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Home , Charles Fussell, Concord String Quartet, Frederick Moyer, George Crumb, Gordon Sherwood, Leon Kirchner

Festival of ContemporaryMusic

1-7August / 1985

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TanglewdDd Center 's New Music Ensemble collage^") ANNOUNCES 1985-1986 SEASON FEATURING 3 PULITZER PRIZE WINNING AND A MODERN DANCE COLLABORATION

NOVEMBER 4, 1985 Conducted by John Harbison, program will fea- ture 1985 Pulitzer Prize winner Steven Albert. Other works by Christopher Rouse, Robert Selig and Edward Cohen.

JANUARY 27, 1986 A concert in celebration of 's 60th birthday and featuring soprano Lucie Shelton as guest artist. Works by Gunther Schuller, William Doptman, Ellen Zwillich and Will Ogden.

MARCH 30, 1986 Performed with the Concert Dance Company of Boston, the program will include works by , , Gardner Read and . Conducted by .

For further information and a season brochure, call (617) 437-0231 or write, COLLAGE, 295 Huntington Avenue, Suite 208, Boston, 021 15

Subscriptions are Available 1985 FESTIVAL OF CONTEMPORARY MUSIC sponsored by the TANCLEWOOD MUSIC CENTER , Artistic Director- Design ate TanglewoDd

Daniel R. Gustin, Administrative Director Music Richard Ortner, Administrator Center Leon Kirch ner, -in-Residence

Works presented at this year's Festival were prepared under the guidance of the following Tanglewood Music Center Faculty:

Terry Dec i ma Joel Krosnick Margo Garrett Kent Nagano Dennis Helmrich Peter Serkin Philip Highfill Joel Smirnoff Roger Voisin

1985 Visiting Composer/Teachers

John Adams David DelTredici

1985 Festival of Contemporary Music Advisory Committee

Peter Maxwell Davies Jacob Druckman John Harbison Oliver Knussen

The Tanglewood Music Center is maintained for advanced study in music and sponsored by the Boston Symphony Orchestra

Seiji Ozawa, Music Director Thomas W. Morris, General Manager

The 1985 Festival of Contemporary Music is supported by a grant from the Exxon Corporation, from the National Endowment for the Arts, and with funds from the generous and loyal Friends of Music at Tanglewood. SEIJI OZAWA CLAUDIO ABBADO CHARLES DUTOIT ZUBIN MEHTA MICHAEL TILSON THOMAS CHRISTOPH VON DOHNANYI PHYLLIS CURTIN SHERRILL MILNES LEONTYNE PRICE SHIRLEY VERRETT BURT BACHARACH JACOB DRUCKMAN -

What do these names have in common, along with hundreds of musicians who perform in

I America 's major symphony orchestras ?

All are distinguished alumni of a unique program founded in 1940 as the !n fulfillment of Serge Koussevitzky's vision of the ideal musical community. Today, * the Tanglewood Music Center continues to be the nation's preeminent academy for advanced musical study and performance. Maintained and financed by the Boston Symphony Orchestra, the Tanglewood Music Center offers exceptional young instrumentalists, singers, composers, and conductors a comprehensive and exhilarating eight-week program of musical training, under the direction of the world's greatest concert artists.

Since admission to the TMC is based solely on musical ability rather than the ability to pay, the Center operates each year at a substantial loss to the BSO. We need your support. Please contribute Tanglew®d to the Tanglewood Music Center. When you do, you contribute to the future of music itself.

Music Please make checks payable to the Tanglewood Music Center and mail to the Friends Office, Tanglewood, Lenox, Center MA 01240. For further information, please contact Joyce Serwitz in the Friends Office at Tanglewood, or call (413)637-1600. Contemporary Music at Tanglewood

Welcome to the 1985 Festival of Contem- The 1985 Festival continues those aims. porary Music at Tanglewood! The role of As always, the repertory contains a blend new music in the activities of the Tangle- of older classics, recent works, and .brand- wood Music Center has been vital from the new compositions receiving first perform- earliest days, when it bore its original ances, providing a conspectus of the new name, the Berkshire Music Center, under music of our century, allowing performers the direction of . Copland's and listeners to experience the continuing own generosity toward other composers traditions of the new in twentieth-century and the enthusiasm of Serge Koussevitzky, music—to encounter the shock of novelty, the prime mover of the Music Center, and the equal shock of realizing that what guaranteed that new music should be en- was once novel is now welcome and famil- couraged in every way, through creation iar. and performance. The tradition deepened Each year the particular "stew" is assem- during the long tenure of Gunther Schuller bled from a careful consideration of major as principal architect of each summer's Fes- composers' anniversaries, available new tival, with the enlightened patronage for works by young composers, and a desire many years of Paul Fromm. The 1985 Festi- to include a wide range of styles and val continues that legacy. techniques, with specific genres deter- Each year the Festival of Contemporary mined in part by the performers available.

