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Christian Petzold / Harun Farocki
CHRISTIAN PETZOLD / HARUN FAROCKI LES CINÉMAS DU CENTRE POMPIDOU RÉTROSPECTIVE / EN PRÉSENCE DU CINÉASTE 23 NOVEMBRE 2017 - 14 JANVIER 2018 PETZOLD AVANT-PROPOS SOMMAIRE Christian Petzold est le cinéaste qui a pris en charge la représentation de l’Allemagne contemporaine, jusqu’à l’incarner dans un visage, celui de sa comédienne et égérie, Nina Hoss, comme Fassbinder avait donné à son pays le visage d’Hanna Schygulla dans les années 1970. Depuis ses premiers films au milieu des années 1990, Christian Petzold n’a eu de cesse de radiographier les paysages de cette Allemagne réunifiée, entièrement capitaliste, « d’un non-lieu à un autre non-lieu », et la difficulté à les habiter. L’Ombre de l’enfant (2003), qui a fait de la voiture, • Avant-propos, de Serge Lasvignes, p. 1 au cœur de la société allemande, son ressort dramatique, sillonne la région de Wolfsburg, siège historique des industries Volkswagen – dont le passé nazi plane encore. Yella (2007) se déroule • Regarder l’Allemagne, de Pierre Gras, p. 2-3 dans les couloirs, les lobbies et salles de réunion d’hôtels aseptisés où se négocie âprement • Événements : ouverture, masterclass, séances présentées, p. 4 le financement d’entreprises et se joue leur destin. Avec Barbara (2012) puis Phoenix (2014), Christian Petzold a, dans un mouvement inverse, remonté le passé de l’Allemagne, aux dernières • Rétrospective des films, p. 5-17 années de la RDA pour le premier, à l’immédiat après-guerre dans un Berlin en ruines pour le • Informations pratiques, p. 18 second. Il y cherche, à travers ses personnages féminins à la grandeur et au courage inentamés, • Index des films présentés, p. -
Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
Master Syllabi
PELLISSIPPI STATE TECHNICAL COMMUNITY COLLEGE MASTER SYLLABUS INTRODUCTION TO FILM STUDIES HUM 2810 Class Hours: 3.0 Credit Hours: 3.0 Laboratory Hours: 0.0 Date Revised: Spring 03 Catalog Course Description: An overview of film history using selected world cinema feature films. Basic elements of film expression for understanding and analyzing narrative cinema. Some research is required. Entry Level Standards: Students must be able to read and write at the college level. Prerequisites: None Corequisites: None Textbook(s) and Other Reference Materials Basic to the Course: Text: Understanding Movies Films: in Media Center I. Week/Unit/Topic Basis: Week Topic 1 Note: Different film genres may be studied each semester. The following schedule outlines the classic mystery film genre. Introduction to course and syllabus - Best 100 films- Why study film? Various approaches to film study - Detective/mystery/crime genre in films; Technological factors behind film - Lumiere films (1895) - Melies film (1905); Homework: Read Understanding Movies, pages xi-17 Discuss Film Classification and Shots; Discuss factors in "Formalist Analysis of Classic Film Style "(handout); Screening: Musketeers of Pig Alley (1912, D.W. Griffith) 18 min.; Homework: Read pages 133-154, "Editing" 2 Discuss Continuity and Cutting; "Hollywood Behind the Badge" (police, crime, mystery genre films); Schedule a research paper; Homework: Read 112-123, "The Moving Camera" Oral research report (D.W. Griffith, Buster Keaton, Charlie Chapman); Discuss 7 Moving Camera Shots, etc.; Screening: -
Conserve Water
