AMS Newsletter February 2014
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SUSAN BOYNTON Curriculum Vitae (August 2017)
SUSAN BOYNTON Curriculum Vitae (August 2017) Department of Music Office: Columbia University 621 Dodge Hall 2960 Broadway, MC 1816 tel. 212 854 7186 New York, NY 10027 [email protected] EDUCATION 1992-1996 Brandeis University Ph.D. in Musicology (February 1997) Dissertation: Glossed Hymns in Eleventh-Century Continental Hymnaries (unpublished); Advisors: Margot Fassler and Jessie Ann Owens M.F.A. in Music and Women’s Studies (concurrent with Ph.D. studies) Thesis: The Reception of the Trobairitz: Implications for Music History 1991-1992 Université Catholique de Louvain-la-Neuve, Belgium Diplôme d’études médiévales avec grande distinction 1989-1991 Yale University: M.A. in Medieval Studies 1984-1988 Yale College: B.A. summa cum laude with honors in the Music Major EMPLOYMENT AND TEACHING EXPERIENCE Professor of Historical Musicology, Columbia University (as of July 1, 2012) Course Director, Art and Music Humanities Summer Program in Paris (2015-17) Visiting Associate Professor, Princeton University Music Department (spring 2011) Associate Professor of Historical Musicology, Columbia University (2006-2012) Assistant Professor of Historical Musicology, Columbia University (2000-2006) Assistant Professor of Musicology, University of Oregon, School of Music (1996-2000) Lecturer, Duke University (Fall 1994): Music History I: to 1600; Notation to 1400 Writing Instructor, Brandeis University (Spring 1996): First-year writing course Writing Fellow for Writing-Intensive Courses, Brandeis University (1994-5) Teaching Associate, Brandeis University (1994-1996), English as a Second Language Research Assistant Bernadette Brooten, Brandeis University (1994-1996) Barbara Shailor, Beinecke Library, Yale University (1989-1991) FELLOWSHIPS, AWARDS, and GRANTS 2017 Short-Term Research Fellowship, Long Room Hub Arts and Humanities Research Institute, Trinity College Dublin (May 2017) 2016 Ruth Solie Award of the American Musicological Society for Resounding Images: Medieval Intersections of Art, Music, and Sound, edited with Diane J. -
MUH 5684 Tuesday, Period 3 | Thursday, Periods 3–4 • MUB 232 • Spring 2020 Dr
detail from F-Pn vma ms 1068 | hand of violinist Pierre Baillot | photo by Michael Vincent Introduction to Historical Musicology MUH 5684 Tuesday, Period 3 | Thursday, Periods 3–4 • MUB 232 • Spring 2020 Dr. Michael Vincent • [email protected] • MUB 351 • Thursday & Friday period 5 Please visit me during my office hours. I’m available to discuss our course or issues of professional development. Overview We explore critical approaches to the history of musicology as an academic discipline. The readings provide an overview of fundamental concepts and methodologies, and significant musicological writings representing style periods and conceptual issues. While musicologists traditionally focus on European music in the classical tradition, we will sample scholarship that focuses on a broad range of repertoires. Students will be encouraged to approach the discipline and its history critically. This critical approach will inform your personal work, giving you the tools to investigate your own topic in novel and insightful ways. Each student will choose a “lab rat” at the beginning of the semester: an artistic period, repertoire, performer, social movement, or composer. You will investigate your lab rat using the weekly methodology, diversifying your knowledge of your chosen subject. Your lab rat may grow in unexpected ways as the semester progresses. This course has prerequisites: successful completion of the complete undergraduate music history sequence; graduate student status; and successful completion of the music history entrance exam or the review course. Expectations ❖ Reading You’re expected to come to class having completed all reading on the syllabus for that week. You must be ready to engage with the materials. -
Savage Winter #Bamnextwave No Intermission LOCATION: RUN TIME: DATES: Pittsburgh Opera Approx 1Hr15mins BAM Fisher (Fishman Space) NOV 7—10At7:30Pm
