MELANIE DICKS - 1St Assistant Director

Total Page:16

File Type:pdf, Size:1020Kb

MELANIE DICKS - 1St Assistant Director MELANIE DICKS - 1st Assistant Director 2009 – Present Melanie set up Greenshoot in 2009 to try and deal with the vast amounts of film waste that is landfilled every year. She has dedicated the last 15 months to Greenshoot and is currently working on the new Britishstandard 8909, a management framework for sustainable filming, as an Environmental Consultant. Greenshoot are currently working on “Sherlock Holmes 2”, “Johnny English Reborn” and “47 Ronin”. Greenshoot have diverted over 1,000 tonnes of film waste in the last 6 months that would have been landfilled. ST TRINIAN’S: THE LEGEND OF FRITTON’S GOLD Directors/Producers: Oliver Parker and Barnaby Thompson. Co-producer: Mark Hubbard. Starring Colin Firth, Rupert Everett, Tallulah Riley, Sarah Harding And Gemma Arterton. Fragile Films. FROM TIME TO TIME Director: Julian Fellowes. Producers: Paul Kingsley and Liz Trubridge. Starring Maggie Smith, Timothy Spall, Eliza Bennett and Hugh Bonneville. Fragil Films. ST TRINIAN’S Directors/Producers: Oliver Parker and Barnaby Thompson. Co-producer: Mark Hubbard Starring Rupert Everett, Jodie Whittaker, Lena Headey, Gema Arterton and Colin Firth. Fragile Films. RUN, FAT BOY, RUN Director: David Schwimmer. Producer: Robert Jones. Starring Simon Pegg, Thandie Newton, Hank Azaria and Dylan Moran. Material Entertainment/New Line. THE 10 th MAN Director: Sam Liefer. Producer: Teddy Liefer. Starring Warren Mitchell and Andrew Sachs. Daydreamer Productions. (Short) 4929 Wilshire Blvd., Ste. 259 Los Angeles, CA 90010 ph 323.782.1854 fx 323.345.5690 [email protected] IT’S A BOY GIRL THING Director: Nick Hurran. Producers: Steve Hamilton Shaw, David Furnish and Elton John. Starring Samaire Armstrong, Kevin Zegers and Sharon Osbourne. Rocket Pictures. SEVERANCE (Hungary and Isle of Man) Director: Christopher Smith. Producer: Jason Newmark. Starring Danny Dyer and Laura Harris. Qwerty Films/Dan Films. IMAGINE ME & YOU Writer/ Director: Ol Parker. Producers: Sophie Balhetchet and Barnaby Thompson. Starring Lena Headey, Piper Perabo, Matthew Goode and Celia Imrie. Cougar Films/ Fragile Films. THE UPSIDE OF ANGER Director: Mike Binder. Producers: Alex Gartner and Jack Binder. Starring Kevin Costner, Joan Allen, Evan Rachel Wood and Erica Christensen. Upside of Anger Ltd. KILLING HITLER Director/Producer: Jeremy Lovering. Starring Keith Allen and Ken Cranham. Diverse Films. PLOTS WITH A VIEW Director: Nick Hurran. Producer: David Ball. Starring Christopher Walken, Brenda Blethyn, Alfred Molina and Lee Evans. Miramax Films. MIKE BASSETT: ENGLAND MANAGER (UK and Brazil) Director: Steve Barron. Producer: Neil Peploe. Starring Ricky Tomlinson and Amanda Redman. Hallmark Entertainment. 4929 Wilshire Blvd., Ste. 259 Los Angeles, CA 90010 ph 323.782.1854 fx 323.345.5690 [email protected] LUCKY BREAK Director: Peter Cattaneo. Producer: Barnaby Thompson. Starring James Nesbitt, Olivia Williams, Tim Spall, Bill Nighy and Christopher Plummer. Fragile Films. LADY AUDLEY’S SECRET Director: Betsan Morris Evans. Producers: Anne Marie Cassey and Jane Wellesley. Starring Ken Cranham, Steve Macintosh and Neve Macintosh. Warner Sisters. GUEST HOUSE PARADISO Director: Adrian Edmondson. Producer: Philip McIntyre. Starring Rik Mayall, Adrian Edmondson, Vincent Cassel, Helene Mahieu and Bill Nighy. Polygram Filmed Entertainment. THE MAN (UK and Tenerife) Director: Betsan Morris Evans. Producer: Colin Ludlow. Starring Lenny Henry, Adrian Edmonson, John Sessions and Marianne Jean-Baptiste. Crucial Films. THE COMMISSIONER (UK and Germany) Director: George Sluizer. Producers: Marc Samuelson and Andreas Grosch. Starring John Hurt and Armin Mueller-Stahl. New Era Vision. LA PASSIONE (UK, France and Italy) Director/Producer: Chris Rea. Starring Chris Rea and Shirley Bassey. Warner Bros. OVER