME XIV 25 CENTS A COPY $ 1.35 FOR SIX MONTHS $2.50 PER YEAR NEW YORK, NOVEMBER, gress. It is pernicious anti-Harding propaganda to say: And again Mr. Hitchcock has suddenly discovered that 1922 NUMRjtd ° there is a Horror on the demands the with- Address: 93 Fifth Avenue, New York City “We are in favor of Mr. Harding, but desirous of elect- Rhine, and En,ered as sec August 10, °nd-class matter, 1914, at the Post Office at New York, under the Act March 3 drawal of the uncivilized French troops. For four years F"St ,SSUed of 1870 ing a democratic Congress”; 1 ' AuSUSt 10- 1914’ undef the °f “The Fatherland” and published umnterruptedly day! he has known the facts, and done NOTHING. Is it to the present Thirdly, while not at all satisfied with much that was likely that be will be able or even willing to take any that was not done by the republican Con- done and more effective steps after the election is over? gress these past two years, we are convinced that this Hitchcock Wilson’s and his election republican Congress was a vast improvement over the was man Friday, of the Month would cheer the defeated than Diary democratic Congress under Wilson.
    [Show full text]
  • The P Presby Erian Church
    R E V . \V I L L I A M O H N C H I C H E S TE R D . D . J , T H E P Presby erian Church A H I ST O RY O F T H E O L D E ST O R GA N I Z AT I O N I N C H I C A G O Wi th B i og ra ph i ca l Ske t c h e s of th e P a s tors a n d C opi ou s Ext a c ts f r o m" t h e C ho ir Re ds r : ; cor ’ ’ P H I L O Mi AMsi o i f l s Me mb e r of th e Commi tte e on Mu sic sin c e 1 8 7 4 WI T H I L L U ST R A T I O N S C L A Y T O N F. S U M M Y C o . C H I C A G O 1 9 0 0 LIST O F I LLU ST RAT I N O S. D REV . W . J . CHICHESTER , D . , M M T B F B E ORIAL A LET , ORT DEAR ORN , B . D . REV . JOHN LATCHFORD , D , B ” RICK CHURCH , FIRST PRESBYTERIAN CHURCH B M E . WA ASH AVENUE . CHURCH , M M O R . JA ES TIS , FIRST PRESBYTERIAN CHURCH M G F. B R . EORGE ACON , F B I IRST PRES YTERIAN CHURCH ( NTERIOR ), M A .
    [Show full text]
  • George F. Bristow Concertmaster, 1850-55 Philharmonic Member 1842-84 B
    George F. Bristow Concertmaster, 1850-55 Philharmonic Member 1842-84 b. New York, 1825 d. New York, 1898 A founding member of the New York Philharmonic from 1842, George Bristow was the first Concertmaster to succeed U.C. Hill, the founder of the Orchestra. A working musician for most of his life, Bristow began playing in the Olympia Theatre orchestra at the age of 11, and maintained an eclectic performance career even after he joined the Philharmonic six years later. In addition to his work as a violinist, Bristow was conductor of the Harmonic Society from 1851 and director of the Mendelssohn Union. He was also an active church organist and a dedicated composer, writing cantatas, overtures, quartets, anthems, songs, piano pieces and an opera Rip Van Winkle . The Philharmonic has performed eight of his works, the most recent being his String Quartet Op. 2 performed in 2002 at a Philharmonic Ensembles concert. Richard Arnold Concertmaster 1885-1909 Philharmonic Member 1876-1909 b. Eilenberg, Germany, 1845 d. New York, 1918 German violinist Richard Arnold was an important leader of the Philharmonic both as musician and administrator. In addition to his duties as Concertmaster he was a Director of the Society from 1879-95, and Vice President from 1895-1918. Under his watch the Philharmonic made its seminal transition from self-governing organization to modern business administration in 1909 with a managing staff and board. It was at this time that Gustav Mahler was hired as Music Director, and it was with Richard Arnold that Mahler did much of his corresponding.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 51,1931-1932, Trip
    CARNEGIE HALL .... NEW YORK Thursday Evening, November 19, at 8.45 Saturday Afternoon, November 21, at 2.30 PRoGRTWVE "Ike BOSTON SYMPHONY ORCHESTRA: 188M931" By M. A. De WOLFE HOWE Semi'Centennial Edition It is seventeen years since M. A. De Wolfe Ilowe's history of the Boston Symphony Orchestra was published. The Fiftieth season of the Orches- tra seemed a fitting time to re-publish this prized narrative of its earlier days, and likewise to record, in additional chapters, the last years of Dr. Muck's conductorship, and those of Henri Rabaud, Pierre Monteux, and Dr. Serge Koussevitzky. Xew appendices include a complete list of the music played at the regular concerts, giving the dates of performances. The soloists and the personnel through fifty years are also recorded, and the address on Henry Lee Higginson made by Bliss Perry at the Bach Festival, March 25, 1931. Now on sale at the Box Office, or by money order to Symphony Hall, Boston Price $1.50 (postage included) CARNEGIE HALL - - - NEW YORK Forty-sixth Season in New York FIFTY-FIRST SEASON, 1931-1932 INC. Dr. SERGE KOUSSEVITZKY, Conductor THURSDAY EVENING, NOVEMBER 19, at 8.45 AND THE SATURDAY AFTERNOON, NOVEMBER 21, at 2.30 WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1931, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. FREDERICK P. CABOT President BENTLEY W. WARREN Vice-President ERNEST B. DANE Treasurer FREDERICK P. CABOT ARTHUR LYMAN ERNEST B. DANE WILLIAM PHILLIPS N. PENROSE HALLOWELL EDWARD M. PICKMAN M. A. DE WOLFE HOWE HENRY B.
