Celtic Tales: Balor of the Evil Eye Information Sheet
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The Role of Cú Chulainn in Old and Middle Irish Narrative Literature with Particular Reference to Tales Belonging to the Ulster Cycle
The role of Cú Chulainn in Old and Middle Irish narrative literature with particular reference to tales belonging to the Ulster Cycle. Mary Leenane, B.A. 2 Volumes Vol. 1 Ph.D. Degree NUI Maynooth School of Celtic Studies Faculty of Arts, Celtic Studies and Philosophy Head of School: An tOllamh Ruairí Ó hUiginn Supervisor: An tOllamh Ruairí Ó hUiginn June 2014 Table of Contents Volume 1 Abstract……………………………………………………………………………1 Chapter I: General Introduction…………………………………………………2 I.1. Ulster Cycle material………………………………………………………...…2 I.2. Modern scholarship…………………………………………………………...11 I.3. Methodologies………………………………………………………………...14 I.4. International heroic biography………………………………………………..17 Chapter II: Sources……………………………………………………………...23 II.1. Category A: Texts in which Cú Chulainn plays a significant role…………...23 II.2. Category B: Texts in which Cú Chulainn plays a more limited role………...41 II.3. Category C: Texts in which Cú Chulainn makes a very minor appearance or where reference is made to him…………………………………………………...45 II.4. Category D: The tales in which Cú Chulainn does not feature………………50 Chapter III: Cú Chulainn’s heroic biography…………………………………53 III.1. Cú Chulainn’s conception and birth………………………………………...54 III.1.1. De Vries’ schema………………...……………………………………………………54 III.1.2. Relevant research to date…………………………………………………………...…55 III.1.3. Discussion and analysis…………………………………………………………...…..58 III.2. Cú Chulainn’s youth………………………………………………………...68 III.2.1 De Vries’ schema………………………………………………………………………68 III.2.2 Relevant research to date………………………………………………………………69 III.2.3 Discussion and analysis………………………………………………………………..78 III.3. Cú Chulainn’s wins a maiden……………………………………………….90 III.3.1 De Vries’ schema………………………………………………………………………90 III.3.2 Relevant research to date………………………………………………………………91 III.3.3 Discussion and analysis………………………………………………………………..95 III.3.4 Further comment……………………………………………………………………...108 III.4. -
Táin Bó Cúailgne Comprehension Questions 4
Táin Bó Cúailgne Comprehension Questions 4 Q-1 • Cú Chulainn suffers utter exhaustion and significant injuries as a result of his four-day combat against his foster-brother, Fer Diad. Who places in the streams and rivers that flow through Cú Chulainn’s home territory of Muirthemne the “herbs and healing plants” used in an attempt to restore the young warrior to health? Q-2 • In a gesture of support for the injured Cú Chulainn, the Ulster warrior Cethern mac Fintain attacks Medb’s camp. What kind of armor does he wear? Severely injured as a result of his offensive, Cethern joins the convalescing Cú Chulainn, who asks his charioteer, Láeg, to obtain physicians from among the “men of Ireland” to cure Cathern. How does Cathern interact with the 15 physicians who — having, with great reluctance, responded to Cú Chulainn’s demand (conveyed by Láeg) — conclude that Cathern can’t be cured? Q-3 • At Cú Chulainn’s request, Láeg obtains the services of Fíngan, a “seer-physician,” who examines several of Cathern’s wounds individually. From Cathern’s descriptions of who inflicted a given wound, Cú Chulainn is able to identify the attacker or attackers by name — for example, two of Medb and Ailill’s sons (known as the Maines): Maine Máithremail and Maine Aithremail. From which foreign country did two other warriors, inflictors of wounds, come? With which of his sons did Ailill attack Cethern, and what does that individual’s name mean? Q-4 • Of the two options for healing that Fíngan proposes to Cethern, which one does the injured warrior choose? Why, having engaged in the chosen cure, does Cathern fix the “board of his chariot” to his person? Q-5 • What does one of the Maines (Maine Andóe) do when — after having been healed — Cethern approaches the encampment of the men of Ireland? Why does he take that action? After Cethern’s death, his father, Fintan, attempts to avenge his honor by means of an action remembered as Fintan’s tooth fight. -