Music at Tanglewood serves several impor- As in the past, there is no attempt to tant functions: represent in any given Festival all the kinds of music being written today; our compos- — it contributes to the educational pro- ers are simply too imaginative and varied gram of the Tanglewood Music Center to allow any circumscribed program to be by giving every TMC Fellow the opportu- inclusive. But the goal throughout is for nity of learning and performing several diversity and quality. recently composed works, often bring- The 1985 program includes a tribute to ing them face-to-face with a brand-new one of the most influential of twentieth cen- composition for the first time in their tury composers, whose centennial is cele- lives. This is crucial for the future of our brated this year, ; another tribute musical life: only such striving with the to a recently departed American master, music of today can assure the continued , whose death this spring vitality of the great creations of the past. wrote the final cadence to a career uniquely — it provides a forum in which audi- fruitful and uniquely influential; several

ences can hear, i n a reasonably compact performances of music by senior compos- way, a substantial number of recent ers of our generation —Aaron Copland, works in many different styles and , , Jacob genres. Druckman, Gyorgy Ligeti, George Perle, — it offers composers the opportunity to and this summer's Composer-in-Resi- hear their own work and the work of dence, Leon Kirchner; and a larger number their colleagues and especially to meet of pieces by many talented composers of

with the musicians who perform it, to the younger generation, whose work may

everyone's mutual benefit. sometimes bewilder in its stylistic variety

EH&3 Shown here in August 1976 are, clockwise from left, Tanglewood Music Center Fellowship composers and Michael Kowalski, George Crumb's son David (who would be a member of the Young Artists Program in 1978), composer George Crumb, and a beaming Mrs. Margaret Lee Crofts.

Margaret Lee Crofts Fellows, 1947-1985

William Albright Stefan Grove Russell Peck Bruno Amato Marjorie Hess Malcolm Peyton Simon Bainbridge Egil Hovland James Primosch Giselle Barreau Charles Israels Tibor Pusztai

Robert Beaser Thomas Putsche Robert Bernat Stephen James W. Hayes Biggs David Koblitz Roger Reynolds Marilyn Bliss Karl Korte Phillip Rhodes Michael Kowalski Michael Riesman Michael Carnes Robert Rodriguez R. Barney Childs Eugene Lee Leonard Rosenmann Sheree Clement Douglas Leedy Michael Sahl Marc -Antonio Consoli Yinam Leef Donald Scarvada Conrad Cummings James Legg David Schimmel George Crumb John Anthony Lennon Judith Shatin David Del Tredici Fred Lerdahl Norman Dinerstein Peter Lewis Charles Dodge Salvatore Marti rano Ezra Sims H. Bryan Dority Paul Mefano Theodore Snyder Alvin Epstein Robert Morris Charles Strouse Eric Ewazen Robert Newall Nicholas Thorne William Flanagan Marios Nobre Scott Wheeler Clare Franco Lew Norton Raymond Wilding-White Harry Freed man Joan Panetti Rolv Yttrehus Anthony Gilbert and novelty. Six of these composers were to send in her donation each year and let students at Tanglewood with support matters rest there: instead, this remarkable through the generosity of Margaret Lee woman has kept a very active and involved Crofts, whose steady, quiet interest in the interest in the lives and careers of many of continuation of the creative process in the young composers she first met at music we celebrate this summer. Tanglewood. She has attended their wed- Terms such as neo-romantic, minimalist, dings, and the birthdays and bar mitzvahs serial, tonal and atonal, twelve-tone, of their children; she has given them ad- aleatoric, and academic are bandied about vice when they asked and sometimes (if freely at festivals like this, often by parti- she thought it important enough) even sans of one musical style attempting to pro- when they didn't; she has sent them mote their own music or to denigrate abroad; she has helped them with residen- another. But words can never wholly grasp cies at the MacDowell Colony; she has or begin to describe the living flow of a helped them to pay for a recording, a book, musical composition. Few composers care the publication of a new work. Above all, what labels are attached to their work. All she has treated them as she believes com- they ask of you is to come with a genuine posers ought to be treated — as the really curiosity, an open mind, and a willingness important people in music. to grapple with the new and unfamiliar in Mrs. Crofts doesn't go to concerts much the pursuit of the fundamental humanity anymore (which is not surprising for some- that lies at the core of all creative and re- one of 92 years!). On her 90th birthday, we creative experience. at the Music Center presented her with a collection of personal and musical saluta- —Steven Ledbetter tions from the composers she has spon- Musicologist and Program Annotator sored ("my boys," as she likes to call them, Boston Symphony Orchestra even though some of her favorites have been "girls"). In looking over these birth- day greetings recently, she wrote me: "What impressed me was that money MARGARET LEE CROFTS: wasn't mentioned. Years ago Copland told An Appreciation me, as much as composers need money, encouragement and interest meant more:

?lf you do not play the new, eventually you again I say, a little can do an awful lot." will not have the old." How characteristic is this statement by Margaret Lee Crofts. Modest and self-effac- —Serge Koussevitzky ing, her real concern is with the welfare and accomplishments of "her boys," and Koussevitzky's attitude toward composers she has managed to foster an impressive and new music made a deep impression progeny over the years. This summer on Margaret Lee Crofts, the dear lady to brings to 73 the number of composers she whom we dedicate this year's Festival of has sponsored at Tanglewood. We mean to Contemporary Music. Following discus- honor her legacy in a modest way in this sions with Koussevitzky and Aaron Cop- Festival, but more than that, we mean to land in 1947 during the fifth session of the honor Mrs. Crofts herself and the principles Tanglewood Music Center, Mrs. Crofts on which she has based her philanthropy. began her sponsorship of composers at Tanglewood, and she has since sponsored — Daniel R. Gustin at least two young composers every sum- Administrative Director mer. But she has not been content simply Tanglewood Music Center