    [Show full text]
  • Music. a Monthly Magazine Devoted to the Art, Science, Technic and Literature of Music (Chicago, 1891-1902)
    Music. A Monthly Magazine Devoted to the Art, Science, Technic and Literature of Music (Chicago, 1891-1902) A musical reflection of the American Progressive movement’s concerns for education and reform, Music was published and edited by the music educator and prolific writer William Smythe Babcock (W. S. B.) Mathews (1837-1912). From the first issue, appearing in November of 1891, Music published two volumes per year with each monthly issue containing in excess of 100 pages in octavo format. One double issue appeared in August-September of 1901 and publication was suspended between May and August of 1902. In January 1903 the journal merged with Philharmonic (Chicago, 1901-1903). Totaling some 15,000 pages over 11 years, Music represented the high ideals and progressive character of the editor and chief contributors. Mathews saw the need for a more serious music journal in the United States, to stand in contrast to the numerous news- and review-oriented music journals already in wide circulation. Mathews thus summarized his aims for the journal: “That idea, need it be said? is the establishment of a musical periodical of a character and scope not yet realized in the musical world.”1 W. S. B. Mathews was born on a New Hampshire farm in an environment mostly devoid of music.2 Musically, he was largely self-taught, studying piano with local teachers in New Hampshire, later in Boston, and with William Mason during the summers of 1871 to 1873. During the early 1860s, Mathews taught music in Georgia, North Carolina, West Virginia, Alabama, and Illinois, before finally settling in Chicago in 1867.
    [Show full text]
  • Violin Concerto of Samuel Coleridge-Taylor
    ERASING THE COLOR LINE: THE VIOLIN CONCERTO OF SAMUEL COLERIDGE-TAYLOR BY HANGYUL KIM Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University December 2016 Accepted by the faculty of the Indiana University Jacobs School of Music, in partial fulfillment of the requirements for the degree Doctor of Music Doctoral Committee ______________________________________ Ayana Smith, Research Director ______________________________________ Mimi Zweig, Chair ______________________________________ Stanley Ritchie ______________________________________ Peter Stumpf 22 September 2016 ii Copyright © 2016 Hangyul Kim iii To my parents iv Acknowledgements I am grateful to my late violin professor, Ik-Hwan Bae, for his guidance during my studies at Indiana University, as well as his family Sung-Mi Im and Subin Bae. I am also grateful to my brother, Hanearl Kim, for always helping me through difficult times and to my parents for their support and encouragement throughout my academic studies. I would also like to thank my committee for seeing me through the final stages of my degree, especially Dr. Ayana Smith, who took the time to patiently proofread my document. Lastly, I am grateful to my partner, Carolyn Gan, for her patience and dedication and love. This paper would never have come into fruition without my experiences at the East Rock Global Magnet Studies School, and I would like to extend my well-wishes to my colleagues and their children, as they forge onwards through a turbulent world. v Preface Samuel Coleridge-Taylor’s mixed-black heritage, which easily could have remained a social handicap in 19th century Victorian England, may arguably have boosted his career during a time when African-heritage music and artists became fashionable amongst the European and American public.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 28,1908-1909, Trip
