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APRIL 2011 || the Magazine of the Community Broadcasting Association of Australia
APRIL 2011 || The Magazine of the Community Broadcasting Association of Australia ON AIR A Local Focus || Dispute Resolution Initiative || Social Networking 101 We have lift off... 36 metro-wide CBX is the triennial magazine of the Community Broadcasting community radio Association of Australia. stations officially CBX is mailed to CBAA members launch their and stakeholders. Subscribe to CBX by emailing: digital services! [email protected] CBX is also available online at: www.cbaa.org.au/cbx By > Adrian Basso Follow us on Twitter: CBAA President @_CBX_ Like us on Facebook: CBX We have lift off! From April, across Australia, 36 metro-wide community EDITOR: radio stations will officially launch their digital services. Nell Greco Ph 02 9310 2999 This marks a new era for community radio and, just like the lunar landing, Email [email protected] it has not occurred by chance or overnight. It has involved many years of lobbying, planning, negotiations, wading through complex legislation and GRAPHIC DESIGN: contracts and considerable determination to ensure community broadcasters’ birdcreative Judith Martinez participation in the digital radio framework. & Kasia Froncek www.birdcreative.com.au The implementation of digital radio in the five mainland capital cities is the first stage of the digital radio roll out. The CBAA will continue to advocate SUBMISSIONS: and negotiate for the inclusion of all community broadcasters as digital radio Email articles and images develops. to [email protected] Minister Conroy’s article, on page nine, acknowledges both the Federal ADVERTISING: For all advertising enquiries Government’s recognition of our contribution to Australian cultural life and its please contact the Editor. -
Member for Wakefield South Australia
Conference delegates 2016 *Asterisks identify the recipients of the 2016 Crawford Fund Conference Scholarships ACHITEI, Simona Scope Global ALDERS, Robyn The University of Sydney ANDERSON AO, John The Crawford Fund NSW ANDREW AO, Neil Murray-Darling Basin Authority ANGUS, John CSIRO Agriculture *ARIF, Shumaila Charles Sturt University ARMSTRONG, Tristan Australian Government Department of Foreign Affairs & Trade ASH, Gavin University of Southern Queensland ASTORGA, Miriam Western Sydney University AUGUSTIN, Mary Ann CSIRO *BAHAR, Nur The Australian National University BAILLIE, Craig The National Centre for Engineering in Agriculture (NCEA), University of Southern Queensland *BAJWA, Ali School of Agriculture & Food Sciences, The University of Queensland BARLASS, Martin Plant Biosecurity Cooperative Research Centre BASFORD, Kaye The Crawford Fund *BEER, Sally University of New England, NSW *BENYAM, Addisalem Central Queensland University BERRY, Sarah James Cook University / CSIRO *BEST, Talitha Central Queensland University BIE, Elizabeth Australian Government Department of Agriculture & Water Resources BISHOP, Joshua WWF-Australia BLACKALl, Patrick The University of Queensland *BLAKE, Sara South Australian Research & Development Institute (SARDI), Primary Industries & Regions South Australia BLIGHT AO, Denis The Crawford Fund *BONIS-PROFUMO, Gianna Charles Darwin University BOREVITZ, Justin The Australian National University BOYD, David The University of Sydney BRASSIL, Semih Western Sydney University BROGAN, Abigail Australian Centre -
2018 Adelaide Biennial of Australian Art
