DOCSLIB.ORG

Boston Symphony Orchestra Concert Programs, Summer, 1976

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Boston Symphony Orchestra Concert Programs, Summer, 1976 I '£- -# s* Sftr^ ta^Ms^: ;-- ; __ ^ &&# For 104 years we've been serious about people who make music. In 1872 Boston University established the first professional music program within an American university to train creative and talented students for careers in music. 104 years later the Boston University School of Music is still doing what it does best. • Performance • Music Education • History and Literature • Theory and Composition strings music history and literature Walter Eisenberg, violin 'Charles Kavaloski, French horn Karol Berger 'Gerald Gelbloom, violin Charles A. Lewis, Jr., trumpet Murray Lefkowitz Bernard Kadinoff, viola 'David Ohanian, French horn Joel Sheveloff Endel Kalam, chamber music Samuel Pilafian, tuba theory and composition ' ' Robert Karol, viola Rolf Smedvig, trumpet David Carney ' Alfred Krips, violin 'Harry Shapiro, French horn David Del Tredici 'Eugene Lehner, chamber music ' Roger Voisin, trumpet John Goodman ' Leslie Martin, string bass ' Charles Yancich, French horn Alan MacMillan George Neikrug, cello percussion Joyce Mekeel ' Mischa Nieland, cello 'Thomas Gauger Malloy Miller Leslie Parnas, cello ' Charles Smith Gardner Read 'Henry Portnoi, string bass Allen Schindler 'Jerome Rosen, violin harp Tison Street Kenneth Sarch, violin Lucile Lawrence 'Alfred Schneider, violin music education piano ' Roger Shermont, violin Lee Chrisman 'Joseph Silverstein, violin Maria Clodes Allen Lannom Roman Totenberg, violin Anthony di Bonaventura Jack O. Lemons Walter Trampler, viola Lenore Engdahl Mary Ann Norton Bela ' Max Winder, violin Boszormenyi-Nagy musical organizations 'Lawrence Wolfe, string bass Philip Oliver, staff accompanist Edith Stearns Adelaide Bishop, opera woodwinds Fredrik Wanger Warren Wilson, opera Edward Avedisian, clarinet Joseph Huszti, chorus ' Pasquale Cardillo, clarinet organ 'Joseph Silverstein, orchestra 'Doriot Anthony Dwyer, flute George Faxon 'Jerome Rosen, repertoire Roderick Ferland, saxophone Jack Fisher orchestra "Ralph Gomberg, oboe Max Miller * Roger Voisin, wind ensemble "John Holmes, oboe harpsichord boston symphony orchestra 'Phillip Kaplan, flute Joseph Payne woodwind quintet in residence 'James Pappoutsakis, flute 'Doriot Anthony Dwyer, flute * Richard Plaster, bassoon voice * Ralph Gomberg, oboe * Matthew Ruggjero, bassoon Eunice Alberts, contralto * Harold Wright, clarinet * Felix Viscuglia, clarinet Germaine Arosa, diction * Sherman Walt, bassoon * Sherman Walt, bassoon Mary Davenport, contralto 'Charles Kavaloski, French horn 'Harold Wright, clarinet Terry Decima, vocal coaching empire brass quintet brass Ellalou Dimmock, soprano in residence * Ronald Barron, trombone Maeda Freeman, mezzo Charles A. Lewis, Jr., trumpet Peter Chapman, trumpet Robert Gartside, tenor * Rolf Smedvig, trumpet John Coffey, tromboneltuba Mac Morgan, baritone 'David Ohanian, French horn 'Armando Ghitalla, trumpet Chloe Owen, soprano * Norman Bolter, trombone Paul Gay, trombone Allen Rogers, vocal coaching Samuel Pilafian, tuba * Gordon Hallberg, Barbara Stevenson, soprano tromboneltuba Wilma Thompson, mezzo 'Member of the Boston Symphony Orchestra Boston University School of Music Wilbur D. Fullbright, Director • Robert Lee Tipps, Assistant to Director offering degrees at the bachelor, master, and doctoral levels. School for the Arts: Music, Theatre, Visual Arts • Norman Dello Joio, Dean 855 Commonwealth Avenue, Boston, Massachusetts 02215 BOSTON SYMPHONY ORCHESTRA Seiji Ozawa, Music Director Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor Ninety-Fifth Season 1975-76 The Trustees of the Boston Symphony Orchestra Inc. Talcott M. Banks President Philip