Cambridge University Press 978-1-107-16615-8 — Guillaume Du Fay 2 Volume Hardback Set Alejandro Planchart Index More Information
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Guillaume Du Fay Discography
Guillaume Du Fay Discography Compiled by Jerome F. Weber This discography of Guillaume Du Fay (Dufay) builds on the work published in Fanfare in January and March 1980. There are more than three times as many entries in the updated version. It has been published in recognition of the publication of Guillaume Du Fay, his Life and Works by Alejandro Enrique Planchart (Cambridge, 2018) and the forthcoming two-volume Du Fay’s Legacy in Chant across Five Centuries: Recollecting the Virgin Mary in Music in Northwest Europe by Barbara Haggh-Huglo, as well as the new Opera Omnia edited by Planchart (Santa Barbara, Marisol Press, 2008–14). Works are identified following Planchart’s Opera Omnia for the most part. Listings are alphabetical by title in parts III and IV; complete Masses are chronological and Mass movements are schematic. They are grouped as follows: I. Masses II. Mass Movements and Propers III. Other Sacred Works IV. Songs (Italian, French) Secular works are identified as rondeau (r), ballade (b) and virelai (v). Dubious or unauthentic works are italicised. The recordings of each work are arranged chronologically, citing conductor, ensemble, date of recording if known, and timing if available; then the format of the recording (78, 45, LP, LP quad, MC, CD, SACD), the label, and the issue number(s). Each recorded performance is indicated, if known, as: with instruments, no instruments (n/i), or instrumental only. Album titles of mixed collections are added. ‘Se la face ay pale’ is divided into three groups, and the two transcriptions of the song in the Buxheimer Orgelbuch are arbitrarily designated ‘a’ and ‘b’. -
SUSAN BOYNTON Curriculum Vitae (August 2017)
SUSAN BOYNTON Curriculum Vitae (August 2017) Department of Music Office: Columbia University 621 Dodge Hall 2960 Broadway, MC 1816 tel. 212 854 7186 New York, NY 10027 [email protected] EDUCATION 1992-1996 Brandeis University Ph.D. in Musicology (February 1997) Dissertation: Glossed Hymns in Eleventh-Century Continental Hymnaries (unpublished); Advisors: Margot Fassler and Jessie Ann Owens M.F.A. in Music and Women’s Studies (concurrent with Ph.D. studies) Thesis: The Reception of the Trobairitz: Implications for Music History 1991-1992 Université Catholique de Louvain-la-Neuve, Belgium Diplôme d’études médiévales avec grande distinction 1989-1991 Yale University: M.A. in Medieval Studies 1984-1988 Yale College: B.A. summa cum laude with honors in the Music Major EMPLOYMENT AND TEACHING EXPERIENCE Professor of Historical Musicology, Columbia University (as of July 1, 2012) Course Director, Art and Music Humanities Summer Program in Paris (2015-17) Visiting Associate Professor, Princeton University Music Department (spring 2011) Associate Professor of Historical Musicology, Columbia University (2006-2012) Assistant Professor of Historical Musicology, Columbia University (2000-2006) Assistant Professor of Musicology, University of Oregon, School of Music (1996-2000) Lecturer, Duke University (Fall 1994): Music History I: to 1600; Notation to 1400 Writing Instructor, Brandeis University (Spring 1996): First-year writing course Writing Fellow for Writing-Intensive Courses, Brandeis University (1994-5) Teaching Associate, Brandeis University (1994-1996), English as a Second Language Research Assistant Bernadette Brooten, Brandeis University (1994-1996) Barbara Shailor, Beinecke Library, Yale University (1989-1991) FELLOWSHIPS, AWARDS, and GRANTS 2017 Short-Term Research Fellowship, Long Room Hub Arts and Humanities Research Institute, Trinity College Dublin (May 2017) 2016 Ruth Solie Award of the American Musicological Society for Resounding Images: Medieval Intersections of Art, Music, and Sound, edited with Diane J. -
AMS Newsletter February 2014
AMS NEWSLETTER THE AMERICAN MUSICOLOGICAL SOCIETY CONSTITUENT MEMBER OF THE AMERICAN COUNCIL OF LEARNED SOCIETIES VOLUME XLIV, NUMBER 1 February 2014 ISSN 0402-012X AMS Milwaukee 2014: Not Just 2013 Annual Beer, Brats, and Cheese Meeting: Pittsburgh AMS Milwaukee 2014 venues right in the downtown area, includ- The seventy-ninth Annual Meeting of the 6–9 November ing the Marcus Center for the Performing American Musicological Society took place www.ams-net.org/milwaukee Arts, home of the Milwaukee Symphony, the 7–10 November among the bridges, rivers, Florentine Opera, and the Milwaukee Bal- and hills of Pittsburgh’s Golden Triangle. Members of the AMS and the SMT will let. Pabst Theatre and the nearby Riverside The program was packed to the gills, with converge on Milwaukee, Wisconsin, in No- Theatre are home to regular series and the an average of seven concurrent scholarly ses- vember for their annual meetings. Situated Milwaukee Repertory Company. The large sions plus numerous meetings by the Soci- on the west shore of Lake Michigan about Milwaukee Theatre hosts roadshows. The ety’s committees, study groups, and editorial ninety miles north of Chicago, Milwaukee is downtown also boasts two arenas hosting boards, as well as lectures and recitals select- known as the Cream City not because Wis- sporting events and touring acts. The Broad- ed by the Performance Committee. Papers consin is America’s Dairyland, but because way Theatre presents smaller events, includ- and sessions spanned the entire range of the of the ubiquity of cream-colored brick used ing local theater companies and the Skylight field, from the origins of Christian chant to in the city’s oldest buildings. -
AMS/SMT Milwaukee 2014 Abstracts Thursday Afternoon
AMS/SMT American Musicological Society Society for Music Theory Program & Abstracts & Abstracts Program 2014 Milwaukee Milwaukee 6-9 November 2014 Abstracts g Abstracts of Papers Read at the American Musicological Society Eightieth Annual Meeting and the Society for Music Theory Thirty-seventh Annual Meeting 6–9 November 14 Hilton Hotel and Wisconsin Center Milwaukee, Wisconsin g AMS/SMT 2014 Annual Meeting Edited by Judy Lochhead and Richard Will Chairs, 14 SMT and AMS Program Committee Local Arrangements Committee Mitchell Brauner, Chair, Judith Kuhn, Rebecca Littman, Timothy Miller, Timothy Noonan, Gillian Rodger Performance Committee Catherine Gordon-Seifert, Chair, Mitchell Brauner, ex officio, David Dolata, Steve Swayne Program Committees AMS: Richard Will, Chair, Suzanne Cusick, Daniel Goldmark, Heather Hadlock, Beth E. Levy, Ryan Minor, Alejandro Planchart SMT: Judy Lochhead, Chair, Poundie Burstein, ex officio, Michael Klein, Sherry Lee, Alexander Rehding, Adam Ricci, Leigh VanHandel The AMS would like to thank the following people and organizations for their generous support: Calvary Presbyterian Church, Milwaukee Joan Parsley Charles Sullivan and Early Music Now Milwaukee Symphony Orchestra University of Wisconsin-Milwaukee Program and Abstracts of Papers Read (ISSN 9-1) is published annually for the An- nual Meeting of the American Musicological Society and the Society for Music Theory, where one copy is distributed to attendees free of charge. Additional copies may be purchased from the American Musicological Society for $1. per copy plus $. U.S. shipping and handling (add $. shipping for each additional copy). For international orders, please contact the American Musicological Society for shipping prices: AMS, 61 College Station, Brunswick ME 411-41 (e-mail [email protected]). -
Program and Abstracts
American Musicological Society HOUSTON November 13 -16, 2003 Program and Abstracts Program and Abstracts of Papers Read at the American Musicological Society Sixty-Ninth Annual Meeting November –, Hyatt Regency Hotel, Houston, Texas AMS 2003 Annual Meeting Edited by Jann Pasler Chair, AMS Program Committee Local Arrangements Committee Howard Pollack, Chair, Paula Eisenstein Baker, Gregory Barnett, Matthew Dirst, Ann Fairbanks, Rhonda Furr, Larissa Jackson, Yvonne Kendall, Elizabeth Morrison, Jane Perkyns, John Snyder, Kathy Wallace AMS Performance Committee Julie Cumming, Chair, Don O. Franklin, Neal Zaslaw AMS Program Committee Jann Pasler, Chair, Susan Boynton, Elizabeth Hudson, Jeffrey Kallberg, Robert Kendrick, Michael Tusa The AMS gratefully acknowledges the support of Yamaha Corporation for their dona- tion of pianos used during the Annual Meeting, and the Moores School of Music, Uni- versity of Houston, for their administrative support in preparation for the meeting. Program and Abstracts of Papers Read (ISSN -) is published annually for the An- nual Meeting of the American Musicological Society, where one copy is distributed to attendees free of charge. Additional copies may be purchased from the Society for $. per copy ($. for non-members and institutions) plus $. postage and handling ($. overseas). Contact the Society at S. th St., Philadelphia, PA - (tel. /- , fax /-, e-mail [email protected]) to order. Copyright © by the American Musicological Society, Inc. All rights reserved. Contents 24 History as Myth 26 Voice and -
Guillaume Du Fay 2 Volume Hardback Set Alejandro Planchart Frontmatter More Information
Cambridge University Press 978-1-107-16615-8 — Guillaume Du Fay 2 Volume Hardback Set Alejandro Planchart Frontmatter More Information Guillaume Du Fay This volume explores the work of one of medieval music’s most important figures, and in so doing presents an extended panorama of musical life in Europe at the end of the Middle Ages. Guillaume Du Fay rose from obscure beginnings to become the most significant composer of the fifteenth century, a man courted by kings and popes, and this study of his life and career provides a detailed examination of his entire output, including a number of newly discovered works. As well as offering musical analysis, this volume investigates his close association with the cathedral of Cambrai, and explores how, at a time when music was becoming increasingly professionalised, Du Fay forged his own identity as ‘a composer’. This detailed biography will be highly valuable for those interested in the history of medieval and church music, as well as for scholars of Du Fay’s musical legacy. alejandro enrique planchart wide-ranging and distinguished career as composer, conductor, and scholar began in Caracas, Venezuela and took him via Yale and Harvard to the University of California, Santa Barbara, where he is now Emeritus Professor. In 1963 he founded an early music ensemble, Cappella Cordina, with whom he issued a pioneering series of recordings of medieval and Renaissance music. His book The Repertory of Tropes at Winchester won the Gustave O. Arlt Award in the Humanities in 1979. In 2006 he received the Howard Mayer Brown Award from Early Music America, and in 2013 he received the Medal of the City of Tours. -
Mid-Fifteenth-Century English Mass Cycles in Continental Sources, Vol
Mid-Fifteenth-Century English Mass Cycles in Continental Sources, vol. 1 James Matthew Cook Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy July 2014 Abstract Fifteenth-century English music had a profound impact on mainland Europe, with several important innovations (e.g. the cyclic cantus firmus Mass) credited as English in origin. However, the turbulent history of the Church in England has left few English sources for this deeply influential repertory. The developing narrative surrounding apparently English technical innovations has therefore often focussed on the recognition of English works in continental manuscripts, with these efforts most recently crystallised in Curtis and Wathey’s ‘Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory’. The focus of discussion until now has generally been on a dichotomy between English and continental origin. However, as more details emerge of the opportunities for cultural cross-fertilisation, it becomes increasingly clear that this may be a false dichotomy. This thesis re-evaluates the complex issues of provenance and diffusion affecting the mid-fifteenth-century cyclic Mass. By breaking down the polarization between English and continental origins, it offers a new understanding of the provenance and subsequent use of many Mass cycles. Contact between England and the continent was frequent, multifarious and quite possibly reciprocal and, despite strong national trends, there exists a body of work that can best be understood in relation to international cultural exchange. This thesis helps to clarify the i provenance of a number of Mass cycles, but also suggests that, for Masses such as the anonymous Thomas cesus and Du cuer je souspier, Le Rouge’s So ys emprentid, and even perhaps Bedyngham’s Sine nomine, cultural exchange is key to our understanding. -
Thursday Afternoon, October
Thursday afternoon, October LITURGICAL TRADITIONS Thomas Kelly, Harvard University, Chair BIBLICAL CANTILLATION AND SYNAGOGUE CHANT: A REVIEW OF THE EARLIEST SOURCES Daniel S. Katz Jüdische Gemeinde in Hamburg What do we know about ancient chant? How early can we trace biblical cantillation? The literary testimony of the rabbis and the church fathers offers a philosophical and theo- logical guide to the religious role of music between and years ago. Yet despite theories of affinities between the liturgical chanting of the early church and that of the syna- gogue or Temple, we face a dearth of ancient sources from these institutions. The Latin manuscripts for Gregorian Chant are from Carolingian times or later. They have been stud- ied exhaustively and are well known to musicologists. Their Hebrew counterparts are not. The purpose of this paper is not so much to present new documentation as to lay out clearly the earliest extant musical sources for biblical cantillation and synagogue chant, in- cluding the so-called “chants from Mount Sinai,” which for the core of the synagogue oral tradition and are thought to constitute one of the oldest surviving layers of Jewish music. Although selected archaeological and literary sources will set the historical context, the focus will be on Hebrew chant manuscripts, which are still generally unknown to the musicologi- cal community. THE CEREMONIAL BOOK OF NOVGOROD’S ST. SOPHIA CATHEDRAL AS SLAVO-BYZANTINE MUSICAL SOURCE Gregory Myers Burnaby, BC Medieval Novgorod was perhaps the most northerly point of byzantine cultural influence. The Ceremonial Book of Novgorod’s St. Sophia Cathedral, or Chinovnik Novgorodskago Sofiiskago Sobora, was the preeminent liturgical ordo of that town’s central cathedral in the seventeenth century. -
BIOGRAPHIES of PRESENTERS & COMPOSERS Updated 10/23/17 Adler, Ayden Ayden Adler Is Dean of the Depauw University School of M
BIOGRAPHIES OF PRESENTERS & COMPOSERS updated 10/23/17 Adler, Ayden Ayden Adler is Dean of the Depauw University School of Music. In her previous role as dean of the New World Symphony, America’s Orchestral Academy, Dr. Adler redesigned the academic program to address 21st-century needs of music students by providing high-level training in audience engagement, community engagement, and digital engagement, musician health and wellness, entrepreneurship, and leadership development. Before working in higher education administration, Dr. Adler served as Executive Director of the Orpheus Chamber Orchestra in New York City. With support from the Mellon Foundation, she expanded the Orpheus Institute, through which Orpheus musicians mentor the next generation of musicians and business leaders in shared leadership, entrepreneurship, and communication. Dr. Adler has also served as Director of Education and Community Partnerships for the Philadelphia Orchestra and as the Atlanta Symphony Orchestra’s Director for Learning Development. As an orchestral musician, Dr. Adler performed in many countries under esteemed conductors, including Loren Maazel, Mstislav Rostropovich, and Alan Gilbert. Alberti, Alexander Alexander Alberti is the current director of instrumental music and psychology at Longleaf School of the Arts in Raleigh, North Carolina. In addition, he works with the Middle Creek High School Marching Mustang Band, instructing front ensemble and percussion. Alberti formerly taught at Southern Lee High School in Sanford, North Carolina, where he directed band, orchestra, chorus, and an extracurricular a cappella program. Alberti is an active researcher in the field of music theory pedagogy and music education, presenting his findings at NAfME, CMS National, and NCUR. Alberti currently holds a Bachelors of Music in Music Education from Appalachian State University with a minor in Psychology. -
AMS OPUS Campaign: Report to Donors (2011)
American Musicological Society, Inc. Report to Donors May 2011 Table of Contents 1 Introduction: Letter from Past Presidents of the American Musicological Society during the OPUS campaign 3 Letters from the National Endowment for the Humanties, the Gladys Krieble Delmas Foundation, and the Andrew W. Mellon Foundation 7 Letter from OPUS Campaign Co-chairs D. Kern Holoman and Anne Walters Robertson 9 Financial Statement 10 Society Awards, Grants, and Fellowships Supported by the OPUS Campaign 16 Books and Editions Subvented by the Society with OPUS Funds 23 List of Donors May 15, 2011 To the Members and Friends of the American Musicological Society: We the presidents of the American Musicological Society, along with the Boards of Directors who have served with us, are delighted to extend our thanks to each donor recognized in the following pages. The AMS OPUS campaign was launched in 2002, in anticipation of the Society’s seventy- fifth anniversary, with the goal of establishing a substantial endowment in support of travel and research; fellowships, prizes