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John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
The Apple Label with the Capitol Logo
The Apple Label With the Capitol Logo When Apple label introduced itself to the world in 1968, the brand featured a label design from the Gene Mahon agency. Reportedly, Neil Aspinall of Apple contacted Gene Mahon personally and told him that they would like for Mahon to shoot photographs of apples. His idea was to have a full apple on one side with no writing whatsoever, and a sliced apple on the other side containing all of the information about the record. With the way that the laws were written, EMI were reluctant to cram all of the information onto one label (which might also pose logistical problems on an album label). Mahon selected Paul Castell to take the photographs. Some apple photos later, and the famous Apple record label was born. The rim area around the label was left blank, to allow each EMI affiliate the ability to print whatever manufacturing information they desired (or what might be required by law). The art department at Capitol Records decided to keep the print to a minimum. At the bottom of the sliced side, they placed the words “Mfd. by Apple Records, Inc.” That was all that needed to be said. A few months later, Capitol decided to mark the labels differently for artists who had contracts with Capitol. At the time, this basically meant the Beatles themselves, whose singles were numbered as part of the Capitol series (in the 2000s). Records that were from artists whose discs were in the Apple series (the 1800s) and who had contracts through Apple alone would continue to be marked with “Mfd. -
NZ Top 40 9 May 2006.Qxd 5/9/06 4:17 PM Page 1
NZ Top 40 9 May 2006.qxd 5/9/06 4:17 PM Page 1 CHART 1511 9 May 2006 www.nztop40.com TOP 40 SINGLES TOP 10 COMPILATIONS TOP 40 ALBUMS CATALOGUE No. CATALOGUE No. CATALOGUE No. LABEL LABEL LABEL TITLE/ARTIST DISTRIBUTOR TITLE/ARTIST DISTRIBUTOR TITLE/ARTIST DISTRIBUTOR THIS WEEK LAST WEEK WEEKS ON CHART THIS WEEK LAST WEEK WEEKS ON CHART THIS WEEK LAST WEEK WEEKS ON CHART 9852802 3595692 1 82876819912 1 18BEEP THE PUSSYCAT DOLLS FEAT. WILL.I.AM UNIVERSAL 1 18NOW THAT'S WHAT I CALL MUSIC 20 VARIOUS 4 EMI 1 NEW 1 10,000 DAYS TOOL SBME 3572140 9837828 82876714672 2 410BATHE IN THE RIVER MT RASKIL PS FEAT. HOLLIE SMITH EMI 2 27WAITING FOR THE WEEKEND VARIOUS 1 UNIVERSAL 2 NEW 1 PEARL JAM PEARL JAM 1 SBME 82876827172 3466222 RR80882 3 26I'M IN LUV (WIT A STRIPPER) T-PAIN FEAT. MIKE JONES SBME 3 44MEMORIES ARE MADE OF THIS VOL 3 VARIOUS 1 EMI 3 131ALL THE RIGHT REASONS NICKELBACK 3 ROADRUNNER/UNIVERSAL 3648400 5101139972 82876812762 4 NEW 1 DROWN BLINDSPOTT CAPITOL/EMI 4 NEW 1 ACOUSTIC LOVE SONGS VARIOUS 1 WEA/WARNER 4 13 2 THE VERY BEST OF ROY ORBISON 1 SBME 99729 5101139952 9871823 5 73IF IT'S COOL NESIAN MYSTIK BOUNCE/UNIVERSAL 5 34BROKEN DREAMS II VARIOUS 1 WEA/WARNER 5 NEW 1 THE ITALIAN PATRIZIO BUANNE UNIVERSAL 9850564 3641662 7567837525 6 59PUMP IT BLACK EYED PEAS UNIVERSAL 6 72I LOVE MUM VARIOUS 1 EMI 6 241BACK TO BEDLAM JAMES BLUNT 7 WEA/WARNER 3567882 9837819 8602472 7 610PUT YOUR RECORDS ON CORINNE BAILEY RAE CAPITOL/EMI 7 52HIP HOP IV: THE COLLECTION VARIOUS UNIVERSAL 7 313EYE TO THE TELESCOPE KT TUNSTALL 1 VIRGIN/EMI 9852863 828768742012 -
Letters from Long ‘Un
Letters from Long ‘un Captain Robert James Henderson, MC and Bar 13th Battalion AIF 1915-1918 Bob Henderson in France, winter 1917 Compiled by David Garred Jones 1 ACKNOWLEDGEMENTS This compilation arose out of a wider study into the movements, actions and stories of the “Originals” of the 13th Australian Infantry Battalion in World War 1. Part of that work involved reviewing the hundreds of diaries and thousands of letters that had been donated to the various State libraries and the Australian War Memorial. Much of this first-hand material is now available on-line, and in some cases has been transcribed by the skilled and dedicated staff of those institutions. Amongst that wealth of material are the letters of Captain Robert James Henderson, MC and Bar, of the 13th Battalion. They encapsulate the thoughts and feelings of a man who started in 1915 as a private, saw action in Gallipoli, Fleurbaix, Pozieres, Mouquet Farm, Messines, Passchendaele and Villers-Bretonneux, rising through the ranks to Captain. Henderson’s family donated his letters, postcards, certificates, awards and other ephemera to the Australian War Memorial (“AWM”). They have been digitised and posted on line under the accession code AWM2016.30.1 through to AWM2016.30.9. I am deeply grateful to the AWM for making this valuable historical archive so readily accessible. As well as Henderson’s own photographs, I have included some relevant images from the AWM and other sources, all of which are acknowledged in the captions to the photos. I have also added, in italics, the locations from where each letter was written (if not already included in the original letter). -
Für Sonntag, 21
GEORGE HARRISON-Box THE APPLE YEARS Um zu bestellen, einfach Abbildung anklicken Abbildungen: Box; Kollage mit Box, Booklet und CDs. Freitag, 19. September 2014: Box (7 CDs & 1 DVD) GEORGE HARRISON - THE APPLE YEARS. 84,90 € inkl. Versand und gut verpackt Inhalt der Box: CD WONDERWALL MUSIC, CD ELECTRONIC SOUND, Doppel-CD ALL THINGS MUST PASS, CD LIVING IN THE MATERIAL WORLD, CD DARK HORSE, CD EXTRA TEXTURE (READ ALL ABOUT IT), DVD, Booklet. Die CDs sind auch einzeln erhältlich jeweils mit den 20-Seiten-Booklet. Die DVD und das zusätzliche Büchlein gibt es nicht einzeln sondern nur in der Box. Freitag, 19. September 2014: CD (remastert) mit 20-Seiten-Booklet WONDERWALL MUSIC BY GEORGE HARRISON. Apple / Universal, Europa. Freitag, 1. November 1968: Vinyl-LP WONDERWALL MUSIC BY GEORGE HARRISON. Apple TCSAPCOR 1 (geplant STAP 1), Großbritannien. *Dezember 1967: EMI Abbey Road Studios, London, Großbritannien und **Dienstag, 9. - Montag, 15. Januar 1968: EMI Recording Studios, Universal Insurance Building, Phirozeshah Mehta Road, Fort, Bombay 400001, Indien: Track 1: Microbes (George Harrison) (3:39). Track 2: Red Lady Too (George Harrison) (1:53). Track 3: Table And Pakavaj (George Harrison) (1:04). Track 4: In The Park (George Harrison) (4:08). Track 5: Drilling A Home (George Harrison) (3:07). Track 6: Guru Vandana (George Harrison) (1:04). Track 7: Greasy Legs (George Harrison) (1:27). Track 8: Ski-ing And Gat Kirwani (George Harrison) (3:06). Track 9: Dream Scene (George Harrison) (5:27). Track 10: Party Seacombe (George Harrison) (4:34): Track 11: Love Scene (George Harrison) (4:16). Track 12: Crying (George Harrison) (1:14). -
Breath 2013 April 164 曲、11.4 時間、1.20 GB
1 / 6 ページ breath_2013_April 164 曲、11.4 時間、1.20 GB 名前 時間 アルバム アーティスト 1 You Go to My Head 7:07 After Hours Jeanne Lee & マル・ウォルドロン 2 I Could Write a Book 4:03 After Hours Jeanne Lee & マル・ウォルドロン 3 Every Time We Say Goodbye 5:10 After Hours Jeanne Lee & マル・ウォルドロン 4 We're In This Love Together 3:46 Breakin' Away アル・ジャロウ 5 Breakin' Away 4:14 Breakin' Away アル・ジャロウ 6 (Everybody) Get Up 4:38 Bridging the Gap Roger 7 You Should Be Mine 6:02 Bridging the Gap Roger 8 The Woman In You 5:41 Burn to Shine Ben Harper & The Innocent Criminals 9 Less 4:06 Burn to Shine Ben Harper & The Innocent Criminals 10 Two Hands of a Prayer 7:50 Burn to Shine Ben Harper & The Innocent Criminals 11 Please Bleed 4:38 Burn to Shine Ben Harper & The Innocent Criminals 12 Suzie Blue 4:29 Burn to Shine Ben Harper & The Innocent Criminals 13 Steal My Kisses 4:05 Burn to Shine Ben Harper & The Innocent Criminals 14 Burn to Shine 3:35 Burn to Shine Ben Harper & The Innocent Criminals 15 Show Me a Little Shame 3:44 Burn to Shine Ben Harper & The Innocent Criminals 16 Forgiven 5:17 Burn to Shine Ben Harper & The Innocent Criminals 17 Beloved One 4:04 Burn to Shine Ben Harper & The Innocent Criminals 18 In the Lord's Arms 3:06 Burn to Shine Ben Harper & The Innocent Criminals 19 Contort Yourself 4:26 Buy James Chance & the Contortions 20 Tin Tin Deo 2:56 Calypso Blues The Kenny Clarke - Francy Boland Sextet 21 Please Don't Leave 4:11 Calypso Blues The Kenny Clarke - Francy Boland Sextet 22 Lush Life 4:30 Calypso Blues The Kenny Clarke - Francy Boland Sextet 23 The Man From Potter's -
Country Rednex
Country Rednex Cotton eye joe La musique country, ou simplement country, est un mélange de musiques traditionnelles développé principalement dans le Sud-est des États-Unis et dans les provinces maritimes du Canada dans les années 19201. Elle a des millions d'amateurs dans le monde et notamment aux États-Unis, au Canada et en Australie, mais reste assez peu connue en France . Le siège de la country se trouve à Nashville, dans le Tennessee, ville qui doit son surnom "Music-City" au grand nombre de studios d'enregistrement et à la qualité de ses musiciens Blues Ben Harper Walk away Le blues est un style musical vocal et instrumental, dérivé des chants de travail des populations afro-américaines apparues aux États-Unis courant XIXe siècle. C'est un style où le (la) chanteur(euse) exprime sa tristesse et ses déboires. Le blues a eu une influence majeure sur la musique populaire américaine, puisqu'il est à la source du jazz, du rhythm and blues, du rock and roll entre autres. Gospel Whitney houston Oh happy day Le gospel est un chant religieux chrétien, protestant d'origine, qui prend la suite des negro spirituals. Le gospel est incontestablement une révolte musicale contre une Amérique raciste. C'est une expression de la souffrance des noirs récemment émancipés, mais encore sous l'autorité blanche, particulièrement dans les États du Sud. Le gospel comporte des quartets vocaux et des chanteurs de renom. Funk Kool and the gang Celebration Le funk est une forme de musique afro-américaine apparue aux États-Unis à la fin des années 1950, et qui s'est développée au cours des années 1960 et années 1970. -
Robbie Williams Another Saturday Night
Classic Pop / Dance A little less conversation - Elvis Angels - Robbie Williams Let's dance - Chris Rea Another Saturday night - Sam Cook Let's groove tonight - Earth wind n fire Baby did a bad bad thing - Chris Isaac Let's stick together - Bryan Ferry Better be home soon - Crowded House Life is a rollercoaster - Ronan Keating Big Yellow Taxi - Counting Crows Lips of an Angel - Hinder Billy Jean - Michael Jackson Love foolosophy - Jamiroquai Black fingernails - Eskimo Joe love is in the air - John Paul Young Blame it the Boogie - Jacksons Love really hurts without you - Billy Ocean Born to be Alive - Patrick Hernandez Love shack - B52's Boys of Summer - The Ataris Love the one you're with - Luther Vandross Brandy - Looking Glass Make Luv - Room 5 Bright side of the road - Van Morrison Makes me wonder - Maroon 5 Breakfast at Tiffanys - Deep blue something Man I feel like a woman - Shania Twain Cable Car - The Fray New York - Eskimo Joe Can't get enough of you baby - smashmouth No such thing - John Mayer Catch my disease - Ben Lee Not in Love - Enrique Iglesius Celebration - Kool and the Gang On the Beach - Chris rea Chain Reaction - John Farnham One more time - Britney Spears Chasing Cars - Snow Patrol Play that funky music - Average white band Cheap Wine - Cold Chisel Pretty Vegas - INXS Cherry cherry - Neil Diamond Rehab - Amy Winehouse Choir Girl - Cold Chisel Save the last dance for me - Michael Buble Clocks - Coldplay Second Chance - Shinedown NEW Closing time - Semisonic September - Earth wind and fire Come undone - Robbie Williams -
