Ruby Fulton CV 2015
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SFCMP Announces Its Season-Opening Concert Featuring A
Contact: Sheryl Lynn Thomas [email protected] (415) 633-8802 Press kits SAN FRANCISCO (September 18, 2018) - San Francisco Contemporary Music Players (SFCMP) announces its season-opening concert featuring a celebration of the music of Elliott CARTER on Saturday, October 20, 2018 at the Taube Atrium Theater in San Francisco. The on STAGE Series features large-ensemble contemporary works of the most influential and innovative composers of the 20th and 21st centuries. Carter was the grandest of the grand American composers from the 20th century, who lived beyond his 100th birthday and yet wrote music that was fresh, inventive, and forward-looking to the very end of life. SFCMP welcomes its newly arrived artistic director, Eric DUDLEY, with a program featuring three of Carter’s works, including the rhythmically energetic and emotionally powerful Penthode for twenty players. Complementing Carter’s enduring voice will be a wry work by the young American composer, Asher Tobin CHODOS, written for an instrumentation uniquely drawn from Carter’s Penthode, plus Canadian composer Sabrina SCHROEDER’s Bone Games/Shy Garden, an essay in the sensuality of noises. The series will begin with our popular How Music is Made Composer Talk and Open Rehearsal with composer Tobin Chodos. Audiences can expect to see a number of compositional voices brought into the mix that have never been a part of the ensemble’s lexicon. This season-opening performance will begin with Asher Tobin Chodos, a young California-based composer who will showcase his world premiere of Big Show, an Elliot Carter-inspired piece commissioned by SFCMP. In his piece Big Show, Chodos exhibits a fresh take on aspects of Carter’s work: “Carter’s endlessly stimulating polyphonic writing has been seen by many as a sort of musical version of an idealized democracy: a harmony that emerges from many dissenting voices. -
2015 ANNUAL REPORT Pictured (Top to Bottom, L-R)
OUR 2015 ANNUAL REPORT Pictured (top to bottom, l-r): Shawn Patterson and vocalist Sammy Allen at the 2015 ASCAP Film & TV Music Awards Latin Heritage Award honorees La Original Banda el Limón at the 2015 ASCAP Latin Music Awards ASCAP Golden Note Award honoree Lauryn Hill at the 2015 R&S Awards Lady Antebellum at the 2015 ASCAP Country Music Awards Dave Grohl congrat- ulates Gene Simmons and Paul Stanley on their ASCAP Found- ers Award at the 2015 ASCAP Pop Awards Cast members from Invisible Thread with Richard Rodgers New Horizons Award winners Matt Gould (at piano) & Griffin Matthews (far right) at the 2015 ASCAP Foundation Awards The American Con- temporary Music En- semble (ACME) at the 2015 ASCAP Concert Music Awards Annual Report design by Mike Vella 2015 Annual Report Contents 4 16 OUR MISSION Our ASCAP Our Success We are the world leader in performance 6 18 royalties, advocacy and service for Our Growth Our Celebration songwriters, composers and music publishers. Our mission is to ensure that 8 20 Our Board Our Licensing our music creator members can thrive Partners alongside the businesses who use our 10 music, so that together, we can touch Our Advocacy 22 Our Commitment the lives of billions. 12 Our Innovation 24 Our Communication 14 Our Membership 25 Financial Overview 3 OUR ASCAP USIC IS AN ART. AND MUSIC IS A BUSINESS. The beauty of ASCAP, as conceived by our visionary founders over 100 years ago, is that it serves to foster both music and commerce so that each partner in this relationship can flourish. -
The Annenberg Center Appoints Marc Baylin As Artistic Advisor and Programming Consultant
NEWS FOR IMMEDIATE RELEASE: April 8, 2021 The Annenberg Center Appoints Marc Baylin as Artistic Advisor and Programming Consultant (Philadelphia – April 8, 2021) — Marc Baylin, a longtime leader in the national performing arts landscape, has been appointed Artistic Advisor and Programming Consultant at the Annenberg Center for the Performing Arts at the University of Pennsylvania. “We are excited to welcome Marc in his capacity as Artistic Advisor and Programming Consultant, as we continue to expand our programming, and plan for our return to in-person events and the Annenberg Center’s upcoming 50th anniversary,” said Annenberg Center Executive and Artistic Director Christopher Gruits. “Marc's tremendous experience in the performing arts combined with his established Philadelphia connections makes him incredibly well-suited to working with our team to shape dynamic, contemporary, and truly inclusive performance programming.” “I am beyond thrilled to join the excellent team at the Annenberg Center,” said Baylin. “Helping to shape their 50th anniversary season is a terrific opportunity.” Marc Baylin, a resident