m The Wonderful World of Margun Music

Claus Adam • Josef Alexander • Arthur Bird • Eubie Blake • Ran Blake Roger Bourland • David Broekman • Howard Brockway • Richard Busch Rob Carriker • David Chaitkin • Sheree Clement • Marc-Antonio Consoli Frederick Converse • Avram David • Robert DiDomenica Lucia Dlugoszewski • William Doppmann • Dennis Eberhard Brian Fennelly • Vivian Fine • Vic Firth • Primous Fountain III Donal Fox • T. Jackson Geller • Louis Gruenberg • Jimmy Giuffre Daniel Godfrey • Edmund Haines • George Handy • James Hewitt John Huggler • Jere Hutcheson • Scott Joplin • David Koblitz Oliver Knussen • Steve Lacy • Joseph Lamb • Kenneth Laufer Thomas Oboe Lee • Fred Lerdahl • Paul Alan Levi • Gerald Levinson Edwin London • Vincent Luti • Stephen Mackey • Joseph Gabriel Maneri William Thomas McKinley • John Stewart McLennan • John Melby Charles Mingus • Gerry Mulligan • Harold Oliver • Richard Peaslee George Perle • Morgan Powell • James Primosch • Tibor Pusztai Verne Reynolds • • Rodney Rogers • Carl Roskott George Russell • Wlson Sawyer • • Edwin Schuller Gunther Schuller • Elliott Schwartz • Robert Selig • Gary Smart • Lewis Spratlan • Edward Steuermann • David Stock Andrew Thomas • Nicholas C.K. Thorne • Alec Wider • Oily Wilson Ellen Taaffe Zwilich • (and also Mozart!)

And available from G M Recordings: Louis Krasner performing the concerti of Berg and Schoenberg in his historic performances (1938 and 1954) John Stewart McLennan: Vocal and Organ Works Music for the Underdogs of the Orchestra: featuring works for by Vaughan Wlliams and Schuller, and for bass quartet by Schuller Frederick Moyer: Bach and Rachmaninov; Haydn, Brahms and Prokofiev Robert DiDomenica: Solo Works New England Ragtime Ensemble: More Scott Joplin Rags

(all records are available at the Tanglewood Music Store) WRITE FOR COMPLETE CATALOGUE AND INFORMATION

Margun Music Inc. / GunMar Music Inc. / G M Recordings Gunther Schuller, President

167 Dudley Road Newton Centre, MA 02159 (617) 332-6398 1985 Festival of Contemporary Music

Thursday, 1 August at 8:30 p.m. Theatre-Concert Hall, Tanglewood TanglewGDd CONCORD Mark Sokol, violin Music Andrew Jennings, violin Center John Kochanowski, viola Norman Fischer, cello

LUDWIGVAN String Quartet No. 11 in F minor, Opus 95 BEETHOVEN Allegro con brio (1770-1827) Allegretto ma non troppo Allegro assai vivace ma serioso— Piu Allegro Larghetto espressivo-Allegretto agitato- Allegro

JACOB DRUCKMAN StringQuartet No. 3(1981)

(b.1928) I. Variations 1-3; Marcia-ritornello;

Scherzo 1; Ritornello

II. Variations 4-6

III. Marcia-ritornello; Scherzo 2; Variations 7-9

INTERMISSION

DMITRY SHOSTAKOVICH String Quartet No. 13 in B-flat minor, Opus 138(1978) (1906-1975) Adagio-Doppio movimento-Tempo primo

BEETHOVEN Grosse Fugue in B-flat, Opus 133

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MM Jf ^ MMB MUSIC, INC.

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CREATIVE THERAPY I - Sp«c i a Educat ion Mat«r i a I

PROUDLY REPRESENTING:

* J & W Chester/ * Musikwissenschaftlicher Edition Wilhelm Hansen Verlag () London, Ltd. * Musikki Fazer (Helsinki) * Edition Wilhelm Hansen (Copenhagen) * Verlag Merseburger (Kassel) * Edition Wilhelm Hansen/ Chester Music New York * Baerenreiter Verlag (Kassel) * Edition Wilhelm Hansen (Performance) (Frankfurt) * STUDIO 49 Instruments * Nordiska Musikfoerlaget (Munich) (Stockholm) * MMB Music, Inc. (St. Louis) * Norsk Musikforlag (Oslo)

A world of great music, brought to you with the fastest and best quality service. Our very knowledgeable and courteous staff is here to assist you with one of the largest selections of fine contemporary music! Contact MMB Music, Inc. for further information, perusal scores, and tapes. 10370 PAGE INDUSTRIAL BOULEVARD SAINT LOUIS, MISSOURI 63 1 32 3 14 • 427 5660 J 1985 Festival of Contemporary Music Saturday, 3 August at 2 p.m. Theatre-Concert Hall, Tanglewood

FELLOWS OF THE TANGLEWOOD MUSIC CENTER

LEONKIRCHNER Fanfare (1974; revised 1985t) ' (b.1919)

JOHNTHOW All Hallows (1982), for chamber ensemble (b.1949) I. Landscape

II. Capriccio

III. Metamorphosis

JAMES ROSS, conductor

JOHN ANTHONY Voices, for string quartet (1982)

LENNON* STEVEN MILLER, violin (b.1950) CLARISSE ATCHERSON, violin HEATHER BENTLEY, viola KARL PARENS, cello

INTERMISSION

ALBAN BERG Kammerkonzertior piano and violin (1885-1935) with thirteen wind instruments (1925)

I. Thema scherzoso con Variazioni

II. Adagio

III. Rondo ritmico con Introduzione

PETER SERKIN, piano JOSEPH SILVERSTEIN, violin LEON KIRCHNER, conductor

*Margaret Lee Crofts Fellow (1979) tfirst performance

Baldwin piano 1985 Festival of Contemporary Music

Sunday, 4 August at 10 a.m. Theatre-Concert Hall, Tanglewood

FELLOWS OF THE TANGLEWOOD MUSIC CENTER

SONGS TO TEXTS OF EMILY DICKINSON

GEORGE PERLE from Thirteen Dickinson Songs (1977-78) (b.1915) 1 1 ike to see it lap the miles The heart asks Pleasure-first—

The Wi nd-tapped I i ke a ti red Man- Under the Light, yet under,

VALIC McGANN, mezzo-soprano PHILLIPYOUNG, piano

AARON COPLAND Twelve Poems of Emily Dickinson (1950) (b.1900) Nature, the gentlest mother There came a wind like a bugle

Why do they sh ut me out of Heaven ? The world feels dusty

Heart, we wi 1 1 forget h i m Dear March, come in!

Sleep is supposed to be When they come back

I felt a funeral in my brain I've heard an organ talk sometimes Going to Heaven! The Chariot

JUDYSCHUBERT, soprano KENNETH GRIGG, piano

LEONKIRCHNER The Twilight Stood (1982) (b.19T9) The Auctioneer

He Scanned It The Crickets Sang Partake as Doth the Bee Much Madness There Came a Wind

ROBERTA GUMBEL, soprano DENNIS HELMRICH, piano TangJewGDd Music Center

FREDLERDAHL* Beyond the Realm of Bird, for soprano and (b.1943) chamber orchestra (1981 -84), to texts of Emily Dickinsont

I. A Wind that rose (1981)

II. He Parts Himself-like Leaves (1983)

III. I Saw No Way (1984)

JAYNE WEST, soprano YEHUDI WYNER, conductor

*Margaret Lee Crofts Fellow (1966) tfirst performance

The audience is politely requested to withhold applause until the end of each group of songs.

There will be no intermission.

Baldwin piano )

1985 Festival of Contemporary Music

Sunday, 4 August at 8:30 p.m. Theatre-Concert Hall, Tanglewood

FELLOWS OF THE TANGLEWOOD MUSIC CENTER

STEFAN WOLPE From Here on Farther, for , (1902-1972) bass clarinet, violin, and piano (1969)

DAVID SPARKS, clarinet LARRY PASSIN, bass clarinet LYDIA FORBES, violin SYLVIA KAHAN, piano

JOKONDO Sight Rhythmics (1975), for piano solo (b.1947) LISA MOORE, piano

SHEREECLEMENT* Chamber , for sixteen players ( 1 985)t (b.1955) KENT NAGANO, conductor

INTERMISSION

DAVID LANG** Illumination Rounds, for violin and piano (1981 (b.1957) DAVID BRICKMAN, violin KAREN HARVEY, piano

GYORGYLIGETI Triofor violin, horn, and piano (1982)

(b.1923) I. Andantinocontenerezza

II. Vivacissimo molto ritmico

III. Alia Marcia IV. Lamento. Adagio

THOMAS HANULIK, violin DANIELSCHULZE,horn LISA MOORE, piano

*Margaret Lee Crofts Fellow (1981 **Margaret Lee Crofts Fel low (1983) tfirst performance

We are grateful to the Pro Chamber Orchestra and Gunther Schuller for allowing the Tangle- wood Music Center to give the first public performance of Sheree Clement's Chamber Concerto, a premiere which had been programmed originally by the Pro Arte Orchestra for a performance on 5 October 1985.

Baldwin piano .

1985 Festival of Contemporary Music Monday, 5 August at 8:30 p.m. Theatre-Concert Hall, Tanglewood

FELLOWS OF THE TANGLEWOOD MUSIC CENTER TANGLEWOOD MUSIC CENTER ORCHESTRA KENT NAGANO, conductor

PIERRE BOULEZ Messagesquisse for seven cellos (1976) (b.1925) JOEL KROSNICK, solo cello gyorgykurtAg Messages of the late Miss R.V. Troussova, 21 Songs to

(b.1926) poems by Rimma Dalos, Opus 1 7, for soprano and chamber ensemble (1978)

I. Loneliness

1 In A Space Of . . .

2. The Day Has Fallen . . . DARNELLESCARBROUGH, soprano

II. A Little Erotic

1 Heat

2. Two Interlaced Bodies . . .

3.WhyShouldlNotSquealLikeAPig . . . 4. Chastushka JUDY SCHUBERT soprano

III. Bitter Experience-Delight and Grief

1 .You Took My Heart . . .

2. Great Misery . . . 3 Pebbles

4. A Slender Needle . . .

5 . 1 Know My Loved One . . .

6. Autumn Flowers Fading . . .

7. In You I Seek My Salvation . . .

8. Your Disappearances . . .

9. Without You . . .

10. Love Me . . . 11. Payment

12. A Plaything . . .

13. Why Did You Utter . . .

14. In the Cloudburst . . .

15. For Everything . . . ~\f>Lf SHARON BAKER, soprano VIc>feCl^*

INTERMISSION

JOHN ADAMS Harmonielehre (1985) (b.1947) Parti Part ll-The Anfortas Wound Part MI-MeisterEckhardt and Quackie Baldwin piano 1985 Festival of Contemporary Music

Tuesday, 6 August at 8:30 p.m. Theatre-Concert Hall, Tanglewood

BOSTON SYMPHONY CHAMBER PLAYERS Malcolm Lowe, violin Harold Wright, clarinet Burton Fine, viola Sherman Walt, bassoon Jules Eskin, cello Charles Kavalovski, horn Edwin Barker, Charles Schlueter, trumpet Doriot Anthony Dwyer, flute Ronald Barron, trombone Ralph Gomberg, oboe Everett Firth, percussion

