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A Finding Aid to the Samuel J. Wagstaff Papers, Circa 1932-1985, in the Archives of American Art
A Finding Aid to the Samuel J. Wagstaff Papers, circa 1932-1985, in the Archives of American Art Catherine S. Gaines Funding for the digitization of this collection was provided by the Terra Foundation for American Art December 13, 2006 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical Note............................................................................................................. 2 Scope and Content Note................................................................................................. 2 Arrangement..................................................................................................................... 3 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 5 Series 1: Correspondence, 1932-1986.................................................................... 5 Series 2: Writings, 1961-1983................................................................................ 25 Series 3: Miscellaneous Papers and Artifacts, -
Donor-Advised Fund
WELCOME. The New York Community Trust brings together individuals, families, foundations, and businesses to support nonprofits that make a difference. Whether we’re celebrating our commitment to LGBTQ New Yorkers—as this cover does—or working to find promising solutions to complex problems, we are a critical part of our community’s philanthropic response. 2018 ANNUAL REPORT 1 A WORD FROM OUR DONORS Why The Trust? In 2018, we asked our donors, why us? Here’s what they said. SIMPLICITY & FAMILY, FRIENDS FLEXIBILITY & COMMUNITY ______________________ ______________________ I value my ability to I chose The Trust use appreciated equities because I wanted to ‘to‘ fund gifts to many ‘support‘ my community— different charities.” New York City. My ______________________ parents set an example of supporting charity My accountant and teaching me to save, suggested The Trust which led me to having ‘because‘ of its excellent appreciated stock, which tools for administering I used to start my donor- donations. Although advised fund.” my interest was ______________________ driven by practical considerations, The need to fulfill the I eventually realized what charitable goals of a dear an important role it plays ‘friend‘ at the end of his life in the City.” sent me to The Trust. It was a great decision.” ______________________ ______________________ The Trust simplified our charitable giving.” Philanthropy is a ‘‘ family tradition and ______________________ ‘priority.‘ My parents communicated to us the A donor-advised fund imperative, reward, and at The Trust was the pleasure in it.” ‘ideal‘ solution for me and my family.” ______________________ I wanted to give back, so I opened a ‘fund‘ in memory of my grandmother and great-grandmother.” 2 NYCOMMUNITYTRUST. -
Sunday Morning Grid 10/19/14 Latimes.Com/Tv Times
SUNDAY MORNING GRID 10/19/14 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) The NFL Today (N) Å Paid Program Bull Riding 4 NBC News (N) Å Meet the Press (N) Å News (N) Meet LazyTown Poppy Cat Noodle Action Sports From Brooklyn, N.Y. (N) 5 CW News (N) Å In Touch Paid Program 7 ABC News (N) Å This Week News (N) News (N) News Å Vista L.A. ABC7 Presents 9 KCAL News (N) Joel Osteen Mike Webb Paid Woodlands Paid Program 11 FOX Winning Joel Osteen Fox News Sunday FOX NFL Sunday (N) Football Carolina Panthers at Green Bay Packers. (N) Å 13 MyNet Paid Program I.Q. ››› (1994) (PG) 18 KSCI Paid Program Church Faith Paid Program 22 KWHY Como Local Jesucristo Local Local Gebel Local Local Local Local Transfor. Transfor. 24 KVCR Painting Dewberry Joy of Paint Wyland’s Paint This Painting Cook Mexico Cooking Cook Kitchen Ciao Italia 28 KCET Raggs Cold. Space Travel-Kids Biz Kid$ News Asia Biz Special (TVG) 30 ION Jeremiah Youssef In Touch Hour Of Power Paid Program Criminal Minds (TV14) Criminal Minds (TV14) 34 KMEX Paid Program República Deportiva (TVG) Fútbol Fútbol Mexicano Primera División Al Punto (N) 40 KTBN Walk in the Win Walk Prince Redemption Liberate In Touch PowerPoint It Is Written B. Conley Super Christ Jesse 46 KFTR Tu Dia Tu Dia Home Alone 4 ›› (2002, Comedia) French Stewart. -
Songs of the Outlands; Ballads of the Hoboes and Other Verse