Yeats and the Mask of Deirdre: "That Love Is All We Need"
Colby Quarterly Volume 37 Issue 3 September Article 6 September 2001 Yeats and the Mask of Deirdre: "That love is all we need" Maneck H. Daruwala Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Quarterly, Volume 37, no.3, September 2001, p.247-266 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Daruwala: Yeats and the Mask of Deirdre: "That love is all we need" Yeats and the Mask ofDeirdre: "That love is all we need II By MANECK H. DARUWALA The poet finds and makes his mask in disappointment, the hero in defeat. The desire that can be satisfied is not a great desire. (Yeats) Man is least himself when he talks in his own person. Give him a mask and he will tell you the truth. (Wilde) EIRDRE, written during a very painful period of Yeats's life, is a civilized D form of autobiography. What could not be put down in journals or lyric poetry and could not be ignored becomes drama. Yeats turns here from the mirror to the mask. "The poet finds and makes his mask in disappointment, the hero in defeat" ("Anima Hominis," Mythologies, 334, 337), may apply equally to Yeats and Naoise. As Yeats says, there is always a phantasmago ria. Here the phantasmagoria includes Celtic myth, politics, chess games, and the literary tradition (or intertextuality-which, like a Greek mask, combines the advantages of resonance with those of disguise). -
Nationalist Adaptations of the Cuchulain Myth Martha J
University of South Carolina Scholar Commons Theses and Dissertations Spring 2019 The aW rped One: Nationalist Adaptations of the Cuchulain Myth Martha J. Lee Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the English Language and Literature Commons Recommended Citation Lee, M. J.(2019). The Warped One: Nationalist Adaptations of the Cuchulain Myth. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/5278 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The Warped One: Nationalist Adaptations of the Cuchulain Myth By Martha J. Lee Bachelor of Business Administration University of Georgia, 1995 Master of Arts Georgia Southern University, 2003 ________________________________________________________ Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy in English College of Arts and Sciences University of South Carolina 2019 Accepted by: Ed Madden, Major Professor Scott Gwara, Committee Member Thomas Rice, Committee Member Yvonne Ivory, Committee Member Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by Martha J. Lee, 2019 All Rights Reserved ii DEDICATION This dissertation and degree belong as much or more to my family as to me. They sacrificed so much while I traveled and studied; they supported me, loved and believed in me, fed me, and made sure I had the time and energy to complete the work. My cousins Monk and Carolyn Phifer gave me a home as well as love and support, so that I could complete my course work in Columbia. -
Myths and Legends of the Celtic Race by Thomas William Rolleston
The Project Gutenberg EBook of Myths and Legends of the Celtic Race by Thomas William Rolleston This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.org/license Title: Myths and Legends of the Celtic Race Author: Thomas William Rolleston Release Date: October 16, 2010 [Ebook 34081] Language: English ***START OF THE PROJECT GUTENBERG EBOOK MYTHS AND LEGENDS OF THE CELTIC RACE*** MYTHS & LEGENDS OF THE CELTIC RACE Queen Maev T. W. ROLLESTON MYTHS & LEGENDS OF THE CELTIC RACE CONSTABLE - LONDON [8] British edition published by Constable and Company Limited, London First published 1911 by George G. Harrap & Co., London [9] PREFACE The Past may be forgotten, but it never dies. The elements which in the most remote times have entered into a nation's composition endure through all its history, and help