DOCSLIB.ORG

Spike Milligan Desk Diary 2017 Free

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Spike Milligan Desk Diary 2017 Free FREE SPIKE MILLIGAN DESK DIARY 2017 PDF none | 96 pages | 23 Aug 2016 | Flame Tree Publishing | 9781783618750 | English | London, United Kingdom Spike Milligan Mini Calendar | Spike milligan, Art calendar, Mini calendars Build up your Halloween Watchlist with our list of the most popular horror titles on Netflix in October. See the list. Looking for something to watch? Choose an adventure below and discover your next favorite movie or TV show. Visit our What to Watch page. Sign In. Up 78, this week. Producer Miscellaneous Crew Actress. She eventually, and almost accidentally, became an agent with ALS, responsible not only for finding work for members Born: Spike Milligan Desk Diary 2017 by Job Trailers and Videos. The Best Horror Movies on Netflix. Share this page:. Commanders of the Order of the British Empire. Happy Feet UK premiere. Do you have a demo reel? Add it to Spike Milligan Desk Diary 2017 IMDbPage. How Much Have You Seen? How much of Beryl Vertue's work have you seen? Won 1 Primetime Emmy. Known For. Sherlock Producer. British Men Behaving Badly Producer. Supernova Producer. Tommy Producer. Show all 14 episodes. Show all 6 episodes. Short executive producer. Show all 12 episodes. Show all 28 episodes. Show all 10 episodes. Show all 7 episodes. Show all 42 episodes. TV Series producer - 21 episodes - Show all 21 episodes. Douglas vs Nogales Show all 11 episodes. Show all 35 episodes. Woman in Pub uncredited. Edit Did You Know? She is the producer and chair of Hartswood Films Spike Milligan Desk Diary 2017 Surrey, England. Edit page. October Streaming Picks. Back to School Picks. Clear your history. room os | Welcome to the Video Conferencing Hub We've got an interview with Howard, Hernandez, and editor Shelly Bond here in case you want to know more about it. Check out all these listings and more below, and then let us know what comics are making it onto your pull list in the comments! Dominic Prince and the Semester Abroad, Part 1 of 6. Bury the past and it turns into monsters. As the sun sets over an isolated Alaskan township—not to rise again for a month—a new evil emerges from the shadows to terrorize the town… But after a series of strange events and horrific killings, the question becomes what lurks in the shadows? The "Great American Novel" re-presented with modern illustrations by celebrated comics creator Eric Powell. The classic novel by celebrated American author Mark Twain tells of a teenage misfit accompanied by an escaping slave, Jim, as the two navigate down the Mississippi River by raft. As their journey unfolds, Huck and Jim encounter adventure, danger, and a deftly scribed cast of characters that are by turns both menacing and hilarious. This special edition contains 21 illustrations by comics industry star Eric Powell The Goon, Hillbillyand presents the material as Twain intended. Spike Milligan Desk Diary 2017, Matilda, Chuck, and all your favorite feathered friends are back for more adventures in the second Angry Birds quarterly comic! This oversized issue is crammed full of creative characters and silly stories that will delight readers new and old! Includes Tarzan issues,, and Old enemies, new faces, and a little Grand Theft Super Science with a side order of existential dread. Atomic Robo gets up to all kinds of sci-fi shenanigans in his travels. Along the way, he meets a variety of side characters that have their own lives with their own rich histories and crazy exploits. Here are those tales. In the aftermath of the financial panic ofNikola Tesla and the Centurions of Science are all that stand between the rule of law and a shadowy cabal of corrupt industrialists plotting to Spike Milligan Desk Diary 2017 the federal government of the United States. But where in time and space will the Brown family go on their inaugural trip? And what could possibly go wrong if and when they get there? The bestselling, mind-blowing graphic history of our favorite medium continues—with the long birth of the Graphic Novel, spanning from Switzerland to the USA today! How French and Belgian comics broke away from the American tradition—and inspired Heavy Metal and a sci-fi comics revolution! Starring: Will Eisner! Gil Kane! Do you believe in magic? Many magicians have visited Diablo House to pull back the Spike Milligan Desk Diary 2017 on unimaginable secrets. Do you dare give it a Spike Milligan Desk Diary 2017 First, Scrooge and company find themselves stuck in Happy, Happy Valley, where everyone is a little too happy! A pleasant road trip becomes a harrowing tale of survival as four friends are accosted by a pair of brutal predators. Told mainly in the claustrophobic confines of their vehicle, these