UC-NRLF 4 33? |>. J>. SONGS OF THE OUTLANDS. Talesofthe Hoboes and Other Verse. OVER LAND RED. A Tale of the Moonstone Canon Trail. Illustrated in Color. STEPHEN MARCH S WAY. Illustrated. LOST FARM CAMP. Illustrated. HOUGHTON MIFFLIN COMPANY BOSTON AND NEW YORK Songs of the Outlands Songs of the Outlands BALLADS OF THE HOBOES AND OTHER VERSE BY Henry Herbert Knibbs BOSTON AND NEW YORK HOUGHTON MIFFLIN COMPANY uj$ Cambridge 1914 COPYRIGHT, 1914, BY HENRY HERBERT KNIBBS ALL RIGHTS RESERVED Published November II Contents THE WALKING MAN 3 IT WAS OVERLAND THE RED ? THE OUTLAND TRAILS 9 SUNSHINE OVER YUMA 12 THE MULE-SKINNER * 5 OUT THERE SOMEWHERE i8 OLIVER WEST 23 THE HILLS 25 \ 26 OVERLAND S DELIGHT . THE PROSPECTOR 31 LADY-BIRD 34 HASH 36 GENTRYTOWN 39 ALONG THE SHORE 41 THE SHEEP AND THE GOATS 44 BALLADE OF THE BOES 47 THE GRAND OLD PRIVILEGE 49 NOTHING TO DO BUT GO 50 v 34355.1 Contents BREAD 52 ON THE RANGE 53 THE PATRIOT ..." 56 MY HEART S DESIRE 59 WOODLAND BIRD 61 NANNETTE 63 CARCASSONNE (from the French) 65 ROMANY MAID 68 VOYAGEURS 69 FOR THE WIND is NEVER HUSHING 71 WHERE THE PONIES COME TO DRINK . 72 For permission to reprint certain of these poems the author s thanks are due to the American, the Smart Set, and the Los Angeles Graphic. <L Songs of the Outlands j \ THE WALKING MAN SUNNY summer day it was when loping in to Laramie, I overtook the Walking Man, reined up and nodded "How!" He d been a rider once, I knew. -
Annual Report 2013-2014
The Museum of Fine Arts, Houston Arts, Fine of Museum The μ˙ μ˙ μ˙ The Museum of Fine Arts, Houston annual report 2013–2014 THE MUSEUM OF FINE ARTS, HOUSTON, WARMLY THANKS THE 1,183 DOCENTS, VOLUNTEERS, AND MEMBERS OF THE MUSEUM’S GUILD FOR THEIR EXTRAORDINARY DEDICATION AND COMMITMENT. ANNUAL REPORT ANNUAL 2013–2014 Cover: GIUSEPPE PENONE Italian, born 1947 Albero folgorato (Thunderstuck Tree), 2012 Bronze with gold leaf 433 1/16 x 96 3/4 x 79 in. (1100 x 245.7 x 200.7 cm) Museum purchase funded by the Caroline Wiess Law Accessions Endowment Fund 2014.728 While arboreal imagery has dominated Giuseppe Penone’s sculptures across his career, monumental bronzes of storm- blasted trees have only recently appeared as major themes in his work. Albero folgorato (Thunderstuck Tree), 2012, is the culmination of this series. Cast in bronze from a willow that had been struck by lightning, it both captures a moment in time and stands fixed as a profoundly evocative and timeless monument. ALG Opposite: LYONEL FEININGER American, 1871–1956 Self-Portrait, 1915 Oil on canvas 39 1/2 x 31 1/2 in. (100.3 x 80 cm) Museum purchase funded by the Caroline Wiess Law Accessions Endowment Fund 2014.756 Lyonel Feininger’s 1915 self-portrait unites the psychological urgency of German Expressionism with the formal structures of Cubism to reveal the artist’s profound isolation as a man in self-imposed exile, an American of German descent, who found himself an alien enemy living in Germany at the outbreak of World War I. -
2014-2015 Impact Report
IMPACT REPORT 2014-2015 INTERNATIONAL WOMEN’S MEDIA FOUNDATION ABOUT THE IWMF Our mission is to unleash the potential of women journalists as champions of press freedom to transform the global news media. Our vision is for women journalists worldwide to be fully supported, protected, recognized and rewarded for their vital contributions at all levels of the news media. As a result, consumers will increase their demand for news with a diversity of voices, stories and perspectives as a cornerstone of democracy and free expression. Photo: IWMF Fellow Sonia Paul Reporting in Uganda 2 IWMF IMPACT REPORT 2014/2015 INTERNATIONAL WOMEN’S MEDIA FOUNDATION IWMF BOARD OF DIRECTORS Linda Mason, Co-Chair CBS News (retired) Dear Friends, Alexandra Trower, Co-Chair We are honored to lead the IWMF Board of Directors during this amazing period of growth and renewal for our The Estée Lauder Companies, Inc. Cindi Leive, Co-Vice Chair organization. This expansion is occurring at a time when journalists, under fire and threats in many parts of the Glamour world, need us most. We’re helping in myriad ways, including providing security training for reporting in conflict Bryan Monroe, Co-Vice Chair zones, conducting multifaceted initiatives in Africa and Latin America, and funding individual reporting projects Temple University that are being communicated through the full spectrum of media. Eric Harris, Treasurer Cheddar We couldn’t be more proud of how the IWMF has prioritized smart and strategic growth to maximize our award George A. Lehner, Legal Counsel and fellowship opportunities for women journalists. Through training, support, and opportunities like the Courage Pepper Hamilton LLP in Journalism Awards, the IWMF celebrates the perseverance and commitment of female journalists worldwide. -
ELCOCK-DISSERTATION.Pdf
