Cambridge University Press 978-1-108-42010-5 — Tom Stoppard in Context David Kornhaber, James N
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Cambridge University Press 978-1-108-42010-5 — Tom Stoppard in Context David Kornhaber, James N. Loehlin Index More Information Index A Paragraph for Mr Blake, Best, Eve, A Separate Peace, , , Billington, Michael, , A Walk on the Water, – Bond, Edward, , A.O.P. (Unpublished Stoppard screenplay), Brazil (Stoppard screenplay with Terry Gilliam After Magritte, and Charles McKeown), Ahmed, Rukhsana, Brecht, Bertolt, , , , –, , , Albert’s Bridge, , , , , , Albery, Donald, Brenton, Howard, , Anna Karenina (Stoppard screenplay of Tolstoy), British Broadcasting Corporation (BBC), , , , , – , ‘Another Country’ (essay), , Desert Island Discs interview with Stoppard, Another Moon Called Earth, – Arcadia, xxiii–xxiv, , , , , , , , , financial support for writers, – , , , , –, –, ‘golden age’ of television drama, – , , , , , , , , radio, , , , , See Chapter , , – television, , See Chapter chaos theory in, –, –, – Brook, Peter, , depiction of Lord Byron, – Bukovsky, Vladimir, inaugural production, , See Chapter Burke, Edmund, mathematics in, , –, – philosophy of history in, – Campton, David, romance and eros in, – Cats (unproduced Stoppard adaptation), , use of Fermat’s Last Theorem, , Artist Descending a Staircase, xxiv, , , , Chalmers, David, , , , , Chaplin, Attenborough, Richard, Charter , xxiii, –, , Ayckbourn, Alan, Chekhov, Anton, xxiii, –, , , , Ayer, A.J., – Influence on The Coast of Utopia, Churchill, Caryl, , , Baez, Joan, Churchill, Winston, , –, Bains, Harwant, Coleridge, Samuel Taylor, Bakunin, Mikhail, , , , , , communism. See Chapter Beatles, The, Connery, Sean, Beckett, Samuel, xxiii, , , , –, , , Coward, Noël, , , , , , , , See Czechoslovakia, , , , See Chapter Chapter Stoppard’s political involvement in, Waiting for Godot, xxiii, , –, , , Dalliance (Stoppard adaptation of Schnitzler), Belinsky, Vissarion, , Bennett, Alan, , Darkside, xxiv–xxv, , , , Bentley, Eric, philosophy in, – © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-42010-5 — Tom Stoppard in Context David Kornhaber, James N. Loehlin Index More Information Index Descartes, René, , , Havel, Václav, xxiii, xxv, , –, , , , Despair (Stoppard screenplay of Nabokov), , , , , –, , , See , Chapter Dickerson, Gordon, Hegel, G.W.F., Dillane, Steven, Hejdánek, Ladislav, Din, Ayub Khan, Hemingway, Dirty Linen, Herzen, Alexander, xxiii, , , , , , Dogg’s Hamlet, Cahoot’s Macbeth, xxiv–xxv, , , , –, , –, , Herzl, Theodor, xxi philosophy in, – Hewison, Robert, Shakespearean influence, – Hitler, Adolf, Dover Beach (Stoppard), Hollander, Tom, Dreyfuss, Richard, Hytner, Nicholas, , Duchamp, Marcel, If You’re Glad I’ll Be Frank, xxv, , , Ebert, Roger, Edinburgh Festival, , In the Native State, xxiii, –, –, , Eliot, T.S., , , , , , , – Empire of the Sun, , , India, , , See Chapter Engels, Friedrich, depiction in Indian Ink. See Chapter England. See Chapter Indian Ink, xxiii, xxv, , –, , , , post-World War II political situation, – , Enigma, allusions to Oscar Wilde, Enter a Free Man, , , , colonialism and postcolonialism in, –, See Chapter Esslin, Martin, , , cultural stereotypes, concerns about, – Every Good Boy Deserves Favour, xxv, , , , romance in, – –, , , , , , use of Hobson-Jobson dictionary, – –, Indiana Jones and the Last Crusade, music in, Ionesco, Eugène, , , , existentialism, , , Irons, Jeremy, ITV, –, Forster, E.M., , Ivanov (Stoppard adaptation of Chekhov), Foucault, Michel, Frayn, Michael, , J.G. Ballard, Frears, Stephen, James, P.D., Freud, Sigmund, xxi Johnson, Terry, Friel, Brian, Jones, Charlotte, Fugard, Athol, Joyce, James, depiction in Travesties, – Grass, Gu¨nter, Jumpers, xxiii, , , , , , , , Griffiths, Trevor, –, , , , , –, , Gussow, Mel, , , abandoned film version, Hall, Peter, –, influence from Samuel Beckett, Hamlet (Shakespeare), , , , –, , , Macbeth allusion, , , mathematics in, – Hapgood, xxiv, , , , , , , , , philosophy in, – , –, , , , –, , Kafka, Franz, , – quantum physics in, –, Kant, Immanuel, , Hare, David, , , , , , , Kendal, Felicity, , , , Kipling, Rudyard, Harry Ransom Center (Austin, Texas), , , Kohout, Pavel, –, , See Chapter Kureishi, Hanif, © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-42010-5 — Tom Stoppard in Context David Kornhaber, James N. Loehlin Index More Information Index Labrune, Jeanne, Old Vic (London, United Kingdom), Landovský, Pavel, –, Oldman, Gary, Largo Desolato (Stoppard translation of Havel), On the Razzle (Stoppard adaptation of Nestroy), –, , , , Lawrence, D.H., Orton, Joe, Lean, David, Osborne, John, , , , , Leibniz, Gottfried, Owen, Alun, Lenin, Vladimir, xxiii, as