Brooklyn Academy of Music Adam E. Max, Chairman of the Board William I. Campbell, Vice Chairman of the Board Katy Clark, President Joseph V. Melillo, Savage Winter Executive Producer American Opera Projects and Pittsburgh Opera Music by Douglas J. Cuomo Directed by Jonathan Moore DATES: NOV 7—10 at 7:30pm Season Sponsor: LOCATION: BAM Fisher (Fishman Space) Leadership support for music programs at BAM RUN TIME: Approx 1hr 15mins provided by the Baisley Powell Elebash Fund. no intermission #BAMNextWave BAM Fisher Savage Winter Written and Composed by Music Director This project is supported in part by an Douglas J. Cuomo Alan Johnson award from the National Endowment for the Arts, and funding from The Andrew Text based on the poem Winterreise by Production Manager W. Mellon Foundation. Significant project Wilhelm Müller Robert Signom III support was provided by the following: Ms. Michele Fabrizi, Dr. Freddie and Directed by Production Coordinator Hilda Fu, The James E. and Sharon C. Jonathan Moore Scott H. Schneider Rohr Foundation, Steve & Gail Mosites, David & Gabriela Porges, Fund for New Performers Technical Director and Innovative Programming and The Protagonist: Tony Boutté (tenor) Sean E. West Productions, Dr. Lisa Cibik and Bernie Guitar/Electronics: Douglas J. Cuomo Kobosky, Michele & Pat Atkins, James Conductor/Piano: Alan Johnson Stage Manager & Judith Matheny, Diana Reid & Marc Trumpet: Sir Frank London Melissa Robilotta Chazaud, Francois Bitz, Mr. & Mrs. John E. Traina, Mr. & Mrs. Demetrios Patrinos, Scenery and properties design Assistant Director Heinz Endowments, R.K. Mellon Brandon McNeel Liz Power Foundation, Mr. & Mrs. William F. Benter, Amy & David Michaliszyn, The Estate of Video design Assistant Stage Manager Jane E. -
JOINT MEETOOS of the NATIONAL BOARD of STUDENT OFFICERS and Dmectors of the FUTURE FARMERS of AMERICA
MINUTES JOINT MEETOOS OF THE NATIONAL BOARD OF STUDENT OFFICERS AND DmECTORS OF THE FUTURE FARMERS OF AMERICA Washington_, D. c. July 25 - 21~ 1956 July 25, 195 6 The meeting of the Board of Student Officers and Board of Directors of the Future Farmers of America was cal.led to order at 9130 a.m. in Room G-..743 A, Department of Health, Education, and Welfare Building, by w. T. Spanton,, Chairman of the Board of Directors. Those present included: Board of Directors Warren Go Weiler, State Supervisor Agricultural Education,, Columbus, OhioJ H. Me McDonald, State Supervisor Agricultural Education,. Baltimore, · Maryl and; J. c. Cannon; State Supervisor Agricultural Education, Montgomery1 Alabama; Emory M4. Howard, State Supervisor. Agricultural Education, Boise, Idaho; E. J. Johnson; H. N. Hunsicker; R. E. Naugher and A. w. ) Tenney, all of t~ Office of Education1 Washington, D.C. Board of Student Officers Daniel DUiifuiiii, National FFA President, Lakeview, Oregon; · Lennie Gamage, National FFA Vice President, Cartersville., Virginia; . Dale Ring,, National. FFA Vice President, Wooster,, Ohio; Allen Colebank, National FFA Vice President, Morgantown, West Virginia; I;ynn Loosli, National FFA Vice President, Ashton, Idaho; and Terrell Benton, Jr • ., National FFA Student Secretary, Jefferson, Georgia. Dr. Dowell J • Howard, State Superintendent of Public Instruction,, Richmond1 Vjrginia, and National Treasurer of the Future Fanners of America, was al.so present. It was moved by Lynn I.oosli, seconded by Dale Ring and carried to dispense with the reading of the minutes of the previous meeting and accept them as mimeographed and distributed. The motion was awroved by the Board of Directors. -
AMS/SMT Milwaukee 2014 Abstracts Thursday Afternoon
AMS/SMT American Musicological Society Society for Music Theory Program & Abstracts & Abstracts Program 2014 Milwaukee Milwaukee 6-9 November 2014 Abstracts g Abstracts of Papers Read at the American Musicological Society Eightieth Annual Meeting and the Society for Music Theory Thirty-seventh Annual Meeting 6–9 November 14 Hilton Hotel and Wisconsin Center Milwaukee, Wisconsin g AMS/SMT 2014 Annual Meeting Edited by Judy Lochhead and Richard Will Chairs, 14 SMT and AMS Program Committee Local Arrangements Committee Mitchell Brauner, Chair, Judith Kuhn, Rebecca Littman, Timothy Miller, Timothy Noonan, Gillian Rodger Performance Committee Catherine Gordon-Seifert, Chair, Mitchell Brauner, ex officio, David Dolata, Steve Swayne Program Committees AMS: Richard Will, Chair, Suzanne Cusick, Daniel Goldmark, Heather Hadlock, Beth E. Levy, Ryan Minor, Alejandro Planchart SMT: Judy Lochhead, Chair, Poundie Burstein, ex officio, Michael Klein, Sherry Lee, Alexander Rehding, Adam Ricci, Leigh VanHandel The AMS would like to thank the following people and organizations for