HIGH NEW YORK THE BIRTH OF A PSYCHEDELIC SUBCULTURE IN THE AMERICAN CITY A Thesis Submitted to the College of Graduate Studies and Research in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of History University of Saskatchewan Saskatoon By CHRIS ELCOCK Copyright Chris Elcock, October, 2015. All rights reserved Permission to Use In presenting this thesis in partial fulfilment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Head of the Department or the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis. Requests for permission to copy or to make other use of material in this thesis in whole or part should be addressed to: Head of the Department of History Room 522, Arts Building 9 Campus Drive University of Saskatchewan Saskatoon, Saskatchewan S7N 5A5 Canada i ABSTRACT The consumption of LSD and similar psychedelic drugs in New York City led to a great deal of cultural innovations that formed a unique psychedelic subculture from the early 1960s onwards. -
Arlene Gottfried L’Insouciance D’Une Époque
DOSSIER DE PRESSE ARLENE GOTTFRIED L’INSOUCIANCE D’UNE ÉPOQUE 9 JANVIER – 5 MARS 2016 Du mercredi au samedi de 14h à 19h et sur rendez-vous Vernissage le 9 janvier de 14h à 19h ©Arlene Gottfried / Courtesy Les Douches la Galerie Décalé, tendre, libre, intime, joyeux, les qualificatifs ne manquent pas pour résumer ce portrait du New York des années 70-80. Une vie sans contrainte qui nous apparaît à des années lumière de notre quotidien. Ce vent de liberté d’expression avant l’épidémie du sida transparaît dans cette fresque noir et blanc. Nous sommes très heureux d’exposer pour la première fois en France ce travail d’Arlene Gottfried à la galerie. Une grande dame de la photographie qui mérite d’être mieux connue. Commissaires d’exposition : Laurence Cornet et Françoise Morin Contact : Françoise Morin 01 78 94 03 00 - [email protected] ARLENE GOTTFRIED Arlene Gottfried, dont le travail est encore mal connu en France, est avant tout new-yorkaise. Toute son œuvre s’inscrit dans ce monde urbain très spécifique, qui a constamment nourri sa soif d’observation depuis l’enfance. L’exposition organisée aux Douches présente - pour la première fois à Paris – une sélection de photographies de jeunesse, prises dans les années 70 et 80, lorsqu’elle sillonnait sans cesse Brooklyn à la recherche de lieux vivants, de tronches étonnantes, de scènes de rue insolites. C’est une spontanéité détachée d’ambition qui dessine son parcours. Refusant de faire des études, elle a préféré prendre un emploi de bureau pendant la journée et apprendre la photographie en cours du soir. -
EXTENSIONS of REMARKS 13477 EXTENSIONS of REMARKS SENIOR EXECUTIVE SERVICE in Addition, Mr
June 23, 1981 EXTENSIONS OF REMARKS 13477 EXTENSIONS OF REMARKS SENIOR EXECUTIVE SERVICE In addition, Mr. Speaker, I ask unan Alumni Association. "It's a matter of getting imous consent to have printed at this talented people to run the Federal govern point in the RECORD a very timely arti ment at the highest levels." HON. FRANK R. WOLF cle which appeared in the June 18, The private sector is reaping the benefits of the government brain drain. Now that OF VIRGINIA ·1981, edition of the Wall Street Jour the first space shuttle has been successfully IN THE HOUSE OF REPRESENTATIVES nal entitled "Uncle Sam's Hemorrhage completed, for instance, NASA expects to of Senior Managers." Tuesday, June 23, 1981 lose much of its team to private industry CFrom Newsweek, June 1, 19811 where salaries are sometimes triple what • Mr. WOLF. Mr. Speaker, I again THE FEDERAL BRAIN DRAIN NASA pays. "We're losing the best people rise to express my concern about the Roy McKinnon liked his job. In over 26 because there are jobs in industry for those adverse effects of the executive pay years as an FBI official, he headed the in people," says Dr. Robert Wiseman, who ceiling on the quality of our Senior vestigation into the 1969 murders of United hires scientists and engineers for the De Executive Service. As many are aware,· Mine Workers leader Joseph Yablonski and partment of the Army. The National Insti we are in the midst of a major exodus his family. helped negotiate an end to the tutes of Health has been rebuffed by five Indian uprising at Wounded Knee and last outside candidates for the top job in the of top managerial and technical talent Cancer Cause and Prevention Division be from our senior ranks. -
Nyc the Tribeca Show Organized by Carl Glassman and April Koral