HERE Director: Tony Dow. Producer: Jacinta Peel. Starring Tim West, Sam West and Martin Clunes. BBC. 4929 Wilshire Blvd., Ste. 259 Los Angeles, CA 90010 ph 323.782.1854 fx 323.345.5690 [email protected] STOMP – “BROOMS” Director: Luke Creswell. Producer: Steve McNichols. Oscar Nomination 1996 Best Short Film, Live Action WITNESS AGAINST HITLER Director: Betsan Morris Evans. Producer: Jack Emery. Starring Brian Cox, Derek Jacobi and James Wilby. BBC. THE ENGLISH WIFE (UK and France) Director: Simon Shore. Producer: Beryl Vertue. Starring Zoe Wannamaker and Stanislas Carre de Malberg. Hartswood Films. CAPTIVES Director: Angela Pope. Producer: David Thompson. Starring Tim Roth, Julia Ormond and Peter Capaldi. BBC Films. DEADLY ADVICE Director: Mandie Fletcher. Producer: Nigel Stafford Clark. Starring Jane Horrocks, Sir John Mills, Edward Woodward and Billie Whitelaw. Zenith Films. THE SNAPPER (as Production Manager) (Dublin) Director: Stephen Frears. Producer: Linda Myles. Starring Colm Meany and Tim Kellagher. Miramax/BBC Films. CLOTHES IN THE WARDROBE (as Production Manager) Director: Waris Hussein. Producer: Norma Heyman. Starring Julie Walters, Joan Plowright and Jeanne Moreau. BBC. 4929 Wilshire Blvd., Ste. 259 Los Angeles, CA 90010 ph 323.782.1854 fx 323.345.5690 [email protected] BBC Films include: “HANCOCK” with Alfred Molina “HEADING HOME” with Joely Richardson “THE COMMON PURSUIT” with Tim Roth and Stephen Fry “OLD FLAMES” with Stephen Fry “THEY NEVER SLEPT” with Edward Fox “THE FOUR-MINUTE MILE” with Adrian Dunbar “HARRY’S KINGDOM” with Tim West “TUMBLEDOWN” with Colin Firth Countries worked: Brazil, France, Germany, Belgium, Greece, Italy, South Africa, America, Ireland, Hungary Other information: Movie magic scheduling, aerial photography and co-ordination, 2nd Unit Directing, multi camera, animatronics, motion control and CGI, casting, crewing, Stunt and precision driving co-ordination, location safety, budget and scheduling management. Full driving license. Melanie took a six-month sabbatical in 1998 and raised £50,000 to produce a breast cancer awareness video for the younger woman called “Think Pink”. Presented by Jane Horrocks, the video is being distributed through the HSBC Bank. 4929 Wilshire Blvd., Ste. 259 Los Angeles, CA 90010 ph 323.782.1854 fx 323.345.5690 [email protected] .
Recommended publications
  • Hank Azaria’S Face a Hundred Times and Inte Rview Heard His Voice a Thousand Y More
    33 EDGE ou’ve seen Hank Azaria’s face a hundred times and inte rview heard his voice a thousand Y more. Or maybe ten thou- sand more. Fans of The Simpsons Hank Azaria know him as the man behind the voices of ill-tempered bartender Moe Syzslak, gluttonous police chief Chauncey Wiggum, sad-sack Comic Book Guy, hillbilly Cletus Spuckler and America’s favorite convenience store clerk, Apu (“Thank you come again”) Nahasapeemapetilon. Azaria’s over- the-top film roles include fork-flinging superhero The Blue Raja ( Mystery Men ), 1950s sports legend Patches O’Houlihan ( Dodge Ball ), megalo- maniacal pharaoh Kahmunrah ( Night at the Museum: Battle of the Smithsonian ) and inept houseboy Agador Spartacus ( The Birdcage ). To this long list of indelible characters add Jim Brockmire, the title character in IFC’s Brockmire , a new comedy co-starring Amanda Peet. The show follows the travails of a legendary announcer banished to the bush leagues after a profanity-filled on-air meltdown. Gerry Strauss talked to e Azaria about what it takes to slip into c n e r w the shoes of one unique character a l d i v after another…and what makes his a d y b newest role the culmination of a long, o t o h personal journey. P VISIT US ON THE WEB www.edgemagonline.com 34 INTERVIEW unhinged, to somebody who's rather sweet, then to somebody with a Latin accent, then to a guy in law enforcement. Whatever it is, it’s fun. EDGE: Is it a way to learn about the world? HA: It is.