to mould that history, and to stamp the character and genius of the people. The examination, therefore, of these elements, and the recognition, as far as possible, of the part they have actually contributed to the warp and weft of a nation's life, must be a matter of no small interest and importance to those who realise that the present is the child of the past, and the future of the present; who will not regard themselves, their kinsfolk, and their fellow-citizens as mere transitory phantoms, hurrying from darkness into darkness, but who know that, in them, a vast historic stream of national life is passing from its distant and mysterious origin towards a future which is largely conditioned by all the past wanderings of that human stream, but which is also, in no small degree, what they, by their courage, their patriotism, their knowledge, and their understanding, choose to make it. -
Historias Misteriosas De Los Celtas
Historias misteriosas de los celtas Run Futthark HISTORIAS MISTERIOSAS DE LOS CELTAS A pesar de haber puesto el máximo cuidado en la redacción de esta obra, el autor o el editor no pueden en modo alguno res- ponsabilizarse por las informaciones (fórmulas, recetas, técnicas, etc.) vertidas en el texto. Se aconseja, en el caso de proble- mas específicos —a menudo únicos— de cada lector en particular, que se consulte con una persona cualificada para obtener las informaciones más completas, más exactas y lo más actualizadas posible. DE VECCHI EDICIONES, S. A. Traducción de Nieves Nueno Cobas. Fotografías de la cubierta: arriba, Tumulus gravinis © S. Rasmussen/Diaporama; abajo, Menhir de Poulnabrone, Burren, Irlanda © A. Lorgnier/Diaporama. © De Vecchi Ediciones, S. A. 2012 Diagonal 519-521, 2º - 08029 Barcelona Depósito Legal: B. 15.000-2012 ISBN: 978-17-816-0434-2 Editorial De Vecchi, S. A. de C. V. Nogal, 16 Col. Sta. María Ribera 06400 Delegación Cuauhtémoc México Reservados todos los derechos. Ni la totalidad ni parte de este libro puede reproducirse o trasmitirse por ningún procedimiento electrónico o mecánico, incluyendo fotocopia, grabación magnética o cualquier almacenamiento de información y sistema de recuperación, sin permiso es- crito de DE VECCHI EDICIONES. ÍNDICE INTRODUCCIÓN . 11 LOS ORÍGENES DE LOS CELTAS . 13 Los ligures . 13 Aparición de los celtas . 15 LAS MISTERIOSAS TRIBUS DE LA DIOSA DANA . 19 Los luchrupans . 19 Los fomorianos . 20 Desembarco en Irlanda, «tierra de cólera» . 23 Contra los curiosos fomorianos . 24 Segunda batalla de Mag Tured . 25 Grandeza y decadencia . 27 La presencia de Lug . 29 El misterio de los druidas. -
Deirdre Agus Mic Uisnigh - English Translation a Graphic Novel by Colmán Ó Raghallaigh English Translation © Cló Mhaigh Eo, 2008
Deirdre agus Mic Uisnigh - English Translation A graphic novel by Colmán Ó Raghallaigh English translation © Cló Mhaigh Eo, 2008. - All rights reserved. P1 This is how Deirdre was born. It happened one night that Feidhlimí Mac Daill, storyteller to the King, gave a great banquet … The good and the great of Ulster attended, amongst them the king, Conchubhar Mac Neasa himself… DING! “Your health, great majesty. Your presence honours us." P2 “Long life to you, Feidhlimí!" They best of food and drink was laid before them until all were inebriated… Though his wife is pregnant Feidhlimí shows little regard for her… “Woman of the house. Refill those goblets. It’s not often that the King of Ulster pays us a visit." “As you wish." (Ugh! I’m exhausted!") Finally… ZZZZZ! (I must lie down…) P3 As she slips quietly away to bed the child in her womb utters a loud scream… ÁÁÁÁÁÁÍÍÍÍÍÍÍÍ!!! ???!!! “Did you hear that?" “What was that noise, woman?" “I don’t know. The child, I think." Cathfach, the druid, appears, to investigate… “Mmm…" P4 In the course of the night a daughter is born to the wife of Feidhlimí. “Nnnnngh!" And Cathfach makes a dire prediction… “Slaughter and destruction will come to Ulster because of this child… unbridled jealousy because of her beauty… decimation of a noble family because of her haughtiness… and desolation on Eamhain Mhacha itself. Indeed, you are misfortune to all who gaze upon you. P5 Hearing this, all present are seized by fear… “Destroy her!" But… “Stop!" “Do not be alarmed. I shall bring her with me and have her raised and educated so that in due course she may become my wife. -