four women comfort one another and learn more Spike Milligan Desk Diary 2017 each other as their ordeal continues, drawing ever closer to its inevitable conclusion. Donna, with the help of a counselor, tries to work through the ordeal that traumatized her Spike Milligan Desk Diary 2017 her friends Marion, Bev, and Cindy, who she has tried to avoid since the incident occurred. A grim, chilling tale rendered in Sam Kieth's unique style brings this dark graphic novel to life. The big bad evil aka Schreckgespenst aka Shrecky used its power to create living nightmares to drive a wedge between our heroes. And while the team struggles to come back together, Schrecky makes a Spike Milligan Desk Diary 2017 for world takeover… obviously. Opposing forces threaten to tear Dawn Moreno apart at the seams as she fights her own internal battle for control of her mind. Joe team, the Strike Force, against a brand-new Cobra Commander, a revitalized Cobra, and everyone else trying to conquer Earth… or destroy it! In the jam-packed fourth installment of Gumballs : Erin and his fellow triplets get Spike Milligan Desk Diary 2017 by a haunted board game! And modern-day Erin battles the anxiety that comes with using public restrooms and making doctor appointments as a trans man. Also featuring: more awkward personal ads, more tales from the day-job trenches with disgruntled grocery shoppers, and a visual diary inside a vintage trailer at a quirky, bohemian retreat! The team licks their wounds after their bruising encounter with the monstrous Nazi Mech. Everyone loves to play in the Hasbro Toy Box! In this special collection of existing material, find kid-friendly stories from across the My Little Pony: Friendship is MagicHanazukiand Equestria Girls comics! Not for the squeamish, these Pre-Code creepy, eerie comics from the crypt will scare the spit out of you! Teddy is faced with the unexpected consequences of her actions as all her allies turn on her. Expect an epic conclusion to this frenetic sci-fi mini-series! Classic tales of Judge Dredd and the Dark Judges in all-new color by some of the all-time fan favorite creators! His name is Judge Death, and in his eyes all Spike Milligan Desk Diary 2017 is crime! Together with his brothers Fear, Fire, and Mortis, the super-fiend from Deadworld is determined to end all life in Mega-City One once and for all! Illustrated in haunting black and white over 30 years ago, these comics are re-presented in a new edition, adapting three of H. Lovecraft's most famous stories involving the Cthulhu Mythos. In "The Festival," a man arrives at the sea town of Kingsport, Massachusetts during Christmas but finds a place eerily empty and centuries out of date. As the M. Along the way, Trakker crosses paths with Dr. Mindbender, who instructs him on the art of leadership and manipulation. But Trakker quickly uncovers Mindbender's twisted goals and learns the true history of his former teammates who became members of V. Collects issues 6—10 and the Annual. Representatives of ponies, griffons, buffalos, changelings, dragons and more meet to discuss the future of the land! But what happens when a sudden discovery threatens to redraw the map of Equestria? The New Year is around the corner, and the ponies of Equestria are ready to celebrate in some very silly and unexpected ways! Except Pinkie Pie. Her celebrations are always silly and unexpected. Tensions between new allies could unravel the great Spike Milligan Desk Diary 2017 before it begins! Celebrate the magic of friendship in these stand-alone tales featuring all of your favorite characters. Collects issues 25— What if your favorite stories and characters had entirely different experiences? Find out in Deviationsa special comic book event featuring alternate takes on some of your favorite books! Step into a world where Sarah managed to save Beth from taking her own life! With this single twist of fate, the Clone Club comes together in a completely different manner and the mystery of Project LEDA unfolds in new, exiting ways! See all your favorite characters return in an all-new light! The best Popeye comic book stories Spike Milligan Desk Diary 2017 into one Spike Milligan Desk Diary 2017 collection! There are three genius incarnations of Popeye—the comic strip by E. Segar, the animations by Max Fleischer, and unknown to many, the brilliant s and '50s comic book stories by Bud Sangendorf! Comics historian Craig Yoe collects and beautifully packages the best-of-the-best of Sangendorf's thrilling and roll-on-the-floor laughing tales. It's the Fashionistas' turn to vie for top spot at the High Villains' Council. They weave a tale of the time they kidnapped the Professor and forced him to create the perfect, untearable fabric with which to capture those pesky Powerpuff Girls once and for all.
