Signature Events

Total Page:16

File Type:pdf, Size:1020Kb

Signature Events SIGNATURE EVENTS FILM FLORIDA LEGENDS From the earliest days of Filmmaking, Florida has played a significant role in the entertainment industry. Jacksonville hosted the Keystone Cops and Laurel and Hardy in the early 1900’s, D.W. Griffiths filmed in Ft. Lauderdale, Buster Keaton in St. Petersburg, and Miami’s Fleischer Studios turned Popeye and Betty Boop cartoons into Saturday matinee staples. Our State’s tropical locations have long been the backdrop for such notable flicks as the Tarzan series, Creature From the Black Lagoon, Twelve O’Clock High and 30 Seconds Over Tokyo, The Yearling, the James Bond classic Goldfinger, Frank Sinatra’s Tony Rome, Elvis’ Clambake, and Jerry Lewis’ The Bellboy. When television was coming of age, Jackie Gleason and Flipper represented Florida’s contribution to the medium, and a few decades later Miami Vice continued the tradition of legendary Florida productions. With so much history and so many stories to tell about Florida’s entertainment legacy, Film Florida created the LEGENDS AWARDS, to honor the men and women who played such a big part in establishing our State as an entertainment powerhouse. Since its inception in 2006, FLORIDA LEGENDS honorees have included Ricou Browning Sr., Jordan Klein Sr., Mike and Brad Fuller, Ralph Clemente, Danny and Eddie Harvey and Digger Wilson, Errol Falcon, Michelle Marx, Belton Clark, Jerry Smith, Ray Fielding, Bill Grefe, Luke Halpin, Victor Milt, Dee Miller, John Patterson, Burt Reynolds, and posthumously Wes Skiles, Billy Mays, Egon Stephan Sr., Mike McGowan Sr., and Richard Norman Sr. Recent recipients include Sharon Gless, Emilio and Gloria Estefan, and Vanilla Ice. These Legends remind us all of the dedication and hard work that these individuals, and many others yet to be recognized, contributed to Florida’s position in the entertainment production industry. Film Florida is proud to recognize their legendary efforts. Film Florida’s members nominate additional names for consideration to become Legends. A Legends Committee, made up of a cross section of Film Florida’s Councils, Executive Board and previous Legend honorees administers the nominations process and finally recommends new Legend Award recipients. For more information regarding Legends and our nomination process please contact the Legends Chair: [email protected] DON DAVIS FINISHING FUND The Don Davis Film Finishing Fund annually provides cash and in-kind production services to deserving filmmakers needing help to complete their film projects. The projects submitted have a broad range of subject matter and are judged by a committee of top industry professionals. As its name implies, the goal of the fund is to provide financial and/or in-kind support to filmmakers in order to finish their films. This is done through an annual judging processing. “The funds namesake, Don Davis, was instrumental in passing legislation that has resulted in jobs and growth for Florida’s film industry,” said Graham Winick, Past President of Film Florida. “Representative Don Davis revived our industry by spearheading legislation that truly took our state to a more level playing field with other states also competing to bring in production business.” Then-Florida Lt. Governor Jeff Kottkamp agreed, “This is a fitting memorial to Representative Don Davis whose hard work has helped grow Florida’s film, television and digital media industry incentive program.” In its first year of inception, the Fund was awarded a cash donation of $10,000 from Universal Studios Florida Production Group (USFPG) and its parent company NBC Universal. At stated by Pamela Tuscany-Warren, Vice President of USFPG, “We are saddened that our industry has lost a trailblazer, and want to continue his legacy with the Don Davis Film Finishing Fund that will assist filmmakers for generations to come. We think the creation of this fund will serve as a tribute to him, and that’s why we didn’t hesitate to contribute.” Currently, the sponsors of in-kind grants are continuing to develop and grow. The program funds filmmakers working in both short and long formats in all genres- documentary, dramatic, educational, narrative, animated and experimental- whose films demonstrate advanced and innovative skills and whose works relates to the goals of Film Florida. These goals are: • Promote the creation of jobs in the film & entertainment production industries • Promote economic development and tourism for the State of Florida Grants Available • Cash Awards: Cash awards range from $500 to $1,500, with the number of grants varying from year to year. • In-Kind Awards: Currently being established and will include post-production services. Special Requirements In order to apply for a Finishing Fund grant: • All projects must be shot entirely on location in Florida. • All major post production must