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Boston Symphony Orchestra Concert Programs, Summer, 1976
I M' n, v ~# ^ »>'* •«*^ ^T* > ^'^.._, KlLBu**%m*lJcML^teff-'il Btf^^flB IS^.'^I For 104 years we've been serious about people who make music. In 1872 Boston University established the first professional music program within an American university to train creative and talented students for careers in music. 104 years later the Boston University School of Music is still doing what it does best. • Performance • Music Education • History and Literature • Theory and Composition strings music history and literature Walter Eisenberg, violin Charles Kavaloski, French horn Karol Berger ' Gerald Gelbloom, violin Charles A. Lewis, Jr., trumpet Murray Lefkowitz Bernard Kadinoff, viola David Ohanian, French horn Joel Sheveloff Endel Kalam, chamber music Samuel Pilafian, tuba theory and composition ' Robert Karol, viola Rolf Smedvig, trumpet David Carney ' Alfred Krips, violin ' Harry Shapiro, French horn David Del Tredici 'Eugene Lehner, chamber music ' Roger Voisin, trumpet John Goodman 'Leslie Martin, string bass ' Charles Yancich, French horn Alan MacMillan George Neikrug, cello percussion Joyce Mekeel ' Mischa Nieland, cello * Thomas Ganger Malloy Miller Leslie Parnas, cello ' Charles Smith Gardner Read 'Henry Portnoi, string bass Allen Schindler 'Jerome Rosen, violin harp Tison Street Kenneth Sarch, violin Lucile Lawrence " Alfred Schneider, violin music education * Roger Shermont, violin piano Lee Chrisman 'Joseph Silverstein, violin Maria Clodes Allen Lannom Roman Totenberg, violin Anthony di Bonaventura Jack O. Lemons Walter Trampler, viola -
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MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951. -
New Chamber & Solo Music
NWCR649 New Chamber & Solo Music David Del Tredici, Robert Helps, Jan Radzynski, Tison Street 7. III - Allegro Minacciando (…Diabolique) ......... (1:25) 8. IV - Largo ............................................................ (4:37) David Del Tredici, piano Jan Radzynski 9. String Quartet (1978) ........................................... (12:00) The Aviv String Quartet: Hagai Shaham, violin; John McGross, violin; Yariv Aloni, viola; Zvi Plesser, cello 10. Canto (1981) ....................................................... (10:18) Arnon Erez, piano Five Duets (1982) 11. I – Risoluto .......................................................... (1:25) 12. II – Allegro .......................................................... (1:05) 13. III – Allegretto burlesco ...................................... (1:19) 14. IV – Remembering Sepharad .............................. (2:51) 15. V – Agitato .......................................................... (2:25) Maya Beiser, Zvi Plesser, cellos Tison Street Robert Helps 16. Trio (1963) .......................................................... (9:38) 1. Hommage à Fauré (1972) ................................... (3:56) Members of Spectrum Ensemble Berlin: Per Sporrong, violin; Brett Dean, viola; Frank Dodge, cello 2. Hommage à Rachmaninov (1972) ....................... (2:17) Robert Helps 3. Hommage à Ravel (1972) ................................... (4:30) Robert Helps, piano 17. Nocturne (1960) .................................................. (7:42) Members of Spectrum Ensemble Berlin Mi-Kyung -
Bailey Short Vitae 2015
