From Zei 賊 to Gu Sha 故殺: a Changing Concept of Liability in Traditional Chinese Law
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The Chinese Way of War: How Has It Changed?
Sponsor: US Army Futures and Concepts Center Dept. No.: P622 Contract No.: W56KGU-19-F- 0004 The Chinese Way of War: How Has it Project No.: 0720A150-MD Changed? The views expressed in this document are those of the author and do not reflect the official policy or position of MITRE, the Department of Defense, or the US government. Approved for Public Release, Distribution Unlimited. Public Release Case Number 20-1450. Author: Timothy Thomas June 2020 ©2020 The MITRE Corporation. All rights reserved. McLean, VA 1 Executive Summary The title of this paper is “The Chinese Way of War: How Has it Changed?” The answer is that it has changed dramatically from what it was 20 years ago, but that does not mean that everything is new. There are some components of People’s Liberation Army (PLA) thinking (deception, stratagems, etc.) that remain as important elements of China’s way of war and they are being integrated into technologies. Such issues offer an overall sense of historical continuity in China’s approach to warfare that is based on a thought process going back thousands of years, to include the transcendent impact of Sun Tzu, Marx, and Mao on strategic and tactical issues. The number of articles and discussions in the journal China Military Science (CMS) over the past 20 years devoted to these three men fully support this contention. On the other hand, China’s intelligentization of operations and focus on joint and all-domain capabilities (to include domains not currently under consideration in the US) create new challenges. Artificial intelligence (AI) is now being used to help design warfare—repeat, help design warfare—to further provide control over conflicts and to ensure the PLA has a future deterrent force with which to confront other nations. -
Goldin, Prefinal.Indd
primacy of the situation paul r. goldin The Theme of the Primacy of the Situation in Classical Chinese Philosophy and Rhetoric here is a widespread misconception about the Confucian virtue T called shu ஏ, “reciprocity.” Conventionally, shu is explained as a variant of the Golden Rule (“Do unto others as you would have others do unto you”),1 an interpretation for which there seems to be very good textual warrant, inasmuch as Confucius himself is quoted in Analects xv/24 as saying that shu means “What you yourself do not desire, do not do unto others” աࢬլ, ֎ਜ࣍Գ.2 But the problem with letting Confucius’s own words speak for themselves is that for twenty-first- century readers this maxim leaves out an important qualification. In the context of early China, shu means doing unto others as you would have others do unto you, if you were in the same social situation as they.3 Otherwise, shu would require fathers to treat their sons in the same manner that their sons treat them — a practice that no Confucian has ever considered appropriate. Precisely this misunderstanding has 1 See, e.g., Herbert Fingarette, “Following the ‘One Thread’ of the Analects,” in Henry Rose- mont, Jr., and Benjamin I. Schwartz, eds., Studies in Classical Chinese Thought, Journal of the American Academy of Religion 47.3, Thematic Issue S (1979), pp. 373–405; H. G. Creel, “Dis- cussion of Professor Fingarette on Confucius,” in ibid., pp. 407–15; David S. Nivison, The Ways of Confucianism: Investigations in Chinese Philosophy, ed. Bryan W. -
Uppingthe Ante
14 發光的城市 A R O U N D T O W N FRIDAY, AUGUST 6, 2010 • TAIPEI TIMES BY NOAH BUCHan COMPILED BY THEATER STOP Ian BartHOLOmeW t’s often said that the the media to stop bothering her entertainment industry is built family, and got decidedly tetchy on foundations of fantasy when accused of lacking proper Iand hype, but some old-time respect for family elders. “It’s entertainers understand the not up to the media to define importance of putting their money what constitutes respect,” she is into something that lasts. quoted as saying. the ante In the case of Fei Yu-ching In romance-related news, (費玉清), the younger brother of Sammi Cheng (鄭秀文) has, Upping popular entertainer Chang Fei according to NOWnews.com, (張菲), that’s bricks and mortar. become the touch-paper of a This week, the media was breakup between Chinese singer awash with news that the singer Andy Hui (許志安) and Michelle and TV host had spent NT$330 Yu (余德琳), his girlfriend of million on purchasing a property three years. on Dunhua North Road (敦化北路). Hui and Cheng enjoyed a According to the Apple Daily, high-profile and commercially Fei Yu-ching bought the property successful personal and outright, paying cash up front professional relationship in the for the 600-plus square meter first half of the last decade. commercial property. Cheng said in a statement Fei Yu-ching certainly has the that her relationship with Hui money to spend, having grossed, had changed over the past according to the paper, a total of 10 years “from romance to NT$186 million for concerts so friendship” (愛情變成了情誼), and far this year. -
