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Works by Tom Stoppard Works by Tom Stoppard ‘A Play In Three Acts’ 56n, 463n, 581n, 582n Dogg’s Hamlet, Cahoot’s Macbeth xxiv, A Separate Peace 499, 528n xxvi, 55, 176, 354n, 393, 423, 557, 582 A Walk on the Water 516 After Magritte xxxi, 5, 8–11, 18, 39, 55–56, Empire of the Sun 7, 414, 440n 437, 470, 491, 504, 504n, 535n, 581 Enigma 77 Albert’s Bridge 155, 551 Enter a Free Man 254, 399, 454, 516n, 524, Anna Karenina 257 560, 560n, 583 Another Moon Called Earth 37n, 121, 156, 239, Every Good Boy Deserves Favour xxv–xxvi, 239n, 320, 323, 441, 443, 455, 582 xxix, 50–52, 55, 56, 59n, 90, 121, 136, Arcadia xxii, xxiv–xvii, 15, 17, 23, 37, 182–184, 235–237, 286–289, 294, 298, 38–41, 55, 74–79, 88, 88n, 118n, 126, 327n, 381–384, 437, 447, 473, 479, 136–152, 179, 185, 212, 222, 231, 234, 238, 490, 496n, 582 248, 260, 309, 313, 315, 322, 337, 347, 350–352, 369, 377n, 398n, 399, 407, ‘First Person’ 244n 412, 418, 424, 436n, 441, 451, 470, 473, ‘Freedom but thousands are still 488–489, 505, 514, 521, 523, captive’ 277n 531, 552, 566, 568–572, 575, 578–579, Funny Man 458, 559 581, 583 Article on James Thurber 5 Galileo 144, 258–259, 260, 471 Artist Descending a Staircase xxiii, xxvi, 11–14, 26, 62, 63, 64, 64n, 66, 118, 120–121, Hapgood xxiii–xxvi, xxvii–xxix, 15, 40, 153n, 157–159, 236n, 238, 326, 329, 352, 52, 55, 56, 127, 129, 135–137, 143, 145, 363, 370–372, 423, 533, 551, 560–565, 222n, 238, 258, 259n, 260, 309, 343, 347, 579, 582 349, 351, 362, 365–369, 398n, 400–407, 400n, 423–424, 426, 428, 471, 478, 488, ‘But For The Middle Classes’ 251n, 261n, 492–495, 502–503, 515, 548, 557, 324n 581–582 Hapgood Crib 129 Cahoot’s Macbeth 91, 121, 160, 175–177, 277, Heroes 512–513 290–293, 341–343, 390n, 392–393, 423, Higg and Cogg 377n 433, 440, 445, 458, 551, 582 How Sir Dudley Lost The Empire 84, 84n ‘Chekhov – An Impartial Witness’ 540n ‘Critic and his credo’ 145n I Can’t Give You Anything But Love, Baby 547 If You’re Glad I’ll Be Frank 155n, 399n, 441, Dalliance xxiii, 42n, 55, 377, 439, 485–486, 454, 489n, 517n 497, 510, 512, 515, 582 In the Native State xxv–xxvi, xxx–xxxi, Darkside xxvi–xxvii, xxix, 49, 55, 73, 84, 86, 354n, 413, 417, 441, 501, 566, 578, 122–123, 189, 237–238, 241–244, 344, 583 346, 360, 438, 445, 467, 479–481, 490, Indian Ink xxiii, xxv–xxvi, xxx–xxxi, 23, 509, 559, 582 47–49, 51, 56, 62, 84–93, 211, 295, 327, Dirty Linen xxvii, 284, 428, 435, 439, 441, 341, 412–420, 424, 441, 487, 497, 499, 443, 448, 456, 462, 490, 490n, 498, 514, 522–523, 560, 566–567, 578–579, 583, 521, 534, 580 604–605 Doctor Masopust, I Presume 437 ‘Is It True What They Say About Shake- Dogg’s Hamlet 26, 55, 176, 271, 292, 303–304, speare?’ 