Load more

Recommended publications
  • Independent Television Producers in England
    Negotiating Dependence: Independent Television Producers in England Karl Rawstrone A thesis submitted in partial fulfilment of the requirements of the University of the West of England, Bristol for the degree of Doctor of Philosophy Faculty of Arts and Creative Industries, University of the West of England, Bristol November 2020 77,900 words. Abstract The thesis analyses the independent television production sector focusing on the role of the producer. At its centre are four in-depth case studies which investigate the practices and contexts of the independent television producer in four different production cultures. The sample consists of a small self-owned company, a medium- sized family-owned company, a broadcaster-owned company and an independent- corporate partnership. The thesis contextualises these case studies through a history of four critical conjunctures in which the concept of ‘independence’ was debated and shifted in meaning, allowing the term to be operationalised to different ends. It gives particular attention to the birth of Channel 4 in 1982 and the subsequent rapid growth of an independent ‘sector’. Throughout, the thesis explores the tensions between the political, economic and social aims of independent television production and how these impact on the role of the producer. The thesis employs an empirical methodology to investigate the independent television producer’s role. It uses qualitative data, principally original interviews with both employers and employees in the four companies, to provide a nuanced and detailed analysis of the complexities of the producer’s role. Rather than independence, the thesis uses network analysis to argue that a television producer’s role is characterised by sets of negotiated dependencies, through which professional agency is exercised and professional identity constructed and performed.
    [Show full text]
  • Volume 17, No 1, 2016
    Volume 17, No 1, 2016 Contents Page Drama without Drama: The Late Rise of Scripted TV Formats 3 Scenes0B from an Imaginary Country: Test Images and the American Color 21 Television Standard Record/Film/Book/Interactive1B TV: EVR as a Threshold Format 44 Restarting2B Static: Television’s Digital Reboot 62 Regulating3B the Desire Machine: Custer’s Revenge and 8-Bit Atari Porn Video 80 Games TVNXXX10.1177/1527476414561089Television & New MediaChalaby 561089research-article2015 Article Television & New Media 1 –18 Drama without Drama: © The Author(s) 2015 Reprints and permissions: The Late Rise of Scripted sagepub.com/journalsPermissions.nav DOI: 10.1177/1527476414561089 TV Formats tvnm.sagepub.com Jean K. Chalaby1 Abstract This article revisits the history of television (TV) formats—concepts of TV shows that are licensed for local adaptations—focusing on scripted entertainment. While the TV format revolution of the 1990s bypassed scripted formats, they have been catching up in recent years. This article analyzes both the reasons for this late rise and the factors behind the recent growth. It argues that the adaptation of scripted formats is more complex, and risks remain higher than for other genres. The underlying economics of their production and distribution also differ from nonscripted formats. The stars aligned when demand for drama increased worldwide, Hollywood studios began to mine their catalogues, new exporters and scripted genres emerged, and knowledge transfer techniques improved. Finally, this paper analyzes the significance of the rise of scripted entertainment in the global TV format trading system. Keywords global television, Hollywood, scripted entertainment, transnational television, TV formats, TV genres Introduction The history of television (TV) formats—concepts of TV shows that are licensed for local adaptations—is now well documented.