It's Coming out Again
14 發光的城市 A R O U N D T O W N FRIDAY, JULY 24, 2009 • TAIPEI TIMES It’s coming out again There’s nothing like a strong comeback, and Chu Ko Liang’s (豬哥亮) return to form after over a decade on the run from creditors is as spectacular as could be hoped for. Recording for his new variety show Chu Ko Hui She (豬 哥會社) for FTV (民視) began this week, with co-host Rene Hou (侯 怡君). Suggestions that he would present the program alongside Little Pig (小豬) (also known as Alan Luo or Show Luo, 羅志祥), who is a self- professed admirer of Chu Ko Liang and has imitated his acting style, came to nothing because of conflicting schedules. Chu Ko Hui She is expected to be a massive hit, and Chu Ko Liang, despite his decade out of the limelight, has gone straight to the top, commanding NT$300,000 an Little S is feeling fresh. episode. According to Yam News, PHOTO: TaIPEI TIMES Chu ��������������������������Ko Liang������������������’s payment is only marginally less than top earner Chang Fei (張菲), who gets NT$320,000 an episode for his Variety Big Brother (綜藝 大哥大) program. Responding to this report, Chang said he thought Chu ��������������������������������������Ko Liang �����������������������������should be paid twice as much, because his talent, having matured over 10 years, would now be like a bottle of old wine: all the better for having been put aside. Kou Chou Ching shares the stage at The Wall on Sunday with long-term collaborators and friends Chang Jui-chuan, MoShang and DJ Point. -
Foundations of Confucian Thought
FOUNDATIONS OF CONFUCIAN THOUGHT FOUNDATIONS OF CONFUCIAN THOUGHT Intellectual Life in the Chunqiu Period, 722–453 b.c.e. Yuri Pines university of hawai‘i press honolulu © 2002 University of Hawai‘i Press All rights reserved Printed in the United States of America 07 06 05 04 03 02 6 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Pines, Yuri. Foundations of confucian thought : intellectual life in the Chunqiu period, 722–453 b.c.e. / Yuri Pines. p. cm. Includes bibliographical references and index. ISBN 0-8248-2396-6 (alk. paper) 1. China—Intellectual life—To 221 b.c. 2. China— History—Spring and Autumn period, 722–481. I. Title. DS741.65 .P55 2002 931—dc21 2001046286 University of Hawai‘i Press books are printed on acid-free paper and meet the guidelines for permanence and durability of the Council on Library Resources. Designed by Integrated Composition Systems Printed by The Maple-Vail Book Manufacturing Group Contents Acknowledgments vii Notes on Translation, Terms, and Quotations ix Introduction 1 Chapter 1. Sources of Chunqiu Thought 13 Chapter 2. Heaven and Man Part Ways: Changing Attitudes Toward Divine Authority 55 Chapter 3. The Universal Panacea: Ritual and Preserving Hierarchical Order 89 Chapter 4. The World Falls Apart: A Futile Search for International Order 105 Chapter 5. When a Minister Mounts the Ruler: Chunqiu Views of Loyalty 136 Chapter 6. Nobility of Blood and Spirit: Chunqiu Ethical Thought 164 Chapter 7. The Chunqiu Legacy 205 Appendix 1: Grammatical Change in the Zuo: Case Studies of the “Yu” and “Qi” Particles 217 Appendix 2: Zhanguo Data in the Zuo 221 Appendix 3: Comparing Scribal Accounts in the Zuo 227 Appendix 4: Spurious Speeches and Interpolations in the Zuo 233 Notes 247 List of Chunqiu Personalities 309 Glossary 333 Bibliography 343 Index 373 Acknowledgments This book has developed from my Ph.D. -
A Methodological Procedure for the Analysis of the Wenxian Covenant Texts
A METHODOLOGICAL PROCEDURE FOR THE ANALYSIS OF THE WENXIAN COVENANT TEXTS Crispin Williams, Dartmouth College Abstract This article introduces a systematic methodological procedure for the analysis of Chinese palaeographic materials, constructed in this instance for the analysis of the Wenxian covenant texts (Wnxiàn méngsh ᄵᗼᅩ). The covenant texts have been dated to the early fifth century BC and were produced in the state of Jin வ; both the script and language of the covenants present problems of interpretation. The article first briefly introduces the tablets, on which the texts were written, and gives an example of the most commonly found type of covenant. A number of key palaeographic terms used in the description of the methodological procedure are then defined and discussed. These include terms related to characters, their non-standard forms and the components of which they are constructed, as well as terminology associated with transcription. Following this, the methodological procedure adopted for the analysis of the Wenxian texts is set out. The article concludes with the observation that the procedure has proven generally successful in the analysis of the texts under consideration. It also suggests that such a procedure is transferable to the analysis of other palaeographic materials and that an understanding of this methodology can aid the appraisal of transcriptions and annotations of previously published excavated texts. 1. Introduction This article introduces a methodological procedure constructed for the analysis of the Wenxian covenant texts (Wnxiàn méngsh ᄵᗼᅩ), a set of excavated texts currently being prepared for publication.1 Dated to the early fifth century, the texts are usually categorized as examples of Warring States script. -
Cuban Diva Looks Back on 60 Years
14 發光的城市 A R O U N D T O W N FRIDAY, SEPTEMBER 26, 2008 • TAIPEI TIMES Cuban diva looks back on 60 years he frenzy over Faye impersonations of former (王菲) reported vice president Annette Lu T Wong’s rom her days as a pioneer of miscarriage continues (呂秀蓮). Chang says Ni was Cuban jazz music in the 1940s to unabated. According to the ahead of his time, being her legendary appearances with Liberty Times [the Taipei the first in Taiwan to come F the Buena Vista Social Club in the late Times’ sister paper], the up with the idea of canned 1990s and her following artistic revival, media wildfire has spread coffee over 30 years ago. singer Omara Portuondo has good reason from Hong Kong and Taiwan Milk, mortality, coffee — it all to celebrate. to China, where showbiz makes perfect sense. And this is what the 77-year-old Cuban gossip Web sites speculate But at least Chang knows diva has done with her new album, that Wong’s husband, his job is to take people’s Li Gracias, which was officially released (李亞鵬), was having minds off things like food Yapeng yesterday. Portuondo visits Taipei an affair with Chinese actress scares and cross-strait International Convention Center tomorrow (苗圃), which Miao relations. He gave a nod Miao Pu as part of a ����������������tour of Asia and �������urope. angrily denied. to Taiwan’s homegrown, “At this time, I am celebrating 60 Rumormongers then surprise box office hit, Cape years of an artistic career and that is an speculated that Wong, 39, and No. -
A Diachronic Study of Dragon Lexemes in Mandarin Chinese: Lexical Change and Semantic Development *
A Diachronic Study of Dragon Lexemes in Mandarin Chinese: Lexical Change and Semantic Development * Shelley Ching-yu Hsieh Intergrams 8.1 (2007): http://benz.nchu.edu.tw/~intergrams/081/081-hsieh.pdf Abstract This paper aims at exploring the origins, lexical changes, and meanings of dragon lexemes in Mandarin Chinese. The dragon is a mythical animal. Dragon lexemes are generated from legends, literary works, and quotations from celebrities and media. They either describe the character of the referent, the dragon, or the records of ancient customs, or are results of language contact. Dragon lexemes underwent lexical changes in both meaning broadening and semantic shift. Chinese wish for the capability to fly, and they long for luck and value interpersonal relations. These desires are all written with dragon lexemes. The lexical item long 龍 (dragon) now is not only a semantic unit denoting ‘positive, super, strong/strengthen, best person, holy’, but also serves as a popular phonetic representation that stands for the phonological unit [+liquids] + [−front vowels] + [+nasal C.]. As a result, long has developed this way: semantic element > phonetic element > morphological unit > syntactic marker, all triggered by social change and a new Mandarin structure. Keywords: mythical animal, animal metaphors, lexical change, grammaticalization 1 1. Introduction The dragon plays a dramatically important role for the Chinese. It is a mythical creature, but it has represented the Chinese for thousands of years. Scholars have speculated variously about the source of this mystical creature: animal speculation says that it is stereotyped from animals like snakes, crocodiles, horses, and crickets; plant speculation argues that it is the image of pines and cypresses; nature speculation claims that its source was clouds, lightning, and rainbows; and totem speculation declares it that was our ancestors’ totem (Wang 2001:151). -