JAN DeGAETANI, mezzo-soprano GILBERT KALISH, piano LEON KIRCHNER, conductor MICHAEL PRATT, conductor

MEMBERS of the BOSTON SYMPHONY ORCHESTRA Marylou SpeakerChurchill, violin Jay Wadenpfuhl, horn Leone Buyse, flute Charles Daval, trumpet Richard Sebring, horn

with Eric Barr, oboe

LEON KIRCHNER Music for Twelve (in two movements, (b.1919) played without pause) (1985)

(commissioned by the Boston Symphony Orchestra for

its centennial and supported in part by a generous grant from the Massachusetts Council on the Arts and Humanities)

Mssrs. LOWE, FINE, ESKIN, and BARKER; Ms. DWYER; Mssrs. BARR, WRIGHT, WALT, SEBRING, DAVAL, BARRON, and KALISH LEON KIRCHNER, conductor

GEORGECRUMB* Apparition, Elegiac Songs and Vocalises for (b.1929) Soprano and Amplified Piano (Texts from 's "When Last in the DooryardBloom'd")(1979)

I. The night in silence under many a star . . .

Vocalise 1 : Sounds of a summer evening

II. When lilacs last in the dooryard bloom'd . . .

III. Dark mother always gliding near the soft feet . . . Vocalise 2: Invocation to the dark angel IV. Approach strong deliveress! Vocalise 3: Death carol ("Song of the nightbird")

V. Come lovely and soothing death . . .

VI. The night in silence under many a star . . . JAN DeGAETANI, mezzo-soprano GILBERT KALISH, piano

INTERMISSION )

ROBIN HOLLOWAY Fantasy-Pieces, Opus 16, on the Heine (b.1943) Liederkreis of Robert Schumann, for piano and twelve instruments (1971 Praeludium

SCHUMANN Liederkreis, Opus 24

1. Half asleep 2. Adagio 3. Scherzo ostinato 4. Finale: Roses-thorns and flowers

Mr. LOWE, Ms. SPEAKER CHURCHILL, Mssrs. FINE, ESKIN, and BARKER, Ms. DWYERand Ms. BUYSE, Mssrs. BARR, WRIGHT, WALT, WADENPFUHL, and SCHLUETER MICHAEL PRATT, conductor JAN DeGAETANI, mezzo-soprano GILBERT KALISH, piano

The audience is politely requested to withhold applause until the end of the Fantasy-Pieces.

'Margaret Lee Crofts Fellow (1 955)

Baldwin piano

Tanglew®d m Music i

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Center •

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B DAVID DEL TI*EDICI

1QRFi premieres

MARCH TO (21 min.) 1st performance: 13 June; Chicago Symphony, Michael Tilson Thomas "... a work with all the imagination and appeal that have made this composer popular. I listened, certain after the first few bars that this was music 1 would be hearing again, that its zesty themes and firm pulse would appeal to many conductors, that its

marvelously effective use of orchestral sounds . . . would delight listeners now and in " the future, —Robert C. Marsh, Chicago Sun Times ...^w.^.^*.,*,^ . x HAPPY VOICES (22 mm.) with new "concert- finale" lit performance: 21 February; , Michael TUton Thomas

1986 coming events

CHILD ALICE (1st complete concert performance) On April 27, at , John Mauceri will conduct the American Symphony In the first integral performance of this full-evening work, which consists of In Memory of a Summer Day, Quaint Events, Happy Voices, and All in the Golden Afternoon,

HADDOCK'S EYES, a setting of the White Knight's song from "Through the Looking Glass" commissioned by the Society of Lincoln Center, will be given its first performances with soprano Phyllis Bryn-Julson on May 2 and 4 at Alice Tully Hall, .

A new brochure listing the complete works of David Del Tredici will be available later this year.

o Boosr^hME o Boosey & Hawkes Inc. 24 West 57th Street. New York. NY 10019 Telephone (212) 757-3332 !

* 1985 Festival of Contemporary Music Wednesday, 7 August at 8:30 p.m. Theatre-Concert Hall, Tanglewood

TANGLEWOOD MUSIC CENTER ORCHESTRA Tangjew(©d LEON KIRCHNER, conductor Music Center

ROGER SESSIONS Symphony No. 2(1946) (1896-1985) (performed in memory of the composer)

Mo Ito Agitato Allegretto capriccioso Adagio tranquil lo ed espressivo Allegramente

INTERMISSION

LEON KIRCHNER Music for Orchestra (1969; alternative (b.1919) ending 1985)

DAVID DELTREDICI* Happy Voices (from Child Alice, Part II, 1980; (b.1937) concert-finale 1984)

^Margaret Lee Crofts Fellow (1963)

. Baldwin piano T.he Tanglewood Music Ruth S. Morse Fellowship

Center is maintained by the Boston Symphony Albert L. and Elizabeth P. Nickerson Fellowship Northern California Fund Fellowship Orchestra to offer advanced training in music to Theodore Edson Parker Foundation Fellowship young professional musicians. The Orchestra David R. and Muriel K. Pokross Fellowship underwrites the cost of operating the Music Center Daphne Brooks Prout Fellowship with generous help from donors to the Annual Harry and Mildred Remis Fellowship Fellowship Program and with the sustaining Hannah and Raymond Schneider Fellowship support of income from the following permanent Surdna Foundation, Inc., Fellowships endowment funds: R. Amory Thorndike Fellowship Augustus Thorndike Fellowship Faculty Funds Other Funds Chairman of the Faculty endowed by the