DR. JOHN R. BAILEY, FLUTE School of Music University of Nebraska Lincoln, NE 68588-0100 Tel. (402) 472-2651; [email protected] EDUCATION DM (flute performance), Northwestern University with Walfrid Kujala, 1987 MM (flute performance), Northwestern University with Walfrid Kujala, 1981 BS (flute and mathematics), Indiana University with James Pellerite, 1980 Hochschule für Musik, Vienna, Austria, with Louis Rivière, 1978-79 UNIVERSITY TEACHING University of Nebraska-Lincoln Interim Associate Dean (half time), Hixson-Lied College of Fine and Performing Arts, 2011-2012 Richard H. Larson Distinguished Professor of Music, April 1998 Full Professor of Flute, April 1997 Associate Professor of Flute, with tenure, 1992-97 Assistant Professor of Flute, 1986-92 Director, Chamber Music Institute (summers), 2005-present Teaching Awards Elected to UNL Academy of Distinguished Teachers, April, 2002 Annis Chaikin Sorensen Award for Outstanding Teaching in the Humanities, 1999 College Distinguished Teaching Award, 1999 Recognition Award for Contributions to Students (UNL Parents Association), 1990, 1991, 1996, 2000, 2006, 2007, 2008, 2009 CREATIVE ACTIVITIES Recordings and National Broadcasts CD (Centaur, in press): American Masterworks for Flute and Piano. With Mark Clinton, piano. CD (Crystal): Wind Chamber Music of Theodor Blumer (1881-1964), VOL. 3, with Mark Clinton, piano. plus 1 piece with the Moran Woodwind Quintet, 2007 CD (Crystal): Wind Chamber Music of Theodor Blumer (1881-1964), VOL. 2, with the Moran Woodwind Quintet and Paul Barnes, piano, 2004 CD (Crystal): Postcards from the Center (Murdock, Lieuwen, Higdon, Heiden), with the Moran Woodwind Quintet, 1998 CD (Crystal): Wind Chamber Music of Theodor Blumer (1881-1964), VOL. 1, with the Moran Woodwind Quintet and Shirley Irek, piano, 1994 CD (Coronet): Snyder Quintet No. -
Boston Symphony Orchestra Concert Programs, Summer, 1976
"£r -# ^ f ^ *Lik«*«* - • A ?8t aw**- - _.; ^ 1 If ittCll II 4 * I ^'3 \0 *&>--£ >-- ,*£- 1 - Jfe- . $ ^A '-*. ) £ _-' -f . ^ For 104 years we've been serious about people who make music. In 1872 Boston University established the first professional music program within an American university to train creative and talented students for careers in music. 104 years later the Boston University School of Music is still doing what it does best. • Performance • Music Education • History and Literature • Theory and Composition strings music history and literature Walter Eisenberg, violin 'Charles Kavaloski, French horn Karol Berger * Gerald Gelbloom, violin Charles A. Lewis, Jr., trumpet Murray Lefkowitz "Bernard Kadinoff, viola 'David Ohanian, French horn Joel Sheveloff Endel Kalam, chamber music Samuel Pilafian, tuba theory and composition ' Robert Karol, viola ' Rolf Smedvig, trumpet David Carney ' Alfred Krips, violin Harry Shapiro, French horn David Del Tredici 'Eugene Lehner, chamber music ' Roger Voisin, trumpet John Goodman Martin, string bass 'Charles Yancich, French horn 'Leslie Alan MacMillan George Neikrug, cello percussion Joyce Mekeel ' Mischa Nieland, cello 'Thomas Gauger Malloy Miller Leslie Parnas, cello 'Charles Smith Gardner Read 'Henry Portnoi, string bass Allen Schindler 'Jerome Rosen, violin harp Tison Street Kenneth Sarch, violin Lucile Lawrence ' Alfred Schneider, violin music education 'Roger Shermont, violin piano Lee Chrisman 'Joseph Silverstein, violin Maria Clodes Allen Lannom Roman Totenberg, violin Anthony di Bonaventura -
Deutsche Nationalbibliografie 2014 T 09
Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2014 T 09 Stand: 17. September 2014 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2014 ISSN 1613-8945 urn:nbn:de:101-ReiheT09_2014-1 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde. -