of Doylestown, PA, has over thirty years of experience as an arts entrepreneur, project developer, and artist manager, with extensive expertise in touring, presenting, and special event management. As founder and President of Baylin Artists Management, he oversees a professional staff and guides the curation of the roster while leading the marketing efforts and business operations. In February 2020, he announced that Baylin Artists Management would sunset in 2021, after 28 years in operation. He spent the better part of 2020 navigating the pandemic and assisting the artists with new management. In a new collaboration with Alliance Artist Management, six companies move to that roster beginning with the 21-22 season. -
Boston Symphony Orchestra Concert Programs, Summer, 1976
I M' n, v ~# ^ »>'* •«*^ ^T* > ^'^.._, KlLBu**%m*lJcML^teff-'il Btf^^flB IS^.'^I For 104 years we've been serious about people who make music. In 1872 Boston University established the first professional music program within an American university to train creative and talented students for careers in music. 104 years later the Boston University School of Music is still doing what it does best. • Performance • Music Education • History and Literature • Theory and Composition strings music history and literature Walter Eisenberg, violin Charles Kavaloski, French horn Karol Berger ' Gerald Gelbloom, violin Charles A. Lewis, Jr., trumpet Murray Lefkowitz Bernard Kadinoff, viola David Ohanian, French horn Joel Sheveloff Endel Kalam, chamber music Samuel Pilafian, tuba theory and composition ' Robert Karol, viola Rolf Smedvig, trumpet David Carney ' Alfred Krips, violin ' Harry Shapiro, French horn David Del Tredici 'Eugene Lehner, chamber music ' Roger Voisin, trumpet John Goodman 'Leslie Martin, string bass ' Charles Yancich, French horn Alan MacMillan George Neikrug, cello percussion Joyce Mekeel ' Mischa Nieland, cello * Thomas Ganger Malloy Miller Leslie Parnas, cello ' Charles Smith Gardner Read 'Henry Portnoi, string bass Allen Schindler 'Jerome Rosen, violin harp Tison Street Kenneth Sarch, violin Lucile Lawrence " Alfred Schneider, violin music education * Roger Shermont, violin piano Lee Chrisman 'Joseph Silverstein, violin Maria Clodes Allen Lannom Roman Totenberg, violin Anthony di Bonaventura Jack O. Lemons Walter Trampler, viola -
Bang on a Can Announces Onebeat Marathon #2 Live Online! Sunday, May 2, 2021 from 12PM - 4PM EDT
FOR IMMEDIATE RELEASE Press contact: Maggie Stapleton, Jensen Artists 646.536.7864 x2, [email protected] Bang on a Can Announces OneBeat Marathon #2 Live Online! Sunday, May 2, 2021 from 12PM - 4PM EDT A Global Music Celebration curated and hosted by Found Sound Nation. Four Hours of LIVE Music at live.bangonacan.org Note: An embed code for the OneBeat Marathon livestream will be available to press upon request, to allow for hosting the livestream on your site. The OneBeat Virtual Marathon is back! OneBeat, a singular global music exchange led by our Found Sound Nation team, employs collaborative original music as a potent new form of cultural diplomacy. We are thrilled to present this second virtual event, showcasing creative musicians who come together to make music, not war. The OneBeat Marathon brings together disparate musical communities, offering virtuosic creators a space to share their work. These spectacular musicians join us from across the globe, from a wide range of musical traditions. They illuminate our world, open our ears, and break through the barriers that keep us apart. - Julia Wolfe, Bang on a Can co-founder and co-artistic director Brooklyn, NY — Bang on a Can is excited to present the second OneBeat Marathon – Live Online – on Sunday, May 2, 2021 from 12PM - 4PM ET, curated by Found Sound Nation, its social practice and global collaboration wing. Over four hours the OneBeat Marathon will share the power of music and tap into the most urgent and essential sounds of our time. From the Kyrgyz three-stringed komuz played on the high steppe, to the tranceful marimba de chonta of Colombia's pacific shore, to the Algerian Amazigh highlands and to the trippy organic beats of Bombay’s underground scene – OneBeat finds a unifying possibility of sound that ties us all together. -
View PDF Online
MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951. -
Festival 30 June 7–21 2015