    [Show full text]
  • View the Awards Programme
    #wggbawards THE WRITERS’ GUILD AWARDS PROGRAMME THE ROYAL COLLEGE OF PHYSICIANS 11 St Andrews Place, Regent’s Park, London NW1 4LE MONDAY 15 JANUARY 2018 The Writers’ Guild of Great Britain is a trade union registered at 134 Tooley Street, London SE1 2TU @TheWritersGuild www.writersguild.org.uk PRESIDENT’S WELCOME THE WRITERS’ GUILD AWARDS Welcome to the Writers’ Guild Awards 2018. Photo: Robert Taylor Photography Isn’t it great to be in a roomful of achievement to be on the shortlist, let alone your peers? To a man and woman, to win. Congratulations to you and thanks to professional liars. And in a post-truth all our juries who have laboured mightily to world, is it any surprise that we are pick the best of the best. in a golden age of writing? The more Making this evening possible is a group of life outside is disappointing, the more spectacular organisations and companies who beautiful and necessary the cabaret work with writers year round but have given becomes. This year we have games that us their support tonight to honour you, the model mental illness, radio plays that give writers. Huge thanks to our lead sponsor LEAD SPONSOR voice to the voiceless, television shows ALCS, to major sponsors ITV, BBC Drama and that examine painfully buried secrets BBC Worldwide, to Company Pictures, Silver and offer surprising new visions of the Reel, Nick Hern Books and Lionsgate. If you past. We have a revived Best First Novel meet a sponsor tonight please praise them, Award and an entirely new category, Best love them – in a non-threatening, appropriate Online Comedy, a welcome recognition manner – appreciate them as best you can.
    [Show full text]
  • Sherlock to Premiere on MASTERPIECE on PBS on January 19, 2014 Benedict Cumberbatch and Martin Freeman Return in Highly Anticipated Season 3
    The Game is On! Sherlock to Premiere on MASTERPIECE ON PBS on January 19, 2014 Benedict Cumberbatch and Martin Freeman Return in Highly Anticipated Season 3 Boston, MA, October 23, 2013—A date has been set for the return of one of television’s most eagerly anticipated shows: Sherlock Season 3 will premiere on MASTERPIECE on PBS on Sunday, January 19, 2014 at 10pm, following the 9pm broadcast of Downton Abbey. Benedict Cumberbatch (The Fifth Estate, Star Trek Into Darkness) and Martin Freeman (The Hobbit, The Office UK) return as Sherlock Holmes and John Watson in three new 90-minute episodes of the contemporary reinvention of the Sir Arthur Conan Doyle classic, created by Steven Moffat (Doctor Who) and Mark Gatiss. “The genius Sherlock team has done it again,” says MASTERPIECE executive producer Rebecca Eaton. “These new episodes are as wildly-imaginative and brilliantly-produced as all the others. These people are GOOD!” Nearly 11 million viewers tuned into the second season of Sherlock, which ended with one of the most shocking cliffhangers in television history. Fans flocked to the internet to speculate about Sherlock’s “demise,” and express their eagerness to find out what happens next. “We love that Sherlock fans are so passionate and eager to see Season 3,” says PBS Chief Programming Executive and General Manager of General Audience Programming Beth Hoppe. “The pairing of Downton Abbey and Sherlock in January offers a blockbuster night of British drama only on PBS stations.” "We are hugely excited about this next series of Sherlock, and have worked closely with our partners, MASTERPIECE and PBS, to bring these episodes to U.S.
