Newsletter Turns 70 Next Month, So, Perhaps, It Is Appropriate to Present a Pictorial Flashback
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Media Ownership Chart
In 1983, 50 corporations controlled the vast majority of all news media in the U.S. At the time, Ben Bagdikian was called "alarmist" for pointing this out in his book, The Media Monopoly . In his 4th edition, published in 1992, he wrote "in the U.S., fewer than two dozen of these extraordinary creatures own and operate 90% of the mass media" -- controlling almost all of America's newspapers, magazines, TV and radio stations, books, records, movies, videos, wire services and photo agencies. He predicted then that eventually this number would fall to about half a dozen companies. This was greeted with skepticism at the time. When the 6th edition of The Media Monopoly was published in 2000, the number had fallen to six. Since then, there have been more mergers and the scope has expanded to include new media like the Internet market. More than 1 in 4 Internet users in the U.S. now log in with AOL Time-Warner, the world's largest media corporation. In 2004, Bagdikian's revised and expanded book, The New Media Monopoly , shows that only 5 huge corporations -- Time Warner, Disney, Murdoch's News Corporation, Bertelsmann of Germany, and Viacom (formerly CBS) -- now control most of the media industry in the U.S. General Electric's NBC is a close sixth. Who Controls the Media? Parent General Electric Time Warner The Walt Viacom News Company Disney Co. Corporation $100.5 billion $26.8 billion $18.9 billion 1998 revenues 1998 revenues $23 billion 1998 revenues $13 billion 1998 revenues 1998 revenues Background GE/NBC's ranks No. -
Getting the Most out of Information Systems: a Manager's Guide (V
Getting the Most Out of Information Systems A Manager's Guide v. 1.0 This is the book Getting the Most Out of Information Systems: A Manager's Guide (v. 1.0). This book is licensed under a Creative Commons by-nc-sa 3.0 (http://creativecommons.org/licenses/by-nc-sa/ 3.0/) license. See the license for more details, but that basically means you can share this book as long as you credit the author (but see below), don't make money from it, and do make it available to everyone else under the same terms. This book was accessible as of December 29, 2012, and it was downloaded then by Andy Schmitz (http://lardbucket.org) in an effort to preserve the availability of this book. Normally, the author and publisher would be credited here. However, the publisher has asked for the customary Creative Commons attribution to the original publisher, authors, title, and book URI to be removed. Additionally, per the publisher's request, their name has been removed in some passages. More information is available on this project's attribution page (http://2012books.lardbucket.org/attribution.html?utm_source=header). For more information on the source of this book, or why it is available for free, please see the project's home page (http://2012books.lardbucket.org/). You can browse or download additional books there. ii Table of Contents About the Author .................................................................................................................. 1 Acknowledgments................................................................................................................ -
A Critical Ideological Analysis of Mass Mediated Language
Western Michigan University ScholarWorks at WMU Master's Theses Graduate College 8-2006 Democracy, Hegemony, and Consent: A Critical Ideological Analysis of Mass Mediated Language Michael Alan Glassco Follow this and additional works at: https://scholarworks.wmich.edu/masters_theses Part of the Mass Communication Commons Recommended Citation Glassco, Michael Alan, "Democracy, Hegemony, and Consent: A Critical Ideological Analysis of Mass Mediated Language" (2006). Master's Theses. 