DIVIDED ART GALLERY OF SOUTH AUSTRALIA WORLDS 2018 ADELAIDE BIENNIAL OF AUSTRALIAN ART The cat sits under the dark sky in the night, watching the mysterious trees. There are spirits afoot. She watches, alert to the breeze and soft movements of leaves. And although she doesn’t think of spirits, she does feel them. In fact, she is at one with them: possessed. She is a wild thing after all – a hunter, a killer, a ferocious lover. Our ancestors lived under that same sky, but they surely dreamed different dreams from us. Who knows what they dreamed? A curator’s dream DIVIDED WORLDS ART 2018 GALLERY ADELAIDE OF BIENNIAL SOUTH OF AUSTRALIA AUSTRALIAN ERICA GREEN ART ARTISTS LISA ADAMS JULIE GOUGH VERNON AH KEE LOUISE HEARMAN ROY ANANDA TIMOTHY HORN DANIEL BOYD KEN SISTERS KRISTIAN BURFORD LINDY LEE MARIA FERNANDA CARDOSO KHAI LIEW BARBARA CLEVELAND ANGELICA MESITI KIRSTEN COELHO PATRICIA PICCININI SEAN CORDEIRO + CLAIRE HEALY PIP + POP TAMARA DEAN PATRICK POUND TIM EDWARDS KHALED SABSABI EMILY FLOYD NIKE SAVVAS HAYDEN FOWLER CHRISTIAN THOMPSON AMOS GEBHARDT JOHN R WALKER GHOSTPATROL DAVID BOOTH DOUGLAS WATKIN pp. 2–3, still: Angelica Mesiti, born Kristian Burford, born 1974, Waikerie, 1976, Sydney Mother Tongue, 2017, South Australia, Audition, Scene 1: two-channel HD colour video, surround In Love, 2013, fibreglass reinforced sound, 17 minutes; Courtesy the artist polyurethane resin, polyurethane and Anna Schwartz Gallery Melbourne foam, oil paint, Mirrorpane glass, Commissioned by Aarhus European Steelcase cubicles, aluminium, steel, Capital of Culture 2017 in association carpet, 261 x 193 x 252 cm; with the 2018 Adelaide Biennial Courtesy the artist photo: Bonnie Elliott photo: Eric Minh Swenson DIRECTOR'S 7 FOREWORD Contemporary art offers a barometer of the nation’s Tim Edwards (SA), Emily Floyd (Vic.), Hayden Fowler (NSW), interests, anxieties and preoccupations. -
Downloads/Prosperity Without Growth Report.Pdf
UC Berkeley GAIA Books Title Institutionalizing Unsustainability: The Paradox of Global Climate Governance Permalink https://escholarship.org/uc/item/4zp9f66p ISBN 9781938169021 Author Stevenson, Hayley Publication Date 2013 License https://creativecommons.org/licenses/by-nc-sa/3.0/ 4.0 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Institutionalizing Unsustainability The Paradox of Global Climate Governance Hayley Stevenson Published in association with the University of California Press “Presents a compelling and novel argument: that collective efforts to combat climate change have actually contrib- uted to less sustainable modes of industrial growth. Much work has looked at the details of national and international climate change policy, but no one has addressed whether any of this effort is likely to make a real difference, and what the broader factors are that account for policy changes. Will be attractive both for scholars of climate change and for policy makers.” PETER HAAS, University of Massachusetts, Amherst Climate change is a global phenomenon that requires a global response, and yet climate change governance depends on the ability of individual states to respond to a long-term, uncertain threat. Although states are routinely criticized for their inability to respond to such threats, the problems that arise from their attempts to respond are frequently overlooked. Focusing on the experiences of India, Spain, and Australia, Hayley Stevenson shows how these countries have struggled to integrate global norms around climate change governance with their own deeply unsustainable domestic systems, leading to profoundly irrational ecological outcomes. hal y Ey stevEnSon is Lecturer in International Relations at the University of Sheffield. -
Commercial Radio Awards (Acras), Announced This Evening at the Royal International Convention Centre in Brisbane
MEDIA RELEASE 19 October 2019 Jonesy & Amanda win Best On-Air Team FM at Radio Awards Successful WSFM breakfast hosts Jonesy and Amanda (Brendan Jones and Amanda Keller), have been crowned Best On- Air Team (Metro FM category) at the 31st Australian Commercial Radio Awards (ACRAs), announced this evening at the Royal International Convention Centre in Brisbane. The win caps off a great year for the much-loved duo, who have notched up 14 years on air together and previously won the coveted award in 2012 and 2014. 2GB’s drive time host Ben Fordham won Best Talk Presenter for the fifth time and 2GB morning presenter Ray Hadley was awarded Best Current Affairs Presenter, bringing his career tally of ACRAs to 33 across all categories. The Best On-Air Team (Metro AM) was won by Afternoons with Erin Molan & Natalie Peters, the first female duo to host a news/talk show on 2GB and the first all-female team to win this award in ACRAs history. NOVA’s popular drive show Kate, Tim & Marty won Best Networked Program and Best Syndicated Australian Program. Best Entertainment Presenter went to Triple M funny man Lawrence Mooney, while Rebecca Morse, half of Hit107 Adelaide’s new breakfast duo Bec & Cosi, won Best Newcomer On-Air. Winners of other major awards included: Best Sports Presenter – Peter Sterling (Triple M, Sydney) Best Music Presenter – Kent “Smallzy” Small, Nova Network Best Community Service Project – Kennedy Molloy’s trip to Yuendumu for Red Dust, Triple M. Best News Presenter (Metro AM) – Mel Usher, FIVEaa, Adelaide Best News Presenter (Metro FM) – Ange Anderson, Nova 106.9 Brisbane Brian White Award for Radio Journalism - Matthew Pantelis, FIVEaa, Adelaide Best Music Special - Carrie Bickmore & Tommy Little, Southern Cross Austereo Best Original Podcast (Unbranded) – Hamish & Andy, PodcastOne Australia. -
Campaign Monitoring Process 1. Dispatch Creative Audio to Networks
Campaign Monitoring Process 1. Dispatch Creative Audio to Networks: All material for monitoring must be dispatched to networks via AudioNET for Key Number identification in the AirCheck system. Dispatch can be processed by the creative agency, media agency or the client themselves. (Charges apply) 2. Export Campaign from SMD. AudioNET currently relies on a .csv file from SMD to match campaign bookings with airplay. 3. Email the SMD export, Material Instructions and the Media Plan to [email protected]. • Keep AudioNET updated with all changes to campaign bookings, including Upweight campaigns, dropped spots, key number changes, spot volume changes as they occur to avoid delays in receiving your reports. 4. Subscribe to reports: From the list of Reporting Options below, nominate reports required, weekly, monthly or at the end of campaign. Report packages can be decided on a client-by-client basis and altered at any time. All reports are available in PDF and/or excel format. 5. Auditing Process: Your designated account manager will audit your client’s activity weekly, a week in arrears. Standard weekly reports are emailed through on any day between Tuesday to Thursday as the auditors work through each of their client’s radio campaign activities. The time to complete an audit and provide files is variant, dependent on the size and complexity of the campaign. A prompt delivery of weekly reports is also dependent on the accuracy of the campaign booking information provided to us (SMD & Material Instructions), whilst we compare these with how each station has aired your booked campaign. When booking discrepancies do arise, our auditors then start the manual process of reconciling ‘where has the error occurred’. -
Adelaide Radio
EMBARGOED UNTIL 9:30AM (AEST) ADELAIDE RADIO - SURVEY 4 2021 Share Movement (%) by Demographic, Mon-Sun 5.30am-12midnight People 10+ People 10-17 People 18-24 People 25-39 People 40-54 People 55-64 People 65+ Station This Last +/- This Last +/- This Last +/- This Last +/- This Last +/- This Last +/- This Last +/- FIVEaa 12.3 10.8 1.5 1.9 2.0 -0.1 5.8 ** 3.2 1.7 1.5 9.5 6.9 2.6 13.0 13.3 -0.3 24.2 24.0 0.2 CRUISE1323 10.6 11.1 -0.5 1.0 2.0 -1.0 7.7 6.8 0.9 2.4 3.9 -1.5 7.0 8.3 -1.3 20.4 18.2 2.2 17.0 17.7 -0.7 MIX102.3 13.2 13.0 0.2 19.1 10.1 9.0 19.7 19.7 0.0 11.2 12.3 -1.1 15.8 15.9 -0.1 15.9 18.2 -2.3 7.4 7.3 0.1 5MMM 9.2 10.1 -0.9 11.1 13.4 -2.3 8.8 10.1 -1.3 11.8 14.9 -3.1 13.8 13.5 0.3 9.3 9.7 -0.4 3.7 3.6 0.1 NOVA91.9 10.4 11.5 -1.1 29.0 31.5 -2.5 24.0 22.9 1.1 16.7 16.0 0.7 9.8 13.3 -3.5 3.9 4.9 -1.0 1.0 2.1 -1.1 SAFM 7.9 7.1 0.8 14.7 9.4 5.3 16.1 15.0 1.1 14.7 12.5 2.2 7.5 8.3 -0.8 5.2 5.4 -0.2 1.2 0.8 0.4 ABC ADE 9.8 10.0 -0.2 1.5 1.7 -0.2 0.7 1.4 -0.7 1.6 3.6 -2.0 5.6 5.1 0.5 10.5 11.3 -0.8 22.4 22.1 0.3 5RN 1.5 1.9 -0.4 0.1 0.1 0.0 0.5 0.5 0.0 0.2 0.2 0.0 1.1 1.2 -0.1 1.7 2.3 -0.6 3.2 4.1 -0.9 ABC NEWSRADIO 1.3 1.4 -0.1 1.0 1.4 -0.4 0.3 0.5 -0.2 0.5 0.8 -0.3 1.7 1.7 0.0 2.4 1.9 0.5 1.3 1.6 -0.3 5JJJ 4.9 5.4 -0.5 5.6 8.3 -2.7 7.8 9.3 -1.5 11.6 11.1 0.5 6.8 7.1 -0.3 1.6 1.9 -0.3 0.2 0.4 -0.2 ABC CLASSIC 3.2 3.2 0.0 0.2 0.3 -0.1 0.2 0.6 -0.4 0.9 1.9 -1.0 1.4 2.2 -0.8 2.4 0.7 1.7 8.1 7.7 0.4 Share Movement (%) by Session, P10+ Mon-Fri Breakfast Morning Afternoon Drive Evening Weekend Station Mon-Fri 5:30am-12mn Mon-Fri 5:30am-9:00am -
Media Tracking List Edition January 2021
AN ISENTIA COMPANY Australia Media Tracking List Edition January 2021 The coverage listed in this document is correct at the time of printing. Slice Media reserves the right to change coverage monitored at any time without notification. National National AFR Weekend Australian Financial Review The Australian The Saturday Paper Weekend Australian SLICE MEDIA Media Tracking List January PAGE 2/89 2021 Capital City Daily ACT Canberra Times Sunday Canberra Times NSW Daily Telegraph Sun-Herald(Sydney) Sunday Telegraph (Sydney) Sydney Morning Herald NT Northern Territory News Sunday Territorian (Darwin) QLD Courier Mail Sunday Mail (Brisbane) SA Advertiser (Adelaide) Sunday Mail (Adel) 1st ed. TAS Mercury (Hobart) Sunday Tasmanian VIC Age Herald Sun (Melbourne) Sunday Age Sunday Herald Sun (Melbourne) The Saturday Age WA Sunday Times (Perth) The Weekend West West Australian SLICE MEDIA Media Tracking List January PAGE 3/89 2021 Suburban National Messenger ACT Canberra City News Northside Chronicle (Canberra) NSW Auburn Review Pictorial Bankstown - Canterbury Torch Blacktown Advocate Camden Advertiser Campbelltown-Macarthur Advertiser Canterbury-Bankstown Express CENTRAL Central Coast Express - Gosford City Hub District Reporter Camden Eastern Suburbs Spectator Emu & Leonay Gazette Fairfield Advance Fairfield City Champion Galston & District Community News Glenmore Gazette Hills District Independent Hills Shire Times Hills to Hawkesbury Hornsby Advocate Inner West Courier Inner West Independent Inner West Times Jordan Springs Gazette Liverpool -
Changing Stations
1 CHANGING STATIONS FULL INDEX 100 Top Tunes 190 2GZ Junior Country Service Club 128 1029 Hot Tomato 170, 432 2HD 30, 81, 120–1, 162, 178, 182, 190, 192, 106.9 Hill FM 92, 428 247, 258, 295, 352, 364, 370, 378, 423 2HD Radio Players 213 2AD 163, 259, 425, 568 2KM 251, 323, 426, 431 2AY 127, 205, 423 2KO 30, 81, 90, 120, 132, 176, 227, 255, 264, 2BE 9, 169, 423 266, 342, 366, 424 2BH 92, 146, 177, 201, 425 2KY 18, 37, 54, 133, 135, 140, 154, 168, 189, 2BL 6, 203, 323, 345, 385 198–9, 216, 221, 224, 232, 238, 247, 250–1, 2BS 6, 302–3, 364, 426 267, 274, 291, 295, 297–8, 302, 311, 316, 345, 2CA 25, 29, 60, 87, 89, 129, 146, 197, 245, 277, 354–7, 359–65, 370, 378, 385, 390, 399, 401– 295, 358, 370, 377, 424 2, 406, 412, 423 2CA Night Owls’ Club 2KY Swing Club 250 2CBA FM 197, 198 2LM 257, 423 2CC 74, 87, 98, 197, 205, 237, 403, 427 2LT 302, 427 2CH 16, 19, 21, 24, 29, 59, 110, 122, 124, 130, 2MBS-FM 75 136, 141, 144, 150, 156–7, 163, 168, 176–7, 2MG 268, 317, 403, 426 182, 184–7, 189, 192, 195–8, 200, 236, 238, 2MO 259, 318, 424 247, 253, 260, 263–4, 270, 274, 277, 286, 288, 2MW 121, 239, 426 319, 327, 358, 389, 411, 424 2NM 170, 426 2CHY 96 2NZ 68, 425 2Day-FM 84, 85, 89, 94, 113, 193, 240–1, 243– 2NZ Dramatic Club 217 4, 278, 281, 403, 412–13, 428, 433–6 2OO 74, 428 2DU 136, 179, 403, 425 2PK 403, 426 2FC 291–2, 355, 385 2QN 76–7, 256, 425 2GB 9–10, 14, 18, 29, 30–2, 49–50, 55–7, 59, 2RE 259, 427 61, 68–9, 84, 87, 95, 102–3, 107–8, 110–12, 2RG 142, 158, 262, 425 114–15, 120–2, 124–7, 129, 133, 136, 139–41, 2SM 54, 79, 84–5, 103, 119, 124, -
Media Release Sue Carter Appointed Mix102.3 & Cruise
MEDIA RELEASE Tuesday 23 June, 2015 SUE CARTER APPOINTED MIX102.3 & CRUISE 1323 CONTENT DIRECTOR The Australian Radio Network (ARN) today announced the appointment of Sue Carter to the role of Content Director for Adelaide’s #1FM station Mix102.3 and Cruise 1323. Joining ARN on 10th August, Carter has a wealth of radio experience both in Australia and overseas having worked for international radio brands including UTV in Ireland as well as GWR, GGap and JACKfm in the UK. She boasts an extensive media career including Sponsorship and Promotions Manager, Content Director, Breakfast Producer and Presenter, News Editor and Creative Director. In her time as Content Director, Carter saw JACKfm take out Station of the Year in 2011 & 2012. Carter’s most recent role was Executive Breakfast Producer in Brisbane. Duncan Campbell, ARN National Content Director said: “I am thrilled to have Sue join us at ARN. Her impressive radio credentials, outstanding producing skills and creativity will be perfect to lead the Mix102.3 content team and take Breakfast with Jodie and Soda to even greater levels of success.” Carter added: “It is an exciting time at ARN and I can’t wait to get started and continue to build the Mix 102.3 and Cruise 1323 brands and deliver great content to Adelaide audiences. I look forward to working with Duncan and the content team.” Sue Carter replaces Chris Cotton as Content Director who has decided to return to the UK. AUSTRALIAN RADIO NETWORK WWW.ARN.COM.AU www.arn.com.au ABOUT ARN ARN is one of the leading broadcasters in the country with ownership or investments in 12 radio stations nationwide. -
AUSTRALIAN ROMANESQUE a History of Romanesque-Inspired Architecture in Australia by John W. East 2016