    [Show full text]
  • ©2013 Tal Zalmanovich ALL RIGHTS RESERVED
    ©2013 Tal Zalmanovich ALL RIGHTS RESERVED SHARING A LAUGH: SITCOMS AND THE PRODUCTION OF POST-IMPERIAL BRITAIN, 1945-1980 by TAL ZALMANOVICH A dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in History Written under the direction of Prof. Bonnie Smith And Approved by ---------------------------------------- ---------------------------------------- ---------------------------------------- ---------------------------------------- New Brunswick, New Jersey May, 2013 ABSTRACT OF THE DISSERTATION Sharing a Laugh: Sitcoms and the Production of Post-Imperial Britain, 1945-1980 By Tal Zalmanovich Dissertation Director: Bonnie Smith Sharing a Laugh examines the social and cultural roles of television situation comedy in Britain between 1945 and 1980. It argues that an exploration of sitcoms reveals the mindset of postwar Britons and highlights how television developed both as an industry and as a public institution. This research demonstrates how Britain metamorphosed in this period from a welfare state with an implicit promise to establish a meritocratic and expert-based society, into a multiracial, consumer society ruled by the market. It illustrates how this turnabout of British society was formulated, debated, and shaped in British sitcoms. This dissertation argues that both democratization (resulting from the expansion of the franchise after World War I) and decolonization in the post-World War II era, established culture as a prominent political space in which interaction and interconnection between state and society took place. Therefore, this work focuses on culture and on previously less noticed parties to the negotiation over power in society such as, media institutions, media practitioners, and their audiences.
    [Show full text]
  • American Primacy and the Global Media
    City Research Online City, University of London Institutional Repository Citation: Chalaby, J. (2016). Drama without drama: The late rise of scripted TV formats. Television & New Media, 17(1), pp. 3-20. doi: 10.1177/1527476414561089 This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/5818/ Link to published version: http://dx.doi.org/10.1177/1527476414561089 Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] Drama without drama: The late rise of scripted TV formats Author’s name and address: Professor Jean K. Chalaby Department of Sociology City University London London EC1V 0HB Tel: 020 7040 0151 Fax: 020 7040 8558 Email: [email protected] Author biography: Jean K. Chalaby is Professor of International Communication and Head of Sociology at City University London. He is the author of The Invention of Journalism (1998), The de Gaulle Presidency and the Media (2002) and Transnational Television in Europe: Reconfiguring Global Communications Networks (2009).
    [Show full text]
  • Best Practices for Cataloging DVD and Blu-Ray Discs Using
    Best Practices for Cataloging DVD-Video and Blu-ray Discs Using RDA and MARC21 Version 1.1 November 2017 Prepared by the Online Audiovisual Catalogers Inc. Best Practices for Cataloging DVD/Blu-ray – Version 1.1 (November 2017) Cataloging Policy Committee DVD/Blu-ray RDA Cataloging Task Force Acknowledgements DVD/Blu-ray RDA Cataloging Guide Task Force Members: William Anderson (2012-13) Connecticut State Library Lloyd Chittenden (2012-15) Fort Lewis College Cyrus Ford (2012-13) University of Nevada, Las Vegas Mary Huismann (2013-15, chair) University of Minnesota Douglas King (2012-13) University of South Carolina John Lavalie (2012-13) Des Plaines Public Library Peter Lisius (2012-13) Kent State University Nancy Lorimer (2012-13) Stanford University, Music Library Julie Renee Moore (2012-15) California State University, Fresno Lori Murphy (2012-13) DePaul University Laurie Neuerburg (2014-15) Victoria College/University of Houston-Victoria Anchalee “Joy” Panigabutra-Roberts (2012-14) American University at Cairo Scott Piepenburg (2012-13) University of Wisconsin-Stevens Point Diane Robson (2012-13, chair) University of North Texas Walter Walker (2012-15) Loyola Marymount University Iris Wolley (2012-15) Columbia University Advisors: Greta de Groat Stanford University Kelley McGrath University of Oregon Jay Weitz OCLC Online Computer Library Center Editors: Marcia Barrett University of California, Santa Cruz Julie Renee Moore California State University, Fresno The Task Force wishes to acknowledge the thoughtful comments from the numerous people in the cataloging community who took the time and effort to respond during the creation of this document. This update is built upon the work of the 2008 DVD Cataloging Guide Update Task Force members.