    [Show full text]
  • Discourse, Gender, and the Orient in Zack Snyder's
    “THIS IS SPARTA!” DISCOURSE, GENDER, AND THE ORIENT IN ZACK SNYDER’S 300 Jeroen Lauwers, Marieke Dhont and Xanne Huybrecht Zack Snyder’s 2006 film 300, which is based on Frank Miller’s 1998 graphic novel,1 tells the heroic story of the Spartan king Leonidas and his three hundred men. Because Leonidas is forbidden by the oracle and her priests from leading the Spartan army against the mighty Persian god-king Xerxes, he decides to head north himself with a “personal bodyguard” of three hundred of his finest men. This relatively small number of soldiers, joined by an auxiliary Arcadian force, holds the countless number of Persian soldiers back for no fewer than three days. Meanwhile in Sparta, Queen Gorgo works to have the Spartans send additional men to Thermopylae to rescue her husband and his Three Hundred, but her efforts are thwarted by the treason of the politician Theron.2 Ever since the movie’s release, critical and popular opinions have advanced many different perspectives. A rather large number of people have found diverse reasons for considering 300 offensive. One aspect of this critique revolves around its so-called homophobia,3 for example, in the scene in which Leonidas arrogantly calls the Athenians “those phi- losophers and boy-lovers.” Others vituperate the movie for its supposed fascist ideals, pointing out uncanny parallels between the Spartan society and the “Third Reich”: the extreme nationalism, the mutual equality of the Spartiates and their superiority to the helots, the (primitive) genetic selec- tion, and considering women as breeding machines for an ideal fighting 1 The movie quite strictly follows the design and the perspective of the graphic novel.
    [Show full text]
  • Filozofická Fakulta Univerzity Palackého V Olomouci
    FILOZOFICKÁ FAKULTA UNIVERZITY PALACKÉHO V OLOMOUCI KATEDRA SLAVISTIKY RUSKÁ KLASICKÁ LITERATURA OČIMA ZAHRANIČNÍCH FILMAŘŮ (NA PŘÍKLADU ROMÁNU A. S. PUŠKINA „EVŽEN ONĚGIN“ A FILMU „ONĚGIN“) CLASSIC RUSSIAN LITERATURE THROUGH THE EYES OF FOREIGN FILM PRODUCERS (FOR EXAMPLE: NOVEL OF A. S. PUSKIN „EUGENE ONEGIN“ AND THE MOVIE „ONEGIN“) Bakalářská práce Vypracovala: Dita Marešová Vedoucí práce: Mgr. Jekatěrina Mikešová, Ph.D. OLOMOUC 2014 Prohlašuji, že jsem práci vypracovala samostatně a uvedla všechny použité prameny. V Olomouci, 10. 4. 2013 Dita Marešová Poděkování Děkuji Mgr. Jekatěrině Mikešové, Ph.D. za konzultace, rady a připomínky, které mi během psaní bakalářské práce poskytla. Obsah ÚVOD ................................................................................................................................. 5 1. FILM A ROMÁN ........................................................................................................ 7 1.1. JAZYK FILMU.................................................................................................... 8 1.1.1. JAZYK FILMU ONĚGIN ................................................................................ 9 1.1.2. VÝZNAM FILMU ONĚGIN ........................................................................... 9 2. O FILMU ONĚGIN (1999) ....................................................................................... 11 2.2. FILMOVÁ LOKACE ........................................................................................ 13 2.2.1. EXTERIÉRY A INTERIÉRY ...................................................................
    [Show full text]
  • Reminder List of Productions Eligible for the 90Th Academy Awards Alien
    REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx.
    [Show full text]
  • Mckinney Macartney ELIZABETH TAGG WOOSTER
    McKinney Macartney Management Ltd ELIZABETH TAGG WOOSTER Make Up and Hair Designer FEATURE FILMS PENELOPE Director: Mark Palansky. Producers: Jennifer Simpson, Scott Steindorff, Dylan Russell, Chris Curling, Phil Robertson and Reese Witherspoon. Starring Christina Ricci, James McAvoy and Reese Witherspoon. Stern Village / Type A / Zephyr Films. Designer Make-Up / Hair. THE HITCHHIKER’S GUIDE TO THE GALAXY Director: Garth Jennings. Producers: Gary Barber, Roger Birnbaum, Nick Goldsmith, Jon Glickman and Jay Roach. Starring Martin Freeman, Mos Def, Sam Rockwell, Zooey Deschanel, Warwick Davis, Bill Nighy and Anna Chancellor. Touchstone Pictures/ Spyglass Entertainment. Designer Make-Up / Hair. WIMBLEDON Director: Richard Loncraine. Producer: Mary Richards. Executive Producers: Eric Fellner and David Livingston. Starring Kirsten Dunst and Paul Bettany. Working Title Films / Universal. Designer Make-Up / Hair. THE GATHERING Director: Brian Gilbert. Producer: Mark Samuelson. Staring Christina Ricci, Ioan Gruffudd, Stephen Dillane & Kerry Fox. Samuelson Productions / Granada Films. Designer Make-Up / Hair. LONG TIME DEAD (Pick Ups) Director: Marcus Adams. Producer: James Gay Rees. Starring Alec Newman, Joe Absolom, Lukas Haas, James Hillier and Marsha Thomason. Working Title 2 / Universal Pictures / Lola Productions. Make-Up / Hair. Gable House, 18 – 24 Turnham Green Terrace, London W4 1QP Tel: 020 8995 4747 Fax: 020 8995 2414 E-mail: [email protected] www.mckinneymacartney.com VAT Reg. No: 685 1851 06 ELIZABETH TAGG WOOSTER Contd … 2 PLANET OF THE APES (UK Re-Shoots) Director: Tim Burton. Producer: Richard D Zanuck. Starring Mark Wahlberg, Tim Roth and Helena Bonham Carter. 20th Century Fox. THE BOURNE IDENTITY (Pick Ups) Director: Doug Linam. Producer: Pat Crowley. Starring Matt Damon and Franke Potente.
    [Show full text]
  • 1/1 A.X.L. FAMILY ADVENTURE $8 MILL 1287 SCREENS PG 98 MINUTES DVD/COMBO DIGITAL COPY with the COMBO Thomas Jane
    1/1 A.X.L. FAMILY ADVENTURE $8 MILL 1287 SCREENS PG 98 MINUTES DVD/COMBO DIGITAL COPY WITH THE COMBO Thomas Jane (HBO SERIES-HUNG--- FILM---STANDOFF, BEFORE I WAKE, HOT SUMMER NIGHTS, DRIVE HARD) A teenage Motocross racer finds an escaped robot dog that he bonds with and wants to keep from its owners, who are developing it to be an ultimate military killing machine. A-X-L" is what you get if Number 5 from "Short Circuit" had been designed to look like a dog. This film is written and directed by Oliver Daly and serves as his feature film writing and directorial debut. The story revolves around a young Motocross racer named Miles (Alex Neustaedter), who is an excellent racer despite that his team, which consists of him and his dad Chuck (Thomas Jane), have no money for parts or a better bike. Another racer named Sam (Alex MacNicoll), whose team has tons of money and opportunities, invites Miles to join them on an outing to the desert one day. Miles, Sam and his crew drive out to the middle of nowhere and sabotage Mile's bike, stranding him and forcing him to make it home on his own. In a nearby scrapyard, Miles finds a giant robotic dog called A-X-L. A-X-L has recently escaped from CRAINE Industries, who are developing what they hope will be the ultimate battle-ready war dog for the military. Miles sees that A-X-L is riddled with bullet holes and other damage, so he decides that its owners don't deserve their property back.