Our American Cousin Libretto by John Shoptaw
ERIC SAWYER: OUR AMERICAN COUSIN LIBRETTO BY JOHN SHOPTAW A ERIC SAWYER b. 1962 DISC 1 DISC 2 OUR AMERICAN COUSIN ACT I PAGE ACT II (cont’d) PAGE [1] PRELUDE 6:36 20 [1] SCENE 4 In the Library 3:42 37 LIBRETTO BY JOHN SHOPTAW [2] SCENE 1 A Sneeze 1:58 20 [2] Two Letters 2:38 38 [3] Arts of Theater 4:16 20 [3] SCENE 5 Musical Chairs 6:29 39 [4] SCENE 2 Harry Hawk’s Substitute 1:52 21 ACT III BOSTON MODERN ORCHESTRA ProjeCT [5] Walking a Corduroy Road 4:26 21 [4] SCENE 1 In the Dairy 2:31 41 [6] SCENE 3 Mathews and Booth 1:59 22 GIL ROSE, CONDUCTOR [5] Ancient Business 5:35 41 [7] What Happens Here? 2:48 23 [6] Mary and Abraham 2:40 43 [8] SCENE 4 Chorus of Women 1:57 24 JANNA BATY mezzo-soprano [7] Sic Semper Booth 2:52 43 [9] Chorus of Amputees 1:27 24 ALAN SCHNEIDER tenor [8] SCENE 2 Assassination 7:34 44 [10] Chorus of Freedmen 1:14 24 [9] SCENE 3 The Presidential Box 9:18 47 AAroN ENGEBRETH baritone [11] Chorus of Nurses 1:23 25 [10] SCENE 4 Hawk’s Second Chance 2:47 50 DREW POLING baritone [12] Chorus of Businessmen 0:45 25 [11] Burning Letter 5:32 50 [13] SCENE 5 Drinking Song 4:02 25 DONALD WILKINSON baritone [12] SCENE 5 Blood Stains 5:10 52 [14] SCENE 6 Laura Keene 3:59 27 ANGELA HINES GooCH soprano [13] Apparition 3:44 53 [15] Emancipate your Sorrows 3:28 27 Tom O’Toole bass-baritone [14] Final Chorus 4:47 54 ACT II HILLARIE O’Toole soprano TOTAL 65:20 [16] SCENE 1 Father and Daughter 3:58 28 JANICE EDWARDS mezzo-soprano [17] I Feel a Draft 2:06 30 DANIEL KAMALIC baritone [18] Asa’s Letter 4:20 30 [19] SCENE 2 A Moneyed Man 5:21 32 THE AMHERST COLLEGE CONCERT CHOIR [20] SCENE 3 Introductions 1:44 33 Mallorie Chernin, music director [21] Possum Herding 3:02 34 [22] Lincoln 4:17 35 TOTAL 67:00 COMMENTS By Eric Sawyer MUSICAL REALITIES IVISION D In an opera containing colliding realities, I sought music that could give distinct identi- S H ties to the comic play and historical drama while at the same time connecting them. -
Ruby Fulton CV 2015
Ruby Fulton composer/performer/teacher [email protected]///www.rubyfulton.com///443-838-4230 405 W Franklin St, 5th Floor, Baltimore, MD 21201 EDUCATION Peabody Conservatory of Music of the Johns Hopkins University (2005-2009) Doctor of Music Arts, Composition Master of Music, Music Theory Pedagogy Primary Teacher: Christopher Theofanidis Thesis Composition: Closer to Mona Commentary: “Music and the Collective Mind” Graduate Assistantship, Music Theory (2005-2008) San Francisco Conservatory of Music (2003-2005) Master of Music, Composition Primary Teachers: Elinor Armer, Dan Becker Graduate Assistantship, Music History (2004-2005) Boston University College of Fine Arts School of Music (1999-2003) Bachelor of Music, magna cum lauda, Composition and Violin Performance Primary Teachers: Martin Amlin, Charles Fussell, Tison Street Departmental Honors, Theory and Composition COLLEGE TEACHING EXPERIENCE Shenandoah Conservatory of Music, Composition, Adjunct Assistant Professor 2012-2015 Applied Composition (2012-2015) Graduate Seminar, Minimalism (2013, 2015) Post-Tonal Theory (2015) Instrumentation (2014) Graduate Seminar, Opera Since 1970 (2014) Graduate Seminar, American Mavericks (2013) Peabody Conservatory of Music, Music Theory, Adjunct Faculty 2007-2015 Graduate Seminar, Minimalism (2011, 2012, 2015) Graduate Theory Review (2010, 2013) Music Theory Fundamentals (2007) Peabody Conservatory of Johns Hopkins University, Music Theory, Adjunct Faculty 2010-2014 Introduction to Popular Music, assistant (2010-2014) Music Theory I (2012) -
2020 Working MOTH Mag.Indd
2020 Music on the Hill Pg 1 2020 Music on the Hill Pg 1 Joseph J. Solomon Mayor VISITWARWICKRI.COM 2020 Music on the Hill Pg 1 Welcome to Music on the Hill’s Music on the Hill’s 2020 festival off ers seven diff erent concerts throughout Rhode Island. From East Greenwich on June 1, we weave our way to Westerly, Cranston, Warwick, and back. Our return to St. Luke’s Episcopal Church, Music on the Hill’s birthplace, is a special treat. The church’s new climate control system provides comfort for performers and audience alike. Another special aspect of our St. Luke’s fi na- le is the return of trumpeter Roderick MacDonald (Leipzig Gewandhaus Orchestra) to his home state. In 1979-1980, my fi rst season as principal bassist in the Rhode Island Philhar- monic Senior Youth Orchestra, Rod was principal trumpet. Oboist Anne Marie Gabriele (Los Angeles Philharmonic) was principal oboe. I’m thrilled to be able to feature Anne and Rod in the same concert...40 years in the making! Table of Contents Donors...................................................... p. 2 Thanks to the Aaron Roitman Fund for Chamber Music, violin virtuoso Evan Price -- “one of the world’s most confi - List of Advertisers............................... p. 9 dent voices in extra-classical string playing” -- joins us June 10 and 11. His unique blend of jazz and classical will wow Ticket Information............................. p. 10 you, I’m certain. The Miller-Porfi ris Duo pairs classic silent Concert Schedule................................. p. 11 fi lms with unique musical selections. World-renowned piano virtuoso Joseph Kalichstein performs Beethoven’s 4th Piano Concert Programs concerto, and Metropolitan Opera mezzo-soprano Mary Phillips sings on June 1 and 2. -
Boston Symphony Chamber Players 50Th Anniversary Season 2013-2014
Boston Symphony Chamber Players 50th anniversary season 2013-2014 jordan hall at the new england conservatory october 13 january 12 february 9 april 6 BOSTON SYMPHONY CHAMBER PLAYERS Sunday, February 9, 2014, at Jordan Hall at New England Conservatory TABLE OF CONTENTS 3 Welcome 4 From the Players 8 Today’s Program Notes on the Program 10 Charles Martin Loeffler 12 Kati Agócs 13 Gunther Schuller 14 Hannah Lash 15 Yehudi Wyner 17 Amy Beach Artists 18 Boston Symphony Chamber Players 19 Randall Hodgkinson 19 Andris Poga 20 The Boston Symphony Chamber Players: Concert Repertoire, 1964 to Date COVER PHOTO (top) Founding members of the Boston Symphony Chamber Players, 1964: (seated, left to right) Joseph Silverstein, violin; Burton Fine, viola; Jules Eskin, cello; Doriot Anthony Dwyer, flute; Ralph Gomberg, oboe; Gino Cioffi, clarinet; Sherman Walt, bassoon; (standing, left to right) Georges Moleux, double bass; Everett Firth, timpani; Roger Voisin, trumpet; William Gibson, tombone; James Stagliano, horn (BSO Archives) COVER PHOTO (bottom) The Boston Symphony Chamber Players in 2012 at Jordan Hall: (seated in front, from left): Malcolm Lowe, violin; Haldan Martinson, violin; Jules Eskin, cello; Steven Ansell, viola; (rear, from left) Elizabeth Rowe, flute; John Ferrillo, oboe; William R. Hudgins, clarinet; Richard Svoboda, bassoon; James Sommerville, horn; Edwin Barker, bass (photo by Stu Rosner) ADDITIONAL PHOTO CREDITS Individual Chamber Players portraits pages 4, 5, 6, and 7 by Tom Kates, except Elizabeth Rowe (page 6) and Richard Svoboda (page 7) by Michael J. Lutch. Boston Symphony Chamber Players photos on page 8 by Stu Rosner and on page 18 by Michael J. -