Irish National Imagination Through Mythology and Materiality
College of the Holy Cross CrossWorks English Honors Theses English Department 5-11-2020 The Poetry of History: Irish National Imagination Through Mythology and Materiality Ryan Fay College of the Holy Cross, [email protected] Follow this and additional works at: https://crossworks.holycross.edu/engl_honor Part of the Celtic Studies Commons, European History Commons, Folklore Commons, and the Literature in English, British Isles Commons Recommended Citation Fay, Ryan, "The Poetry of History: Irish National Imagination Through Mythology and Materiality" (2020). English Honors Theses. 1. https://crossworks.holycross.edu/engl_honor/1 This Departmental Honors Thesis is brought to you for free and open access by the English Department at CrossWorks. It has been accepted for inclusion in English Honors Theses by an authorized administrator of CrossWorks. The Poetry of History: Irish National Imagination Through Mythology and Materiality Ryan Fay English Honors Program Adviser: Professor Melissa Schoenberger Reader: Professor Paige Reynolds Fay 2 Table of Contents Abstract………………………………………………………………………………………………………………………….4 Preface…………………………………………………………………………………………………………………………...7 Chapter 1—Gendered Modalities of Power: Historico-Poetics Through Medieval Irish Poetry…………………………………………………………………………………………………………………………...9 - Introduction - Part One—Traditional Bardic Poetry: A Contested Culture - Part Two—An Táin Bó Cúailnge: Queen Medb - Part Three—An Táin Bó Cúailnge: Sétanta, Cúchulainn - Conclusion: History, Land, Narrative, and Viscera Chapter -
Deirdre: the Highest Type of Celtic Womanhood Author(S): A
Deirdre: The Highest Type of Celtic Womanhood Author(s): A. C. Macdonell Source: The Celtic Review, Vol. 8, No. 32 (May, 1913), pp. 347-356 Stable URL: http://www.jstor.org/stable/30070259 Accessed: 27-06-2016 07:16 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. is collaborating with JSTOR to digitize, preserve and extend access to The Celtic Review This content downloaded from 131.247.112.3 on Mon, 27 Jun 2016 07:16:41 UTC All use subject to http://about.jstor.org/terms DEIRDRE 347 a single reference to the harp or even to the fiddle, though there are a good few references to music, and two or three to the pipes and the Jew's harp. DEIRDRE THE HIGHEST TYPE OF CELTIC WOMANHOOD PART I 'I hear lake water lapping with low sounds by the shore; While I stand on the roadway or on pavements grey, I hear it in the deep heart's core.' W. B. YEATs. IN my ears the roar of the cataract, and before my eyes floats a vision of other days, and the mists of spirits departed. By the still dark pools of the Etive, where the silvery salmon lies beneath the shadow of rocks, with tangle of glossy-leaved berry mingling its tendrils amidst the vivid green of evergreen mosses and delicate fronds of ferns. -
Deirdre and Naoise)
The Exile of the Sons of Uisneach (Deirdre and Naoise) One night, King Conchobar of Ulster was having a feast in his great hall. His storyteller Feidhlimidh had a captive audience among Conchobar's men while his wife served drinks, even though she was heavily pregnant. She toiled on through the evening until the men had drunk themselves into a snoring slumber. Feidhlimidh's wife was overcome with tiredness and began to make her way towards bed. Suddenly, a piercing scream came from the woman's womb and echoed around the hall. Conchobar's men were on their feet in seconds, standing shoulder to shoulder with swords in hand ready to face the source of that fearsome scream. Sencha, the most level-headed man