character in Travesties, Parade’s End (Stoppard teleplay of Ford), , Leopoldstadt, xxi–xxii, xxv, , –, , , , Stoppard’s Jewish background in, – Pater, Walter, Lewis, Wyndham, Payne, Nick, Lindsay, Robert, Penelope, xxv Littlewood, Joan, Pink Floyd, xxv, , , –, , Loach, Ken, Lord Malquist and Mr. Moon, xxvi, , , , Pinter, Harold, , , , , , , , , , See Chapter Pirandello, Luigi, , , , Plastic People of the Universe, The, xxv, , , M Is for Moon Among Other Things, , , , –, , , , Macbeth (Shakespeare), , , , Poodle Springs (Stoppard screenplay of Chandler), Malik, Art, Mamet, David, , postmodernism, , , –, , , Marx, Karl, , , , –, –, –, Potter, Dennis, Maugham, Somerset, , , Previn, André, , , , , , – May, Robert, , , Priestley, J.B., Mayakovsky, Vladimir, Professional Foul, xxv, , , , , , , , McEwan, Ian, , –, , , , , –, Miller, Arthur, , , , , , , , –, , Molnár, Ferenc, , –, – Monkees, The, , –, depiction of journalism in, Moore, G.E., philosophy in, – Morahan, Christopher, Proust, Marcel, Morton-Smith, Tom, Pullman, Philip, Mrożek, Sławomir, Murdoch, Iris, Rattigan, Terence, , , Ravenhill, Mark, Nabokov, Vladimir, Reagan, Ronald, National Theatre (United Kingdom), xxvi, , Rock ‘n’ Roll, xxiii, xxv, , , –, , , , , , , , , , , , , , , , , , –, , depiction of journalism in, – Nestroy, Johann, discussion of popular music in, – Neutral Ground, , – neuroscience in, Newton, Isaac, , relationship to Václav Havel, – Nichols, Peter, Rolling Stones, The, Nietzsche, Friedrich, , , Rosencrantz and Guildenstern Are Dead (film), , Night and Day, xxv, , , , , , , , , –, , , , –, Rosencrantz and Guildenstern Are Dead (play), discussion of news media in, – xxii–xxv, , –, , , , , , , , Norman, Marc, xxvi, , , , –, , , –, , , Nunn, Trevor, , , , , , , , , , , , –, , , O’Neill, Eugene, influence from Samuel Beckett, –, Old Vic (Bristol, United Kingdom), –, , Shakespearean influence, – Shakesperean intertext, © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-42010-5 — Tom Stoppard in Context David Kornhaber, James N. Loehlin Index More Information Index Rosencrantz and Guildenstern Meet King Lear, knighthood, –, Nazi Party (Germany), escape from, – Roth, Tim, recipient of PEN/Pinter Prize, Rough Crossing (Stoppard adaptation of Molnár), Singapore, youth spent in, –, , See Chapter Sträussler, Tomáš (birth name), , , , , Royal Court Theatre (United Kingdom), xxvi, , , , , , – support for Jewish ‘refuseniks’, , – Royal Shakespeare Company (United Kingdom), works. See individual titles –, , , Sträussler, Eugen (Tom Stoppard’s father), –, Rushdie, Salman, , , Russia. See Chapter Sträussler, Julius (Tom Stoppard’s paternal Russia House, The (Stoppard screenplay of Le grandfather), Carré), – Sträussler, Marta (Tom Stoppard’s mother), –, , , Sartre, Jean-Paul, , Strindberg, August, Saunders, James, Schiller, Friedrich, Tango (Stoppard adaptation of Mrożek), , Schindler’s List, , Schnitzler, Arthur, xxi, , Teeth, Schopenhauer, Arthur, Thatcher, Margaret, , , , , , Scott, Paul, –, Scruton, Roger, Influence on the arts, Searle, John, The Cherry Orchard (Stoppard adaptation of Shakespeare in Love, xxiii, xxvi, , –, , Chekhov), The Coast of Utopia, xxv, , , –, , , Shakespeare, William, xxiii, –, , , , , , , –, , , , , See Chapter as character in Shakespeare in Love, debate about communism in, – Shaw, George Bernard, , –, , debate about revolutionary politics in, Shestov, Lev, – Sibleyras, Gérald, depiction of journalism in, – Simpson, N.F., first Russian production, – Singapore, , , , See Chapter Salvage, , Sleepy Hollow (Tim Burton film), Shipwreck, , Smith, Bessie, Voyage, , , Spielberg, Steven, , The Dissolution of Dominic Boot, , Spivak, Gayatri, The Dog It Was That Died, , Squaring the Circle, xxv, , , , , , The Gamblers, – –, , , The Hard Problem, xxiv, , , , , Star Wars Episode III –, , , , Revenge of the Sith, depiction of neuroscience, – Stein, Gertrude, philosophy in, Stephens, Simon, prisoner’s dilemma in, – Stephenson, Shelagh, The House of Bernarda Alba (Stoppard adaptation Stoppard, Ed (Tom Stoppard’s son), xxi of García Lorca), , Stoppard, Kenneth (Tom Stoppard’s stepfather), The Invention of Love, xxiii–xxiv, , –, , , , –, , –, –, , , Stoppard, Peter (Tom Stoppard’sbrother),–, , , , Stoppard, Tom depiction of journalism in, Bristol, professional life in, – homosexual relationships in, – conservatism, , , , , , , The Real Inspector Hound, , , , , , , , –, , Czech background, xxiii The Real Thing, xxiv, , , , , , , Czech dissidents, support of, – –, , , –, , Jewish background, xxi–xxii, , , – –, , , , © in this web service Cambridge University Press www.cambridge.org