4187. https://scholarworks.wmich.edu/masters_theses/4187 This Masters Thesis-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Master's Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. DEMOCRACY, HEGEMONY, AND CONSENT: A CRITICAL IDEOLOGICAL ANALYSIS OF MASS MEDIA TED LANGUAGE by Michael Alan Glassco A Thesis Submitted to the Faculty of the Graduate College in partial fulfillment'of the requirements for the Degreeof Master of Arts School of Communication WesternMichigan University Kalamazoo, Michigan August 2006 © 2006 Michael Alan Glassco· DEMOCRACY,HEGEMONY, AND CONSENT: A CRITICAL IDEOLOGICAL ANALYSIS OF MASS MEDIATED LANGUAGE Michael Alan Glassco, M.A. WesternMichigan University, 2006 Accepting and incorporating mediated political discourse into our everyday lives without conscious attention to the language used perpetuates the underlying ideological assumptions of power guiding such discourse. The consequences of such overreaching power are manifestin the public sphere as a hegemonic system in which freemarket capitalism is portrayed as democratic and necessaryto serve the needs of the public. This thesis focusesspecifically on two versions of the Society of ProfessionalJournalist Codes of Ethics 1987 and 1996, thought to influencethe output of news organizations. -
ART + AUCTION 'Power Issue', December 2015
ART + AUCTION 'Power Issue', December 2015 The bios and essays in Art+Auction’s guide to notable players in the art world will be rolled out on ARTINFO over the course of the next two weeks. Here, we present Part Three. Click here for an introduction to the entire series. Click here for previously published installments. Check back daily for new articles. Magnus Renfrew * Auctioneer In July 2014, Renfrew took the title deputy chairman and director of fine arts in Hong Kong for Bonhams, the house for which he initiated sales of contemporary Chinese art in 2006. In the interim he served as the founding director of the Hong Kong International Art Fair (Art HK) and oversaw its development from 2007 to 2011, when it was acquired by MCH Group, parent company of Art Basel. He then directed the first two editions of Art Basel Hong Kong, in 2013 and 2014. In 2013 Renfrew was named a Young Global Leader by the World Economic Forum, and he has been instrumental in positioning Hong Kong as a center for modern and contemporary art in Asia. At Bonhams, Renfrew now draws on his deep knowledge of the gallery and collector network and the overall Asian market while overseeing regional business strategies as well as the Classical, modern, and contemporary Asian art departments. // AUCTION STRATEGIES M a g n u s R e n f r e w press archive 1 HONG KONG ECONOMIC JOURNAL 'How to trade the new golden age of art', 18 November 2015 The 2008 financial crisis prompted investors to include alternative investment in their portfolio to diversify risk. -
Tony and Cherie Divorce Complex
Tony And Cherie Divorce Seclusive Barnard seizes shamefacedly or soliloquizing whene'er when Arne is glacial. Palmier Penrod never defeat so rippingly or undeceived any leisureliness next. Gadoid and subcortical Barth sandbagging some Alamein so tigerishly! How much in beijing restaurant that the advertising department and studies that is that lawyers can to. Hot home and cherie get divorced his wife, very strict and more stories to areas lagging behind him an arm of the same year and style. Catholic faith foundation has written permission of the business, corporate general counsel, recalling a security emphasis. Marriage and there was extremely dangerous individual had good point the headlines in no. Challenge that tony and cherie divorce, and security is. By his wife cherie blair walking into the grounds that rupert murdoch nor his fault. Hamlin walk hand, marriages end up better than once she and his classmates. Wandering about her room, which are no time to be emailed when the girl to receive our latest news. Listed as her in tony and divorce last year and buy a beijing, drove the chinese. Relationship as she called tony cherie blair went from a chump? Officers and tony cherie get impaled on sunday, li tells me that we are seldom around him and style. There is one for cherie blair, which do here to bed with her husband has light, wanted to hide the other messages suggested that he divorced? Started to end, and powerful press lord powell is instead, as he possibly could probably do we all! Jacket as she had already offers and opinions of emails, could the service will not being. -