be done in Florida. • Majority of crew hired must be “Florida Workers” defined as a person who has been a resident of Florida for at least one year at some time; or a person who graduated from a film school, college, university or community college in Florida in the past five years; or a person enrolled full-time in such a school, college or university. • Filmmaker must have completed principal photography and be well into post production at the time of application. • Projects in development, pre-production, production or the early stages of post production will not be considered. • No student projects, graduate or undergraduate, will be considered. You do not have to be a member of Film Florida to apply. In order to apply, you need to submit a proposal packet which includes these primary elements: • A completed project summary cover page which should include budget and distribution summaries • A DVD screener copy or file of your working rough-cut. • Application fee of $35.00. Please make check payable to Film Florida and send completed packet to: Film Florida Attn: Don Davis Film Finishing Fund 2516 Quail Park Terrace Kissimmee, FL 34743 [email protected] Disclaimer(s): Recipients of the Don Davis Finishing Fund will be obligated to have finished film carry Film Florida logo in end credits, and filmmaker will have to be available for press opportunities. Film Florida is legally responsible to the grantor(s) and must ensure that all funds are being used in accordance with your project proposal and budget. Film Florida must also guarantee that all activities are conducted according to IRS regulations and to that end, we will monitor all contributions received and expenditures of the funds. THE SARA FULLER SCHOLARSHIP The Sara Fuller Student Scholarship was created in recognition of organizations that support Film Education. The program’s namesake, Sara Fuller, was a true pioneer in Florida’s Production Industry, and this scholarship honors her memory by supporting future filmmakers and encouraging excellence in the field of motion picture education. Film Florida awards scholarships in the amount of $500.00 to organizations which can then award the scholarship to a student of their choice. To qualify, each organization must: • Provide a brief background / overview of their organization • Demonstrate how they support Film Education through their current programs, festivals, events, etc. • Demonstrate how they intend to promote Film Florida within their organization • Offer one invitation to a Film Florida representative to be present when the Sara Fuller Student Scholarship is awarded • Provide a short bio of the recipient and copies of marketing materials that illustrate the promotion of Film Florida at the completion of the program, festival, event, etc. Applications for the Sara Fuller Scholarship are available on the Film Florida website at http://filmflorida.org/the-sara-fuller-scholarship. CALENDARS QUARTERLY MEETINGS 2020 – 2021 2nd Quarterly Meeting Virtual September 9-10, 2020 3RD Quarterly Meeting Orlando December 2-4, 2020 4TH Quarterly Meeting Tallahassee February 2021 1ST Quarterly Meeting (ANNUAL) Florida Keys May/June 2021 2ND Quarterly Meeting Hollywood September 2021 SALES MISSIONS 2020 – 2021 .
Recommended publications
  • Elvis GI Blues Mp3, Flac
    Elvis G.I. Blues mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop / Stage & Screen Album: G.I. Blues Country: UK Released: 2001 Style: Soundtrack MP3 version RAR size: 1358 mb FLAC version RAR size: 1692 mb WMA version RAR size: 1753 mb Rating: 4.8 Votes: 402 Other Formats: APE MP2 MMF XM MP3 WAV MP4 Tracklist A1 Tonight Is So Right For Love A2 What's She Really Like A3 Frankfort Special A4 Wooden Heart A5 G.I. Blues A6 Pocketful Of Rainbows A7 Shoppin' Around A8 Big Boots A9 Didja' Ever A10 Blue Suede Shoes B1 Doin' The Best I Can B2 Tonight's All Right For Love B3 Big Boots (Fast Version) B4 Shoppin' Around (Alternate Take 11) B5 Frankfort Special (Fast Version - Take 2) B6 Pocketful Of Rainbows (Alternate Take 2) B7 Didja' Ever (Alternate Take 7) B8 Big Boots (Acoustic Version) B9 What's She Really Like (Alternate Take 7) B10 Doin' The Best I Can (Alternate Take 9) C1 Almost In Love C2 A Little Less Conversation D1 Wonderful World D2 Edge Of Reality Notes Soundtrack album with outtakes and bonus EP. Includes 6 page booklet. Barcode and Other Identifiers Barcode: 5038456410611 Other versions Category Artist Title (Format) Label Category Country Year G. I. Blues (LP, RCA LPM-2256 Elvis* LPM-2256 US 1960 Album, Mono) Victor G. I. Blues (LP, RCA LPM-2256 Elvis* LPM-2256 US 1960 Album, TP) Victor Elvis G.I. Blues (LP, SF 5078 RCA SF 5078 UK Unknown Presley Album, RE) RD-27192, Elvis G.I. Blues (LP, RCA, RD-27192, UK 1961 RD.27192 Presley Album, Mono) RCA RD.27192 Elvis G.I.Blues (CD, Album, BVCP-2026 RCA BVCP-2026 Japan 1991 Presley RE, RM) Related Music albums to G.I.