YEAR ZERO: 1977-2017 THE CLASH @ TCD 21 OCTOBER 2017 EXAMINATIONS HALL, TCD DON LETTS Don Letts is a filmmaker, DJ and musician whose association with The Clash goes back over 40 years. As DJ at the Roxy, he is credited with introducing reggae to punk rock fans. A founding member of Big Audio Dynamite with Clash guitarist Mick Jones, he has released numerous compilation albums and directed a variety of films and documentaries. In 2003 he won a Grammy for his Clash documentary Westway to the World. He released his autobiography Culture Clash: Dread Meets Punk Rockers in 2007. JJuliUen TLemIpEle Nis a feTatuEre Mfilm,P doLcuEmentary and music video director. He started his career with the short documentary Sex Pistols Number 1 and went on to make feature length documentaries on the Sex Pistols, Dr. Feelgood, Dave Davies and Joe Strummer, as well as the movies Absolute Beginners, Earth Girls Are Easy, Bullet with Mickey Rourke and Tupac Shakur, and Pandaemonium. His film The Clash: New Year’s Day ’77 captured the moment when punk emerged into the mainstream consciousness. JOHNNY GREEN Starting out as a roadie for the Sex Pistols, Green became The Clash’s Tour Manager – his first ever show in this capacity was the Trinity College Dublin gig in 1977. He went on to tour the USA with The Clash three times, appears extensively in the Rude Boy film and is the author of A Riot of Our Own: Night and Day with The Clash recounting his experiences.. ROBIN BANKS Robin James Banks was a friend and confidante to The Clash throughout their career. -
Journal of Religion & Society
Journal of Religion & Society Volume 6 (2004) ISSN 1522-5658 David, Mickey Mouse, and the Evolution of an Icon1 Lowell K. Handy, American Theological Library Association Abstract The transformation of an entertaining roguish figure to an institutional icon is investigated with respect to the figures of Mickey Mouse and the biblical King David. Using the three-stage evolution proposed by R. Brockway, the figures of Mickey and David are shown to pass through an initial entertaining phase, a period of model behavior, and a stage as icon. The biblical context for these shifts is basically irretrievable so the extensive materials available for changes in the Mouse provide sufficient information on personnel and social forces to both illuminate our lack of understanding for changes in David while providing some comparative material for similar development. Introduction [1] One can perceive a progression in the development of the figure of David from the rather unsavory character one encounters in the Samuel narratives, through the religious, righteous king of Chronicles, to the messianic abstraction of the Jewish and Christian traditions.2 The movement is a shift from “trickster,” to “Bourgeoisie do-gooder,” to “corporate image” proposed for the evolution of Mickey Mouse by Robert Brockway.3 There are, in fact, several interesting parallels between the portrayals of Mickey Mouse and David, but simply a look at the context that produced the changes in each character may help to understand the visions of David in three surviving biblical textual traditions in light of the adaptability of the Mouse for which there is a great deal more contextual data to investigate. -
Recommended Films: a Preparation for a Level Film Studies
Preparation for A-Level Film Studies: First and foremost a knowledge of film is needed for this course, often in lessons, teachers will reference films other than the ones being studied. Ideally you should be watching films regularly, not just the big mainstream films, but also a range of films both old and new. We have put together a list of highly useful films to have watched. We recommend you begin watching some these, as and where you can. There are also a great many online lists of ‘greatest films of all time’, which are worth looking through. Citizen Kane: Orson Welles 1941 Arguably the greatest film ever made and often features at the top of film critic and film historian lists. Welles is also regarded as one the greatest filmmakers and in this film: he directed, wrote and starred. It pioneered