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Music Studies 2011 Music Studies 2011 ASHGATE www.ashgate.com/music Cover illustration: Herati musician, Ustad Rahim Khushnawaz, with broken rubab. Photograph by John Baily, 1994. From Music and the Play of Power in the Middle East, North Africa and Central Asia page 14 page 15 page 28 Music Studies 2011 This catalogue includes new Music Studies titles for 2011 as well as key backlist titles. Ashgate Publishing Ashgate is a leading independent publisher committed to providing the library market with the finest academic scholarship. Each year, Ashgate publishes more than 700 new books, representing the best academic research and professional practice from around the world. We know the value of academic page 10 page 8 page 32 research. Our business is not driven by textbooks and journals but by a programme of scholarly, groundbreaking publications. All books published within the Ashgate programme are peer- reviewed by recognized authorities in the field to ensure quality. Catalogues and Leaflets Ashgate catalogues are available on request or as PDF downloads at www.ashgate.com/CatalogueDownload Please contact Ashgate to request catalogues in the following areas: Art and Architecture, Aviation, Early Modern History, Human Factors, Human Geography, Law, Literary Studies, Medieval Studies, Modern History, Music Studies, Politics and page 29 page 29 page 10 International Relations, Reference Publishing, Sociology, Social Policy, Ashgate Online – www.ashgate.com ebooks Religious Studies, Variorum Collected e Studies. • Fully searchable online catalogue including new titles and Over 1500 Ashgate books are complete backlist. now available in PDF ebook Ashgate new titles leaflets and subject specific leaflets are also available on our • Full title information, sample pages, and availability status. format, and those titles that are now available as ebooks website as PDFs to download or view. • New and feature title highlights. show the ebook ISBN in the • Subject specific book information via our email alert catalogue. service. Ashgate ebooks are available • Company contact information for enquiries and feedback. for purchase from Dawsonera, • Information for prospective authors. ebrary, Myilibrary, EBL, • Subject area catalogues provided as downloadable PDF Amazon and several other files. retail and library supplier sites. • Secure online ordering facility for ordering books, For a complete list of our requesting examination or review copies and standing ebooks and contact details for our suppliers, visit orders for series. All online orders receive a 10% discount! www.ashgate.com/ebooks Contents Orders Popular and Folk Music .......................................................................................2 Order direct by telephoning Ethnomusicology.................................................................................................11 Ashgate at +44 (0)1235 827730 quoting the reference number H1DYC 20th-Century and Contemporary Music ...........................................................14 Alternatively, please use the order th form in this catalogue, or order online 19 -Century Music ..............................................................................................16 www.ashgate.com at 18th-Century and Baroque Music .....................................................................18 Pricing and Contents Medieval and Renaissance Music ..................................................................22 Prices and publication dates Critical Theory and Aesthetics .........................................................................25 shown in this catalogue are correct at press time (December 2010), but are Opera, Vocal and Choral Music.........................................................................30 subject to change without notice. Details of forthcoming titles Education Research, Teaching and Practice...................................................32 are necessarily provisional. Publishing Proposals Index ...........................................................................................................................................33 If you have a book proposal, Order Form ................................................................................................................................36 please contact: Heidi Bishop, Senior Commissioning Editor Contacts and Customer Service ..................................................................Inside back cover Wey Court East, Union Road Farnham, Surrey GU9 7PT United Kingdom Telephone: +44 (0)1252 736600 Fax: +44 (0)1252 736736 email: [email protected] / Ashgate Music Examination Copies on Twitter Paperback titles marked with this symbol are available on a 60-day trial basis. After 60 days, you must either inform us that you Keep up-to-date on all the latest publications, will adopt the book for course use, return conference news and offers from Ashgate it or purchase it. Ashgate reserves the right to refuse requests for examination copies. History by following us on Twitter Please contact: www.twitter.com/AshgateMusic Bookpoint Limited or click on the icon on the Ashgate Music Telephone: +44 (0)1235 827730 homepage www.ashgate.com/music Fax: +44 (0)1235 400454 Email: [email protected] Review Copies For review copies of titles in this catalogue, please contact: Jackie Bressanelli Telephone: +44 (0)1252 736600 Fax: +44 (0)1252 736736 Email: [email protected] All online orders at www.ashgate.com Please state the name of the publication in which the review will be published. receive a discount! Popular and Folk Music POPULAR AND FOLK B-Sides, Undercurrents and Black Sabbath and the Rise of MUSIC SERIES Overtones: Peripheries to Popular Heavy Metal Music Derek Scott, University of Leeds, UK in Music, 1960 to the Present Andrew L. Cope, Staffordshire Performing Arts, UK Popular musicology is a vital and exciting area George Plasketes, Auburn University, USA Ashgate Popular and Folk Music Series SERIES of scholarship, and the Ashgate Popular and Folk Ashgate Popular and Folk Music Series ‘For many years popular music studies has been Music series aims to present the best research in dominated by texts which fail to address the unique In this book, George Plasketes adapts the iconic ‘A-side/ the field. Authors are concerned with locating musical combination of musical sounds, timbres and structures B-side’ dichotomy from the 45 r.p.m. for use as a unique practices, values and meanings in cultural context, and that distinguishes heavy metal from hard rock. Black conceptual, critical, historical and cultural framework draw upon methodologies and theories developed in Sabbath and the Rise of Heavy Metal Music fills that gap for exploring and threading together a variety of popular cultural studies, semiotics, poststructuralism, psychology and offers researchers and students alike the opportunity music and media texts. The profiles and perspectives and sociology. The series focuses on popular musics of to explore and enjoy an engaging musical investigation focus on the peripheries; on texts which might be the twentieth and twenty-first centuries. It is designed to into the birth and development of the heavy metal considered ‘B-sides’—overlooked, underappreciated embrace the world’s popular musics from Acid Jazz to sound…This is an exciting book and one which will and unsung cases, creators, patterns and productions Zydeco, whether high tech or low tech, commercial or open up new avenues of investigation for researchers that have unassumingly, but significantly, marked non-commercial, contemporary or traditional. and students alike. It is warmly recommended.’ popular culture, music and media during the past 40 For full title listings in this series, visit –From the Foreword by Sheila Whiteley, Emeritus at years. These B-sides represent undercurrents, but they www.ashgate.com/popularandfolkmusicseries Salford University, UK, author of The Space Between the resonate as overtones in the mainstream of music and Notes: Rock and Counterculture (1992) and Too Much culture, many as historical hinges. They constitute an Too Young: Popular Music, Age and Gender (2005) / important connect-the-dots cultural chronicle with a As Heard on TV: Popular multi-layered context for interpreting the interrelations The definition of ‘heavy metal’ is often a contentious Music in Advertising between creators and institutions, the music market issue and in this lively and accessible text Andrew Cope presents a refreshing re-evaluation of the rules Bethany Klein, University of Leeds, UK place, the production of culture and important connections between the peripheral and the popular. that define heavy metal as a musical genre. Cope Ashgate Popular and Folk Music Series June 2009 222 pages investigates why, during the late 1960s and early ‘Klein has made a significant and pioneering Hardback 978-0-7546-6561-8 £50.00 1970s, Birmingham provided the ideal location for the contribution when it comes to the production www.ashgate.com/isbn/9780754665618 evolution and early development of heavy metal and perspective related to television commercials in eBook 978-0-7546-9382-6 hard rock. The author considers how the influence of the particular.’ London and Liverpool music scenes merged with the –MedieKultur unique cultural climate, industry and often desolated NEW sites of post war Birmingham to contribute significantly Television commercials are now a standard environment Bhangra Moves to the development of two unique forms of music: through
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