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Beckett & Aesthetics
09/25/21 Beckett & Aesthetics | Goldsmiths, University of London Beckett & Aesthetics View Online 1. Beckett, S.: Watt. John Calder, London (1963). 2. Connor, S.: ‘Shifting Ground: Beckett and Nauman’, http://www.stevenconnor.com/beckettnauman/. 3. Tubridy, D.: ‘Beckett’s Spectral Silence: Breath and the Sublime’. 1, 102–122 (2010). 4. Lyotard, J.F., Bennington, G., Bowlby, R.: ‘After the Sublime, the State of Aesthetics’. In: The inhuman: reflections on time. Polity, Cambridge (1991). 5. Lyotard, J.-F.: The Sublime and the Avant-Garde. In: The inhuman: reflections on time. pp. 89–107. Polity, Cambridge (1991). 6. Krauss, R.: LeWitt’s Ark. October. 121, 111–113 (2007). https://doi.org/10.1162/octo.2007.121.1.111. 1/4 09/25/21 Beckett & Aesthetics | Goldsmiths, University of London 7. Simon Critchley: Who Speaks in the Work of Samuel Beckett? Yale French Studies. 114–130 (1998). 8. Kathryn Chiong: Nauman’s Beckett Walk. October. 86, 63–81 (1998). 9. Deleuze, G.: ‘He Stuttered’. In: Essays critical and clinical. pp. 107–114. Minnesota University Press, Minneapolis (1997). 10. Deleuze, G., Smith, D.W.: ‘The Greatest Irish Film (Beckett’s ‘Film’)’. In: Essays critical and clinical. pp. 23–26. Minnesota University Press, Minneapolis (1997). 11. Adorno, T.: ‘Trying to Understand Endgame’. In: Samuel Beckett. pp. 39–49. Longman, New York (1999). 12. Laws, C.: ‘Morton Feldman’s Neither: A Musical Translation of Beckett’s Text'. In: Samuel Beckett and music. pp. 57–85. Clarendon Press, Oxford (1998). 13. Cage, J.: ‘The Future of Music: Credo’. In: Audio culture: readings in modern music. pp. 25–28. -
John F. Morrison Phd Thesis
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by St Andrews Research Repository 'THE AFFIRMATION OF BEHAN?' AN UNDERSTANDING OF THE POLITICISATION PROCESS OF THE PROVISIONAL IRISH REPUBLICAN MOVEMENT THROUGH AN ORGANISATIONAL ANALYSIS OF SPLITS FROM 1969 TO 1997 John F. Morrison A Thesis Submitted for the Degree of PhD at the University of St Andrews 2010 Full metadata for this item is available in Research@StAndrews:FullText at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/3158 This item is protected by original copyright ‘The Affirmation of Behan?’ An Understanding of the Politicisation Process of the Provisional Irish Republican Movement Through an Organisational Analysis of Splits from 1969 to 1997. John F. Morrison School of International Relations Ph.D. 2010 SUBMISSION OF PHD AND MPHIL THESES REQUIRED DECLARATIONS 1. Candidate’s declarations: I, John F. Morrison, hereby certify that this thesis, which is approximately 82,000 words in length, has been written by me, that it is the record of work carried out by me and that it has not been submitted in any previous application for a higher degree. I was admitted as a research student in September 2005 and as a candidate for the degree of Ph.D. in May, 2007; the higher study for which this is a record was carried out in the University of St Andrews between 2005 and 2010. Date 25-Aug-10 Signature of candidate 2. Supervisor’s declaration: I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate for the degree of Ph.D. -
MASARYKOVA UNIVERZITA PEDAGOGICKÁ FAKULTA Katedra Anglického Jazyka a Literatury
MASARYKOVA UNIVERZITA PEDAGOGICKÁ FAKULTA Katedra anglického jazyka a literatury AXIOLOGICAL DYNAMICS IN SAMUEL BECKETT'S PLAYS Diplomová práce Brno 2015 Autor práce: Vedoucí práce: Bc. Monika Chmelařová Mgr. Jaroslav Izavčuk Anotace Předmětem diplomové práce Axiologické proměny v dramatickém díle Samuela Becketta je analýza Beckettových her s tematicky vyměřenou interpretací za účelem stanovení prvků v axiologické rovině. Stěžejním cílem práce je vymezení klíčových hodnot v autorově dramatické tvorbě, obsáhnutí charakteru a stimulů axiologické dynamiky. Práce je založena na kritickém zhodnocení autobiografie a vývoje hodnotové orientace Samuela Becketta na poli osobním i autorském, a to při posouzení vývoje hodnot již od počátku autorova života a tvorby. Beckettovy hry jsou výsledkem již vlastní specifické poetiky; práce si dává za cíl sledovat, co přispělo k jejímu utvoření, jaké hodnoty jsou v jeho dramatu zastoupeny a jakým způsobem se jeho dramatická tvorba axiologicky vyvíjí. Výstupem práce je kritický pohled na co nejkomplexnější autorovo dramatické dílo z pohledu hodnot a stanovení příčin těchto proměn, a to v tematicko-komparativním a diachronním (tj. chronologickém) pojetí. Abstract The subject of the diploma thesis Axiological Dynamics in Samuel Beckett's Plays is a thematically determined interpretation with the intention to determine features within the axiological level. The crucial part of the thesis is the determination of significant values in author's dramatic works, characterization of nature and stimuli of axiological dynamics. The thesis is based on critical evaluation of autobiography and development of value orientation of Samuel Beckett in private and authorial fields, i. e. with consideration of the development of values from the beginning of author's life and work. -
Irish History Links
Irish History topics pulled together by Dan Callaghan NC AOH Historian in 2014 Athenry Castle; http://www.irelandseye.com/aarticles/travel/attractions/castles/Galway/athenry.shtm Brehon Laws of Ireland; http://www.libraryireland.com/Brehon-Laws/Contents.php February 1, in ancient Celtic times, it was the beginning of Spring and later became the feast day for St. Bridget; http://www.chalicecentre.net/imbolc.htm May 1, Begins the Celtic celebration of Beltane, May Day; http://wicca.com/celtic/akasha/beltane.htm. ------------------------------------------------------------------------------------ February 14, 269, St. Valentine, buried in Dublin; http://homepage.eircom.net/~seanjmurphy/irhismys/valentine.htm March 17, 461, St. Patrick dies, many different reports as to the actual date exist; http://www.newadvent.org/cathen/11554a.htm Dec. 7, 521, St. Columcille is born, http://prayerfoundation.org/favoritemonks/favorite_monks_columcille_columba.htm January 23, 540 A.D., St. Ciarán, started Clonmacnoise Monastery; http://www.newadvent.org/cathen/04065a.htm May 16, 578, Feast Day of St. Brendan; http://parish.saintbrendan.org/church/story.php June 9th, 597, St. Columcille, dies at Iona; http://www.irishcultureandcustoms.com/ASaints/Columcille.html Nov. 23, 615, Irish born St. Columbanus dies, www.newadvent.org/cathen/04137a.htm July 8, 689, St. Killian is put to death; http://allsaintsbrookline.org/celtic_saints/killian.html October 13, 1012, Irish Monk and Bishop St. Colman dies; http://www.stcolman.com/ Nov. 14, 1180, first Irish born Bishop of Dublin, St. Laurence O'Toole, dies, www.newadvent.org/cathen/09091b.htm June 7, 1584, Arch Bishop Dermot O'Hurley is hung by the British for being Catholic; http://www.exclassics.com/foxe/dermot.htm 1600 Sept. -
Dis-Manteling More Peter Iver Kaufman University of Richmond, [email protected]
University of Richmond UR Scholarship Repository Jepson School of Leadership Studies articles, book Jepson School of Leadership Studies chapters and other publications 2010 Dis-Manteling More Peter Iver Kaufman University of Richmond, [email protected] Follow this and additional works at: http://scholarship.richmond.edu/jepson-faculty-publications Part of the European History Commons, History of Christianity Commons, and the Political History Commons Recommended Citation Kaufman, Peter Iver. "Dis-Manteling More." Moreana 47, no. 179/180 (2010): 165-193. This Article is brought to you for free and open access by the Jepson School of Leadership Studies at UR Scholarship Repository. It has been accepted for inclusion in Jepson School of Leadership Studies articles, book chapters and other publications by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. Peter Iver KAUFMAN Moreana Vol.47, 179-180 165-193 DIS-MANTELING MORE Peter Iver Kaufman University of Richmond, Virginia Hilary Mantel’s Wolf Hall, winner of the prestigious 2009 Booker-Man award for fiction, re-presents the 1520s and early 1530s from Thomas Cromwell’s perspective. Mantel mistakenly underscores Cromwell’s confessional neutrality and imagines his kindness as well as Thomas More’s alleged cruelty. The book recycles old and threadbare accusations that More himself answered. “Dis-Manteling” collects evidence for the accuracy of More’s answers and supplies alternative explanations for events and for More’s attitudes that Mantel packs into her accusations. Wolf Hall is admirably readable, although prejudicial. Perhaps it is fair for fiction to distort so ascertainably, yet I should think that historians will want to have a dissent on the record. -
Is Afternoon at Scottish Rite Former Students Attend College in South
Party Given Senior Students Must File Night Tomorrow NYA Applications IOSERTA Newman Club At With College Deans SDAI SAN JOSE, CALIFORNIA, rOL loax FRIDAY, MARCH 7, 1941 Number 100 41 Duke 01. nen's he. Fund 1Y, Student l'Shake-Down' Party 131 night TOMORROW NOON be of the N.Y.A. DEADLINE Y White as APPLICATION FOR LOANS Tomorrow noon is the dead- MAGIC SHOW, ACTION, ted it" line for men NYA students to make applications for Lynn Gni, IN work next ACCEPTED DEAN'S quarter, ord, tree. announces Mrs. Louise REFRESHMENTS PROMISED s. gaud. Ralph, secretary in the dean of men's office. for eleven OFFICE THIS QUARTER ill he heit Wednesday is the last day that SENIORS TOMORROW women may apply for Knights as renewal Students who desire to make application for a loan from the Cali- slips for NYA work, according to e fraterroq Free refreshments, dancing, bowling, billiards and ping pong will of Parents and Teachers loan fund should see Dean of Women Helen Dirnmick. eel, at 1:15. Iola Congress Mrs. provide seniors with plenty of action at their "Bail Out-Shake Down" Any applications made after this be se Ralph in room 16 before the end of this quarter, it was en- party tomorrow night placed u date will be placed only if there in the Newman club, from 8:30 to 12 o'clock. A and sedum nead yesterday. are vacancies. specialty magician act by Ormond McGill, action pictures of the y part of ke are made for the purpose of allowing students Loans, which to Fresno football game, and "enlightening hints" about contents of the jobs Old .ramm 'rue their college education, are not to exceed $150. -
The Visual Staging of Audio Plays
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2016 The Visual Staging of Audio Plays Alex P. Burkart Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Acting Commons, and the Other Theatre and Performance Studies Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/4106 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. The Visual Staging of Audio Plays A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Theatre at Virginia Commonwealth University by Alex Paul Burkart BFA, Webster University, 2008 MFA, Virginia Commonwealth University David Emerson Toney Assistant Professor/Artistic Director, Department of Theatre Virginia Commonwealth University School of the Arts Virginia Commonwealth University Richmond, VA April 18, 2016 Acknowledgment Special thanks to my incredible mentors at TheatreVCU: David Emerson Toney, Dr. Noreen Barnes, David Leong, Ron Keller, and Thomas Cunningham Susan Schuld for giving me the opportunity to stage my first radio play. My family: Emily A. Fisher, Paul and Susan Burkart, Nathan, Tyler, Meg, and Jess My past mentors, who ignited my love for theatrical performance: Doug Finlayson, Kat Singleton, Byron Grant, Steven Woolf, Josh Burton, and Edie Baran Ken Regez for sharing your voice and blazing passion for nostalgia My fellow graduate students, for being the sturdiest of sounding boards. -
HILARY MANTEL's WOLF HALL Tudor İngiltere'sinin
Sosyal Bilimler Enstitüsü Dergisi Enstitüsü Bilimler Sosyal AN “OCCULT” HISTORY OF TUDOR ENGLAND: HILARY MANTEL’S WOLF HALL Tudor İngiltere’sinin “Esrarengiz” Tarihi: Hılary Mantel’in Wolf Hall Romanı Yrd. Doç. Kubilay GEÇİKLİ Özet Hilary Mantel’ın sansasyonel romanı Wolf Hall tarihsel roman türüne kazandırdığı farklı yaklaşımla dikkat çeken bir eserdir. Yazar Mantel romanında tarih ve tarihsel roman yazımıyla ilgili çağdaş algılayışlardan hem etkilenmiş hem de etkilenmemiş bir görüntü çizmektedir. Postmodern tarihsel romanın tarihsel gerçekliği sorgulama ve sorunsallaştırma girişimlerine kuşkuyla yaklaşan Mantel, romanındaki tarih anlatısının gerçeğe olabildiğince yaklaşması için çaba sarf etmiştir. Böylelikle okur anlatılan dönemde 77 gerçekten yaşamış gibi hissetme imtiyazına kavuşmuştur. Romanın ironik ve satirik üslubu ve mizahı trajik olanla ustaca birleştirmesi özde öznel olan bir türü nesnelliğe yaklaştırmıştır. Roman İngiliz tarihinin en görkemli ama aynı zamanda en tartışmalı devirlerinden biri olan Tudor döneminin gizemini çözme noktasında başarılı bir girişim olarak dikkat çekmektedir. Anahtar Kelimeler: Tarih, tarihsel roman, Wolf Hall, Hilary Mantel, Tudor Dönemi Abstract Hilary Mantel’s sensational Wolf Hall is remarkable for the different perspective it has brought to the writing of historical fiction. Mantel seems to be both affected and not affected by the contemporary trends in the perceptions of history and historical novel writing. Sceptical of the attempts in postmodernist historical fiction to question and/or problematize the historical reality, Mantel wants to make the history she narrates in her novel seem as real as possible. With Mantel’s peculiar narrative style, the reader has the privilege of having the sense of living in the periods the novel describes. Yrd. Doç. Dr., Atatürk Üniversitesi, Edebiyat Fakültesi, İngiliz Kültürü ve Edebiyatı Anabilim Dalı Öğretim Üyesi. -
Media Announcement
MEDIA ANNOUNCEMENT FOR IMMEDIATE RELEASE BAY AREA RADIO HALL OF FAME ANNOUNCES FIRST CLASS OF HONOREES San Francisco (October 4, 2006) — The Bay Area Radio Museum is proud to announce the first group of inductees into the Bay Area Radio Hall of Fame. The selections were made following a year of study during which input from broadcast professionals, fans and historians was weighed to establish criteria and nominees for enshrinement. Among the first inductees are pioneers from the earliest period of local radio development nearly a century ago, as well as popular personalities from the modern era. Many of the names, such as Don Sherwood and Tom Donahue, may be instantly recognizable. Others, such as Colin B. Kennedy and Harrison Holliway, may be less so. In either case, it is hoped that the creation of the Hall of Fame will help to honor the men and women who have made Bay Area radio so popular over the years, and will make their names and accomplishments known for generations to come. For the near future, the Bay Area Radio Hall of Fame will exist primarily on the Internet at www.barhof.com, although a permanent exhibit is planned at the old KRE radio studios in Berkeley, which are being refurbished by the California Historical Radio Society (CHRS). The Bay Area Radio Hall of Fame is spearheaded by the Bay Area Radio Museum, which is an affiliate of the Broadcast & Newspaper Museum of Northern California consortium, which also includes CHRS and the Broadcast Legends. The radio museum was founded in 2005, and currently presents archival broadcast recordings, photographs, documents and historical essays on its website at www.bayarearadio.org. -
The Rise of Talk Radio and Its Impact on Politics and Public Policy
Mount Rushmore: The Rise of Talk Radio and Its Impact on Politics and Public Policy Brian Asher Rosenwald Wynnewood, PA Master of Arts, University of Virginia, 2009 Bachelor of Arts, University of Pennsylvania, 2006 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of History University of Virginia August, 2015 !1 © Copyright 2015 by Brian Asher Rosenwald All Rights Reserved August 2015 !2 Acknowledgements I am deeply indebted to the many people without whom this project would not have been possible. First, a huge thank you to the more than two hundred and twenty five people from the radio and political worlds who graciously took time from their busy schedules to answer my questions. Some of them put up with repeated follow ups and nagging emails as I tried to develop an understanding of the business and its political implications. They allowed me to keep most things on the record, and provided me with an understanding that simply would not have been possible without their participation. When I began this project, I never imagined that I would interview anywhere near this many people, but now, almost five years later, I cannot imagine the project without the information gleaned from these invaluable interviews. I have been fortunate enough to receive fellowships from the Fox Leadership Program at the University of Pennsylvania and the Corcoran Department of History at the University of Virginia, which made it far easier to complete this dissertation. I am grateful to be a part of the Fox family, both because of the great work that the program does, but also because of the terrific people who work at Fox. -
Rhythms in Rockaby: Ways of Approaching the Unknowable
83 Rhythms in Rockaby: Ways of Approaching the Unknowable. Leonard H. Knight Describing Samuel Beckett's later, and progressively shorter, pieces in a word is peculiarly difficult. The length of the average critical commentary on them testifies to this, and is due largely to an unravelling of compression in the interests of meaning: straightening out a tightly C9iled spring in order to see how it is made. The analogy, while no more exact than any analogy, is useful at least in suggesting two things: the difficulty of the endeavour; and the feeling, while engaged in it, that it may be largely counterproductive. A straightened out spring, after all, is no longer a spring. Aware of the pitfalls I should nevertheless like, in this paper, to look at part of the mechanism while trying to keep its overall shape relatively intact. The ideas in a Beckett play emerge, in general, from an initial image. A woman half-buried in a grass mound. A faintly spotlit, endlessly talking mouth. Feet tracing a fixed, unvarying path. Concrete and intensely theatrical, the image is immediately graspable. Its force and effectiveness come, above all, from its simpl icity. Described in this way Beckett's images sound arresting to the point of sen sationalism. What effectively lowers the temperature while keeping the excitement generated by their o.riginality is the simple fact that they cannot easily be made out. They are seen, certainly - but only just. In the dimmest possible light; the absolute minimum commensurate with sight. What is initially seen is only then augmented or reinforced by what is said. -
What Are They Doing There? : William Geoffrey Gehman Lehigh University
Lehigh University Lehigh Preserve Theses and Dissertations 1989 What are they doing there? : William Geoffrey Gehman Lehigh University Follow this and additional works at: https://preserve.lehigh.edu/etd Part of the English Language and Literature Commons Recommended Citation Gehman, William Geoffrey, "What are they doing there? :" (1989). Theses and Dissertations. 4957. https://preserve.lehigh.edu/etd/4957 This Thesis is brought to you for free and open access by Lehigh Preserve. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Lehigh Preserve. For more information, please contact [email protected]. • ,, WHAT ARE THEY DOING THERE?: ACTING AND ANALYZING SAMUEL BECKETT'S HAPPY DAYS by William Geoffrey Gehman A Thesis Presented to the Graduate Committee of Lehigh University 1n Candidacy for the Degree of Master of Arts 1n English Lehigh University 1988 .. This thesis 1S accepted and approved in partial fulfillment of the requirements for the degree of Master of Arts. (date) I Professor 1n Charge Department Chairman 11 ACD01fLBDGBNKNTS ., Thanks to Elizabeth (Betsy) Fifer, who first suggested Alan Schneider's productions of Samuel Beckett's plays as a thesis topic; and to June and Paul Schlueter for their support and advice. Special thanks to all those interviewed, especially Martha Fehsenfeld, who more than anyone convinced the author of Winnie's lingering presence. 111 TABLB OF CONTBNTS Abstract ...................•.....••..........•.•••••.••.••• 1 ·, Introduction I Living with Beckett's Standards (A) An Overview of Interpreting Winnie Inside the Text ..... 3 (B) The Pros and Cons of Looking for Clues Outside the Script ................................................ 10 (C) The Play in Context ..................................