K. Allen Sidney Stoneman John L. Thorndike Vice-President Vice-President Treasurer Vernon R. Alden Mrs. Harris Fahnestock Albert L. Nickerson Allen G. Barry Harold D. Hodgkinson John T. Noonan Mrs. John M. Bradley David O. Ives Mrs. James H. Perkins Richard P. Chapman E. Morton Jennings, Jr. Irving W. Rabb Abram T. Collier Edward M. Kennedy Paul C. Reardon Nelson J. Darling, Jr. Edward G. Murray Mrs. George Lee Sargent Archie C. Epps III John Hoyt Stookey Trustee Emeritus Henry A. Laughlin Administration of the Boston Symphony Orchestra Thomas D. Perry, Jr. Thomas W. Morris Executive Director Manager Gideon Toeplitz Daniel R. Gustin Dinah Daniels Assistant Manager Assistant Manager Director of Promotion Paul Bronstein Forrester C. Smith Richard C. White Business Manager Development Director Assistant to the Manager Donald W. Mackenzie James F. Kiley Operations Manager, Symphony Hall Operations Manager, Tanglewood John Kronenberger Program Editor Programs copyright ® 1976 Boston Symphony Orchestra Inc. Contents: page page Tanglewood 6 Programs 13-27 Seiji Ozawa 9 Berkshire Music Center 29 Map 10 In and, Around The Berkshires 33 Information 11 Friends 35,37 The Board of Overseers of the Boston Symphony Orchestra Inc. David O. Ives, Chairman Hazen H. Ayer, Vice Chairman Mrs. Arthur I. Strang, Secretary Charles F. Adams Paul Fromm Richard P. Morse Mrs. Frank G. Allen Carlton P. Fuller David G. Mugar Dr. Leo L. Beranek Mrs. Thomas J. Galligan, Jr. Dr. Barbara W. Newell David W. Bernstein Mrs. Thomas Gardiner Stephen Paine David Bird Mrs. John L. Grandin Mrs. Priscilla Potter Gerhard Bleicken Bruce Harriman Harry Remis Frederick Brandi Mrs. Richard D. Hill Mrs. Peter van S. Rice Curtis Buttenheim Mrs. Amory Houghton, Jr. Mrs. Samuel L. Rosenberry Mrs. Henry B. Cabot Richard S. Humphrey, Jr. Mrs. Jerome Rosenfeld Mrs. Mary Louise Cabot Mrs. Jim Lee Hunt Mrs. A. Lloyd Russell Mrs. Norman L. Cahners Leonard Kaplan William A. Selke Levin H. Campbell, III Leon Kirchner Samuel L. Slosberg Dr. George H.A. Clowes, Jr. Mrs. James F. Lawrence Richard A. Smith Arthur P. Contas Roderick MacDougall Mrs. Edward S. Stimpson The Hon. Silvio O. Conte John S. McLennan Mrs. Edward A. Taft Robert Cushman Colman M. Mockler, Jr. Mrs. Richard H. Thompson Michael J. Daly Mrs. Charles L. Moore Stokley P. Towles Mrs. C. Russell Eddy Mrs. Elting E. Morison D. Thomas Trigg Weston P. Figgins Frank E. Morris Julius Vogel Boston University Tanglewood Institute Norman Dello Joio, Executive Director Gary L. Zeller, Administrator Robert Lee Tipps, Music Coordinator Eleventh Season Summer Instrumental and Vocal Programs for the out- standing high school musician. Private study with master artists including members of the faculty of the Boston University School of Music and the Boston Symphony Orchestra. Chamber music, orchestral and vocal perform- ances at Tanglewood. For information: Boston University Tanglewood Institute, 855 Commonwealth Avenue, Boston, Massachusetts 02215. A program offered by the Boston University School for the Arts in association with the Berkshire Music Center. Todays Great Piano. For many years Baldwin pianos have been the accompanist to the Boston Symphony Orchestra, The Berkshire Festival, The Berkshire Music Center, and these 1976 Tanglewood artists: Leonard Bernstein Arthur Fiedler Gilbert Kalish Seiji Ozawa Andre Previn Gunther Schuller Earl Wild BalctwTn Tanglewood In August, 1934, a group of music- loving summer residents of the Berk- shires organized a series of three INTERNATIONAL SOCIETY outdoor concerts at Interlaken, to be FOR CONTEMPORARY MUSIC given by members of the New York Philharmonic under the direction of Henry Hadley. The venture was so World Music Days successful that the promoters incor- porated the Berkshire Symphonic 1976 Festival and repeated the experiment during the next summer. October 24-October 30 The Festival committee then invited Serge Koussevitsky and the Boston New England Conservatory of Music Symphony Orchestra to take part in the Boston, Massachusetts following year's concerts. The Orches- tra's Trustees accepted and on August A festival of 13 concerts of contemporary 13, 1936, the Boston Symphony gave music representing composers its first concert in the Berkshires (at from 27 countries Holmwood, a former Vanderbilt estate, later the Foxhollow School). The series, again consisting of three concerts, was Performing groups include: given under a large tent, and a total of Boston Symphony Orchestra, nearly 15,000 people attended. New England Conservatory Symphony Orchestra, In the winter of 1936, Mrs. Gorham University of Iowa Orchestra. Brooks and Miss Mary Aspinwall Tappan offered Tanglewood, the Tap- Conductors: pan family estate, with its buildings and Seiji Ozawa, GuntherSchuller, James Dixon, Richard Pittman 210 acres of lawns and meadows, as a gift to Koussevitsky and the Orchestra. Chamber music concerts featuring The offer was gratefully accepted, and Boston MusicaViva, Collage, Societe de on August 12, 1937, the Festival's Musique Contemporainedu Quebec, largest crowd thus far assembled under The Purcell String Quartet, and others. a tent for the first Tanglewood concert, a program of music by Wagner. For information: As Koussevitsky began The Ride of the ISCM Valkyries, a storm erupted, overpowering New England Conservatory the music and causing the concert to be 290 Huntington Avenue interrupted three times before the first Boston, Massachusetts 02115 half could be completed. The second half Tel. 617-262-0122 of the program had to be changed, because of water damage to some of the instruments, and when the concert ended, Miss Gertrude Robinson Smith, one of the Festival's founders, came to the stage and told the audience that the storm had demonstrated the need for a permanent structure. A hundred thousand dollars, she said, would be needed for this purpose, and the response
Load more

Recommended publications
  • Boston Symphony Orchestra Concert Programs, Summer, 1976
    I M' n, v ~# ^ »>'* •«*^ ^T* > ^'^.._, KlLBu**%m*lJcML^teff-'il Btf^^flB IS^.'^I For 104 years we've been serious about people who make music. In 1872 Boston University established the first professional music program within an American university to train creative and talented students for careers in music. 104 years later the Boston University School of Music is still doing what it does best. • Performance • Music Education • History and Literature • Theory and Composition strings music history and literature Walter Eisenberg, violin Charles Kavaloski, French horn Karol Berger ' Gerald Gelbloom, violin Charles A. Lewis, Jr., trumpet Murray Lefkowitz Bernard Kadinoff, viola David Ohanian, French horn Joel Sheveloff Endel Kalam, chamber music Samuel Pilafian, tuba theory and composition ' Robert Karol, viola Rolf Smedvig, trumpet David Carney ' Alfred Krips, violin ' Harry Shapiro, French horn David Del Tredici 'Eugene Lehner, chamber music ' Roger Voisin, trumpet John Goodman 'Leslie Martin, string bass ' Charles Yancich, French horn Alan MacMillan George Neikrug, cello percussion Joyce Mekeel ' Mischa Nieland, cello * Thomas Ganger Malloy Miller Leslie Parnas, cello ' Charles Smith Gardner Read 'Henry Portnoi, string bass Allen Schindler 'Jerome Rosen, violin harp Tison Street Kenneth Sarch, violin Lucile Lawrence " Alfred Schneider, violin music education * Roger Shermont, violin piano Lee Chrisman 'Joseph Silverstein, violin Maria Clodes Allen Lannom Roman Totenberg, violin Anthony di Bonaventura Jack O. Lemons Walter Trampler, viola
    [Show full text]
  • View PDF Online
    MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951.
    [Show full text]
  • Festival 30 June 7–21 2015
    CHESAPEAKE CHAMBER MUSIC FESTIVAL 30 JUNE 7–21 2015 EASTON CENTREVILLE ST. MICHAELS ROYAL OAK OXFORD VISIT US AT ONE OF OUR 10 OFFICE LOCATIONS: 115 BAY STREET, EASTON 410.763.9096 27999 OXFORD ROAD, OXFORD 410.822.1415 220 N. MORRIS STREET, OXFORD 410.226.0111 24 N. WASHINGTON STREET, EASTON 410.770.9255 31 GOLDSBOROUGH STREET, EASTON 410.822.6665 211 N. TALBOT STREET, ST. MICHAELS 410.745.0415 205 S. TALBOT STREET, ST. MICHAELS 410.745.0417 116 N. TALBOT STREET, ST. MICHAELS 410.745.0720 Imagine… WITH McHALE YOU CAN. TILGHMAN ON THE CHESAPEAKE 410.886.2300 SINGLE SOURCE McHALE LANDSCAPE DESIGN mchalelandscape.com DESIGN LANDSCAPE MASONRY CARPENTRY MAINTENANCE CONSTRUCTION 305 CRUSADER ROAD, CAMBRIDGE 410.228.0800 + BUILD MAIN OFFICE: 301.599.8300 ■ EASTON: 410.770.9449 WWW.BENSONANDMANGOLD.COM ANNAPOLIS: 410.990.0894 ■ MCLEAN: 703.760.8600 2 = This is the work of The TABLE OF CONTENTS President’s Welcome .................................................................................................................................7 Chamber Music Artistic Director Profiles .............................................................................................9 Artist Profiles .....................................................................................................................................11–21 Artist Showcase I | Trinity Cathedral: June 7..................................................................................23 Artist Showcase II | Academy Art Museum: June 9 ......................................................................25
    [Show full text]
  • New Chamber & Solo Music
    NWCR649 New Chamber & Solo Music David Del Tredici, Robert Helps, Jan Radzynski, Tison Street 7. III - Allegro Minacciando (…Diabolique) ......... (1:25) 8. IV - Largo ............................................................ (4:37) David Del Tredici, piano Jan Radzynski 9. String Quartet (1978) ........................................... (12:00) The Aviv String Quartet: Hagai Shaham, violin; John McGross, violin; Yariv Aloni, viola; Zvi Plesser, cello 10. Canto (1981) ....................................................... (10:18) Arnon Erez, piano Five Duets (1982) 11. I – Risoluto .......................................................... (1:25) 12. II – Allegro .......................................................... (1:05) 13. III – Allegretto burlesco ...................................... (1:19) 14. IV – Remembering Sepharad .............................. (2:51) 15. V – Agitato .......................................................... (2:25) Maya Beiser, Zvi Plesser, cellos Tison Street Robert Helps 16. Trio (1963) .......................................................... (9:38) 1. Hommage à Fauré (1972) ................................... (3:56) Members of Spectrum Ensemble Berlin: Per Sporrong, violin; Brett Dean, viola; Frank Dodge, cello 2. Hommage à Rachmaninov (1972) ....................... (2:17) Robert Helps 3. Hommage à Ravel (1972) ................................... (4:30) Robert Helps, piano 17. Nocturne (1960) .................................................. (7:42) Members of Spectrum Ensemble Berlin Mi-Kyung
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1976
    "£r -# ^ f ^ *Lik«*«* - • A ?8t aw**- - _.; ^ 1 If ittCll II 4 * I ^'3 \0 *&>--£ >-- ,*£- 1 - Jfe- . $ ^A '-*. ) £ _-' -f . ^ For 104 years we've been serious about people who make music. In 1872 Boston University established the first professional music program within an American university to train creative and talented students for careers in music. 104 years later the Boston University School of Music is still doing what it does best. • Performance • Music Education • History and Literature • Theory and Composition strings music history and literature Walter Eisenberg, violin 'Charles Kavaloski, French horn Karol Berger * Gerald Gelbloom, violin Charles A. Lewis, Jr., trumpet Murray Lefkowitz "Bernard Kadinoff, viola 'David Ohanian, French horn Joel Sheveloff Endel Kalam, chamber music Samuel Pilafian, tuba theory and composition ' Robert Karol, viola ' Rolf Smedvig, trumpet David Carney ' Alfred Krips, violin Harry Shapiro, French horn David Del Tredici 'Eugene Lehner, chamber music ' Roger Voisin, trumpet John Goodman Martin, string bass 'Charles Yancich, French horn 'Leslie Alan MacMillan George Neikrug, cello percussion Joyce Mekeel ' Mischa Nieland, cello 'Thomas Gauger Malloy Miller Leslie Parnas, cello 'Charles Smith Gardner Read 'Henry Portnoi, string bass Allen Schindler 'Jerome Rosen, violin harp Tison Street Kenneth Sarch, violin Lucile Lawrence ' Alfred Schneider, violin music education 'Roger Shermont, violin piano Lee Chrisman 'Joseph Silverstein, violin Maria Clodes Allen Lannom Roman Totenberg, violin Anthony di Bonaventura
    [Show full text]
  • Our American Cousin Libretto by John Shoptaw
    ERIC SAWYER: OUR AMERICAN COUSIN LIBRETTO BY JOHN SHOPTAW A ERIC SAWYER b. 1962 DISC 1 DISC 2 OUR AMERICAN COUSIN ACT I PAGE ACT II (cont’d) PAGE [1] PRELUDE 6:36 20 [1] SCENE 4 In the Library 3:42 37 LIBRETTO BY JOHN SHOPTAW [2] SCENE 1 A Sneeze 1:58 20 [2] Two Letters 2:38 38 [3] Arts of Theater 4:16 20 [3] SCENE 5 Musical Chairs 6:29 39 [4] SCENE 2 Harry Hawk’s Substitute 1:52 21 ACT III BOSTON MODERN ORCHESTRA ProjeCT [5] Walking a Corduroy Road 4:26 21 [4] SCENE 1 In the Dairy 2:31 41 [6] SCENE 3 Mathews and Booth 1:59 22 GIL ROSE, CONDUCTOR [5] Ancient Business 5:35 41 [7] What Happens Here? 2:48 23 [6] Mary and Abraham 2:40 43 [8] SCENE 4 Chorus of Women 1:57 24 JANNA BATY mezzo-soprano [7] Sic Semper Booth 2:52 43 [9] Chorus of Amputees 1:27 24 ALAN SCHNEIDER tenor [8] SCENE 2 Assassination 7:34 44 [10] Chorus of Freedmen 1:14 24 [9] SCENE 3 The Presidential Box 9:18 47 AAroN ENGEBRETH baritone [11] Chorus of Nurses 1:23 25 [10] SCENE 4 Hawk’s Second Chance 2:47 50 DREW POLING baritone [12] Chorus of Businessmen 0:45 25 [11] Burning Letter 5:32 50 [13] SCENE 5 Drinking Song 4:02 25 DONALD WILKINSON baritone [12] SCENE 5 Blood Stains 5:10 52 [14] SCENE 6 Laura Keene 3:59 27 ANGELA HINES GooCH soprano [13] Apparition 3:44 53 [15] Emancipate your Sorrows 3:28 27 Tom O’Toole bass-baritone [14] Final Chorus 4:47 54 ACT II HILLARIE O’Toole soprano TOTAL 65:20 [16] SCENE 1 Father and Daughter 3:58 28 JANICE EDWARDS mezzo-soprano [17] I Feel a Draft 2:06 30 DANIEL KAMALIC baritone [18] Asa’s Letter 4:20 30 [19] SCENE 2 A Moneyed Man 5:21 32 THE AMHERST COLLEGE CONCERT CHOIR [20] SCENE 3 Introductions 1:44 33 Mallorie Chernin, music director [21] Possum Herding 3:02 34 [22] Lincoln 4:17 35 TOTAL 67:00 COMMENTS By Eric Sawyer MUSICAL REALITIES IVISION D In an opera containing colliding realities, I sought music that could give distinct identi- S H ties to the comic play and historical drama while at the same time connecting them.
    [Show full text]
  • Ruby Fulton CV 2015
    Ruby Fulton composer/performer/teacher [email protected]///www.rubyfulton.com///443-838-4230 405 W Franklin St, 5th Floor, Baltimore, MD 21201 EDUCATION Peabody Conservatory of Music of the Johns Hopkins University (2005-2009) Doctor of Music Arts, Composition Master of Music, Music Theory Pedagogy Primary Teacher: Christopher Theofanidis Thesis Composition: Closer to Mona Commentary: “Music and the Collective Mind” Graduate Assistantship, Music Theory (2005-2008) San Francisco Conservatory of Music (2003-2005) Master of Music, Composition Primary Teachers: Elinor Armer, Dan Becker Graduate Assistantship, Music History (2004-2005) Boston University College of Fine Arts School of Music (1999-2003) Bachelor of Music, magna cum lauda, Composition and Violin Performance Primary Teachers: Martin Amlin, Charles Fussell, Tison Street Departmental Honors, Theory and Composition COLLEGE TEACHING EXPERIENCE Shenandoah Conservatory of Music, Composition, Adjunct Assistant Professor 2012-2015 Applied Composition (2012-2015) Graduate Seminar, Minimalism (2013, 2015) Post-Tonal Theory (2015) Instrumentation (2014) Graduate Seminar, Opera Since 1970 (2014) Graduate Seminar, American Mavericks (2013) Peabody Conservatory of Music, Music Theory, Adjunct Faculty 2007-2015 Graduate Seminar, Minimalism (2011, 2012, 2015) Graduate Theory Review (2010, 2013) Music Theory Fundamentals (2007) Peabody Conservatory of Johns Hopkins University, Music Theory, Adjunct Faculty 2010-2014 Introduction to Popular Music, assistant (2010-2014) Music Theory I (2012)
    [Show full text]
  • 2020 Working MOTH Mag.Indd
    2020 Music on the Hill Pg 1 2020 Music on the Hill Pg 1 Joseph J. Solomon Mayor VISITWARWICKRI.COM 2020 Music on the Hill Pg 1 Welcome to Music on the Hill’s Music on the Hill’s 2020 festival off ers seven diff erent concerts throughout Rhode Island. From East Greenwich on June 1, we weave our way to Westerly, Cranston, Warwick, and back. Our return to St. Luke’s Episcopal Church, Music on the Hill’s birthplace, is a special treat. The church’s new climate control system provides comfort for performers and audience alike. Another special aspect of our St. Luke’s fi na- le is the return of trumpeter Roderick MacDonald (Leipzig Gewandhaus Orchestra) to his home state. In 1979-1980, my fi rst season as principal bassist in the Rhode Island Philhar- monic Senior Youth Orchestra, Rod was principal trumpet. Oboist Anne Marie Gabriele (Los Angeles Philharmonic) was principal oboe. I’m thrilled to be able to feature Anne and Rod in the same concert...40 years in the making! Table of Contents Donors...................................................... p. 2 Thanks to the Aaron Roitman Fund for Chamber Music, violin virtuoso Evan Price -- “one of the world’s most confi - List of Advertisers............................... p. 9 dent voices in extra-classical string playing” -- joins us June 10 and 11. His unique blend of jazz and classical will wow Ticket Information............................. p. 10 you, I’m certain. The Miller-Porfi ris Duo pairs classic silent Concert Schedule................................. p. 11 fi lms with unique musical selections. World-renowned piano virtuoso Joseph Kalichstein performs Beethoven’s 4th Piano Concert Programs concerto, and Metropolitan Opera mezzo-soprano Mary Phillips sings on June 1 and 2.
    [Show full text]
  • Boston Symphony Chamber Players 50Th Anniversary Season 2013-2014
    Boston Symphony Chamber Players 50th anniversary season 2013-2014 jordan hall at the new england conservatory october 13 january 12 february 9 april 6 BOSTON SYMPHONY CHAMBER PLAYERS Sunday, February 9, 2014, at Jordan Hall at New England Conservatory TABLE OF CONTENTS 3 Welcome 4 From the Players 8 Today’s Program Notes on the Program 10 Charles Martin Loeffler 12 Kati Agócs 13 Gunther Schuller 14 Hannah Lash 15 Yehudi Wyner 17 Amy Beach Artists 18 Boston Symphony Chamber Players 19 Randall Hodgkinson 19 Andris Poga 20 The Boston Symphony Chamber Players: Concert Repertoire, 1964 to Date COVER PHOTO (top) Founding members of the Boston Symphony Chamber Players, 1964: (seated, left to right) Joseph Silverstein, violin; Burton Fine, viola; Jules Eskin, cello; Doriot Anthony Dwyer, flute; Ralph Gomberg, oboe; Gino Cioffi, clarinet; Sherman Walt, bassoon; (standing, left to right) Georges Moleux, double bass; Everett Firth, timpani; Roger Voisin, trumpet; William Gibson, tombone; James Stagliano, horn (BSO Archives) COVER PHOTO (bottom) The Boston Symphony Chamber Players in 2012 at Jordan Hall: (seated in front, from left): Malcolm Lowe, violin; Haldan Martinson, violin; Jules Eskin, cello; Steven Ansell, viola; (rear, from left) Elizabeth Rowe, flute; John Ferrillo, oboe; William R. Hudgins, clarinet; Richard Svoboda, bassoon; James Sommerville, horn; Edwin Barker, bass (photo by Stu Rosner) ADDITIONAL PHOTO CREDITS Individual Chamber Players portraits pages 4, 5, 6, and 7 by Tom Kates, except Elizabeth Rowe (page 6) and Richard Svoboda (page 7) by Michael J. Lutch. Boston Symphony Chamber Players photos on page 8 by Stu Rosner and on page 18 by Michael J.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1976
    ^ ~4h *' 4* ^ dM&k? *£; m"i& 6?^ r J* For 104 years we've been serious about people who make music. In 1872 Boston University established the first professional music program within an American university to train creative and talented students for careers in music. 104 years later the Boston University School of Music is still doing what it does best. • Performance • Music Education • History and Literature • Theory and Composition strings music history and literature Walter Eisenberg, violin 'Charles Kavaloski, French horn Karol Berger 'Gerald Gelbloom, violin Charles A. Lewis, Jr., trumpet Murray Lefkowitz 'Bernard Kadinoff, viola 'David Ohanian, French horn Joel Sheveloff Endel Kalam, chamber music Samuel Pilafian, tuba theory and composition ' ' Robert Karol, viola Rolf Smedvig, trumpet David Carney ' Alfred Krips, violin 'Harry Shapiro, French horn David Del Tredici 'Eugene Lehner, chamber music ' Roger Voisin, trumpet John Goodman 'Leslie Martin, string bass 'Charles Yancich, French horn Alan MacMillan George Neikrug, cello percussion Joyce Mekeel ' Mischa Nieland, cello 'Thomas Gauger Malloy Miller Leslie Parnas, cello 'Charles Smith Gardner Read "Henry Portnoi, string bass Allen Schindler " Jerome Rosen, violin harp Tison Street Kenneth Sarch, violin Lucile Lawrence ' Alfred Schneider, violin music education 'Roger Shermont, violin piano Lee Chrisman 'Joseph Silverstein, violin Maria Clodes Allen Lannom Roman Totenberg, violin Anthony di Bonaventura Jack O. Lemons Walter Trampler, viola Lenore Engdahl Mary Ann Norton ' Max Winder,
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1977
    — *5F «\» ^^ . 1 7 L-y*jM %Wt &W1 ;**>] -v>- £t !=*?8fei ;>.» *g W ;. *, \ ^-W2 t* fc •*U*-T..-> ''- * K 9 ^.^5* I .MliNOFF® VODKA. 80 & 100 PROOF. DISTILLED FROM GRAIN. STE. PIERRE SMIRNOFF FLS. (DIVISION OF H EUBLEIN. I NCORPORATED ) HARTFORD. CONNECTICUT ' " ' -<*£sv Seiji Ozawa, Music Director Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor Ninety- Sixth Season 1976-1977 The Trustees of the Boston Symphony Orchestra Inc. Talcott M. Banks, President Philip K. Allen, Vice President Sidney Stoneman, Vice-President Mrs. Harris Fahnestock, Vice-President John L. Thorndike, Treasurer Vernon R. Alden Nelson J. Darling, Jr. Albert L. Nickerson Allen G. Barry Archie C. Epps III Mrs. James H. Perkins Dr. Leo L. Beranek E. Morton Jennings, Jr. Irving W. Rabb Mrs. John M. Bradley Edward M. Kennedy Paul C. Reardon Richard P. Chapman George Kidder David Rockefeller Jr. Dr. George Clowes Edward G. Murray Mrs. George Lee Sargent Abram T. Collier John Hoyt Stookey Trustees Emeriti Henry A. Laughlin Harold D. Hodgkinson John T. Noonan Administration of the Boston Symphony Orchestra Thomas D. Perry, Jr. Thomas W. Morris Executive Director Manager Gideon Toeplitz Daniel R. Gustin Assistant Manager Assistant Manager Joseph M. Hobbs Walter Hill Dinah Daniels Director of Development Director of Business Affairs Director of Promotion Richard C. White Anita R. Kurland Niklaus Wyss Assistant to the Manager Administrator of Youth Activities Advisor for the Music Director Donald W. Mackenzie James F. Kiley Operations Manager, Symphony Hall Operations Manager, Tanglewood Michael Steinberg Director of Publications Programs copyright ® 1977 Boston Symphony Orchestra Inc. Contents: page page Tanglewood 4 Programs 11-36 Seiji Ozawa 7 Berkshire Music Center 40 Map 8 Friends 42, 43 Information 9 The cover photo is by Walter H.
    [Show full text]
  • Defending Feeling and Time 30 Jahre Spectrum Concerts Berlin
    30. SAISON 2018 FRANK SUMNER DODGE – GRÜNDER UND KÜNSTLERISCHER LEITER Defending Feeling and Time VON JOHN H. BECK SEITE 30 Jahre Spectrum Concerts Berlin EINE BILANZ VON HABAKUK TRABER SEITE Spectrums Arbeit im Kosovo 2012 – 2018 SEITE Tipp: Bei Vorlage dieser Anzeige und Ihres Parktickets für den gleichen Tag erhalten Sie 30. SAISON 2018 FRANK SUMNER DODGE GRÜNDER UND KÜNSTLERISCHER LEITER 10% Rabatt auf Ihre Restaurant- oder Barrechnung. BORIS BROVTSYN CLARA-JUMI KANG ALEXANDER SITKOVETSKY Violine MAXIM RYSANOV AMIHAI GROSZ GARETH LUBBE Viola TORLEIF THEDÉEN JENS PETER MAINTZ Vor dem Konzert… GARY HOFFMAN Violoncello …ist nach dem Konzert! THORSTEN JOHANNS Ob zum Dinner im Restaurant M oder auf einen Drink in der „Le Bar“ – bei uns © Kelli Dailey – Fotolia.com Klarinette ergänzen Sie Ihren Konzertabend mit geselligen und kulinarischen Momenten, nur fünf Minuten Fußweg von der Philharmonie entfernt. ROBERT LEVIN Restaurant M YA-FEI CHUANG Regional – authentisch – mmh... Schnitzelliebhaber aufgepasst: ELDAR NEBOLSIN Erleben Sie einen Gaumenschmaus in Jeden Freitag ab 16 Uhr ist DENIS KOZHUKHIN gemütlicher Atmosphäre. Auf unserer Schnitzeltag! Ob klassisches Speisekarte finden Sie typische Gerichte „Wiener Schnitzel“ oder Schnitzel VADYM KHOLODENKO aus Berlin und Brandenburg, zubereitet „Rumpsteak“ – Ihr Lieblings- Klavier aus regionalen Produkten. schnitzel ist bestimmt dabei! „Le Bar“ – Cocktails, Snacks und mehr Nachmittags Kaffee, Tee und Kuchen. Abends Cocktails, Longdrinks und Premium Spirituosen. Wechselnde Bar-Specials. Sky
    [Show full text]