in the hall, calmed the men of Ulster and ordered Feidhlimidh's wife brought to them at once. Feidhlimidh asked his wife what the terrible sound was, but she was as bewildered as he. “No woman knows what her womb bears”, she replied as tears flowed down her cheeks, fear coating each word she spoke. The druid Cathbadh felt pity for the woman, but had no words to comfort her for he could foretell the child's future. “The child you carry will be the most beautiful woman ever to live in Ireland. Her curled, fair hair, eyes of the clearest emerald green and deep red lips will captivate the hearts of high kings and be the envy of high queens. Her name shall be Deirdre and she will cause slaughter amongst the warriors of Ulster.” Cathbadh then placed his hands over the woman's womb, and feeling the child move within said, “Although this child is pure and beautiful, she will bring trouble on all who love her.” With that, Feidhlimidh's wife felt the pangs of labour and later that night gave birth to a girl. -
Sacred-Outcast-Lyrics
WHITE HORSES White horses white horses ride the wave Manannan Mac Lir makes love in the cave The seed of his sea foam caresses the sand enters her womb and makes love to the land Manannan Mac Lir God of the Sea deep calm and gentle rough wild and free deep calm and gentle rough wild and free Her bones call him to her twice a day the moon drives him forward then takes him away His team of white horses shake their manes unbridled and passionate he rides forth again Manannan Mac Lir God of the Sea deep calm and gentle rough wild and free deep calm and gentle rough wild and free he’s faithful he’s constant its time to rejoice the salt in his kisses gives strength to her voice the fertile Earth Mother yearns on his foam to enter her deeply make love to the Crone Manannan Mac Lir God of the Sea deep calm and gentle rough wild and free deep calm and gentle deep calm and gentle deep calm and gentle deep calm and gentle deep calm and gentle Rough wild and free BONE MOTHER Bone Bone Bone Bone Mother Bone Bone Bone Crone Crone Crone Crone Beira Crone Crone Crone, Cailleach She stirs her cauldron underground Cerridwen. TRIPLE GODDESS Bridghid, Bride, Bree, Triple Goddess come to me Triple Goddess come to me Her fiery touch upon the frozen earth Releases the waters time for rebirth Bridghid Bride Bree Triple Goddess come to me Triple Goddess come to me Her mantle awakens snowdrops first Her fire and her waters sprout life in the earth Bridghid Bride Bree Triple Goddess come to me Triple Goddess come to me Imbolc is her season the coming of Spring Gifts of song and smithcraft and healing she brings Bridghid Bride Bree Triple Goddess come to me Triple Goddess come to me Triple Goddess come to me SUN GOD LUGH In days of old the stories told of the Sun God Lugh Born…… of the Aes Dana, half Fomorian too Sun God Sun God Sun God Lugh From Kian’s seed and Ethlin’s womb Golden threads to light the moon A boy to grow in all the arts To dance with Bride within our hearts Hopeful vibrant a visionary sight Creative gifts shining bright. -
Christianity, Paganism and Celtic Mythology in the Plays of JM Synge
! " # $ ! "%" &" $ ! "' ( ) * " + , " - . /# 0 / /1 2 2 / "' ( + ) " , "! - 1 3 ' * 4- 5 6 7 5 " & $ - & 6 89"' * $ # # & , " !!" !"!" # # ! " # $ !% ! & $ ' ' ($ ' # % %) %* % ' $ ' + " % & ' !# $, ( $ - . ! "- ( % . % % % % $ $ $ - - - - // $$$ 0 1"1"#23." 4& )*5/ +) * !6 !& 7!8%779:9& % ) - 2 ; ! * & < "-" % . %:=9: /- >:=9?4& )*5/ +) "3 " & :=9? CONTENTS Page No. Chapter One 3- 32 Introduction The Genesis of the Native Culture of Ireland: Birth of a Civilisation 3 The ‘Dark Ages’ of Irish Culture 12 Celtic Revival: The Phoenix Reborn 18 John Millington Synge and the New Theatre Movement 22 Chapter Two 33- 82 Synge’s Treatment of Christianity and Paganism: Return to the Primitive World of Rituals Pre-Christian Ireland: Celtic Paganism 33 Arrival of Christianity in Ireland 38 “The lord protect us from the saints of god”: