CHOOSING SIDES in SCHOOL CHOICE in the Often Bitter Debate About Public Schools and Upstart Charters, the Big Question Remains: How Are Students Faring?
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5 the Da Vinci Code Dan Brown
The Da Vinci Code By: Dan Brown ISBN: 0767905342 See detail of this book on Amazon.com Book served by AMAZON NOIR (www.amazon-noir.com) project by: PAOLO CIRIO paolocirio.net UBERMORGEN.COM ubermorgen.com ALESSANDRO LUDOVICO neural.it Page 1 CONTENTS Preface to the Paperback Edition vii Introduction xi PART I THE GREAT WAVES OF AMERICAN WEALTH ONE The Eighteenth and Nineteenth Centuries: From Privateersmen to Robber Barons TWO Serious Money: The Three Twentieth-Century Wealth Explosions THREE Millennial Plutographics: American Fortunes 3 47 and Misfortunes at the Turn of the Century zoART II THE ORIGINS, EVOLUTIONS, AND ENGINES OF WEALTH: Government, Global Leadership, and Technology FOUR The World Is Our Oyster: The Transformation of Leading World Economic Powers 171 FIVE Friends in High Places: Government, Political Influence, and Wealth 201 six Technology and the Uncertain Foundations of Anglo-American Wealth 249 0 ix Page 2 Page 3 CHAPTER ONE THE EIGHTEENTH AND NINETEENTH CENTURIES: FROM PRIVATEERSMEN TO ROBBER BARONS The people who own the country ought to govern it. John Jay, first chief justice of the United States, 1787 Many of our rich men have not been content with equal protection and equal benefits , but have besought us to make them richer by act of Congress. -Andrew Jackson, veto of Second Bank charter extension, 1832 Corruption dominates the ballot-box, the Legislatures, the Congress and touches even the ermine of the bench. The fruits of the toil of millions are boldly stolen to build up colossal fortunes for a few, unprecedented in the history of mankind; and the possessors of these, in turn, despise the Republic and endanger liberty. -
Making the Right Move
MAKING THE RIGHT MOVE Investing and Creating Jobs in the Pittsburgh Region REAL PITTSBURGH REAL PEOPLE Looking Ahead: 2014 and Beyond Imagining a Bright Future for Our Region – and Making it Happen By Charles E. Bunch In many ways, the Pittsburgh region has com- Boomers. We’re seeing this on our job search engine within Imag- pleted the economic, environmental and qual- inePittsburgh.com, where the number of open jobs across the 10- ity-of-life transformation begun 30 years ago. county Pittsburgh region numbered around 25,000 at last count. We bottomed out in 1983, with an unemploy- ment rate over 18 percent. Throughout 2013, The Conference is addressing this opportunity in a variety of ways, in- WHEN YOU INVEST IN THE cluding through our robust talent attraction and retention initiative, COMMUNITY, THE RETURNS our jobless rate outperformed the state and the nation as a whole. We’re closing the year with the largest workforce which includes ImaginePittsburgh.com. We’re also working with ARE GUARANTEED. in regional history – about 100,000 more people employed than at our partners in workforce development to increase the supply of trained At Huntington, we know how important it is to give back to workers in the region. One such program, ShaleNET, has been such the community. After all, we do more than just work here – we industrial peak in 1979. live and raise our families here too. And after everything this a success that the federal government has increased its investment to community has done for us, we’re just happy to be able to We are enjoying the fruits of three decades of hard work by countless expand it to other states. -
Jan/Feb 2007 (PDF)