Ben Harper & the Innocent Criminals
BEN HARPER & THE INNOCENT CRIMINALS AUSTRALIAN TOUR DATES RESCHEDULED TO NOVEMBER 2016 WEDNESDAY FEBRUARY 3, 2016 – Ben Harper & The Innocent Criminals and Live Nation today announce that the Call It What It Is Tour dates for Australia and New Zealand have been rescheduled for later this year. The band have released the following statement: To our great fans in Australia and New Zealand: Unfortunately we need to postpone our upcoming tour so that we can put the finishing touches on our new album. We can’t wait to see you in November/December. Until then, Much love, BHIC The rescheduled Australian tour dates are as follows: ‘ON THE STEPS’, OPERA HOUSE FORECOURT, SYDNEY TUESDAY NOVEMBER 22 (previously Wednesday March 2) THE RIVERSTAGE, BRISBANE THURSDAY NOVEMBER 24 (previously Saturday March 5) SIDNEY MYER MUSIC BOWL, MELBOURNE SATURDAY NOVEMBER 26 (previously Saturday March 12) AEC THEATRE, ADELAIDE SUNDAY NOVEMBER 27 (previously at Adelaide Entertainment Centre on Friday March 11) KINGS PARK & BOTANIC GARDEN, PERTH TUESDAY NOVEMBER 29* (previously Tuesday March 8) Tickets for all shows - except Adelaide - will be valid for the rescheduled show date without the need to exchange. Adelaide ticket holders: Ticketek will be in contact directly with details of the exchange. Patrons who are unable to attend the rescheduled dates may obtain a refund from the point of purchase. The relevant ticketing agent will be in contact to provide details of how to obtain refunds if required. New tickets for all shows are on sale now. For further information please visit: www.livenation.com.au Call It What It Is will be the band’s first new album in eight years. -
The Bosstown Sound. PUB DATE Mar 88 NOTE 39P.; Paper Presented at the Annual Meeting of the American Culture Association (10Th, New Orleans, LA, March 23-26, 1988)
DOCUMENT RESUME ED 292 153 CS 506 070 AUTHOR Burns, Gary TITLE The Bosstown Sound. PUB DATE Mar 88 NOTE 39p.; Paper presented at the Annual Meeting of the American Culture Association (10th, New Orleans, LA, March 23-26, 1988). PUB TYPE Viewpoints (120) -- Speeches/Conference Papers (150) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS *Bands (Music); Content Analysis; Discographies; *Music; Musicians; *Popular Culture IDENTIFIERS Media History; Music Ensembles; *Rock and Roll; *Rock Music ABSTRACT Based on the argument that (contrary to critical opinion) the musicians in the various bands associated with Bosstown Sound were indeed talented, cohesive individuals and that the bands' lack of renown was partially a result of ill-treatment by record companies and the press, this paper traces the development of the Bosstown Sound from its beginnings in the nightclubs of Boston in 1967 to its end in 1969. In addition, the paper provides complete discographies, including critical commentary, of records produced by bands associated with the Bosstown Sound. The bands of the Bosstown Sound include: The Apple Pie Motherhood Band, The Bagatelle, The Beacon Street Union, Bo Grumpus, Eagle, Earth Opera, Eden's Children, Sure Looks Real, The Ill Wind, Jolliver Arkansaw, Orpheus, Phluph, Puff, and Ultimate Spinach. (Thirty-three references are attached.) (ARH) *********************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document. *********************************************************************** The Bosstown Sound Gary Burns, Assistant Professor Department of Communication University of Missouri-St. Louis St. Louis, MO 63121 314-553-5485 American Culture Association, New Orleans, March 24, 1988 My thanks to Jeff Tamarkin of Goldmine magazine. -
Ben Harper and Relentless7 White Lies for Dark Times Mp3, Flac, Wma
Ben Harper And Relentless7 White Lies For Dark Times mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Blues Album: White Lies For Dark Times Country: US Released: 2009 Style: Folk Rock, Alternative Rock, Hard Rock MP3 version RAR size: 1738 mb FLAC version RAR size: 1362 mb WMA version RAR size: 1626 mb Rating: 4.1 Votes: 245 Other Formats: AIFF TTA APE MP4 AAC RA TTA Tracklist Hide Credits Number With No Name 1 Bass – Jesse IngallsDrums, Tambourine – Jordan RichardsonGuitar – Jason MozerskySlide 3:05 Guitar, Vocals – Ben HarperWritten-By – B. Harper*, J. Mozersky* Up To You Now Bass, Electric Piano [Wurlitzer] – Jesse IngallsDrums, Shaker, Tambourine – Jordan 2 5:01 RichardsonGuitar, Organ [B-3] – Jason MozerskyGuitar, Vocals – Ben HarperWritten-By – B. Harper*, J. Mozersky* Shimmer & Shine Backing Vocals – C.C. White Bass – Jesse IngallsBass [Additional] – Juan NelsonDrums 3 3:06 [Additional] – Oliver CharlesDrums, Tambourine – Jordan RichardsonGuitar – Jason MozerskySlide Guitar, Vocals – Ben HarperWritten-By – Ben Harper Lay There & Hate Me Bass, Piano, Electric Piano [Wurlitzer], Backing Vocals, Synthesizer [Arp], Backing Vocals – Jesse IngallsDrums, Percussion, Vibraphone [Vibes], Backing Vocals – Jordan 4 4:14 RichardsonGuitar, Backing Vocals – Jason MozerskySlide Guitar, Vocals, Drums [Additional], Piano, Electric Piano [Wurlitzer], Backing Vocals – Ben HarperWritten-By – B. Harper*, J. Ingalls* Why Must You Always Dress In Black 5 Bass – Jesse IngallsDrums, Tambourine – Jordan RichardsonGuitar – Jason MozerskySlide 4:41 Guitar, Vocals – Ben HarperWritten-By – Ben Harper Skin Thin Acoustic Guitar, Electric Guitar, Piano – Jason MozerskyBass, Piano – Jesse IngallsDrums – 6 4:32 Jordan RichardsonSlide Guitar, Guitar [12-string Baritone], Vocals, Backing Vocals – Ben HarperWritten-By – Ben Harper Fly One Time Acoustic Guitar, Electric Guitar, Baritone Guitar [12-string], Mandolin [Electric] – Jason 7 4:12 MozerskyBass – Jesse IngallsDrums, Shaker, Tambourine – Jordan RichardsonGuitar, Vocals, Piano – Ben HarperWritten-By – B. -
US Apple LP Releases
Apple by the Numbers U.S. album releases From the collection of Andre Gardner of NY, NY SWBO‐101 The Beatles The Beatles Released: 22 Nov. 1968 (nicknamed "The White Album") In stark contrast to the cover to Sgt. Pepper's LHCB, the cover to this two record set was plain white, with writing only on the spine and in the upper right hand corner of the back cover (indicating that the album was in stereo). This was the first Beatles US album release which was not available in mono. The mono mix, available in the UK, Australia, and several other countries, sounds quite different from the stereo mix. The album title was embossed on the front cover. Inserts included a poster and four glossy pictures (one of each Beatle). The pictures were smaller in size than those issued with the UK album. A tissue paper separator was placed between the pictures and the record. Finally, as in every EMI country, the albums were numbered. In the USA, approximately 3,200,000 copies of the album were numbered. These albums were numbered at the different Capitol factories, and there are differences in the precise nature of the stamping used on the covers. Allegedly, twelve copies with east‐coast covers were made that number "A 0000001". SI = 2 ST 3350 Wonderwall Music George Harrison Released: 03 Dec. 1968 issued with an insert bearing a large Apple on one side. Normal Copy: SI = 2 "Left opening" US copy or copy with Capitol logo: SI = 7 T‐5001 Two Virgins John Lennon & Yoko Ono Released: January, 1969 (a.k.a.