CHESAPEAKE CHAMBER MUSIC FESTIVAL 30 JUNE 7–21 2015 EASTON CENTREVILLE ST. MICHAELS ROYAL OAK OXFORD VISIT US AT ONE OF OUR 10 OFFICE LOCATIONS: 115 BAY STREET, EASTON 410.763.9096 27999 OXFORD ROAD, OXFORD 410.822.1415 220 N. MORRIS STREET, OXFORD 410.226.0111 24 N. WASHINGTON STREET, EASTON 410.770.9255 31 GOLDSBOROUGH STREET, EASTON 410.822.6665 211 N. TALBOT STREET, ST. MICHAELS 410.745.0415 205 S. TALBOT STREET, ST. MICHAELS 410.745.0417 116 N. TALBOT STREET, ST. MICHAELS 410.745.0720 Imagine… WITH McHALE YOU CAN. TILGHMAN ON THE CHESAPEAKE 410.886.2300 SINGLE SOURCE McHALE LANDSCAPE DESIGN mchalelandscape.com DESIGN LANDSCAPE MASONRY CARPENTRY MAINTENANCE CONSTRUCTION 305 CRUSADER ROAD, CAMBRIDGE 410.228.0800 + BUILD MAIN OFFICE: 301.599.8300 ■ EASTON: 410.770.9449 WWW.BENSONANDMANGOLD.COM ANNAPOLIS: 410.990.0894 ■ MCLEAN: 703.760.8600 2 = This is the work of The TABLE OF CONTENTS President’s Welcome .................................................................................................................................7 Chamber Music Artistic Director Profiles .............................................................................................9 Artist Profiles .....................................................................................................................................11–21 Artist Showcase I | Trinity Cathedral: June 7..................................................................................23 Artist Showcase II | Academy Art Museum: June 9 ......................................................................25 -
New Chamber & Solo Music
NWCR649 New Chamber & Solo Music David Del Tredici, Robert Helps, Jan Radzynski, Tison Street 7. III - Allegro Minacciando (…Diabolique) ......... (1:25) 8. IV - Largo ............................................................ (4:37) David Del Tredici, piano Jan Radzynski 9. String Quartet (1978) ........................................... (12:00) The Aviv String Quartet: Hagai Shaham, violin; John McGross, violin; Yariv Aloni, viola; Zvi Plesser, cello 10. Canto (1981) ....................................................... (10:18) Arnon Erez, piano Five Duets (1982) 11. I – Risoluto .......................................................... (1:25) 12. II – Allegro .......................................................... (1:05) 13. III – Allegretto burlesco ...................................... (1:19) 14. IV – Remembering Sepharad .............................. (2:51) 15. V – Agitato .......................................................... (2:25) Maya Beiser, Zvi Plesser, cellos Tison Street Robert Helps 16. Trio (1963) .......................................................... (9:38) 1. Hommage à Fauré (1972) ................................... (3:56) Members of Spectrum Ensemble Berlin: Per Sporrong, violin; Brett Dean, viola; Frank Dodge, cello 2. Hommage à Rachmaninov (1972) ....................... (2:17) Robert Helps 3. Hommage à Ravel (1972) ................................... (4:30) Robert Helps, piano 17. Nocturne (1960) .................................................. (7:42) Members of Spectrum Ensemble Berlin Mi-Kyung -
Volume I (Final) Proofread
UCLA UCLA Electronic Theses and Dissertations Title The Influence of Pop Music in the Works of Three Contemporary American Composers: Steven Mackey, Julia Wolfe and Nico Muhly Permalink https://escholarship.org/uc/item/5h4626dd Author Lee, Hyunjong Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles The Influence of Pop Music in the Works of Three Contemporary American Composers: Steven Mackey, Julia Wolfe and Nico Muhly A dissertation submitted in partial satisfaction of the requirements for the degree Doctoral of Philosophy in Music by Hyunjong Lee 2014 © copyright by Hyunjong Lee 2014 ABSTRACT OF THE DISSERTATION The Influence of Pop Music in the Works of Three Contemporary American Composers: Steven Mackey, Julia Wolfe and Nico Muhly by Hyunjong Lee Doctor of Philosophy in Music University of California, Los Angeles, 2014 Professor Ian Krouse, Chair There are two volumes in this dissertation: the first is a monograph, and the second a musical composition, both of which are described below. Volume I These days, labels such as classical, rock and pop mean less and less since young musicians frequently blur boundaries between genres. These young musicians have built an alternative musical universe. I construct five different categories to explore this universe. They are 1) circuits of alternate concert venues, 2) cross-genre collaborations, 3) alternative modes of musical groups, 4) new compositional trends in classical chamber music, and 5) new ensembles and record labels. ii In this dissertation, I aim to explore these five categories, connecting them to recent cultural trends in New York. -
Getting Over the Shock of the New