    [Show full text]
  • Donor-Advised Fund
    WELCOME. The New York Community Trust brings together individuals, families, foundations, and businesses to support nonprofits that make a difference. Whether we’re celebrating our commitment to LGBTQ New Yorkers—as this cover does—or working to find promising solutions to complex problems, we are a critical part of our community’s philanthropic response. 2018 ANNUAL REPORT 1 A WORD FROM OUR DONORS Why The Trust? In 2018, we asked our donors, why us? Here’s what they said. SIMPLICITY & FAMILY, FRIENDS FLEXIBILITY & COMMUNITY ______________________ ______________________ I value my ability to I chose The Trust use appreciated equities because I wanted to ‘to‘ fund gifts to many ‘support‘ my community— different charities.” New York City. My ______________________ parents set an example of supporting charity My accountant and teaching me to save, suggested The Trust which led me to having ‘because‘ of its excellent appreciated stock, which tools for administering I used to start my donor- donations. Although advised fund.” my interest was ______________________ driven by practical considerations, The need to fulfill the I eventually realized what charitable goals of a dear an important role it plays ‘friend‘ at the end of his life in the City.” sent me to The Trust. It was a great decision.” ______________________ ______________________ The Trust simplified our charitable giving.” Philanthropy is a ‘‘ family tradition and ______________________ ‘priority.‘ My parents communicated to us the A donor-advised fund imperative, reward, and at The Trust was the pleasure in it.” ‘ideal‘ solution for me and my family.” ______________________ I wanted to give back, so I opened a ‘fund‘ in memory of my grandmother and great-grandmother.” 2 NYCOMMUNITYTRUST.
    [Show full text]
  • Elvis Presley's Original 12-Pound 'Aloha from Hawaii' Cape Has a New Home!
    Elvis Presley's Original 12-Pound 'Aloha From Hawaii' Cape Has a New Home! Summer, 2015 Elvis' original 12-Pound 'Aloha From Hawaii' Cape to The King's Ransom Museum: Elvis Presley's original 12-Pound 'Aloha From Hawaii' Cape has a new home! The 12-pound cape custom-made for Elvis Presley for the singer's famed 1973 performance Aloha from Hawaii Via Satellite is now owned by The King's Ransom Museum and is one of the 'Personal Treasures of Elvis Presley' soon to be displayed for Elvis fans around the world to enjoy. The full-length cape, adorned with an American eagle and stars and inlaid with semi-precious stones, measured nearly five feet in length, but when Presley tried it on in rehearsals, he found it too heavy to be worn onstage for the show. Designer Bill Belew was forced to create a lighter replacement for Presley, with the original sent back to Graceland. "Presley had the cape made to hide behind at the opening of the Hawaii show. His intention was to 'emerge' from behind the cape during the 2001 opening segment. The show was heavily choreographed - he intended to drop the cape and reveal himself to the anxiously awaiting crowd. However, when Presley tried on the cape during rehearsals, the weight almost pulled him over backwards, and it was decided that a smaller version was needed." "Three small hooks and Velcro are sewn into the collar to connect the cape to Presley’s jumpsuit, and two small straps are sewn into the corners to enable Elvis to stretch out the cape while wearing it." Belew, who died in 2008, gained fame for designing many of Presley's outfits from 1968 to 1977, including the velveteen ensemble the singer wore for his infamous "Elvis meets Nixon" photo.