Boston Symphony Orchestra Concert Programs, Summer, 1976
^ ~4h *' 4* ^ dM&k? *£; m"i& 6?^ r J* For 104 years we've been serious about people who make music. In 1872 Boston University established the first professional music program within an American university to train creative and talented students for careers in music. 104 years later the Boston University School of Music is still doing what it does best. • Performance • Music Education • History and Literature • Theory and Composition strings music history and literature Walter Eisenberg, violin 'Charles Kavaloski, French horn Karol Berger 'Gerald Gelbloom, violin Charles A. Lewis, Jr., trumpet Murray Lefkowitz 'Bernard Kadinoff, viola 'David Ohanian, French horn Joel Sheveloff Endel Kalam, chamber music Samuel Pilafian, tuba theory and composition ' ' Robert Karol, viola Rolf Smedvig, trumpet David Carney ' Alfred Krips, violin 'Harry Shapiro, French horn David Del Tredici 'Eugene Lehner, chamber music ' Roger Voisin, trumpet John Goodman 'Leslie Martin, string bass 'Charles Yancich, French horn Alan MacMillan George Neikrug, cello percussion Joyce Mekeel ' Mischa Nieland, cello 'Thomas Gauger Malloy Miller Leslie Parnas, cello 'Charles Smith Gardner Read "Henry Portnoi, string bass Allen Schindler " Jerome Rosen, violin harp Tison Street Kenneth Sarch, violin Lucile Lawrence ' Alfred Schneider, violin music education 'Roger Shermont, violin piano Lee Chrisman 'Joseph Silverstein, violin Maria Clodes Allen Lannom Roman Totenberg, violin Anthony di Bonaventura Jack O. Lemons Walter Trampler, viola Lenore Engdahl Mary Ann Norton ' Max Winder, -
Boston Symphony Orchestra Concert Programs, Summer, 1977
— *5F «\» ^^ . 1 7 L-y*jM %Wt &W1 ;**>] -v>- £t !=*?8fei ;>.» *g W ;. *, \ ^-W2 t* fc •*U*-T..-> ''- * K 9 ^.^5* I .MliNOFF® VODKA. 80 & 100 PROOF. DISTILLED FROM GRAIN. STE. PIERRE SMIRNOFF FLS. (DIVISION OF H EUBLEIN. I NCORPORATED ) HARTFORD. CONNECTICUT ' " ' -<*£sv Seiji Ozawa, Music Director Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor Ninety- Sixth Season 1976-1977 The Trustees of the Boston Symphony Orchestra Inc. Talcott M. Banks, President Philip K. Allen, Vice President Sidney Stoneman, Vice-President Mrs. Harris Fahnestock, Vice-President John L. Thorndike, Treasurer Vernon R. Alden Nelson J. Darling, Jr. Albert L. Nickerson Allen G. Barry Archie C. Epps III Mrs. James H. Perkins Dr. Leo L. Beranek E. Morton Jennings, Jr. Irving W. Rabb Mrs. John M. Bradley Edward M. Kennedy Paul C. Reardon Richard P. Chapman George Kidder David Rockefeller Jr. Dr. George Clowes Edward G. Murray Mrs. George Lee Sargent Abram T. Collier John Hoyt Stookey Trustees Emeriti Henry A. Laughlin Harold D. Hodgkinson John T. Noonan Administration of the Boston Symphony Orchestra Thomas D. Perry, Jr. Thomas W. Morris Executive Director Manager Gideon Toeplitz Daniel R. Gustin Assistant Manager Assistant Manager Joseph M. Hobbs Walter Hill Dinah Daniels Director of Development Director of Business Affairs Director of Promotion Richard C. White Anita R. Kurland Niklaus Wyss Assistant to the Manager Administrator of Youth Activities Advisor for the Music Director Donald W. Mackenzie James F. Kiley Operations Manager, Symphony Hall Operations Manager, Tanglewood Michael Steinberg Director of Publications Programs copyright ® 1977 Boston Symphony Orchestra Inc. Contents: page page Tanglewood 4 Programs 11-36 Seiji Ozawa 7 Berkshire Music Center 40 Map 8 Friends 42, 43 Information 9 The cover photo is by Walter H.