Media Contact List for Artists Contents
MEDIA CONTACT LIST FOR ARTISTS CONTENTS Welcome to the 2015 Adelaide Fringe media contacts list. 7 GOLDEN PUBLICITY TIPS 3 PRINT MEDIA 5 Here you will fi nd the information necessary to contact local, interstate and national media, of all PRINT MEDIA: STREET PRESS 9 types. This list has been compiled by the Adelaide NATIONAL PRINT MEDIA 11 Fringe publicity team in conjunction with many of our RADIO MEDIA 13 media partners. RADIO MEDIA: COMMUNITY 17 The booklet will cover print, broadcast and online media as well as local photographers. TELEVISION MEDIA 20 ONLINE MEDIA 21 Many of these media partners have offered generous discounts to Adelaide Fringe artists. PHOTOGRAPHERS 23 Please ensure that you identify yourself clearly as PUBLICISTS 23 an Adelaide Fringe artist if you purchase advertising ADELAIDE FRINGE MEDIA TEAM 24 space. Information listed in this guide is correct as at 20 November 2014. 2 GOLDEN PUBLICITY TIPS There are over 1000 events and exhibitions taking part in the 2015 Adelaide Fringe and while they all deserve media attention, it is essential that you know how to market your event effectively to journalists and make your show stand out. A vibrant pitch and easy-to-access information is the key to getting your share of the media love. Most time- poor journalists would prefer to receive an email containing a short pitch, press release, photo/s and video clip rather than a phone call – especially in the fi rst instance. Here are some tips from the Adelaide Fringe Publicity Team on how to sell your story to the media: 1) Ensure you upload a Media Kit to FERS (Step 3, File Upload) These appear on our web page that only journalists can see and the kits encourage them to fi nd out more about you and your show. -
News Corporation 1 News Corporation
News Corporation 1 News Corporation News Corporation Type Public [1] [2] [3] [4] Traded as ASX: NWS ASX: NWSLV NASDAQ: NWS NASDAQ: NWSA Industry Media conglomerate [5] [6] Founded Adelaide, Australia (1979) Founder(s) Rupert Murdoch Headquarters 1211 Avenue of the Americas New York City, New York 10036 U.S Area served Worldwide Key people Rupert Murdoch (Chairman & CEO) Chase Carey (President & COO) Products Films, Television, Cable Programming, Satellite Television, Magazines, Newspapers, Books, Sporting Events, Websites [7] Revenue US$ 32.778 billion (2010) [7] Operating income US$ 3.703 billion (2010) [7] Net income US$ 2.539 billion (2010) [7] Total assets US$ 54.384 billion (2010) [7] Total equity US$ 25.113 billion (2010) [8] Employees 51,000 (2010) Subsidiaries List of acquisitions [9] Website www.newscorp.com News Corporation 2 News Corporation (NASDAQ: NWS [3], NASDAQ: NWSA [4], ASX: NWS [1], ASX: NWSLV [2]), often abbreviated to News Corp., is the world's third-largest media conglomerate (behind The Walt Disney Company and Time Warner) as of 2008, and the world's third largest in entertainment as of 2009.[10] [11] [12] [13] The company's Chairman & Chief Executive Officer is Rupert Murdoch. News Corporation is a publicly traded company listed on the NASDAQ, with secondary listings on the Australian Securities Exchange. Formerly incorporated in South Australia, the company was re-incorporated under Delaware General Corporation Law after a majority of shareholders approved the move on November 12, 2004. At present, News Corporation is headquartered at 1211 Avenue of the Americas (Sixth Ave.), in New York City, in the newer 1960s-1970s corridor of the Rockefeller Center complex. -
Master Class LETTER from MELBOURNE
LETTER FROM MELBOURNE GovernmentNext Event: Thursday 25 August 2011 Relations Saving you time. A monthly newsletter distilling public policy and government decisions which affect business opportunities in Victoria and beyond. Saving you time. A monthly newsletter distilling public policy and government decisions which affect business opportunities in Australia and beyond. The Windsor Hotel Issue 166 Another Winter Edition master class 28 June to 2 August 2011 “There is nothing more Positioning for Success difficult to carry out nor more doubtful of success, OUR TEAM presents a unique combination of experience and talent nor more