    [Show full text]
  • Sunday Morning Grid 10/19/14 Latimes.Com/Tv Times
    SUNDAY MORNING GRID 10/19/14 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) The NFL Today (N) Å Paid Program Bull Riding 4 NBC News (N) Å Meet the Press (N) Å News (N) Meet LazyTown Poppy Cat Noodle Action Sports From Brooklyn, N.Y. (N) 5 CW News (N) Å In Touch Paid Program 7 ABC News (N) Å This Week News (N) News (N) News Å Vista L.A. ABC7 Presents 9 KCAL News (N) Joel Osteen Mike Webb Paid Woodlands Paid Program 11 FOX Winning Joel Osteen Fox News Sunday FOX NFL Sunday (N) Football Carolina Panthers at Green Bay Packers. (N) Å 13 MyNet Paid Program I.Q. ››› (1994) (PG) 18 KSCI Paid Program Church Faith Paid Program 22 KWHY Como Local Jesucristo Local Local Gebel Local Local Local Local Transfor. Transfor. 24 KVCR Painting Dewberry Joy of Paint Wyland’s Paint This Painting Cook Mexico Cooking Cook Kitchen Ciao Italia 28 KCET Raggs Cold. Space Travel-Kids Biz Kid$ News Asia Biz Special (TVG) 30 ION Jeremiah Youssef In Touch Hour Of Power Paid Program Criminal Minds (TV14) Criminal Minds (TV14) 34 KMEX Paid Program República Deportiva (TVG) Fútbol Fútbol Mexicano Primera División Al Punto (N) 40 KTBN Walk in the Win Walk Prince Redemption Liberate In Touch PowerPoint It Is Written B. Conley Super Christ Jesse 46 KFTR Tu Dia Tu Dia Home Alone 4 ›› (2002, Comedia) French Stewart.
    [Show full text]
  • Ebook Download Elvis Presley: a Life in Pictures
    ELVIS PRESLEY: A LIFE IN PICTURES PDF, EPUB, EBOOK none | 48 pages | 01 Jul 2012 | Atlantic Publishing,Croxley Green | 9781908533975 | English | Croxley Green, United Kingdom Elvis Presley: A Life in Pictures PDF Book Sunset Boulevard Getty Images. TIME Apps. He was stationed in Germany for two years. Today's Top Stories. Office of Presidential Libraries. Space He received deferment so that he could complete production on King Creole and entered the army as a private in A young Elvis, age 10, is pictured with his parents outside his family home in Tupelo, Mississippi in While living on the German army base, Presley met year-old Priscilla Beaulieu , who was living there with her parents. Your email address will not be published. Presley brought his iconic gold Cadillac on tour with him to promote his film Tickle Me. TIME Shop. Published in the Memphis Commercial Appeal. He released his first two albums and a string of singles including the US number one, Heartbreak Hotel. Sign In. After his film success started to decline and it became clear Presley was losing some of his box office charm, he returned to TV with a special in Available via Getty. Or subscribe to articles in the subject area by email or RSS. Originally published in the Memphis Press-Scimitar. His new single "Heartbreak Hotel" climbed the charts and quickly took over the top spot. A year later, Elvis would be given his first guitar. Paramount Pictures Getty Images. The Comeback Special, which saw the King in raucous form, was a massive success. TIME Magazine's first-ever consideration of Elvis Presley, a snippet review of the single Heartbreak Hotel in , did not contain many clues about what was to come.