THE MAGAZINE OF THE MASTER BUILDERS’ ASSOCIATION OF WESTERN PENNSYLVANIA JANUARY / FEBRUARY 2007 cov1 Contents PUBLISHER Tall Timber Group EDITOR Jeff Burd 412-366-1857 [email protected] Cover Story The Encore on PRODUCTION MANAGER Seventh Carson Publishing, Inc. Lincoln Properties, Quellé Diggs Mascaro Construction, HKS Architects ART DIRECTOR/GRAPHIC DESIGN Photo by Ed Massery Copyright 2006 Carson Publishing, Inc. Jaimee D. Greenawalt COVER PHOTO Ed Massery CONTRIBUTING PHOTOGRAPHY Carson Publishing, Inc. ADVERTISING SALES Features & Departments Tall Timber Group 412-366-1857 Dorothy Frank 3 PUBLISHER’S NOTE 30 MANAGEMENT 412-201-3222 PERSPECTIVE 4 NEWS FROM Some local leaders let us in on their More information: THE STREET resolutions for turning around 2007 BreakingGround is published by Tall More green building news, AIA Timber Group for the Master Builders’ Pittsburgh announces design awards, 33 MBE/WBE Association of Western Pennsylvania CBRE acquires Trammel Crow, COMPANY SPOTLIGHT Westinghouse nuclear is staying, the Window Treats No part of this magazine may be Pennsylvania legislature looks at a reproduced without written permission host of construction-related laws by the Publisher. All rights reserved. 34 TREND TO WATCH Home servers can help you make 7 REGIONAL sense of all the digital devices at This information is carefully gathered and MARKET UPDATE home compiled in such a manner as to ensure Local housing bubble pops, but maximum accuracy. We cannot, and do non-residential construction keeps 36 BEST PRACTICE not, guarantee either the correctness of chugging along all information furnished nor the complete Building information modeling absence of errors and omissions. Hence, responsibility for same neither can be, 9 NATIONAL 39 AWARDS AND nor is, assumed. -
Annual Report 1995
19 9 5 ANNUAL REPORT 1995 Annual Report Copyright © 1996, Board of Trustees, Photographic credits: Details illustrated at section openings: National Gallery of Art. All rights p. 16: photo courtesy of PaceWildenstein p. 5: Alexander Archipenko, Woman Combing Her reserved. Works of art in the National Gallery of Art's collec- Hair, 1915, Ailsa Mellon Bruce Fund, 1971.66.10 tions have been photographed by the department p. 7: Giovanni Domenico Tiepolo, Punchinello's This publication was produced by the of imaging and visual services. Other photographs Farewell to Venice, 1797/1804, Gift of Robert H. and Editors Office, National Gallery of Art, are by: Robert Shelley (pp. 12, 26, 27, 34, 37), Clarice Smith, 1979.76.4 Editor-in-chief, Frances P. Smyth Philip Charles (p. 30), Andrew Krieger (pp. 33, 59, p. 9: Jacques-Louis David, Napoleon in His Study, Editors, Tarn L. Curry, Julie Warnement 107), and William D. Wilson (p. 64). 1812, Samuel H. Kress Collection, 1961.9.15 Editorial assistance, Mariah Seagle Cover: Paul Cezanne, Boy in a Red Waistcoat (detail), p. 13: Giovanni Paolo Pannini, The Interior of the 1888-1890, Collection of Mr. and Mrs. Paul Mellon Pantheon, c. 1740, Samuel H. Kress Collection, Designed by Susan Lehmann, in Honor of the 50th Anniversary of the National 1939.1.24 Washington, DC Gallery of Art, 1995.47.5 p. 53: Jacob Jordaens, Design for a Wall Decoration (recto), 1640-1645, Ailsa Mellon Bruce Fund, Printed by Schneidereith & Sons, Title page: Jean Dubuffet, Le temps presse (Time Is 1875.13.1.a Baltimore, Maryland Running Out), 1950, The Stephen Hahn Family p. -
Hidden Nature, the Startling Insights of Viktor Schauberger
Contents Foreword by David Bellamy 11 Introduction 13 Part One: An Alternative Worldview 1. Schauberger's Vision 25 The water wizard 26; Log flumes 29; Water, source of life 31; Motion is crucial 32; Temperature controls 34; Evolution 34; Balance 35; Implosion 35; The visionary 36. 2. Different Kinds of Energy 39 Subtle energies 39; Schauberger's worldview 39; Why the mystery? 40; Degrees of energy 41; The vortex as the key to creative evolution 42; Energies as creative process 43; Spiritual science 44; Different dimensions 45; Changing octaves 47. 3. The Attraction and Repulsion of Opposites 49 The Sun as a fertilizing entity 49; Polarities 51; Opposites working towards balance 52; Gravity and levity 53. 4. Nature's Patterns and Shapes 55 Sound as resonance 55; Resonance is about qualities 58; Plants have perception and memory 59; Cymatics 60; Patterns and shapes 61; Patterns in motion 62; Rhythms within the solar system 62; The confrontation of two geometric systems 63; Sacred geometry 64; The golden mean 66; The magic of the egg form 67. Part Two: How the World Works 5. Energy Production 73 The inefficiency of modern technology 73; Entropy and ectropy 74; Scientific 'laws' 74; Energy pollution 75; The choice before us 77; Energy defines quality 79; The creative energy vortex 80. 6. Motion — the Key to Balance 85 We use the wrong form of motion 85; The 'original' motion 87; Types of motion 89. 7. The Atmosphere and Electricity 93 Earth's atmosphere 94; Electricity 96; The terrestrial biocondenser 97; Earth as an accumulator of energy 99; Electricism and magnetism 100; Storms, water vapour and climate 101. -