their generous support: Calvary Presbyterian Church, Milwaukee Joan Parsley Charles Sullivan and Early Music Now Milwaukee Symphony Orchestra University of Wisconsin-Milwaukee Program and Abstracts of Papers Read (ISSN 9-1) is published annually for the An- nual Meeting of the American Musicological Society and the Society for Music Theory, where one copy is distributed to attendees free of charge. Additional copies may be purchased from the American Musicological Society for $1. per copy plus $. U.S. shipping and handling (add $. shipping for each additional copy). For international orders, please contact the American Musicological Society for shipping prices: AMS, 61 College Station, Brunswick ME 411-41 (e-mail [email protected]). -
Winona Daily News Winona City Newspapers
Winona State University OpenRiver Winona Daily News Winona City Newspapers 1-3-1964 Winona Daily News Winona Daily News Follow this and additional works at: https://openriver.winona.edu/winonadailynews Recommended Citation Winona Daily News, "Winona Daily News" (1964). Winona Daily News. 463. https://openriver.winona.edu/winonadailynews/463 This Newspaper is brought to you for free and open access by the Winona City Newspapers at OpenRiver. It has been accepted for inclusion in Winona Daily News by an authorized administrator of OpenRiver. For more information, please contact [email protected]. Russia Wants Boundaries Goldwater Declare s Self Guaranteed MOSCOW (AP)-The Soviet government has put to the na- tions of the world a proposal to sign an International agreement Candidate for President ; By WALTER R. MEARS of such a decision the most ser- . of bur American two-party sys- emphasis on individual liber- renouncing the? use of force in ' '[[ '' ' ' ' ¦ - PHOENIX, Ariz.: M — Ari- ioiis¦ consideration.'' . : tem, has - always: been the ,re- ty.":;: ?: .,,;;? , . : - . , . -. ;. ; settling, territorial, and frontier zona's Sen. Barry Goldwater de- "Goldwater first told , Arizona--fiected differences -in prin- -Declaring he Is no "me too :. issues. ;. ' clared today he will seek the Republican leaders of his;plans- ciple," Goldwater said. "As a Republican ,", Goidwater said The message says the inter- 1964 Republican presidential no- in a meeting at his. home. ? general, rule one : party has em- he will spell but ih detail his . national agreement should con- mination because he sees no Then, the senator, his right phasized individual liberty and position during the campaign other announced foot still,in cast after , surgery, the? other has favored , ahead. -
El Paso Blue Flame.Pdf
United States Department of the Interior National Park Service / National Register of Historic Places REGISTRATION FORM NPS Form 10-900 OMB No. 1024-0018 El Paso Natural Gas Co. (Blue Flame) Building, El Paso, El Paso County, Texas 5. Classification Ownership of Property x Private Public - Local Public - State Public - Federal Category of Property x building(s) district site structure object Number of Resources within Property Contributing Noncontributing 1 0 buildings 0 0 sites 0 0 structures 0 0 objects 1 0 total Number of contributing resources previously listed in the National Register: 0 6. Function or Use Historic Functions: Commerce/Trade / Business = office building Current Functions: Vacant 7. Description Architectural Classification: Modern Movement: Skyscraper Principal Exterior Materials: Brick; Glass; Metal/aluminum; Stone/granite Narrative Description (see continuation sheets 7 through 8) Page 2 United States Department of the Interior National Park Service / National Register of Historic Places REGISTRATION FORM NPS Form 10-900 OMB No. 1024-0018 El Paso Natural Gas Co. (Blue Flame) Building, El Paso, El Paso County, Texas 8. Statement of Significance Applicable National Register Criteria: A, C Criteria Considerations: NA Areas of Significance: Commerce, Architecture Period of Significance: 1954-1968 Significant Dates: 1954, 1955 Significant Person (only if criterion b is marked):NA Cultural Affiliation (only if criterion d is marked): NA Architect/Builder: Carroll and Daeuble, Architects; McKee, Robert E., General Contractor Narrative Statement of Significance (see continuation sheets 9 through 15) 9. Major Bibliographic References Bibliography (see continuation sheet 16) Previous documentation on file (NPS): x preliminary determination of individual listing (36 CFR 67) has been requested. -