    [Show full text]
  • Showcase Booklet [PDF]
    Showcases 2019 Arts Midwest Conference EXHIBIT 321/323B 1 Arts Midwest Conference September 4-7, 2019 Minneapolis, MN artsmidwest.org #ArtsMidwest Contents Spotlight Showcases Thursday 2 Friday 4 Independent Showcasing Wednesday 7 Thursday 10 Friday 13 Descriptions 17 Showcase Staff Matthew Keefe, Spotlight Showcase Producer Philip O’Toole, Spotlight Showcase Assistant Stage Manager Shon Parker, Independent Showcase Liaison Maria Vitelli, Spotlight Showcase Production Assistant 2 Spotlight Showcases Spotlight Showcases provide artists and ensembles with a forum for presenting work to a large, diverse audience in a professional setting, and offer attendees the opportunity to experience a wide range of performances. Arts Midwest strives to present high-quality artists selected from a pool of national and international applicants representing dance, music, theater, variety, and family programming, ranging from large ensembles to solo artists. An integral part of the Conference, the panel-selected artists/ensembles each present a 15-minute performance and gain main stage exposure to potential presenters and audiences. Pantages Theatre, 710 Hennepin Ave S Travel advisory: Plan extra time getting to the theater due to construction on Hennepin Ave between 6th and 12th Streets. From 6:00–9:45 p.m., shuttle buses will run approximately every 15 minutes on a loop between the Hilton Minneapolis and the Pantages. Access the shuttle from the 11th Street entrance to the hotel, directly under the skyway. The Pantages is five blocks from the Hilton Minneapolis, about a 10 minute walk. Thursday, September 5, 2019 TIME ARTIST/ENSEMBLE REPRESENTATION | EXHIBIT 6:40 p.m. Ananya Dance Theatre Exhibit 309 Sponsored showcase 7:00 p.m.
    [Show full text]
  • Elvisbrucefeaturefromstonepo
    How an encounter that never happened might have helped to change history if it had By Shawn Poole Ever since he was a child, Bruce Springsteen has been strongly influenced by the artistry of Elvis Presley. Over the years, the “E Street”/”Elvis” connection has remained strong. Most recently, Springsteen participated along with E Street Band members Nils Lofgren and Patti Scialfa in the Elvis: Viva Las Vegas television special (now on DVD in the U.S., where it hit #1 on the Billboard DVD sales chart), and its accompanying soundtrack album. E Streeters Garry Tallent and Max Weinberg also were on hand at this year’s Rock and Roll Hall of Fame Induction Ceremony to induct Elvis’ original drummer and bassist, D.J. Fontana and the late Bill Black. Presley was only forty-two years old when his life tragically ended. “They found him slumped up against the drain,” Bruce Springsteen would later sing of his fallen idol, “with a whole lot of trouble running through his veins; Bye-bye, Johnny; Johnny, bye-bye; You didn’t have to die; you didn’t have to die.” While Elvis’ premature decline and death did absolutely nothing to stop his immense cultural influence, it did rob the world of many more years of music from this great artist. It also ensured that Bruce Springsteen would never get another chance to meet the man who initially inspired his own musical career. (He had two chances: one famous unofficial chance when he jumped the wall at Graceland in 1976 and one not-as-famous in 1977 when local concert promoters offered Springsteen an official chance to meet Elvis backstage before his final Philadelphia concert.) But what if Bruce had gotten to meet Elvis before August 16, 1977? Might things have turned out any differently for either or both of them, as well as the many other lives they affected? In this work of speculative fiction, Shawn Poole ponders the possibilities, poignantly reminding us of the promise and potential that tragically disappeared in that long ago summer.
    [Show full text]
  • Elvis for Dummies‰
    spine=.76” Music ™ The ultimate introduction to the Making Everything Easier! life and works of the King Want to understand Elvis Presley? This friendly guide covers Open the book and find: all phases of Elvis’s career, from his musical influences as a • The significance of the major teenager in Memphis and his first recordings to his days at events in Elvis’s career Graceland and the mystery surrounding his death. You’ll discover little-known details about his life, appreciate his • Meanings behind Elvis’s music contributions to music and film, and understand why his • The controversy over his musical Elvis work still resonates with so many people today. performing style Elvis • Explore Elvis’s musical roots — see how Elvis’s childhood and his • Career highlights that no other Southern background influenced the development of his sound performer has accomplished • Trace the beginnings of his storied career — be there as Elvis • A typical Elvis concert — what it makes his first recordings for Sun Records was like and what it meant • Relive the magic — experience the frenzy and excitement that • Details on Elvis’s television surrounded Elvis’s entrance to the national music scene appearances • Take a fresh look at Elvis’s films — understand the • The many ways fans keep Elvis’s misconceptions surrounding Elvis’s Hollywood career memory alive • Watch as Elvis reinvents himself — witness his comeback to live • An appendix of the important performances, culminating with an historic act in Las Vegas people in Elvis’s life Learn to: Go to dummies.com® • Look objectively at Elvis’s major life events, for more! both on and offstage • Identify Elvis’s influence on music, society, and popular culture • Explain to your friends why Elvis is the undisputed King of Rock ’n’ Roll $21.99 US / $25.99 CN / £15.99 UK • Appreciate Elvis’s enduring legacy and his place as an American cultural icon Susan Doll, PhD, is the author of numerous books on Elvis Presley.