numerous film making techniques and is oft parodied, it is one of the best. It’s a Wonderful Life: Frank Capra, 1946 One of my personal favourite films and one I watch every Christmas. It’s a Wonderful Life is another film which often appears high on lists of greatest films, it is a genuinely happy and uplifting film without being too sweet. James Stewart is one of the best actors of his generation and this is one of his strongest performances. Casablanca: Michael Curtiz, 1942 This is a masterclass in storytelling, staring Humphrey Bogart and Ingrid Bergman. It probably has some of the most memorable lines of dialogue for its time including, ‘here’s looking at you’ and ‘of all the gin joints in all the towns in all the world, she walks into mine’. -
In 1925, Eight Actors Were Dedicated to a Dream. Expatriated from Their Broadway Haunts by Constant Film Commitments, They Wante
In 1925, eight actors were dedicated to a dream. Expatriated from their Broadway haunts by constant film commitments, they wanted to form a club here in Hollywood; a private place of rendezvous, where they could fraternize at any time. Their first organizational powwow was held at the home of Robert Edeson on April 19th. ”This shall be a theatrical club of love, loy- alty, and laughter!” finalized Edeson. Then, proposing a toast, he declared, “To the Masquers! We Laugh to Win!” Table of Contents Masquers Creed and Oath Our Mission Statement Fast Facts About Our History and Culture Our Presidents Throughout History The Masquers “Who’s Who” 1925: The Year Of Our Birth Contact Details T he Masquers Creed T he Masquers Oath I swear by Thespis; by WELCOME! THRICE WELCOME, ALL- Dionysus and the triumph of life over death; Behind these curtains, tightly drawn, By Aeschylus and the Trilogy of the Drama; Are Brother Masquers, tried and true, By the poetic power of Sophocles; by the romance of Who have labored diligently, to bring to you Euripedes; A Night of Mirth-and Mirth ‘twill be, By all the Gods and Goddesses of the Theatre, that I will But, mark you well, although no text we preach, keep this oath and stipulation: A little lesson, well defined, respectfully, we’d teach. The lesson is this: Throughout this Life, To reckon those who taught me my art equally dear to me as No matter what befall- my parents; to share with them my substance and to comfort The best thing in this troubled world them in adversity. -
PDF Download Buster Keaton : the Persistence of Comedy Ebook Free
BUSTER KEATON : THE PERSISTENCE OF COMEDY PDF, EPUB, EBOOK Imogen Sara Smith | 284 pages | 24 Nov 2013 | Createspace Independent Publishing Platform | 9781494285593 | English | none Buster Keaton : The Persistence of Comedy PDF Book For the businessmen who were to make the final decision, one fact loomed above all others: features made more money. What about when the door hits him and he walks up and down holding his face? She has written on topics ranging from photography and painting to cinema history. Schenck Director: Edward F. The best book on Keaton in print-- and I've read most of them. Options as a Strategic Investment by Lawrence G. Dark Passages Hotel Noir From the squalid to the generic, cheap hotels serve as a quintessential habitat for the lonely, transitory people in crime cinema. Opposing qualities of irony and sweetness, logic and absurdity, passion and impassiveness don't just coexist in Keaton's films and character, they are fused so completely that it is impossible to see where one ends and the other begins. He briefly launches into an Erich von Stroheim impression during one of these scenes. Trade Paperback Books. Subscribe today. Yes it's magic but it's not often a good biography because it can be fawning, obsequious or just plain sickening. In addition, the two codirected The Rough House , a comedy short in which they also starred. Show More Show Less. Please refer to the appropriate style manual or other sources if you have any questions. Hart and, well, I am a bit annoyed. At least, this is how it has appeared to scholars. -