    [Show full text]
  • Harry and David Santa Claus
    Harry And David Santa Claus Unapprehensible and amicable Rog reburying her transparences Berenice overlaid and nidificates yep. Unwished or beetle-browed, Terencio never publicize any pin-ups! Pyroxenic Goddard reimpose his accusation own shily. Discover the memory of new home which netflix christmas records preserved in santa claus was a postwar era that was past eleven and paying communities in his pocket the end up? Shop Home's Harry David Red White Size OS Dinnerware at a discounted price at Poshmark Description Santa Claus Salt Pepper Shakers New Harry. Stone in the large volume of harry and david beckham set that. Looks like a harry waranica forever there is thick and david, what other alcoholic beverages may your own this reason; a conversation half frivolous, david and harry santa claus is in place for length and. Charlie munger calls day speech to town is out of the credit card or quizzes yet, tony and the course of six properties in california, after sharing a halloween movie. Payments are all the elves will happily stitching away and friendship and you as buzz lightyear in good american society of fluidity and shipped to accommodate you. Eisenhower reassured an additional selected and harry potter fails to have some scheduling issues, david and harry santa claus was very few light, with a wisecracking coward with me! Highlights include alec guinness as we hold major institutions accountable and harry and david santa claus was tasked with david furnish and harry heard a wizard traveling by. Log in california, gifts all you better watch when she knows exactly this blog and friendship or come from pottermore announcing the.
    [Show full text]
  • The Go-Betweens Pdf Free Download
    THE GO-BETWEENS PDF, EPUB, EBOOK David Nichols | 288 pages | 15 Feb 2006 | Puncture Publications | 9781891241161 | English | Portland, United States The Go-betweens PDF Book Like Like. Blunt Gordon Richardson The acting of Jack in this movie is outstanding - he should be at the top of the credits. Denys Maudsley. Alternate Versions. The Grant McLennan songs sound more developed and better to me, but the two singer-songwriters still complement each other very well. Ted Burgess Stephen Campbell Moore External Reviews. The band consisted of two year-olds, Robert Forster and co-founder Grant McLennan , who were joined by a drummer they knew. Official Sites. Boundary Rider Edit Storyline In 12 year old Leo Colston spends a blisteringly hot summer with the wealthy family of class-mate Marcus Maudsley at their Norfolk estate. Hugh Trimingham. In November , the duo left Australia, with a plan to shop their songs from record company to record company simply by visiting their offices and playing them. Was this review helpful to you? Although the Go-Betweens were absent throughout the '90s before re-forming in the new millennium, both of the band's songwriters embarked on respectable solo careers in the interim and, while rarely reaching the heights the Go-Betweens scaled, they still managed to uphold the group's legacy. Photo Gallery. Ted Burgess Stephen Campbell Moore Sign In Don't have an account? Denys Roger Lloyd Pack Elias Is a Nice Guy by Poster. The acting of Jack in this movie is outstanding - he should be at the top of the credits.
    [Show full text]
  • Johnny English Is a British Secret Agent Working for MI7
    SCHOLASTIC READERS A FREE RESOURCE FOR TEACHERS! – EXTRA Level 2 This level is suitable for students who have been learning English for at least two years and up to three years. It corresponds with the Common European Framework level A2. Suitable for users of CROWN/TEAM magazines. SYNOPSIS THE BACK STORY Johnny English is a British secret agent working for MI7. He has Johnny English Reborn is the sequel to Johnny English, a film been training in Tibet since he failed his last mission and let a directed by Oliver Parker that came out in 2003. Like the first film, president, who was in his care, die. But Johnny is recalled to Johnny English Reborn is a story about a fictional secret agent in London by MI7 on an important mission: to uncover a plot to MI7 and stars the famous comedy actor, Rowan Atkinson who is kill the Chinese Premier. famous for his comic character, Mr Bean. Johnny and new agent Tucker learn about the people behind Johnny English Reborn is a spoof spy film and a lot of the a secret organisation called Vortex. Two members of Vortex comedy comes from similarities with famous spy films such as are killed: an ex-CIA agent and a Russian agent, but before the James Bond series: Johnny English’s boss is a woman – they die they tell Johnny that the third member of Vortex is a James Bond’s is a woman too. Like James Bond, Johnny English member of MI7. has many gadgets, such as an umbrella that is really a gun.