    [Show full text]
  • Bibliography
    Bibliography Adams, Carol J. Neither Man nor Beast: Feminism and the Defense of Animals. New York, NY: Continuum, 1995. --, --. The Sexual Politics of Meat: A Feminist-Vegetarian Critical Theory. New York, NY et al.: Bloomsbury, 2013. Allen, Mary. Animals in American Literature. Urbana: University of Illinois Press, 1983. Armstrong, Susan J., and Richard G. Botzler, eds. The Animal Ethics Reader. London et al.: Routledge, Taylor & Francis, 2008. Armstrong, Philip. What Animals Mean in the Fiction of Modernity. London et al.: Routledge, 2008. Arnold, A. James, ed. Monsters, Tricksters, and Sacred Cows: Animal Tales and American Identities. Charlottesville: University Press of Virginia, 1996. Auster, Paul. Timbuktu: A Novel. New York, NY: Henry Holt, 1999. Baker, Steve. The Postmodern Animal. London: Reaktion Books, 2008. Barry, Peter. Beginning Theory: An Introduction to Literary and Cultural Theory. Manchester, New York, NY: Manchester University Press, 2002. Beauchamp, Tom L., ed. The Oxford Handbook of Animal Ethics. Oxford, NY et al.: Oxford University Press, 2011. Bekoff, Marc, ed. Encyclopedia of Animal Rights and Animal Welfare. Westport, CT: Greenwood Press, 1998. Bentham, Jeremy. An Introduction to the Principles of Morals and Legislation. New York, NY: Hafner, 1948. Berger, Anne-Emmanuelle, ed. Demenageries: Thinking (of) Animals after Derrida. Amsterdam et al.: Rodopi, 2011. Berger, John. Why Look at Animals? London et al.: Penguin Books, 2009. Boylan, Michael, ed. Environmental Ethics. Chichester: Wiley-Blackwell, 2014. Boyle, T. C. Tooth and Claw. London: Bloomsbury, 2005. Brown, Laura. Homeless Dogs & Melancholy Apes: Humans and Other Animals in the Modern Literary Imagination. Ithaca, NY et al.: Cornell University Press, 2010. Buell, Lawrence.
    [Show full text]
  • UCLA FESTIVAL of PRESERVATION MARCH 3 to MARCH 27, 2011
    UCLA FESTIVAL of PRESERVATION MARCH 3 to MARCH 27, 2011 i UCLA FESTIVAL of PRESERVATION MARCH 3 to MARCH 27, 2011 FESTIVAL SPONSOR Additional programming support provided, in part, by The Hollywood Foreign Press Association ii 1 FROM THE DIRECTOR As director of UCLA Film & Television Archive, it is my great pleasure to Mysel has completed several projects, including Cry Danger (1951), a introduce the 2011 UCLA Festival of Preservation. As in past years, we have recently rediscovered little gem of a noir, starring Dick Powell as an unjustly worked to put together a program that reflects the broad and deep efforts convicted ex-con trying to clear his name, opposite femme fatale Rhonda of UCLA Film & Television Archive to preserve and restore our national mov- Fleming, and featuring some great Bunker Hill locations long lost to the Los ing image heritage. Angeles wrecking ball. An even darker film noir, Kiss Tomorrow Goodbye (1950), stars James Cagney as a violent gangster (in fact, his last great This year’s UCLA Festival of Preservation again presents a wonderful cross- gangster role) whose id is more monstrous than almost anything since Little section of American film history and genres, silent masterpieces, fictional Caesar. Add crooked cops and a world in which no one can be trusted, and shorts, full-length documentaries and television works. Our Festival opens you have a perfect film noir tale. with Robert Altman’s Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean (1982). This restoration is the first fruit of a new project to preserve Our newsreel preservationist, Jeff Bickel, presents his restoration of John and restore the artistic legacy of Mr.