History and Organization Table of Contents
History and Organization Table of Contents History and Organization Carnegie Mellon University History Carnegie Mellon Colleges, Branch Campuses, and Institute Carnegie Mellon University in Qatar Carnegie Mellon Silicon Valley Software Engineering Institute Research Centers and Institutes Accreditations by College and Department Carnegie Mellon University History Introduction The story of Carnegie Mellon University is unique and remarkable. After its founding in 1900 as the Carnegie Technical Schools, serving workers and young men and women of the Pittsburgh area, it became the degree-granting Carnegie Institute of Technology in 1912. “Carnegie Tech,” as it was known, merged with the Mellon Institute to become Carnegie Mellon University in 1967. Carnegie Mellon has since soared to national and international leadership in higher education—and it continues to be known for solving real-world problems, interdisciplinary collaboration, and innovation. The story of the university’s famous founder—Andrew Carnegie—is also remarkable. A self-described “working-boy” with an “intense longing” for books, Andrew Carnegie emigrated from Scotland with his family in 1848 and settled in Pittsburgh, Pennsylvania. He became a self-educated entrepreneur, whose Carnegie Steel Company grew to be the world’s largest producer of steel by the end of the nineteenth century. On November 15, 1900, Andrew Carnegie formally announced: “For many years I have nursed the pleasing thought that I might be the fortunate giver of a Technical Institute to our City, fashioned upon the best models, for I know of no institution which Pittsburgh, as an industrial centre, so much needs.” He concluded with the words “My heart is in the work,” which would become the university’s official motto. -
The Weeknd Bekrefter Norgesbesøk I November!
23-03-2020 13:02 CET THE WEEKND BEKREFTER NORGESBESØK I NOVEMBER! Helt siden The Weeknd i 2015 gjestet hovedstaden vår med en eksklusiv konsert på Vulkan arena, har vi elsket den kritikerroste artisten. I 2017 fylte han Oslo Spektrum og nå står Telenor Arena for tur når The Weeknd idag bekrefter at han legger Norge til på Europa-turneen 6. november med The After Hours Tour. -Musikken spiller en viktig rolle i tiden vi nå befinner oss i. For oss på Live Nation kontoret så er det godt å se fremover, kunne dele nyheter langt frem i tid, og ikke minst lytte og danse til albumet som The Weeknd leverte sist fredag. Og skal vi tro streaming-tallene er det mange som deler vår begeistring og som gleder seg til å komme sammen igjen, sier Martin Nielsen i Live Nation. Popsensasjonen i verdenstoppen The Weeknd ble raskt en popsensasjon. Han har lykkes stort i å blande en rekke sjangre med sin melankolske stil, «tåkete» produksjoner og tidvis støyende beats. En formel som har resultert i en rekke verdenshits. 7. mars i år gjestet The Weeknd Saturday Night Live, i forkant av sitt nye album, After Hours. Fremføringen av låten Blinding Lights gir en herlig forsmak til artistens liveuttrykk. The Weeknd har nå offentligjort sin verdensomspennende turne The After Hours Tour, som etter planen skal starte i juni 2020. På After Hours Tour vil artisten ha med seg toppmoderne LED og videoproduksjon og en av de mest innovative sceneproduksjonene som er laget for arenakonserter. -Vi trenger å se fremover, ha noe å glede oss over og vi trenger artister som The Weeknd. -
America's National Gallery Of