Charles E. Culpeper Foundation Anonymous Fund The Rothenberg/Carlyle Foundation Library Fund Head of Keyboard Activities endowed in memory of Charles E. Merrill Trust Fund Marian Douglas Martin by Marilyn Brachman Hoffman. Koussevitzky Centennial Fund

Master Teacher endowed by Mr. and Mrs. Edward L. Bowles Jason Starr Fund

Alice Willard Dorr Foundation Fund Guarantor Fellowships Carlotta Dreyfus Fund

Selly Eiseman Fund Leondard Bernstein Fellowship Eno Ethel Barber Fund

Charles E. Culpeper Foundation Fellowship Frelinghuysen Fund

Jascha Heifetz Fund Omar del Carlo Tanglewood Fellowship Howard/Ehrlich Fund Clowes Fund Fellowship Dorothy Lewis Fund Northern California Audition Fund

Endowed Fellowships AsherJ. ShufferFund

Edward G. Shufro Fund Mr. and Mrs. David B. Arnold, Jr., Fellowship Mary H. Smith Fund Kathleen Hall Banks Fellowship Albert Spaulding Fund Leo L. Beranek Fellowship TMC General Scholarship Fund Leonard Bernstein Fellowship

Helene R. and Norman L. Cahners Fellowship Rosamond Sturgis Brooks Memorial Fellowship Stanley Chappie Fellowship

Alfred E. Chase Fellowship Nat King Cole Memorial Fellowship Caroline Grosvenor Congdon Memorial Fellowship

Dr. Marshall N. Fulton Memorial Fellowship

Juliet Esselborn Geier Memorial Fellowship Gerald Gelbloom Memorial Fellowship

Armando A. Ghitalla Fellowship

Fernand Gillet Memorial Fellowship

Marie Gillet Fellowship John and Susanne Grandin Fellowship Tanglew©d The Luke B. Hancock Foundation Fellowship Hodgkinson Fellowship CD. Jackson Fellowships Music Philip and Bernice Krupp Fellowship Lucy Lowell Fellowship Stephen and Persis Morris Fellowship Center Tanglewood Music Center 1985 Fellowship Program

Violins Clarisse Atcherson, Iowa City, Iowa Doran Schifter, Westbury, New York Archie Peace Memorial Fellowship Fdwin and Lola Jaffe Fellowship David Brickman, Delmar, New York Eric Scott, Tulsa, Oklahoma Brownie and Gil Cohen Fellowship & Leo L. Beranek Fellowship Hugh Cecil Sangster Memorial Fellowship Mari Sone, Tokyo, Felicia Brunelle, Minneapolis, Minnesota Philip and Bernice Krupp Fellowship Barbara Lee/Raymond Lee Foundation Elizabeth Suh, Overland Park, Kansas Fellowship Bradley Fellowship Kristin Cappelli, River Forest, Kathryn Votapek, East Lansing, Michigan H. Fugene and Ruth B. Jones Fellowship Dr. and Mrs. Alexander B. Russell Fellowship

Yoon Ki Chai, Honolulu, Hawaii & Ida L. Salzman Fellowship Leo Panasevich Fellowship Caroline Wolff, New York, New York Joyce Chang, Simsbury, Connecticut Fdward John Noble Foundation Fellowship Gerald Gelbloom Memorial Fellowship Mistuko Yogoh, Kanagawa, Japan Kathryn Down, San Francisco, California Seiji Ozawa Fellowship established by Northern California Fund Fellowship Mr. and Mrs. Allen C. Barry Lydia Forbes, Cambridge, Massachusetts William Kroll Memorial Fellowship Violas Annamae Goldstein, Blauvelt, New York Heather Bentley, Palo Alto, California Charles and Sara Goldberg Trust Fellowship Luke B. Hancock Foundation Fellowship Rachel Goldstein, Iowa City, Iowa Anne Clough, Ann Arbor, Michigan Dr. Marshall N. Fulton Memorial Fellowship Rosamond Sturgis Brooks Memorial Ling Ling Guan, Beijing, China Fellowship jane and William Ryan Fellowship Alan Gordon, Weston, Connecticut Audur Hafsteinsdottir, Reykjavik, Iceland Anonymous Fellowship Jenifer House Fellowship Annette Klein, Manchester, Massachusetts Thomas Hanulik, Westport, Connecticut Alfred F. Chase Fellowship Leonard Bernstein Fellowship Ben Markwell, Tampa, Florida Frieda Houng, New York, New York CD. Jackson Fellowship Lucy Lowell Fellowship Kazuko Matsusaka, Waban, Massachusetts HongGuangJia, Beijing, China WCRB Fellowship in honor of Walter Pierce and William Pierce Mr. and Mrs. David B. Arnold, Jr. Fellowship Maile Kali, Tucson, Arizona Ernest Richardson, Phoenix, Arizona General Corporation Mary and Harry W. Harrison, Jr. Fellowship Cinema Fellowship Soo-Yeon Kim, Seoul, Korea Jenny Ries, Kensington, Maryland Boston Symphony Orchestra Fellowship Berkshire County Savings Bank Fellowship & Irene Melanie Kupchynsky, East Brunswick, and David Bernstein Fellowship New Jersey Tomoko Suzuki, Tokyo, Japan U.S. Components, Inc. Fellowship Mr. and Mrs. William H. Joseph Fellowship; Margaret Leenhouts, Sedona, Arizona Katherine Metcalf Fellowship & Claire and Millard Mr. and Mrs. Kenneth Warner Pfleger Pryor Fellowship Memorial Fellowship David Sywak, Plainview, New York General Flectric Plastics Steven Miller, New York, New York Fellowship CD Jackson Fellowship Rebecca Young, Metuchen, New Jersey Geraldine R. Randy Orsak, Edwardsville, Illinois Dodge Foundation Fellowship Frelinghuysen Foundation Fellowship Craig Reiss, Sacramento, California Kandell Fellowship Adriana Rosin, Bucharest, Romania Haskell R. and Ina Gordon Fellowship Cellos Flutes Robert Albrecht, Ithaca, New York Joanna Bassett, Ann Arbor, Michigan