    [Show full text]
  • Name That Tune Elvis Presley
    ELVIS PRESLEY NAME THAT TUNE ◦Read the given clues about a song by Elvis Presley. ◦Attempt to guess the song or finish the lyrics. Instructions ◦Once you have guessed the song or finished the lyric, click the link provided to see if you got it right. Guess the Song ◦Finish the lyric to this Elvis Presley hit: ◦ Let's rock everybody, let's rock ◦ Everybody in the whole cell block ◦ Was dancin' to the ______________ ◦Click the link to see if you got it right: https://www.youtube.com/watch? v=PpsUOOfb-vE Guess the Song ◦ This Elvis song is about a guy who sends a letter to a girl, but she refuses to read it. The letter continues to get sent back to the sender. Eventually the boy decides to hand deliver the letter when nothing else works. What is the name of the song? ◦ Click the link to see if you got it right: https://www.youtube.com/watch?v =LZmUfUBqE-s Guess the Song ◦Finish the lyrics to this hit song by Elvis: ◦ I don't want no other love, ◦ Baby it's just you I'm thinking of. ◦ ___________ to a heart that's true. ◦Click the link to see if you got it right: https://www.youtube.com/watch?v= M_Lv6cHgnjo Guess the Song ◦Elvis stated that he had never had an idea about a song before. However one night he went to sleep, had quite a dream and woke up all shook up. He called his friend after and by morning the had a new song titled what? ◦Click the link to see if you got it right: https://www.youtube.com/watch ?v=23zLefwiii4 Guess the Song ◦Finish the lyrics to this Elvis Presley hit: ◦ Well, it's one for the money ◦ Two for the show ◦ Three to get ready ◦ Now go, cat, go ◦ But don't you ◦ Step on my ____________ ◦Click the link to see if you got it right: https://www.youtube.com/watch?v= HeXnFx7aPOE Guess the Song ◦This Elvis song was featured in a film starring Elvis Blue Hawaii in 1961.
    [Show full text]
  • The Blues SUPPLEMENTAL LESSON
    Words & Music • Country Music Hall of Fame® and Museum 55 The Blues SUPPLEMENTAL LESSON The Blues is a supplemental lesson that is intended to be taught between Lessons 7 and 8 in the Words & Music unit. OBJECTIVES STANDARDS Students will explore the history and elements of traditional English Language Arts blues songs. CCSS.ELA-Literacy.CCRA.R.2 Students will apply their knowledge of blues to writing their own Determine central ideas or themes of a text, analyze their traditional blues lyrics. development, summarize key points. CCSS.ELA-Literacy.CCRA.R.5 VOCABULARY Analyze the structure of texts including how portions relate Blues, holler, work song, verse (review), 12-bar blues to each other and the whole. PREPARATION CCSS.ELA-Literacy.CCRA.W.5 Strengthen writing by planning, revising, editing, rewriting, • Make copies of the Blues Styles Across the United States Worksheet, “Everyday I Have the Blues” Worksheet, or trying a new approach. and “Hound Dog” Worksheet. Tennessee Social Studies SSP.01, SSP.05, 3.04, 3.10, 5.14, 5.51 • Locate audio or video versions of “Everyday I Have the Blues” performed by Memphis Slim and “Hound Dog” performed by *See page 66 for standard descriptions. Big Mama Thornton. INTRODUCTION The Blues lesson is divided into two parts. In Part I: Blues History, students will explore the history of blues styles across the United States. In Part II: Blues Form, students will analyze blues lyrics and learn how to write their own traditional blues lyrics. Depending on class time and needs, Part I and Part II can be taught together in one day or over two separate days.
    [Show full text]