    [Show full text]
  • Montana Kaimin, November 18, 1975 Associated Students of the University of Montana
    University of Montana ScholarWorks at University of Montana Associated Students of the University of Montana Montana Kaimin, 1898-present (ASUM) 11-18-1975 Montana Kaimin, November 18, 1975 Associated Students of the University of Montana Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/studentnewspaper Recommended Citation Associated Students of the University of Montana, "Montana Kaimin, November 18, 1975" (1975). Montana Kaimin, 1898-present. 6433. https://scholarworks.umt.edu/studentnewspaper/6433 This Newspaper is brought to you for free and open access by the Associated Students of the University of Montana (ASUM) at ScholarWorks at University of Montana. It has been accepted for inclusion in Montana Kaimin, 1898-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. / | m ontana Kaim in __ UNIVERSITY OF MONTANA • STUDENT NEWSPAPER. Tuesday, Nov. 18, 1975 Missoula, Mont. Voi. 78, No. 27 Man, nature colliding, wildlife poet warns Pulitzer Prize-winning poet Gary nature, he said, and eventually Snyder said yesterday that man is on nature will win. a collision course with nature unless Understanding the land ethic is an he can change his “land ethic." important step in understanding Snyder, guest speaker for the nature, Snyder said. three-day Wilderness Institute People must find a method of talk­ ing to each other about nature and Conference in Missoula, said “ Land wild lands "in terms everyone can ethic is simply good manners toward understand,” he said. the land.” The key term would be economics, “We must remem berths land is not he said, because most people will only our mother but supports us,” he recognize "the dollars and cents said In a taped interview.
    [Show full text]
  • Sherlock Series 2-Dvd Bbcdvd
    BBCDVD3494 Sherlock Holmes and John Watson return in three of their most exciting adventures: A Scandal in Belgravia, The Hounds of Baskerville, and The Reichenbach Fall. Becoming embroiled in the complex plans of the dangerous and desirable Ire ne Adler, Sherlock needs every one of his remarkable skills to survive and an invitation to the wilds of Dartmoor brings our terrified heroes face to face with BENEDICT CUMBERBATCH MARTIN FREEMAN the supernatural. Meanwhile, Moriarty, still out there in the shadows, is determined to bring Sherlock down – whatever the cost. SERIES TWO COMPLETE Co-created by Mark Gatiss & Steven Moffat. Based on the stories by Sir Arthur Conan Doyle. Written by Mark Gatiss, Steven Moffat and Steve Thompson Produced by Sue Vertue & Elaine Cameron. Executive Producers: Sue Vertue, Beryl Vertue, Steven Moffat, Mark Gatiss, Bethan Jones, Rebecca Eaton Directed by Paul McGuigan & Toby Haynes EXTRAS SHERLOCK UNCOVERED • AUDIO COMMENTARIES ASPECT RATIO MAIN SOUNDTRACK FEATURE LENGTH REGION SUBTITLES 16:9 Anamorphic English Dolby Digital 5.1 266 mins approx 2 & 4 Colour PAL UK English for the Hard of Hearing © 2011 Hartswood Films Ltd A Hartswood Films production for BBC Wales Co-produced with Masterpiece. Distributed under licence by 2 entertain Video Ltd. Packaging design © 2012 2 entertain Video Ltd. BBC and the BBC logos are trademarks of the British Broadcasting Corporation and are used under licence. BBC logo © BBC 1996. All Rights Reserved. MCPS Cover design by Steve Brown 2 DISCS WARNING: These DVDs, including soundtrack, are protected by copyright. All rights reserved. Unauthorised copying, hiring, lending, public performance, radio or TV broadcasting of these DVDs is prohibited.