J. P. and Mary Barger Fellowship Irma and Allan Mann Fellowship & Abby and Bryndis Baldursson, Reykjavik, Iceland Joe Nathan Fellowship Tanglewood Association Fellowship Barbara Hopkins, Clarks Summit, David Cho, Sylvania, Ohio Miriam Ann Kenner Memorial Fellowship & Cecil S. Mapes Memorial Fellowship & Pennzoil Company Fellowship Mead Paper/Specialty Paper Division Valerie Potter, Vienna, Fellowship Dynatech Corporation Fellowship Carl Donakowski, Okemos, Michigan Katharine Rawdon, Riverside, California Fromm Music Foundation Fellowship Harry and Mildred Remis Fellowship Joshua Gordon, Whippany, New Jersey Linda Toote, East Setauket, New York Israel and Rita Kalish Fellowship & Mary Gene Surdna Foundation Inc. Fellowship and William F Sondericker Fellowship Rachel Gruber, Cleveland Heights, Ohio Oboes David R. and Muriel K. Pokross, Fellowship Nancy Ambrose, Grosse Pointe Shores, Katja Linfield, Dusseldorf, W. Michigan British Broadcasting Corporation Fellowship Fernand Gillet Memorial Fellowship Daniel Malkin, Berkeley, California Jonathan Blumenfeld, Philadelphia, Stanley Chappie Fellowship Pennsylvania

Patricia Natanek, Bartlett, Illinois Augustus Thorndike Fellowship CD. Jackson Fellowship Cynthia Koledo DeAlmeida, Karl Parens, Wynnewood, Pennsylvania Royal Oak, Michigan Leonard Bernstein Fellowship Leonard Bernstein Fellowship Sangwon Shinn, , Pennsylvania Disa English, Bellevue, Washington Frelinghuysen Foundation Fellowship Ruth S. Morse Fellowship

Steven Sigurdson, Western Springs, Illinois LiseGlaser, Los Angeles, California Joseph and Lillian Miller Fellowship Stephen and Persis Morris Fellowship

Basses Gregory Koeller, Jamaica Plain, Massachusetts Virginia Lee Carroll, Greenwood, Missouri Theodore Fdson Parker Foundation Country Curtains Fellowship Fellowship Larry Passin, Fort Wayne, Indiana Mark Michaud, Hartford, Connecticut Clowes Fund Fellowship Mrs. Harris Fahnestock Fellowship William Somers, Jenkintown, Pennsylvania Henry Peyrebrune, Delmar, New York Miriam E. Silcox Fellowship Koussevitzky Music Foundation Fellowship David Sparks, Evanston, Illinois Bruce Ridge, Virginia Beach, Virginia /Archer Daniels Midland Fellowship & Anonymous Fellowship Stuart Haupt Fellowship David Sinclair, Burlington, Ontario Kennan White, Euless, Texas GTE Corporation Fellowship Betty O. and Richard S. Burdick Fellowship Michel Taddei, Ridgewood, New Jersey Bassoons Edward John Noble Foundation Fellowship Silvia Coricelli, Buenos Aires, Argentina David Yavornitzky, Strongsville, Ohio Del Carlo Tanglewood Fellowship Koussevitzky Music Foundation Fellowship Omar Jon Gaarder, Madison, Wisconsin Steven Zeserman, Philadelphia, Pennsylvania Robert G. McClellan, Jr. Fellowship & Sarah Ann Leinbach and Lillian C. Norton Matching Grant Fellowship Fellowship IBM Martin Mangrum, Toronto, Ontario Frederick W. Richmond Foundation Fellowship David McGill, Tulsa, Oklahoma Red Lion Inn Fellowship Laura Najarian, Toledo, Ohio Juliet Esselborn Geier Memorial Fellowship Horns Percussion

Jill Boaz, Glencoe, Illinois Timothy Adams, Covington, Georgia Julius and Eleanor Kass Fellowship & Hodgkinson Fellowship Spencer Press Inc. Fellowship Braham Dembar, Boston, Massachusetts Tod Bowermaster, Ottawa, Illinois Arthur Fiedler/ Leo Wasserman Memorial Leonard Bernstein Fellowship Fellowship Susan Carroll, Philadelphia, Pennsylvania Maya Gunji, Madison, Wisconsin Leo Wasserman Foundation Fellowship Dorothy and Montgomery Crane Fellowship Chris Komer, Merriam, Kansas Scott Stirling, Pittsburgh, Pennsylvania

Jason and Elizabeth Starr Fellowship Albert L. and Elizabeth P. Nickerson Adam Lesnick, Merion, Pennsylvania Fellowship Karl Burack Memorial Fellowship Berkeley Williams, Winnetka, Illinois Daniel Schulze, New Canaan, Connecticut Berkshire Life Insurance Co. and Fromm Music Foundation Fellowship Berkshire Hilton Inn Fellowship