Anthology of Music for Analysis
American Musicological Society Ars Hispana Editions Society for Music Theory New Series of Early Spanish Music Four series of rare music from the 17th and 18th centuries. San Antonio Volumes include complete scores, as well as introductory material and critical notes in Spanish. Subscribers receive 10% off all retail prices! MÚSICA VOCAL Highlights include: Francisco Corsell i, Cuatro Antifonias Marianas, €36 Juan Hidalgo, Obras Sacras, Vol. 1 €32 José de Nebra, Cantadas Sacras, Vol. 1 €32 MÚSICA INSTRUMENTAL Highlights include: Jacinto Codina Marfá, Concierto para Fortepiano €36 Jaime Rosquellas, Tres Sonatas Para Violín y Bajo €20 MÚSICA ENSÉNICA Highlights include: Sebastian Durón, Coronis €60 Sebastian Durón, Ópera Escénica Deducida de la Guerra de Los Gigantes €48 Sebastian Durón and Juan de Navas, Apolo y Dafne €64 ORATORIOS Pedro Rabassa , La gloria de los santos €36 For complete listings visit www.tfront.com 26362 Ruether Avenue Santa Clarita, CA 91350 Tel: 661-250-7189 email: [email protected] web: www.tfront.com 1-4 November 2018 Program & Abstracts OXFORD MUSIC CARL PHILIPP EMANUEL BACH he omplete orks “[T]his complete edition of the works of Carl Philipp Emanuel Bach . bears evidence of monumental planning and labor . [it] will undoubtedly rate as a landmark edition, with handsome pro- duction values to match the level of scholarly endeavor . Having everything by C. P. E. Bach available in one format and on a large scale, carried out with the consistency and care that a collected edi- tion of this calibre can bring, is only what is (long) due to one of the most important names in eighteenth-century music.” —W. -
Program and Abstracts
American Musicological Society HOUSTON November 13 -16, 2003 Program and Abstracts Program and Abstracts of Papers Read at the American Musicological Society Sixty-Ninth Annual Meeting November –, Hyatt Regency Hotel, Houston, Texas AMS 2003 Annual Meeting Edited by Jann Pasler Chair, AMS Program Committee Local Arrangements Committee Howard Pollack, Chair, Paula Eisenstein Baker, Gregory Barnett, Matthew Dirst, Ann Fairbanks, Rhonda Furr, Larissa Jackson, Yvonne Kendall, Elizabeth Morrison, Jane Perkyns, John Snyder, Kathy Wallace AMS Performance Committee Julie Cumming, Chair, Don O. Franklin, Neal Zaslaw AMS Program Committee Jann Pasler, Chair, Susan Boynton, Elizabeth Hudson, Jeffrey Kallberg, Robert Kendrick, Michael Tusa The AMS gratefully acknowledges the support of Yamaha Corporation for their dona- tion of pianos used during the Annual Meeting, and the Moores School of Music, Uni- versity of Houston, for their administrative support in preparation for the meeting. Program and Abstracts of Papers Read (ISSN -) is published annually for the An- nual Meeting of the American Musicological Society, where one copy is distributed to attendees free of charge. Additional copies may be purchased from the Society for $. per copy ($. for non-members and institutions) plus $. postage and handling ($. overseas). Contact the Society at S. th St., Philadelphia, PA - (tel. /- , fax /-, e-mail [email protected]) to order. Copyright © by the American Musicological Society, Inc. All rights reserved. Contents 24 History as Myth 26 Voice and -
Guillaume Du Fay 2 Volume Hardback Set Alejandro Planchart Frontmatter More Information
Cambridge University Press 978-1-107-16615-8 — Guillaume Du Fay 2 Volume Hardback Set Alejandro Planchart Frontmatter More Information Guillaume Du Fay This volume explores the work of one of medieval music’s most important figures, and in so doing presents an extended panorama of musical life in Europe at the end of the Middle Ages. Guillaume Du Fay rose from obscure beginnings to become the most significant composer of the fifteenth century, a man courted by kings and popes, and this study of his life and career provides a detailed examination of his entire output, including a number of newly discovered works. As well as offering musical analysis, this volume investigates his close association with the cathedral of Cambrai, and explores how, at a time when music was becoming increasingly professionalised, Du Fay forged his own identity as ‘a composer’. This detailed biography will be highly valuable for those interested in the history of medieval and church music, as well as for scholars of Du Fay’s musical legacy. alejandro enrique planchart wide-ranging and distinguished career as composer, conductor, and scholar began in Caracas, Venezuela and took him via Yale and Harvard to the University of California, Santa Barbara, where he is now Emeritus Professor. In 1963 he founded an early music ensemble, Cappella Cordina, with whom he issued a pioneering series of recordings of medieval and Renaissance music. His book The Repertory of Tropes at Winchester won the Gustave O. Arlt Award in the Humanities in 1979. In 2006 he received the Howard Mayer Brown Award from Early Music America, and in 2013 he received the Medal of the City of Tours. -