    INFANTRY HALL . PROVIDENCE Twenty-eighth Season, 1908-1909 MAX FIEDLER, Conductor Programme nf % FIRST CONCERT WITH HISTORICAL AND DESCRIP- TIVE NOTES BY PHILIP HALE TUESDAY EVENING, NOVEMBER 24 AT 8. J 5 PRECISELY COPYRIGHT, 1908, BY C. A. ELLIS PUBLISHED BY- C. A. ELLIS, MANAGER Mme. CECILE CHAMINADE The World's Greatest Woman Composer Mme. TERESA CARRENO The World's Greatest Woman Pianist Mme. LILLIAN NORDICA The World's Greatest Woman Singer USE Piano. THE JOHN CHURCH CO., 37 West $2d Street New York City REPRESENTED BY THE JOHN CHURCH CO., 37 West 32d Street, New York City Boston Symphony Orchestra PERSONNEL TWENTY-EIGHTH SEASON, 1908-1909 MAX FIEDLER, Conductor First Violins. Hess, Willy Roth, O. Hoffmann, J. Krafft, W. Concert-master. Kuntz, D. Fiedler, E. Theodorowicz, J, Noack, S. Mahn, F. Eichheim, H. Bak, A. Mullaly, J. Strube, G. Rissland, K. Ribarsch, A. Traupe, W. Second Violins. Barleben, K. Akeroyd, J. Fiedler, B. Berger, H. Fiumara, P. Currier, F. Werner, H. Eichler, J. Tischer-Zeitz, H. Kuntz, A. Marble, E. Goldstein, S. Kurth, R. Goldstein, H. Violas. Fenr, E. Heindl, H. Zahn, F. Kolster, A. Krauss, H. Scheurer, K. Hoyer, H. Kluge, M. Sauer, G. Gietzen, A. Violoncellos. Warnke, H. Nagel, R. Barth, C. Loeffler, E. Warnke, J. Keller, J. Kautzenbach, A. Nast, L. Hadley, A. Smalley, R. Basses. Keller, K. Agnesy, K. Seydel, T. Ludwig, O. Gerhardt, G. Kunze, M. Huber, E. Schurig, R. Flutes. Oboes. Clarinets. Bassoons. Maquarre, A. Longy, G. Grisez, G. Sadony, P. Maquarre, D. Lenom, C. Mimart, P. Mueller, E. Brooke, A. Sautet, A.
    [Show full text]
  • Adobe Photoshop
    KUNKEL'S MUSICAL REVIEW, OCTOBER, 1895. 73 NEED OF STRENGTH. FRANZ ONDRICEK. said, "Here, this is my second Wicniaw:oky!" Ondricek remained in France for the •following There is an organic relation between strength Franz Ondricek was born in Prague, where his two years, while he played in a number of the Pas- and singing, says a writer in the New ). ork .Aclve1·- father was a musician, and while quite young he Ideloup Concerts in Parts, as well as in all the repre­ tiset. 'l'he mere production of song demands but was compelled to assist his father to earn a. living sentative concerts in Bordeaux, Lyons, Marseilles, the exertion; of singing and acting together de- for his family. In his seventh year he was advanc- Brussels. Nizza, and other French cities. Later be mands an expenditure of vital force almost as great, ed sufficiently to play violin concertos, principally played for the London Philharmonic ::iociety, wht>re if not equal to, the hardest physit allabor. There Ithose by De Beriot. In his fourteen til year he was Ihe achieved an enormous succes!', so much so that be are many parts in grand opera, and even light op- admitted to the Conservatory, where he made won- has played with that society almost every season for era, which are simply exhausting to a weak or derful progress. He not only studied music, but the last ten years. sickly man or woman. 'l'h is is a reason why EO was also instructed in literary branches. .Aftt'r three After his London succel:>S Ondricek was beard in many charming vocalists, who are simpiy superb years Ondricek received the first prize for his the leading German ciLies, such as Vienna.