and awards; and publications. Thanks to your efforts we were able to raise $2,200,000 dollars, a stately sum indeed. We were aided considerably by a challenge grant from the National Endowment for the Humanities and by additional grants from the Andrew W. Mellon Foundation and the Gladys Krieble Delmas Foundation. But it was the sustained labor and generosity of many constituents—the OPUS Committee, chaired so capably first by our own Jessie Ann Owens and then by D. Kern Holoman and Anne Walters Robertson; the AMS Chapters; our colleagues in private enterprise; those who participated in benefit concerts or other activities; friends of the Society; and of course the membership at large—that moved us constantly toward our goal and enabled the campaign to reach a successful conclusion at the close of 2009. -
The Quint V2.1
the quint volume two issue one an interdisciplinary quarterly from the north editors advisory board poetry/fiction Yvonne Trainer Dr. Keith Battarbee interviews/book reviews Sandra Barber University of Turku articles John Butler art Sue Matheson Dr. Lynn Echevarria creative nonfiction David Williamson Yukon College Dr. Susan Gold managing editor Sue Matheson University of Windsor Dr. Didi Hitchens University of Alaska (Anchorage) the quint welcomes submissions. See our Dr, Kathryn McNaughton guidelines or contact us at: University College of the North the quint Dr Stephen Roe University College of the North Northern Lights College 504 Princeton Drive Thompson MB Canada R8N 0A5 We cannot be held responsible for unsolicited material. production: Grant Nemeth and Sue Matheson cover photo supplied by Sue Matheson A quarterly journal, the quint is housed in and produced by the Humanities Area of The University College of the North. The encouragement and support of the Office of the Vice President Academic for this project at the University College of the North is deeply appreciated. Copyright 2009© the quint for the contributors. No part of this publication may be reproduced without our consent. the quint December 2009 2 inside Poetry Fixing Things Broken by Greg Cook................................................................................... 6 Key to Hick City by Marie Baker ........................................................................................ 52 four poems by bill bissett .................................................................................................... -
Margaret Bent Books Editions Articles and Chapters (Classified Listing)
Margaret Bent Select list of publications (last updated 2015) Books ‘The Old Hall manuscript: a paleographical study’ (unpublished Ph.D. dissertation, Cambridge University, 1969). Available on DIAMM resources. Dunstaple. Oxford Studies of Composers 17 (London: Oxford University Press, 1981). Fauvel Studies: Allegory, Chronicle, Music and Image in Paris, Bibliothèque nationale de France, MS français 146, ed. Margaret Bent and Andrew Wathey (Oxford: Clarendon Press, 1998). Introduction by Bent and Wathey. Counterpoint, Composition, and Musica Ficta (New York: Routledge, 2002). A collection of eleven essays related to compositional techniques, with substantial introduction. Includes items marked * below, and previously unpublished material. Bologna Q15: The Making and Remaking of a Musical Manuscript. Introductory Study and Facsimile Edition by Margaret Bent (LIM, Lucca, 2008), 2 vols. with Robert Klugseder, Ein Liber cantus aus dem Veneto: Fragmente in der Bayerischen Staatsbibliothek München und der Österreichischen Nationalbibliothek Wien. A Veneto Liber cantus (c. 1440): Fragments in the Bayerische Staatsbibliothek, Munich, and the Österreichische Nationalbibliothek, Vienna (Reichert, Wiesbaden, 2012). Magister Jacobus de Ispania, author of the Speculum musicae (RMA monograph. Farnham, Ashgate, 2015). Editions (with Andrew Hughes) The Old Hall Manuscript. Corpus Mensurabilis Musicae, vol. 46. 3 vols. (N. p.: American Institute of Musicology, 1969-73). (with Ian Bent and Brian Trowell) John Dunstable: Complete Works. Ed. Manfred F. Bukofzer. Musica Britannica, vol. 8. 2nd, rev. ed. (London: Stainer and Bell, 1970). Fifteenth-Century Liturgical Music II: Four Anonymous Masses. Early English Church Music, vol. 22 (London: Stainer and Bell, 1979). (with Anne Hallmark) The Works of Johannes Ciconia. Polyphonic Music of the Fourteenth Century, vol. 24 (Monaco: Éditions de l'Oiseau-Lyre, 1985).