Mid-Fifteenth-Century English Mass Cycles in Continental Sources, Vol
Mid-Fifteenth-Century English Mass Cycles in Continental Sources, vol. 1 James Matthew Cook Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy July 2014 Abstract Fifteenth-century English music had a profound impact on mainland Europe, with several important innovations (e.g. the cyclic cantus firmus Mass) credited as English in origin. However, the turbulent history of the Church in England has left few English sources for this deeply influential repertory. The developing narrative surrounding apparently English technical innovations has therefore often focussed on the recognition of English works in continental manuscripts, with these efforts most recently crystallised in Curtis and Wathey’s ‘Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory’. The focus of discussion until now has generally been on a dichotomy between English and continental origin. However, as more details emerge of the opportunities for cultural cross-fertilisation, it becomes increasingly clear that this may be a false dichotomy. This thesis re-evaluates the complex issues of provenance and diffusion affecting the mid-fifteenth-century cyclic Mass. By breaking down the polarization between English and continental origins, it offers a new understanding of the provenance and subsequent use of many Mass cycles. Contact between England and the continent was frequent, multifarious and quite possibly reciprocal and, despite strong national trends, there exists a body of work that can best be understood in relation to international cultural exchange. This thesis helps to clarify the i provenance of a number of Mass cycles, but also suggests that, for Masses such as the anonymous Thomas cesus and Du cuer je souspier, Le Rouge’s So ys emprentid, and even perhaps Bedyngham’s Sine nomine, cultural exchange is key to our understanding. -
Community Benefits of Land Revitalization
BUILDING VIBRANT COMMUNITIES: COMMUNITY BENEFITS OF LAND REVITALIZATION 1 Foreword In 1993, the U.S. Environmental Protection Agency partners, who we highlight throughout the report. (EPA) launched a small pilot program called The purpose of this report is to help us all rethink, “brownfields” with an initial grant of $200,000 to make new connections, and broaden our idea of the Cuyahoga County, Ohio. Through this pilot, a seven resources available to clean up brownfields properties, acre site was assessed and cleaned up, 141 jobs revitalize our communities, create new economic were created, and two sites were created for healthy opportunities, and improve our nation’s environment new businesses. It also sparked a movement to clean and health. In 1998, EPA awarded its first Brownfields up and redevelop idled, underused, abandoned, and Job Training grants. JFYNetWorks in Boston, vacant properties throughout the country. I understand that in today’s economic conditions, Massachusetts, used this funding to train brownfield tools are needed more than ever to community members to become environmental technicians. Today, the EPA Brownfields Program has changed the clean up and redevelop brownfield properties for landscape of America’s communities and transformed sustainable uses that create local jobs. EPA has to once vacant properties into beacons of hope for many meet that challenge by working and listening to local economically disadvantaged neighborhoods.To date, communities, fostering public-private partnerships, the program has provided more than 2,500 grants and providing flexibility in our resources. I look to totaling more than $600 million in direct funding you to challenge us as to how EPA and the Federal to communities, which leveraged an additional Government can assist you to help revitalize local $12 billion from other sources to assess, clean up communities.