Gregory Zu be r, Chicago, Illinois Trumpets John Major Nalle Fellowship & James Deely John Drissel, Montgomery, Alabama Fellowship Caroline Crosvenor Congdon Memorial Fellowship Harps Patrick Kunkee, Goleta, California Ruth Emanuel, Teaneck, New Jersey Armando A. Ghitalla Fellowship Kathleen Hall Banks Fellowship Michael Sachs, Santa Monica, California Deborah Feld, Arlington, Massachusetts Empire Brass Quintet Fellowship John and Sue Grandin Fellowship Phil Snedecor, Richardson, Texas

Charles E. Culpeper Foundation Fellowship Keyboard Frank Tamburro, Berlin, Connecticut Karen Harvey, Sommerville, Massachusetts Fromm Music Foundation Fellowship Hon. and Mrs. I.B. Lavan Fellowship Sylvia Kahan, New York, New York Trombones Marie Gillet Fellowship Ron Carrerra, Sacramento, California Yoon-Sun Lee, Oakton, Virginia

James A. MacDonald Foundation Fellowship Mr. and Mrs. Vincent J. Lesunaitis Fellowship Randall Hawes, Pittsburgh, Pennsylvania & Anonymous Fellowship Frieda and Samuel Strassler Fellowship Dena Levine, New York, New York

P. Wyatt Henderson, Denton, Texas Baldwin Piano and Organ Company Surdna Foundation Fellowship Fellowship Julie Josephson, Cassadagua, New York Lisa Moore, Canberra, Australia Fromm Music Foundation Fellowship Leonard Bernstein Fellowship Alexandra Nomidou, , France Tuba Felicia Mohtealegre Bernstein Fellowship Roger Lewis, Russell, Pennsylvania Rebecca Plummer, Stoneham, Massachusetts Empire Brass Quintet Fellowship Baybanks Fellowship Polina Vyshko, Odessa, U.S.S.R. Lillian and Lester Radio Fellowship

. w I Conductors Vocal Coaches Gisele Buka Ben-Dor, Tel Aviv, Israel Susan Caldwell, Beaver Dam, Wisconsin . » Leonard Bernstein Fellowship CD. Jackson Fellowship Yukio Kitahara, Tokyo, Japan Grant Gershon, Los Angeles, California Tanglewood Association Fellowship Stokes Fellowship Grant Llewellyn, Tenby, South Wales Kenneth Grigg, Winston-Salem, North Carolina

English Speaking Union Fellowship & William J. Rubush Memorial Fellowship Koussevitzky Memorial Fellowship Paul Matsumoto, Torrance, California James Ross, Sudbury, Massachusetts Anna Gray Sweeney Noe Fellowship Leonard Bernstein Fellowship Phillip Young, Santa Maria, California Hans Rotman, Rotterdam, Netherlands R. Amory Thorndike Fellowship Daphne Brooks Prout Fellowship flfl Carl St. Clair, Hochheim, Texas Composers William and Mary Greve Foundation Paul Brantley, Augusta, Georgia Fellowship Leonard Bernstein Fellowship I Daron Hagen, New York, New York Vocal Fellows Margaret J. and Bruce R. Gelin Fellowship Sharon Baker, Brighton, Massachusetts Kathryn Harris, Rochester, New York Seven Hills Fellowship Aaron and Abby Schroeder Fellowship & Walter Dixon, Culver City, California Claudette Sorel/Mu Phi Epsilon Fellowship Harry Stedman Fellowship Stephen James, Chelsea, Massachusetts Roberta Gumbel, Kansas City, Missouri Margaret Lee Crofts Fellowship Nat King Cole Memorial Fellowship John McGinn, San Francisco, California William Hite, Newcastle, Pennsylvania Judith and Stewart Colton Fellowship Harry and Mildred Remls Fellowship Daniel Palkowski, New York, New York Mark Kagan, Arlington, Massachusetts ASCAP/Rudolf Nissim Fellowship Helene R. and Norman L. Cahners Fellowship Eric Sawyer, Santa Barbara, California Richard Kennedy, Newton, Massachusetts Fromm Music Foundation Fellowship Fromm Music Foundation Fellowship Bright Sheng, Shanghai, China John Cameron Littlefield, Jersey City, New Jersey Margaret Lee Crofts Fellowship Koussevitzky Music Foundation Fellowship in memory of Margaret Grant Roger Saylor, New York, New York Other Participants Hannah and Raymond Schneider Fellowship Conducting Seminar Darnel le Scarborough, Dorchester, NicolettaConti, Bologna, Italy Massachusetts Olivetti Foundation Scholarship Lia and William Poorvu Fellowship Richard Westerfield, Pound Ridge, New York Judy Schubert, Astoria, New York William and Mary Greve Foundation Marion Callanan Memorial Fellowship Scholarship JayneWest, Boston, Massachusetts Phyllis Curtin Seminar Pappas Fellowship Martha Kasten, Sandy, Utah Mildred A. Leinbach Scholarship a

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ROBIN HOLLOWAY

Scenes from Schumann ( 1970) Fantasy-Pieces (1971) Evening with Angels (1972) "Clarissa" Symphony (1975-82)

Romanza for violin ( 1976) Second Concerto for Orchestra (1978-79) Serenade in C( 1979) Serenata Notturna (1983)

Robin Holloway (b. 1943) is widely considered one of the most gifted British composers of his generation. To date, he has pro- duced nearly sixty works, from small song cycles to full-evening oratorios. The music of Robin Holloway is published exclusively by Boosey & Hawkes, and a descriptive brochure is available on request.

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