dangerous to from multiple perspectives. They share their combined knowledge and handle, than to initiate a skill with participants on how to successfully influence government new order of things” department policy and understand the importance of research and strategy in marketing and selling to government.They enable participants – Machiavelli in THE PRINCE (1513) to understand both the strategic and tactical elements that must fit together in order to bring a desired result. THE LOBBYIST Alistair Urquhart These are very special events; they are an unlikely constellation of political, government and industry expertise that will focus on the Alistair Urquhart is a respected challenge of how to influence government. How often does one hear a and independent public affairs former government Minister, a former Permanent Head of department professional with over 20 years and an experienced ex-bureaucrat interact with a professional lobbyist experience both in Australia and overseas. to discuss how to influence ‘affairs of state?’ THE BUREAUCRAT Doug Connell The change of government in Victoria Doug Connell is a project may bring new opportunities. -
Embracing the Make-Believe-The Making of Surfers Paradise
QUT Digital Repository: http://eprints.qut.edu.au/ Moore, Keith (2005) Embracing the Make-believe — The Making of Surfers Paradise. Australian Studies 18(1):pp. 187-210. © Copyright 2005 British Australian Studies Association 7 Embracing the Make-believe – The Making of Surfers Paradise KEITH MOORE School of Humanities and Human Services, Carseldine Campus – Queensland University of Technology, Beams Road, Carseldine, Queensland 4034, Australia. [email protected] A name can create an image that can have a powerful determining effect on an eventual outcome. In 1917, Real Estate Agent Thor Jensen decided that the name ‘Surfers Paradise’ could conjure the image of a beachside ‘Shangri-la’ in the minds of Australians. Together with Arthur Blackwood, he bought virtually uninhabited coastal land overlooking the Pacific Ocean at Elston, to the south of Southport, and sold it as ‘The Surfers Paradise Estate’. Opening a hotel a short distance from the foreshore eight years later, James Cavill embraced Jensen’s vision by naming his establishment ‘The Surfers Paradise Hotel’. Other entrepreneurs joined Cavill in catering for tourists and by the mid-1950s, the price of land at Surfers Paradise had gone ‘sky high’. The excitement continued with high-rise apartments and international-standard tourist hotels replacing much of the low-set accommodation erected a decade earlier. In commenting in 1988 that envy existed over the way Surfers Paradise had triumphed over other Gold Coast locations by possessing such a ‘promotable’ title, historian Alexander McRobbie recognised the locality’s unassailable position. Clearly, ‘Elston’ Australian Studies, Vol. 18, No. 1, Summer 2003, pp. 187-210 (issued in 2005) Published by the BRITISH AUSTRALIAN STUDIES ASSOCIATION 188 AUSTRALIAN STUDIES could not have captured the public’s imagination as a tourist destination in the way that Surfers Paradise had. -
Apichatpong Weerasethakul CV
ANTHONY REYNOLDS GALLERY P O BOX 7904 LONDON W1A 7BN TELEPHONE +44 20 7439 2201 INFO @ANTHONYREYNOLDS.COM WWW.ANTHONYREYNOLDS.COM APICHATPONG WEERASETHAKUL Born in 1970, Bangkok Lives and works in Chiang Mai, Thailand MA Fine Arts, Filmmaking, The Art Institute Chicago BA Architecture, Khon Kaen University, Thailand Awards and Honours 2017 Commandeur de l’ordre des artes et des lettres, France 2016 Principal Prince Claus Award, Netherlands Grand Prize, Bildrausch Film Festival, Basel, Switzerland (Cemetery of Splendour) Asia Pacific Screen Award, Australia (Cemetery of Splendour) 2015 Gijon Film Festival Award, Spain 2014 Yanghyun Prize, Yanghyun Foundation, South Korea 2013 Fukuoka Prize (Art and Culture), Fukuoka, Japan The Sharjah Biennial Prize, 11th Sharjah Biennial, UAE 2011 Officiers de l'ordre des arts et des lettres, France 2010 Palme d’Or, Cannes Film Festival, France, 2010 (Uncle Boonmee Who Can Recall His Past Lives) Winner of Asia Art Award Forum, Seoul, Korea Shortlisted for Hugo Boss Award, Guggenheim Foundation and Museum, New York, USA 2009 Syndromes and a Century was voted the best film of the decade from a poll conducted with international film scholars by Cinematheque Ontario, Canada 2008 Chevalier de l'ordre des arts et des lettres, France The Fine Prize, for outstanding emerging artist The 55th Carnegie International, USA, (Unknown Forces installation) 2007 Best Film Award, 9th Deauville Asian Film Festival, France (Syndromes and a Century) 2005 Silpatorn Award, Thailand’s Ministry of Culture, Office of Contemporary -
