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BWTB Sept. 28Th 2014

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BWTB Sept. 28Th 2014 1 2 PLAYLIST Sept. 28th 2014 9AM The Beatles - I Want You (She’s So Heavy) - Abbey Road (Lennon-McCartney) Lead vocal: John The Beatles, with Billy Preston on keyboards, and with Glyn Johns as producer, recorded 35 takes at Trident Studios on February 22, 1969. From that session, take 9 was the best for the early part of the song, take 20 had the best middle eight, and take 32 was the best for the rest. The three “best” sections were edited into one all-encompassing master take. On April 18, at Abbey Road Studios, without Preston, and with Chris Thomas producing, John and George overdubbed layers of guitar parts onto the Trident “best” take, and a reduction mixdown was made, called “take 1.” Overdubs were added onto that. More overdubs followed on April 20. Fast forward to August 8. Now with George Martin producing, John overdubs sounds from the white noise generator of Harrison’s Moog synthesizer which produced the swirling, gale-force wind effect for the last three minutes of the song, and Ringo adds more drums (mostly crash cymbals). To complicate things, the group has been adding overdubs to two different master tapes of the song, so the best of each master is edited together to create the final album version of the song. The final album master has “take 1” for the first 4:37 and the original Trident tape for the remaining 3:07. The final album master of John’s sprawling song 3 ran 8:04, but John opted for a surprise ending. Engineer Alan Parsons: “We were putting the final touches to that side of the LP and we were listening to the mix. John said, ‘There! Cut the tape.’ Geoff [Emerick] cut the tape and that was it. End of side one.” At 7:44 it is second only to the sound collage/clip compilation “Revolution 9” as the longest Beatles track. It was the last song to be mixed for inclusion on the “Abbey Road” album. This final mixing date, August 20, 1969, is significant in Beatles history - it is the last time all four Beatles were together in a recording studio. 9.12 BREAK The Beatles - For No One - Revolver (Lennon-McCartney) Lead vocal: Paul Written entirely by Paul in March 1966 while on vacation with then-girlfriend Jane Asher at the Swiss ski resort of Klosters. The backing track was recorded in 10 takes on May 9, 1966 with only Paul (piano) and Ringo (drums) present. John and George do not perform on this song. Overdubs included Paul on clavichord, and Ringo on cymbals and maracas. Paul’s lead vocal was recorded on May 16. The baroque-style French horn solo was credited to Alan Civil and recorded on May 19. Ringo’s original drum part was removed from the track in the reduction mixdown. The song was originally called “Why Did It Die?” Paul: “I was in Switzerland on my first skiing holiday. I'd done a bit of skiing in ‘Help!’ and quite liked it, so I went back and ended up in a little bathroom in a Swiss 4 chalet writing ‘For No One.’ I remember the descending bass line trick that it's based on, and I remember the character in the song - the girl putting on her make-up.” The Beatles - I’m Only Sleeping - Revolver (Lennon-McCartney) Lead vocal: John Written by John and Paul at Kenwood, John’s estate in Weybridge, in one writing session. Recording of the backing rhythm track began at 11:30 p.m. on April 27, 1966. John recorded his lead vocal on April 29. Both the vocal and backing track were recorded at variable speed. It was during the recording of “I’m Only Sleeping” that The Beatles discovered the “backwards guitar.” On May 5, 1966, as the band continued working on the song, George painstakingly transcribed the notes in his guitar solo and flourishes and then wrote them out backwards. He then played them in that reverse order. The tapes were then superimposed BACKWARDS in the mix, playing the solo notes and embellishments in the correct order, but maintaining the eerie backwards sound. “I’m Only Sleeping” was one of three songs issued in America six weeks prior to their official release in the UK. American and Canadian Beatles fans heard “I’m Only Sleeping,” “And Your Bird Can Sing,” and “Doctor Robert” first on Capitol Records’ “Yesterday And Today” album, issued June 20, 1966. The rest of the world had to wait until the first week of August for them to appear on the “Revolver” LP. On U.S. album: Yesterday And Today - Capitol LP 5 The Beatles - She’s Leaving Home - Sgt. Pepper’s Lonely Hearts Club Band (Lennon-McCartney) Lead vocals: Paul and