The Last Days of Buster Keaton John C. Tibbetts
Fall 1995 79 The Hole in the Doughnut: The Last Days of Buster Keaton John C. Tibbetts In the Fall of 1995 Eleanor Norris Keaton will come to Kansas to celebrate the 100th birthday of her late husband.1 Part of an extensive itinerary that also takes her to other centenary observances in New York, Muskegon, Michigan, and Los Angeles, the Kansas trip is particularly poignant. Keaton was born on October 4,1895, in the tiny farm community of Piqua, in southeast Kansas, while his parents were performing with a medicine show.2 Although he may have been a Kansan only through sheer accident of circumstances—the baby and his mother remained in Piqua only two weeks before rejoining the troupe on the road—he returned there many times as a child on tour with his parents.3 Later, the classic slapstick comedian paid tribute to his home state in many of the themes and situations of his best films, most notably in the cyclone sequence in Steamboat Bill, Jr. (1928). To my mind, even his trademark "deadly horizontal" hat (as James Agee described it) evokes the stark flatness of the Kansas prairies.4 While the Keaton phenomenon will be fully explored throughout the centenary year, Eleanor herself should not be forgotten. By all accounts, she was an important force in Buster's later years. "She has seen Buster Keaton through a long period of painful adjustment, relapse, and readjustment and a dozen partial comebacks," wrote Rudi Blesh, shortly before Buster's death on February 1,1966. "She has carried him, content and at times happy, across the threshold of his seventies. -
Forgotten Film. Teaching Notes
FORGOTTEN FILM FROM BEGINNINGS TO “TALKIES ” TEACHING NOTES UNIT 1 FORGOTTEN FILM: FROM BEGINNINGS TO "TALKIES" de Rosa Maria Andrés Blanch està subjecta a una llicència de Reconeixement-NoComercial-SenseObraDerivada 3.0 No adaptada de Creative Commons http://creativecommons.org/licenses/by-nc-nd/3.0/ TOPIC: FORGOTTEN FILM. FROM BEGINNINGS TO “TALKIES” UNIT 1: PRECINEMA INTRODUCTION Timing :1h INTRODUCTION AIMS: Predicting and activating prior knowledge about Cinema and English language. UNIT 1. ACTIVITY 1. INTRODUCTION MANAGEMENT/PROCEDURE RESOURCES • Students work first individually and then in pairs to compare and share information. Student’s Workbook • There is no need to correct it. Page 2 INTRODUCTION UNIT 1. ACTIVITY 2. INTRODUCTION MANAGEMENT/PROCEDURE RESOURCES • Students work first individually and then in pairs. • Students ask their partners how often they go to the cinema. • ANSWER KEY: I go to the never He/She goes cinema a week to the once I go a month cinema twice a year Student’s Workbook three Page 3 a week to the four He/She goes times a month cinema five a year more than five • Ask the students to read answers in plenary. • Correct students spelling and write answers on the board. Rosa Maria Andrés Blanch 2011 IES VIlatzara 1 FORGOTTEN FILM FROM BEGINNINGS TO “TALKIES ” TEACHING NOTES UNIT 1 INTRODUCTION UNIT 1. ACTIVITY 3. INTRODUCTION MANAGEMENT/PROCEDURE RESOURCES • Students work first individually and then in pairs to compare and share information. • WORDSEARCH. There are 10 words related to cinema. • ANSWER KEY R T F G W S M Q S A R V D G R H D P I O J G F I X S A D I F G H V J K S C A M E R A S G C I P U Student’s Workbook V N E Z E S V B N L E A Page 4 B I F H C J U Y P L E L N M R S T O R Y F U B E Power Point Y A N S O A Z X F S V F UNIT1:Precinema U T B G R Q O S A I X F Slide 1: Wordsearch O I D F G E U J K O A E Slide 2: Key to L O T S C E N E O N L C wordsearch M N E G H J K W A C M S R E C O R D I N G F A J Across : cameras, story, scene, recording. -