The First Fifty Years bb_RoomsAtTop_10-1_FINAL.indd_RoomsAtTop_10-1_FINAL.indd 1 006/10/166/10/16 116:546:54 2 ANDREW W. MELLON: FOUNDER AND BENEFACTOR c_1_Mellon_7-19_BLUEPRINTS_2107.indd 2 06/10/16 16:55 Andrew W. Mellon: Founder and Benefactor PRINCE OF Andrew W. Mellon’s life spanned the abolition of slavery and PITTSBURGH invention of television, the building of the fi rst bridge across the Mississippi and construction of Frank Lloyd Wright’s Fallingwater, Walt Whitman’s Leaves of Grass and Walt Disney’s Snow White, the Dred Scott decision and the New Deal. Mellon was born the year the Paris Exposition exalted Delacroix and died the year Picasso painted Guernica. The man was as faceted as his era: an industrialist, a fi nancial genius, and a philanthropist of gar- gantuan generosity. Born into prosperous circumstances, he launched several of America’s most profi table corporations. A venture capitalist before the term entered the lexicon, he became one of the country’s richest men. Yet his name was barely known outside his hometown of Pittsburgh until he became secretary of the treasury at an age when many men retire. A man of myriad accomplishments, he is remem- bered best for one: Mellon founded an art museum by making what was thought at the time to be the single largest gift by any individual to any nation. Few philan- thropic acts of such generosity have been performed with his combination of vision, patriotism, and modesty. Fewer still bear anything but their donor’s name. But Mellon stipulated that his museum be called the National Gallery of Art. -
The Best Art of 2017 by ROBERTA SMITH, HOLLAND COTTER and JASON FARAGO DEC
The Best Art of 2017 By ROBERTA SMITH, HOLLAND COTTER and JASON FARAGO DEC. 6, 2017 The most gripping and engaging art of the year included wild actions, unusual wearables and unexpected materials (like chocolate). Credit Clockwise from top left: 2017 Estate of Ad Reinhardt/Artists Rights Society (ARS), New York. Courtesy David Zwirner, New York/London; Ryan McNamara; Joshua BrIght for The New York Times; Delfino Sisto Legnani and Marco Cappelletti, Fondazione Prada; Mark Wickens for The New York Times; Estate of Belkis Ayón, via Landau Traveling Exhibitions The art critics of The New York Times Roberta Smith, Holland Cotter and Jason Farago share their picks for the best art of the year. Holland Cotter Bad-dream Washington politics. White nationalism. Sexual predation. Add the spectacle of a flatulent art market raking in endless cash, and 2017 feels like a good year to say goodbye to. But there were positive things. The following meant the most to me: The Women’s March in Washington on Jan. 21, a protest that was itself a form of political performance art. Credit Nina Westervelt for The New York Times. 1. THE MARCH If art can be defined as form shaped by the pressure of ideas, beliefs and emotions, the Women’s March last Jan. 21, the day after the inauguration of President Trump, might be seen as the largest work of political performance art ever. Originating as a gesture of mass revulsion, it was deeply felt, smartly choreographed, memorably costumed (“pussy hats”) and emphatically scripted (“Keep your hands off my body”). It continues today on social media (#MeToo), with no end to anger and energy in sight. -
REPORT to DONORS 2006 on Wednesday, April 26, 2006, We Hosted a Civic Reopening Ceremo- April 1, 2005–March 31, 2006 Ny of the Expanded and Renovated Morgan
The Morgan Report to Donors Library & Museum BOARD OF TRUSTEES S. Parker Gilbert, President James R. Houghton, Vice President Richard L. Menschel, Vice President Robert M. Pennoyer, Secretary George L. K. Frelinghuysen, Treasurer William R. Acquavella Rodney B. Berens Mrs. Livio Borghese T. Kimball Brooker Walter Burke Flobelle Burden Davis Geoffrey K. Elliott Mrs. H. J. Heinz II Lawrence Hughes Herbert L. Lucas Mrs. John D. Macomber Charles F. Morgan John A. Morgan Diane A. Nixon Cosima Pavoncelli Peter Pennoyer Cynthia Hazen Polsky Mrs. Oscar de la Renta L. R. Ricciardi James A. Runde James Baker Sitrick Eugene V. Thaw Ladislaus von Hoffmann Jeffrey C. Walker Douglas A. Warner III Baroness Mariuccia Zerilli-Marimò EX OFFICIO Vivien Ranschburg Clark Charles E. Pierce, Jr. Hamilton Robinson, Jr. TRUSTEES EMERITI Mrs. Vincent Astor Haliburton Fales, 2d Cover: Egon Schiele, Frau Dr. List as of March 31, 2006 H[orowitz], 1910; bequest of Fred Ebb Opposite: Pierpont Morgan before an antique marble relief of Antinous at the Villa Albani, Rome, 1907. This is the only known photograph of Morgan regarding an art object. The Morgan Report to Donors Library & Museum Letter from the Director REPORT TO DONORS 2006 On Wednesday, April 26, 2006, we hosted a civic reopening ceremo- April 1, 2005–March 31, 2006 ny of the expanded and renovated Morgan. President of the Board of Trustees, Parker Gilbert, and I, along with architect Renzo Piano, Letter from the Director had the opportunity to thank all those who had contributed to the The Morgan at a Glance transformation of this institution and to express our faith in the Highlights from ‒ future of the Morgan. -