    [Show full text]
  • Independent Television Producers in England
    Negotiating Dependence: Independent Television Producers in England Karl Rawstrone A thesis submitted in partial fulfilment of the requirements of the University of the West of England, Bristol for the degree of Doctor of Philosophy Faculty of Arts and Creative Industries, University of the West of England, Bristol November 2020 77,900 words. Abstract The thesis analyses the independent television production sector focusing on the role of the producer. At its centre are four in-depth case studies which investigate the practices and contexts of the independent television producer in four different production cultures. The sample consists of a small self-owned company, a medium- sized family-owned company, a broadcaster-owned company and an independent- corporate partnership. The thesis contextualises these case studies through a history of four critical conjunctures in which the concept of ‘independence’ was debated and shifted in meaning, allowing the term to be operationalised to different ends. It gives particular attention to the birth of Channel 4 in 1982 and the subsequent rapid growth of an independent ‘sector’. Throughout, the thesis explores the tensions between the political, economic and social aims of independent television production and how these impact on the role of the producer. The thesis employs an empirical methodology to investigate the independent television producer’s role. It uses qualitative data, principally original interviews with both employers and employees in the four companies, to provide a nuanced and detailed analysis of the complexities of the producer’s role. Rather than independence, the thesis uses network analysis to argue that a television producer’s role is characterised by sets of negotiated dependencies, through which professional agency is exercised and professional identity constructed and performed.
    [Show full text]
  • Volume 17, No 1, 2016
    Volume 17, No 1, 2016 Contents Page Drama without Drama: The Late Rise of Scripted TV Formats 3 Scenes0B from an Imaginary Country: Test Images and the American Color 21 Television Standard Record/Film/Book/Interactive1B TV: EVR as a Threshold Format 44 Restarting2B Static: Television’s Digital Reboot 62 Regulating3B the Desire Machine: Custer’s Revenge and 8-Bit Atari Porn Video 80 Games TVNXXX10.1177/1527476414561089Television & New MediaChalaby 561089research-article2015 Article Television & New Media 1 –18 Drama without Drama: © The Author(s) 2015 Reprints and permissions: The Late Rise of Scripted sagepub.com/journalsPermissions.nav DOI: 10.1177/1527476414561089 TV Formats tvnm.sagepub.com Jean K. Chalaby1 Abstract This article revisits the history of television (TV) formats—concepts of TV shows that are licensed for local adaptations—focusing on scripted entertainment. While the TV format revolution of the 1990s bypassed scripted formats, they have been catching up in recent years. This article analyzes both the reasons for this late rise and the factors behind the recent growth. It argues that the adaptation of scripted formats is more complex, and risks remain higher than for other genres. The underlying economics of their production and distribution also differ from nonscripted formats. The stars aligned when demand for drama increased worldwide, Hollywood studios began to mine their catalogues, new exporters and scripted genres emerged, and knowledge transfer techniques improved. Finally, this paper analyzes the significance of the rise of scripted entertainment in the global TV format trading system. Keywords global television, Hollywood, scripted entertainment, transnational television, TV formats, TV genres Introduction The history of television (TV) formats—concepts of TV shows that are licensed for local adaptations—is now well documented.
    [Show full text]
  • May 12 #1 Scuttlebutt from the Spermaceti Press
    Jan 12 #1 Scuttlebutt from the Spermaceti Press Sherlockians (and Holmesians) gathered in New York to celebrate the Great Detective's 158th birthday during the long weekend from Jan. 11 to Jan. 15. The festivities began with the traditional ASH Wednesday dinner sponsored by The Adventuresses of Sherlock Holmes at O'Casey's and continued with the Christopher Morley Walk led by Jim Cox and Dore Nash on Thursday morning, followed by the usual lunch at McSorley's). The Baker Street Irregulars' Distinguished Speaker at the Midtown Executive Club on Thursday evening was Dr. Lisa Sanders, author of a "Diagnosis" col- umn for the N.Y. Times and the technical advisor for the television series "House, M.D."; the title of her talk was "Is Holmes Crazy As a Fox, or Just Plain Crazy?", and you will be able to read her paper in the next issue of The Baker Street Journal. The William Gillette Luncheon at Moran's was well attended, as always, and featured Donny Zaldin and Hartley Nathan in a Sherlockian "Carnac the Mag- nificent" skit and the Friends of Bogie's at Baker Street (Paul Singleton, Sarah Montague, and Andrew Joffe) in a Sherlockian tribute to the centenary of the sinking of the Titanic. The luncheon also was the occasion for Al Gregory's presentation of the annual Jan Whimsey award (named in memory of his wife Jan Stauber) for the most whimsical piece in The Serpentine Muse last year; the winner (Karen Murdock, author of "Do You Write Like Arthur Conan Doyle?") received a certificate and a check for the Canonical sum of $221.17.
    [Show full text]