Press Release apexart - nyc The Tribeca Show Organized by Carl Glassman and April Koral December 5 - December 21, 2019 291 Church Street, NYC Opening reception: Wednesday, December 4, 6-8pm Featuring work by: Carl Glassman, Staple Street, 1994 Max Blagg Donna Ferrato Carl Glassman Marc Kaczmarek Susan Rosenberg Jones Allan Tannenbaum More than two decades ago Tribeca-the-neighborhood became Tribeca-the-global-brand. Everything from racehorses to rap artists to bars, bracelets, and yachts have taken the name. “It has an ultra-cool, hip and happening feel to it,” said a Los Angeles designer about his new necklace, the Tribeca. Actually, no it doesn’t. Not to those who know the neighborhood. The Tribeca Show undertakes a de-branding of Tribeca through the perspectives of five Tribeca-based photographers and one local poet. Their work, each in a different way, counters the area’s over-hyped reputation for trendiness and glamour. The show is curated by April Koral and Carl Glassman, whose publication, The Tribeca Trib, has been chronicling Tribeca in news, features, and photography for 25 years. Photos by Glassman, a photojournalist and documentary photographer, along with images by photographers Donna Ferrato, Marc Kaczmarek, Susan Rosenberg Jones, and Allan Tannenbaum, along with a new poetry installation by Max Blagg, present a nuanced portrait of the neighborhood across decades that defies the media’s insistent focus on celebrity and wealth. Far more than its famous-but-rarely-seen residents such as Taylor Swift, Beyoncé and Justin Timberlake, or its annual film festival, the neighborhood—one of the city’s oldest—prizes its rich history and preserved 19th-century streetscape. -
Signature Events
SIGNATURE EVENTS FILM FLORIDA LEGENDS From the earliest days of Filmmaking, Florida has played a significant role in the entertainment industry. Jacksonville hosted the Keystone Cops and Laurel and Hardy in the early 1900’s, D.W. Griffiths filmed in Ft. Lauderdale, Buster Keaton in St. Petersburg, and Miami’s Fleischer Studios turned Popeye and Betty Boop cartoons into Saturday matinee staples. Our State’s tropical locations have long been the backdrop for such notable flicks as the Tarzan series, Creature From the Black Lagoon, Twelve O’Clock High and 30 Seconds Over Tokyo, The Yearling, the James Bond classic Goldfinger, Frank Sinatra’s Tony Rome, Elvis’ Clambake, and Jerry Lewis’ The Bellboy. When television was coming of age, Jackie Gleason and Flipper represented Florida’s contribution to the medium, and a few decades later Miami Vice continued the tradition of legendary Florida productions. With so much history and so many stories to tell about Florida’s entertainment legacy, Film Florida created the LEGENDS AWARDS, to honor the men and women who played such a big part in establishing our State as an entertainment powerhouse. Since its inception in 2006, FLORIDA LEGENDS honorees have included Ricou Browning Sr., Jordan Klein Sr., Mike and Brad Fuller, Ralph Clemente, Danny and Eddie Harvey and Digger Wilson, Errol Falcon, Michelle Marx, Belton Clark, Jerry Smith, Ray Fielding, Bill Grefe, Luke Halpin, Victor Milt, Dee Miller, John Patterson, Burt Reynolds, and posthumously Wes Skiles, Billy Mays, Egon Stephan Sr., Mike McGowan Sr., and Richard Norman Sr. Recent recipients include Sharon Gless, Emilio and Gloria Estefan, and Vanilla Ice. -
Shirley Chisholm Biography Pdf
Shirley chisholm biography pdf Continue The first African-American woman elected to Congress was CBC woman Shirley A. Chisholm Biography of Congresswoman Shirley Anita St. Hill Chisholm. Chisholm was one of the founders of the Black Congress and the first African-American to make a serious bid for president of the United States of America. Congresswoman Chisholm was known for her advocacy on behalf of women and underserved minorities. She was also noted for her opposition to U.S. involvement in the Vietnam War, her support for full-time programs, and her efforts on behalf of black colleges, compulsory education, and the minimum wage. Shirley Chisholm was born on November 30, 1924. She grew up in Barbados and Brooklyn, New York. She graduated from Brooklyn College with a bachelor's degree in 1946. While working as a teacher, Chisholm received a master's degree in primary education from Columbia University's College of Education. Until 1964, she worked as director of a childcare centre and as an education consultant. In 1964, Chisholm ran for election to the New York State Legislature, where she served for four years. Then, in 1968, Chisholm became the first African-American woman elected to Congress, representing the 12th District of New York. Chisholm served in the United States House of Representatives for seven terms, from 1968-1983 (91st-97th Congress). She was the first African-American woman elected to the U.S. Congress and was an effective advocate for the needs of minorities, women and children. Chisholm served on the Education and Labor, Rules and Veterans Affairs committees.