John Recorded March 17, 1967 in six takes. Written primarily by Paul with lyrical assistance from John, the song is based on a story appearing in the February 27, 1967, edition of the Daily Mail about seventeen-year-old runaway Melanie Coe. Paul begins the story about the girl leaving a note for her parents before slipping out of the house, John provides the parents’ anguished point of view. When Paul called George Martin to ask if he’d create a string arrangement for the song he was told that Martin had already committed to a Cilla Black session and Paul would have to wait. Paul then contacted Mike Leander to score the song. Paul had met Leander at the October 11, 1965, Decca Studios session for Marianne Faithfull’s cover of “Yesterday.” The score called for four violins, two violas, two cellos, a double-bass and a harp. The harp is played by Sheila Bromberg, who became the first woman to play on a Beatles recording. As was the case with “Eleanor Rigby” eleven months earlier, no Beatles played an instrument on “She’s Leaving Home.” Martin made only slight adjustments to Leander’s arrangement when it was recorded on March 17. An interesting side note…Melanie was a dancer on the Ready Steady Go! TV show and met the Fabs Oct. 1963 when she won a mime contest and was awarded prizes by the Beatles! 6 George Harrison – All Things Must Pass - All Things Must Pass ’70 – REMASTERED FOR A 3rd time ? Another track that was written and rehearsed during the “Let It Be” sessions, it was considered sub-par and never considered for a Beatles album. The wait did the song wonders, as George brought it back and gave it a thorough shine. The song was also inspired by The Band’s song, “The Weight.” BREAK 7 Let start real quick with the 1st album’s that preceded All Things Must Pass…WONDERWALL (Apple) & ELECTRONIC SOUND (Zapple) The 1st Apple Album ….interesting as it features Eric Clapton Ringo, Peter Tork , GH1 George Harrison – Ski-ing - Wonderwall Music ‘68 This is the track with, as George put it, “Clapton playing backwards guitar over the Indians.” The Indian part is just a simple drone and could just as easily have been played by George in the studio. Also features Ringo. The stereo version is thirteen seconds longer than the mono mix. The Beatles - While My Guitar Gently Weeps - The Beatles (Harrison) Lead vocal: George In his book, “I Me Mine,” George explains that while visiting his parents he decided to create a song from the first thing he saw upon opening a book. George randomly opened a book and saw the phrase “gently weeps.” He put the book down and started writing lyrics. The first proper recording of “While My Guitar Gently Weeps” took place on July 25, 1968. Nearly two months into recording the Beatles’ new album, this was George’s first chance to record some of his new material. George: “I always had to do about ten of Paul and John’s songs before they’d give me the break.” On this first day George recorded several rehearsals and one proper take. At this stage, “While My Guitar Gently Weeps” was an acoustic song, with George’s solo vocal and some organ overdubbed near the end that ran 3:13 and had a final verse not found in the final version. This exquisite “take 1,” which was a demo for the other Beatles, is one of the highlights of the “Anthology 3” album. George would continue working on the song at home, and eventually re-imagined the song as a rocker. On August 16, the full band revisited the song, making 14 takes of a rhythm track. 8 QUIZ # 1 5 – REEL TO REEL: WONDERWALL AND WONDERWALL MUSIC AT THE GRAMMY MUSEUM THIS THURS OCT 2ND 7:30PM The GRAMMY Museum's executive director Bob Santelli and Emmy-nominated music journalist and TV writer David Wild will discuss the film and George Harrison's music. 9 The new GH Apple Box set is OUT. Containing all of GH’s APPLE albums and one Zapple album Electronic Sound…Here’s yer QUIZ ? > Name the John Lennon Zapple album released the same day as George’s Zapple album in 1969….? 9.42 BREAK Winner HERE Put some of that Under The Mercy Wall…under me… and our winner… 2 albums ya never listen to all the way through …both sides? …right background researcher Matt Hurwitz ? ALL THINGS MUST PASS REMASTERED An LP close to my heart and wallet! Remastered? Again? Dylan connection started here/ interesting John & Paul so enamored 10 GH2 George Harrison – I’d Have You Anytime (co-written with Bob Dylan) – All Things Must Pass ‘70 This composition began at Bob Dylan’s home in Woodstock, New York during Thanksgiving 1968.
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