547n, 554n, 555n, 556n, 339–340, 484 557n, 558n <UN> Works by Tom Stoppard 629 Ivanov xxiv, 407, 497, 537, 539–540, 543, ‘Reflections on Ernest Hemingway’ xin, 4n 545, 553 Reunion 435n, 519n Rock ‘N’ Roll xxiii, xxv–xxvi, xxxi–xxxii, Jumpers xxiii–xxix, xxxi, 6, 19–22, 36, 37, 34, 49–50, 55, 56, 83, 107, 121, 186, 224, 46, 55, 56, 61n, 62, 67n, 70–73, 74, 79, 85, 253–255, 277, 292–298, 412, 479–480, 121–122, 124–125, 134, 145, 152–157, 153n, 482–484, 515, 527n, 544, 547, 549, 560, 187, 224, 236, 238, 241, 248–249, 251–253, 568, 579, 582 255–256, 260–261, 263, 278, 286, 298, Rosencrantz and Guildenstern Are 325, 337, 345, 347, 349, 351–353, 360, Dead xxiii–xxiv, xxviii, 23, 37, 53–55, 363, 384n, 410, 424, 425n, 428, 436, 452, 60n, 134, 136, 160, 171–174, 230, 234, 454–455, 470–471, 472, 478, 480, 485, 262–268, 286, 310–321, 386–393, 490, 490n, 492, 497, 497n, 514–515, 520, 390n, 423, 429, 429n, 438–439, 527, 536, 544, 549, 551, 580–582 444, 453–454, 456, 478, 490, 492, 517–518, 518n, 520, 524, 527, 528n, Largo Desolato 42n, 374, 377n, 386n 530–531, 536, 542, 548–549, 555, ‘Lenin, Joyce, Tzara and Henry Carr’ 17n 557–558, 582, 585–598 ‘Leveson’s legal backstop is aimed at rogue Rosencrantz and Guildenstern Are Dead – press – not a free press’ 284n film 54, 265, 387, 389–390, 389n, Life, Times: Fragments 279n, 456n, 517n 428, 457, 487 Lord Malquist and Mr Moon 64n, 124, 129, Rough Crossing xxiii, xxvii, 268, 423, 439, 270, 470n, 492, 492n, 499, 518, 536n 449, 454–455, 489, 510, 512, 514, 515, 554, 582–583 ‘M’ is for Moon Among Other Things 377n, 548 Salvage xxv–xxvi, xxxi, 19, 94, 96–107, 110, Neutral Ground xxv, 365, 423, 439, 470n, 111–117, 127, 215–220, 267n, 339, 442, 445, 519, 519n 469, 471, 545–546, 575 New-Found-Land xxv, 441, 445, 465–467, 535 Shakespeare in Love 55, 181, 372–373, 374n, Night and Day xxiii–xxiv, xxvi, 24–25, 55, 423, 440, 468, 582 61n, 62, 62n, 79–84, 83n, 93, 121, 130n, Shipwreck 63n, 94–96, 98–104, 106–114, 134–135, 178, 222–223, 237, 276, 278–286, 116–117, 121, 214–217, 220, 471, 487, 497, 279n, 298, 304n, 334n, 379, 385, 400, 505, 539, 573–574, 583 480, 490, 497, 515, 544n, 551, 582 Something to Declare 329n Squaring the Circle 33, 100n, 324n, 346, 384, On ‘Dover Beach’ xxv–xxvi, 267n, 475–477, 423, 434 578, 582–583 On the Razzle xxiii, xxvii, 55, 268, 421–424, Tango 63n, 103n, 271n, 301, 447n, 435, 449, 472, 511–512, 531, 559, 583 479n, 497n Teeth xxv, 452, 519 Parade’s End 44, 269, 432n, 549n The Boundary xxxi, 13–14, 442, 461n, 491n, Pirandello’s Henry iv 262, 268–272, 321n 553n ‘Playing With Science’ 125n, 339n The Cherry Orchard xxiv, 105, 317n, 407, ‘Playwrights and Professors’ xi–xii, 130n, 424, 472, 539, 544–546, 553 429n, 555n, 586n The Coast of Utopia xii, xiv, xxi, xxiii, ‘Pragmatic Theater’ 130n, 535n, 582n xxv–xxvi, xxxi 23, 28–36, 55, 56, 60, 62, Professional Foul xxv–xxvi, xxvii, 23–24, 93–117, 125, 130–131, 136, 183, 212–222, 44n, 55, 117–118, 123, 136, 185–189, 234, 237, 253, 256, 262, 272–277, 288, 293, 235, 237, 251–253, 276, 278, 298–305, 305, 320–323, 330–331, 333, 407, 411–412, 340, 345, 363, 385, 441, 447, 459, 487, 582 457, 471, 507, 508n, 544, 546, 559–560, ‘Pursuit of Happiness’ 135 568, 572, 579, 582–583, 608–610 <UN><UN>.
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