    [Show full text]
  • The Mystery of the Shrieking Woman by Tristan Brittain-Dissont When I
    The M ystery of The Shrieking Woman By Tristan Brittain - Dissont When I first started my research for t his brief article, I gave it a working t itle that reminded me of a Sherlock Holmes story. To my amazement, this proved to be an incredible prescient name. I first started listening to Hancock’s Half Hour in the early 1980s. As such, the range of shows available to me was rather limited, and tended to focus o n later shows from S eries 4 onwards. Consequently, on repeated listening, I slowly memorized not just each line from the programmes but also the audience reactions. One aspect of this always stood out to me. I n many of the shows from Series 4, there was a woman who se high - pitched laughter often pierced many of the performances, to the extent that Ton y commented upon it. There are num erous examples of this. Time has prevented me from cataloguing the entire list, but you can find evidence of this in ‘The Thirteenth of the Series’. Shortly after the credits , you can detect this laughter in the background once Tony has finished saying ‘H - H - H - Hancock’s Half Hour’. A little later, after about 5 minutes, when Bill says he is paying his instalments on the instalments plan, it is heard again. And again, at around 6 minutes 30 seconds, when Bill says that Arthur Askey (the ‘Little People’) has discovered Tony has been pinching his gags, the laughter is heard once more. Years on, listening to these shows again in my new role as Archivist, I began to wonder about the identity of this hysterical laugher.
    [Show full text]
  • RTS Programme Awards: Full List of Winners 21 March, 2012
    Home News Broadcasters RTS Programme Awards: full list of winners 21 March, 2012 Browse the full list of winners from the RTS Programme Awards, which saw Channel 4 claim 10 prizes. The Winners ENTERTAINMENT Derren Brown – The Experiments – Objective Productions for Channel 4 “The jury said this was quite simply water cooler television. Innovative, original, intelligent with a startling level of profundity.” Nominees Million Pound Drop – Endemol Productions for Channel 4 The Graham Norton Show – SO Television for BBC One PRESENTER Gareth Malone – The Choir: Military Wives – Twenty Twenty for BBC Two “His enthusiasm and expertise infects everyone around him and the on-screen result is thoroughly positive and life enhancing. This year he took his students and his performance to a new level and together they captured the nation’s imagination.” Nominees Hugh Fearnley-Whittingstall – Hugh’s Big Fish Fight – Keo Films for Channel 4 Karl Pilkington – An Idiot Abroad 2 – Risk Productions for Sky 1 HD ARTS Graffiti Wars – TwoFour for Channel 4 “Praised by the Jury for an extraordinary portrayal of the ruthless world of the graffiti artists and the dramatic battle of one to protect his territory and his trademark.” Nominees Arena: Produced By George Martin – BBC/Grounded Productions for BBC Two The Impressionists – ZCZ Films for BBC Two SINGLE DOCUMENTARY Terry Pratchett: Choosing To Die – Keo north for BBC Two “In a very strong year, [this] is an outstanding example of the single documentary: groundbreaking, revelatory and profoundly moving.” Nominees
    [Show full text]
  • Best Practices for Cataloging DVD-Video and Blu-Ray Discs Using RDA and MARC21
    Library Faculty Publications Library Faculty/Staff Scholarship & Research 3-24-2015 Best Practices for Cataloging DVD-Video and Blu-ray Discs Using RDA and MARC21 Mary Huismann Diane Robson William Anderson Lloyd Chittenden Cyrus Ford Zarganj University of Nevada, Las Vegas, [email protected] See next page for additional authors Follow this and additional works at: https://digitalscholarship.unlv.edu/lib_articles Part of the Cataloging and Metadata Commons Repository Citation Huismann, M., Robson, D., Anderson, W., Chittenden, L., Zarganj, C. F., King, D., Lavalie, J., Lisius, P., Lorimer, N., Moore, J., Murphy, L., Neuerburg, L., Panigabutra-Roberts, A., Piepenburg, S., Walker, W., Wolley, I., De Groat, G., McGrath, K., Weitz, J. (2015). Best Practices for Cataloging DVD-Video and Blu-ray Discs Using RDA and MARC21. 1-253. Online Audiovisual Catalogers Inc. (OLAC), Cataloging Policy Committee (CAPC). https://digitalscholarship.unlv.edu/lib_articles/484 This Report is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Report in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Report has been accepted for inclusion in Library Faculty Publications by an authorized administrator
    [Show full text]