AUSTRALIAN ROMANESQUE A History of Romanesque-Inspired Architecture in Australia by John W. East 2016 CONTENTS 1. Introduction . 1 2. The Romanesque Style . 4 3. Australian Romanesque: An Overview . 25 4. New South Wales and the Australian Capital Territory . 52 5. Victoria . 92 6. Queensland . 122 7. Western Australia . 138 8. South Australia . 156 9. Tasmania . 170 Chapter 1: Introduction In Australia there are four Catholic cathedrals designed in the Romanesque style (Canberra, Newcastle, Port Pirie and Geraldton) and one Anglican cathedral (Parramatta). These buildings are significant in their local communities, but the numbers of people who visit them each year are minuscule when compared with the numbers visiting Australia's most famous Romanesque building, the large Sydney retail complex known as the Queen Victoria Building. God and Mammon, and the Romanesque serves them both. Do those who come to pray in the cathedrals, and those who come to shop in the galleries of the QVB, take much notice of the architecture? Probably not, and yet the Romanesque is a style of considerable character, with a history stretching back to Antiquity. It was never extensively used in Australia, but there are nonetheless hundreds of buildings in the Romanesque style still standing in Australia's towns and cities. Perhaps it is time to start looking more closely at these buildings? They will not disappoint. The heyday of the Australian Romanesque occurred in the fifty years between 1890 and 1940, and it was largely a brick-based style. As it happens, those years also marked the zenith of craft brickwork in Australia, because it was only in the late nineteenth century that Australia began to produce high-quality, durable bricks in a wide range of colours. -
About the Association of Christian Broadcasters and Christian Community Broadcasting
Submission from Association of Christian Broadcasters Inquiry into Community Broadcasting 1. The scope and role of Australian community broadcasting across radio, television, the internet and other broadcasting technologies; About the Association of Christian Broadcasters and Christian Community Broadcasting Whoever controls the media, controls the mind. Jim Morrison The media is too concentrated, too few people own too much. There's really five companies that control 90 percent of what we read, see and hear. It's not healthy. Ted Turner For better or for worse, our company (The News Corporation Ltd.) is a reflection of my thinking, my character, my values. Rupert Murdoch History will have to record that the greatest tragedy of this period of social transition was not the strident clamour of the bad people, but the appalling silence of the good people. Martin Luther King, Jr. Christian Broadcasting is often one of the few voices that present alternative viewpoints to those expressed in the other media. Christianity has a proven track record for having a positive influence on western society (hospitals, education, basis of government and the law) and we believe that Community Christian Broadcasting is an important and dynamic sector. There are a number of sub-sectors of community broadcasting, who each have special needs and cultural sensitivities. These are RPH, Indigenous, and Ethnic. Each of these make up a very small portion, in both numbers Association of Christian Broadcasters submission March Page 1 of stations and audience of the total sector. However, due to the argued special needs of these sectors they now enjoy significant government funding which the Association of Christian Broadcasters supports and would like to see increased.