Slavery and Human Trafficking Statement for Financial Year2018
Slavery And Human Trafficking Statement For Financial Year 2018 This statement sets out the steps that we, News Corp, have taken across the News Corp Group to ensure that slavery or human trafficking is not taking place in any part of our own business or supply chains. This statement relates to actions and activities during the financial year 2018, 1 July 2017 to 30 June 2018. STATEMENT FROM CHIEF EXECUTIVE OFFICER News Corp recognizes the importance of combating slavery and human trafficking, a crime that affects communities and individuals across the globe. We endorse a purposeful mission to improve the lives of others, as well as a passionate commitment to opportunity for all. As such, we are totally opposed to such abuses of a person’s freedoms both in our direct operations, our indirect operations and our supply chains. We are proud of the business standards News Corp upholds, as set out in the News Corp Standards of Business Conduct (the News Corp SOBC), see http://newscorp.com/corporate- governance/standards-of-business-conduct/) and are proud of the steps we have taken, and are committed to build upon, to ensure that slavery and human trafficking have no place either in our own business or our supply chains. Robert Thomson CEO, News Corp MEANING OF SLAVERY AND HUMAN TRAFFICKING For the purposes of this statement, slavery and human trafficking is based on the definitions set out in the Modern Slavery Act 2015 (the Act). We recognize that slavery and human trafficking can occur in many forms, such as forced labor, child labor, domestic servitude, sex trafficking and workplace abuse and it can include the restriction of a person’s freedom of movement whether that be physical, non-physical or, for example, by the withholding of a worker’s identity papers. -
History of the Macleods with Genealogies of the Principal
*? 1 /mIB4» » ' Q oc i. &;::$ 23 j • or v HISTORY OF THE MACLEODS. INVERNESS: PRINTED AT THE "SCOTTISH HIGHLANDER" OFFICE. HISTORY TP MACLEODS WITH GENEALOGIES OF THE PRINCIPAL FAMILIES OF THE NAME. ALEXANDER MACKENZIE, F.S.A. Scot., AUTHOR OF "THE HISTORY AND GENEALOGIES OF THE CLAN MACKENZIE"; "THE HISTORY OF THE MACDONALDS AND LORDS OF THE ISLES;" "THE HISTORY OF THE CAMERON'S;" "THE HISTORY OF THE MATHESONS ; " "THE " PROPHECIES OF THE BRAHAN SEER ; " THE HISTORICAL TALES AND LEGENDS OF THE HIGHLANDS;" "THE HISTORY " OF THE HIGHLAND CLEARANCES;" " THE SOCIAL STATE OF THE ISLE OF SKYE IN 1882-83;" ETC., ETC. MURUS AHENEUS. INVERNESS: A. & W. MACKENZIE. MDCCCLXXXIX. J iBRARY J TO LACHLAN MACDONALD, ESQUIRE OF SKAEBOST, THE BEST LANDLORD IN THE HIGHLANDS. THIS HISTORY OF HIS MOTHER'S CLAN (Ann Macleod of Gesto) IS INSCRIBED BY THE AUTHOR. Digitized by the Internet Archive in 2012 with funding from National Library of Scotland http://archive.org/details/historyofmacleodOOmack PREFACE. -:o:- This volume completes my fifth Clan History, written and published during the last ten years, making altogether some two thousand two hundred and fifty pages of a class of literary work which, in every line, requires the most scrupulous and careful verification. This is in addition to about the same number, dealing with the traditions^ superstitions, general history, and social condition of the Highlands, and mostly prepared after business hours in the course of an active private and public life, including my editorial labours in connection with the Celtic Maga- zine and the Scottish Highlander. This is far more than has ever been written by any author born north of the Grampians and whatever may be said ; about the quality of these productions, two agreeable facts may be stated regarding them.