Mayor Peduto's Education Task Force Report
CITY OF PITTSBURGH Mayor Peduto’s Education Task Force Report Policy Recommendations 2/10/2015 The Task Force, which includes members of both governments as well as community leaders, seeks to be the foundation for that united effort to improve of the lives of children and youth in our City, recognizing that the benefits will extend beyond the youngest residents and serve all who live, work and recreate in Pittsburgh. I. Why Collaboration and Why Now? Institutional collaboration, particularly across governments, is critical to improving the quality of services and to creating a more robust and vibrant community. Such collaboration, as distinct from spontaneous and ad hoc collaboration, requires the support of leadership from the governance level through to implementation. When city and school governments have established processes as part of a culture of collaborating with one another, there is a greater likelihood that the wellbeing of those being served – children, youth and adults – are at the center of decision-making rather than casual by-standers. Mayor William Peduto’s Education Task Force (the Task Force) represents a first step of critical collaboration between the two most important governmental institutions in the city: The City of Pittsburgh (the City) and the School District of Pittsburgh (the District), also known as the Pittsburgh Public Schools. From the introduction of the legislation creating the Task Force through each of its meetings, the need for increased, consistent and honest collaboration was the common thread of discussion and a clear desire of all participants. These two independent governments with their legislative and executive branches, their different missions and separate authority to tax, their individual cultures and myriad of contracts, affect the lives of each and every Pittsburgh citizen directly through service provision and indirectly by creating the culture of our community. -
Thanks to Our Donors
Celebrating DONORS and volunteer leadership PHOTO: LISA KYLE 2004 Left to right: Dolly Ellenberg, Vice President, Development; Suzy Broadhurst, Chair, Board of Trustees and Interim President; Maxwell King, President, Heinz Endowments; and Janet Sarbaugh, Program Director of the Heinz Endowments Arts & Culture Program 36 CARNEGIE • SUMMER 2005 Traditionally, the role of museums was primarily to preserve the past. Today, museums —particularly the four Carnegie Museums —play a Some of the key people we must thank for helping us reach these much more important role in people’s lives and in the development achievements are: of the communities they serve. Time after time, our museums amaze • Janie Thompson, chair of the Trustee/Board Annual Giving Fund us with the thought-provoking exhibitions, innovative educational and Development Committee. programs, special events, and community partnerships they develop and the impact they have on our region. • Peter Veeder, chair of the Annual Sustaining Fund. • Ray Steeb and Lou Cestello, co-chairs of the Corporate Yet, none of these things would be possible without the generosity of Committee. our many wonderful supporters, some of whom you’ll read about on the following pages. Carnegie Museums has always been inspired to • Debbie Dick, chair of the Individual Gifts Committee. reach out to the region and do great things by the passionate support These individuals give so much of themselves year after year and truly and strong commitment of our donors —and we’ve thrived as a result. lead by example. We are thankful for their support and friendship. Over the years, one of our most remarkable supporters has also We would also like to take this opportunity to recognize three other been one of our most steadfast: The Heinz Endowments.