    [Show full text]
  • Known Also As Louis Victor Franz Saar [Lôô-Ee Veek-TAWR FRAHNZ SAHAHR]
    Saar C Louis Victor Saar C LOO-uss VICK-tur SAR C (known also as Louis Victor Franz Saar [lôô-ee veek-TAWR FRAHNZ SAHAHR]) Saar C Mart Saar C MART SAHAHR Saari C Tuula Saari C TÔÔÔÔ-lah SAHAH-rih Saariaho C Kaija Saariaho C KAHIH-yah SAHAH-rihah-haw C (known also as Kaija Anneli [AHN-neh-lih] Saariaho) Saavedra C Ángel Pérez de Saavedra C AHN-hell PAY-rehth day sah-VAY-drah Sabaneyev C Leonid Sabaneyev C lay-ah-NYITT sah-bah-NAY-eff C (known also as Leonid Leonidovich [lay-ah-NYEE-duh-vihch] Sabaneyev) Sabata C Victor de Sabata C VEEK-tohr day sah-BAH-tah C (known also as Vittorio de Sabata [veet-TOH-reeo day sah-BAH-tah]) Sabater C Juan María Thomas Sabater C hooAHN mah-REE-ah TOH-mahss sah-vah-TEHR C (known also as Juan María Thomas) Sabbatini C Galeazzo Sabbatini C gah-lay-AHT-tso sahb-bah-TEE-nee Sabbatini C Giuseppe Sabbatini C joo-ZAYP-pay sah-bah-TEE-nee Sabbatini C Luigi Antonio Sabbatini C looEE-jee ahn-TAW-neeo sahb-bah-TEE-nee Sabbato sancto C SAHB-bah-toh SAHNK-toh C (the Crucifixion before Easter Sunday) C (general title for individually numbered Responsoria by Carlo Gesualdo [KAR-lo jay-zooAHL- doh]) Sabin C Robert Sabin C RAH-burt SAY-binn Sabin C Wallace Arthur Sabin C WAHL-luss AR-thur SAY-binn Sabina C Karel Sabina C KAH-rell SAH-bih-nah Sabina C sah-BEE-nah C (character in the opera La fiamma [lah feeAHM-mah] — The Flame; music by Ottorino Respighi [oht-toh-REE-no ray-SPEE-ghee] and libretto by Claudio Guastalla [KLAHOO-deeo gooah-STAHL-lah]) Sabio C Alfonso el Sabio C ahl-FAWN-so ell SAH-veeo Sacchetti C Liberius Sacchetti C lyee-BAY-rihôôss sahk-KAY-tih Sacchi C Don Giovenale Sacchi C DOHN jo-vay-NAH-lay SAHK-kee Sacchini C Antonio Sacchini C ahn-TAW-neeo sahk-KEE-nee C (known also as Antonio Maria Gasparo Gioacchino [mah-REE-ah gah-SPAH-ro johahk-KEE-no] Sacchini) Sacco C P.
    [Show full text]
  • Progrs^VAE Heinrich Gebhard PIANIST, COMPOSER, TEACHER
    PRoGRS^VAE heinrich Gebhard PIANIST, COMPOSER, TEACHER and one of the foremost musicians of this coantry, writes regarding PIAAIOS Dear Sirs: As yoti are awaret for several seasons I have used the Mason & Hamlin Pianos in my public and private playing, with orchestra, in recitals, before musical organizations throttghotjt the country, as well as for my teaching. It gives me great pleasure to tell you that these instruments have met every demand under all these exacting con- ditions. The tone is one of surpassing beauty^ characterized by a singing quality 'which suggests the human 'hoice. The action is exquisitely sensitive, and lends itself to every desire and demand of the artist. I congratulate you on these wonderful instruments, and believe that you are doing much, in their manufacture, for the good of the art of music. {Signed) HEINRICH GEBHARD. MASON&HAMLIN COMPANY Opp. Institute of Technology 492-494 Boylston Street ' SYMPHONY HALL, BOSTON HUNTINGTON6-MASSACHUSETTS AVENUES „ , , ( Ticket Office, 1492 I „ , „ T^^«P^°"^H Administration Offices,3200 t^^'^^^^y TWENTY-EIGHTH SEASON, 1908-1909 MAX FIEDLER, Conductor frogramm? of % Sixteenth Rehearsal and Concert WITH HISTORICAL AND DESCRIP- TIVE NOTES BY PHILIP HALE FRIDAY AFTERNOON, FEBRUARY 26 AT 2.30 O'CLOCK SATURDAY EVENING, FEBRUARY 27 AT 8.00 O'CLOCK COPYRIGHT, 1908, BY C. A. ELLIS PUBLISHED BY C. A. ELLIS, MANAGER 1249 Mme. CECILE CHAMINADE The World's Greatest "Woman Composer Mme. TERESA CARRENO The World's Greatest Woman Pianist Mme. LILLIAN NORDICA The World's Greatest W^oman Singer USE P^SINO. THE JOHN CHURCH CO., 37 West 32d Street New York City REPRESENTED BY G.
    [Show full text]