Welt of DRAGON GATE Unter Eigentümlich Anmutendes Bewusst- Verleihung Am 14.2
24 DER TAGESSPIEGEL BERLINALE NR. 21 232 / MITTWOCH, 1. FEBRUAR 2012 25 DAS HAUPTPROGRAMM DES FESTIVALS 24 Filme im Wettbewerb, außer Konkurrenz und in Sondervorführungen LES ADIEUX À LA REINE WETTBEWERB Von Müttern, Leibärzten Letztes Jahr raste Diane Kruger (Foto, AUSSER KONKURRENZ Hier vor allem tummeln sich Stars. Ovationen rechts) als furchtlose Taxifahrerin Früh und Kindersoldaten: 18 Filme, darunter drei deutsche, durch den Wettbewerbsthriller In Hollywood- und Martial-Arts-Produktionen – „Unknown Identity“. Jetzt kommt die und konkurrieren um den Goldenen Bären Blick in 35-Jährige als Königin Marie und in Historienfilmen, die im Kostümrausch schwelgen übt Antoinette zurück in den Berlinale- Palast. Benoît Jacquots Eröffnungs- GNADE die film spielt im Juli 1789 während des EXTREMELY LOUD AND Oasen Zum dritten Mal nach „Der freie Wille“ und Ausbruchs der Französischen Revolu- INCREDIBLY CLOSE sich „This is Love“ spielt Jürgen Vogel die Haupt- tion. Am Hof Ludwig XVI. in Versailles Stephen Daldry („The Hours“) hat den gleich- rolle in einem Drama von Matthias Glasner. macht sich Nervosität breit. Auch namigen Roman von Jonathan Safran Foer Ein EHRENBÄR Zentrale Themen sind wieder Schuld, Marie Antoinette trifft Vorkehrungen verfilmt: Es geht um den neunjährigen Oskar RETROSPEKTIVE für Meryl Streep, Sühne und Vergebung. Vogel verkörpert für den Ernstfall: Sie befiehlt der ihr Schnell (Thomas Horn, Foto rechts). Dessen „Meschrabpom – den deutschen Ingenieur Niels, der zusam- nahe stehenden Vorleserin Sidonie Vater (Tom Hanks, links) kommt beim Angriff drei Berlinale-Kameras, men mit seiner Frau Maria und dem gemein- Laborde, in ihren Kleidern in eine auf das World Trade Center am 11. September Die rote Traumfabrik“ samen Sohn im norwegischen Hammerfest Kutsche zu steigen und davonzufah- 2001 ums Leben. -
Stories for a Global Audience
T:225 mm C A N A D A T:290 mm + Y O U STORIES Talent and stories that are far reaching. = Canada has a wealth of talent, stunning FOR A locations and many funding options to help create stories that appeal to audiences GLOBAL around the world. Work with Canada and leverage business opportunities that can AUDIENCE take your next project to a new place. Discover more at CMF-FMC.CA Brought to you by the Government of Canada and Canada’s cable, satellite and IPTV distributors. WWW.PRENSARIO.TV WWW.PRENSARIO.TV CMF_20128_Prensario_FP_SEPT13_Ad_FNL.indd 1 2019-09-11 4:34 PM Job # CMF_20128 File Name CMF_20128_Prensario_FP_SEPT13_Ad_FNL.indd Modified 9-11-2019 4:34 PM Created 9-11-2019 4:34 PM Station SOS Daniel iMac Client Contact Emmanuelle Publication Prensario CMYK Helvetica Neue LT Std Designer Shravan Insertion Date September 13, 2019 Production Sarah Ad Due Date September 13, 2019 INKS Account Manager Sarah Bleed 235 mm x 300 mm FONTS PERSONNEL Production Artist Daniel SPECIFICATIONS Trim 225 mm x 290 mm Comments None Safety 205 mm x 270 mm 64x60 WWW.PRENSARIO.TV WWW.PRENSARIO.TV Live: 205 Trim: 225 Bleed: 235 //// COMMENTARY NICOLÁS SMIRNOFF Mipcom: Truth or Dare Prensario International ©2018 EDITORIAL PRENSARIO SRL PAYMENTS TO THE ORDER OF EDITORIAL PRENSARIO SRL OR BY CREDIT CARD. REGISTRO NACIONAL DE DERECHO DE AUTOR Nº 10878 Mipcom 2018 is again the main content event Also through this print issue, you will see ‘the Argentina: Lavalle 1569, Of. 405 of the year, with about 13,000 participants, newest of the newest’ about trends: strategies, C1048 AAK 4,000 buyers and almost 2000 digital buyers.