GETTING OVER THE SHOCK OF THE NEW CONTEMPORARY IS SYMPHONIC MUSIC Thomas Dausgaard conducts the Seattle Symphony GETTING OVER THE SHOCK OF THE NEW AGE COMING OF BY GREG CAHILL here is a creepy bloodlust to orchestra will premiere the rest of the it,” he says. “That alertness to what the com- the doom-mongering of clas- works in future seasons. poser actually wrote, rather than what might sical music, as though an Indeed, a look at major orchestras around have become standard practice, is an inspira- “T autopsy were being con- the United States shows that contemporary tion for me when working on music by dead ducted on a still-breathing body,” William symphonic works are slowly, but surely, mak- composers we can no longer ask questions of. Robin wrote in the New Yorker in a 2014 ing inroads into program schedules. For So much of what we perform is written by article about perpetual reports of the example, subscribers to the Chicago Sym- people long gone; it can be frustrating never genre’s death. “What if each commentator phony Orchestra’s 2020–21 season can to be able to ask them, never to see how their decided, instead, to Google ‘young com- expect a generous serving of Brahms, Cho- faces light up when they hear their music poser’ or ‘new chamber ensemble’ and write pin, Schubert, Schumann, Debussy, Ravel, coming to life. a compelling profile of a discovery?” and Scriabin. But the orchestra also will per- “So what a joy it is as performer and audi- That’s good advice, especially since form two world premieres of CSO-commis- ence to be around living composers and young composers are providing an infusion sioned works by American composer Gabriela enrich the experience of hearing and per- of new blood into the modern orchestra. -
Anthracite Fields Bay Area Premiere Performed by Bang on a Can All-Stars and Cappella Sf Sunday, February 26
CONTACT: Louisa Spier Jeanette Peach Cal Performances Cal Performances (510) 643-6714 (510) 642-9121 [email protected] [email protected] FOR IMMEDIATE RELEASE: January 17, 2017 Press Room Images of Julia Wolfe and Bang on a Can All-Stars available in the press room. CAL PERFORMANCES AT UC BERKELEY PRESENTS JULIA WOLFE’S PULITZER PRIZE-WINNING ORATORIO, ANTHRACITE FIELDS BAY AREA PREMIERE PERFORMED BY BANG ON A CAN ALL-STARS AND CAPPELLA SF SUNDAY, FEBRUARY 26 Berkeley, January 17, 2017—Cal Performances welcomes new music champions Bang on a Can All-Stars to Zellerbach Hall for the Bay Area Premiere of Julia Wolfe’s Pulitzer Prize-winning oratorio, Anthracite Fields, on Sunday, February 26, at 7pm. Wolfe’s concert-length work, scored for electric sextet and choir, is inspired by the stories of coal-mining families in Pennsylvania at the turn of the 20th century. For the performance, Bang on a Can is joined by Bay Area esteemed new music choir, Cappella SF, directed by Ragnar Bohlin. The Los Angeles Times wrote, Anthracite Fields “captures not only the sadness of hard lives lost...but also the sweetness and passion of a way Cal Performances / Julia Wolfe: Anthracite Fields, page 2 of daily life now also lost. The music compels without overstatement. This is a major, profound work.” Named after the technical term for the purest form of coal, anthracite, Anthracite Fields was developed through Wolfe’s extensive research about the coal-mining industry in an area very near where she grew up in Pennsylvania. Wolfe’s music is often distinguished by an intense physicality and rhythmic drive, and she freely crosses the boundaries between classical, jazz, rock, world, and experimental music in her acclaimed works. -
Boston Symphony Orchestra Concert Programs, Summer, 1976
"£r -# ^ f ^ *Lik«*«* - • A ?8t aw**- - _.; ^ 1 If ittCll II 4 * I ^'3 \0 *&>--£ >-- ,*£- 1 - Jfe- . $ ^A '-*. ) £ _-' -f . ^ For 104 years we've been serious about people who make music. In 1872 Boston University established the first professional music program within an American university to train creative and talented students for careers in music. 104 years later the Boston University School of Music is still doing what it does best. • Performance • Music Education • History and Literature • Theory and Composition strings music history and literature Walter Eisenberg, violin 'Charles Kavaloski, French horn Karol Berger * Gerald Gelbloom, violin Charles A. Lewis, Jr., trumpet Murray Lefkowitz "Bernard Kadinoff, viola 'David Ohanian, French horn Joel Sheveloff Endel Kalam, chamber music Samuel Pilafian, tuba theory and composition ' Robert Karol, viola ' Rolf Smedvig, trumpet David Carney ' Alfred Krips, violin Harry Shapiro, French horn David Del Tredici 'Eugene Lehner, chamber music ' Roger Voisin, trumpet John Goodman Martin, string bass 'Charles Yancich, French horn 'Leslie Alan MacMillan George Neikrug, cello percussion Joyce Mekeel ' Mischa Nieland, cello 'Thomas Gauger Malloy Miller Leslie Parnas, cello 'Charles Smith Gardner Read 'Henry Portnoi, string bass Allen Schindler 'Jerome Rosen, violin harp Tison Street Kenneth Sarch, violin Lucile Lawrence ' Alfred Schneider, violin music education 'Roger Shermont, violin piano Lee Chrisman 'Joseph Silverstein, violin Maria Clodes Allen Lannom Roman Totenberg, violin Anthony di Bonaventura