The Ghost of Liaozhai: Pu Songling’S Ghostlore and Its History of Reception
THE GHOST OF LIAOZHAI: PU SONGLING’S GHOSTLORE AND ITS HISTORY OF RECEPTION Luo Hui A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of East Asian Studies University of Toronto © Copyright by Hui Luo, 2009 ii The Ghost of Liaozhai: Pu Songling’s Ghostlore and Its History of Reception Luo Hui Doctor of Philosophy Department of East Asian Studies University of Toronto 2009 Abstract This dissertation looks beyond the prevailing view of Pu Songling’s (1640-1715) Liaozhai zhiyi as an undisputed classic of Chinese literature, positing that much of the work’s cultural relevance and popular appeal derives from its status as “minor discourse” rooted in the tradition of the ghost tale. The first half of the dissertation examines the ghosts depicted within Liaozhai, reconnecting their tamed and feminized images with their dark and anarchic origins. The second half studies the reception of Liaozhai, chronicling the book’s cultural ascension from xiaoshuo, in the original sense of a minor form of discourse fraught with generic and ideological tensions, to a major work of fiction (xiaoshuo in its modern sense). However, the book’s canonical status remains unsettled, haunted by its heterogeneous literary and cultural roots. The Introduction reviews current scholarship on Liaozhai, justifying the need to further investigate the relationship between popular perceptions of Liaozhai and the Chinese notion of ghosts. Chapter One delineates Pu Songling’s position in late imperial ghost discourse and examines how the ghost tale reflects his ambivalence toward being a Confucian literatus. Chapter Two reads Pu Songling’s “The Painted Skin” in conjunction iii with its literary antecedents, demonstrating that Pu’s uses of both zhiguai and chuanqi modes are essential for the exploration of the ghost’s critical and creative potential. -
易經 I Ching (Yijing)
ONLINE NOTES For 易經 I Ching (Yijing) The Book of Change Ancient Chinese Oracle and Book of Wisdom A new translation by John Minford In order to reduce the size of what was already becoming rather a bulky tome, I suggested to my editor at Viking/Penguin, John Siciliano, that we place most of the references online. For the Intoduction we still provided regular endnotes. Here the other references are, after some delay. I do hope these notes, unscholarly though they are, will enable the curious reader to trace the origins of some parts of my commentary, and may serve to 1 extricate this book from falling into what Joseph Needham, referring to the Wilhelm/Baynes version, called ‘the Department of Utter Confusion’ (Science & Civilisation in China, vol. 2, p. 308, note a). If anyone needs more precise information, please send me an email. Sources, deletions and occasional further thoughts on this work-in-progress are printed in red. Passages in the translation to which the notes refer are printed in blue. I may in the future add corrigenda to this file, or even create a separate file for the purpose, as I am sure there will be many errors in my translation, and further second thoughts that could be useful. Deletions are in general of two kinds. 1/ Comments from Western sources (e.g. Matthew Arnold, Jullien) that seemed to jar with the prevailingly Chinese nature of the commentary; and 2/material that seemed on reflection superfluous and overly discursive. There are books that take the I Ching as a point of departure for the compiling of personal reflections on life. -
UCLA UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Models of Authorship and Text-making in Early China Permalink https://escholarship.org/uc/item/3nm3m1rv Author Zhang, Hanmo Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Models of Authorship and Text-making in Early China A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Asian Languages and Cultures by Hanmo Zhang 2012 © Copyright by Hanmo Zhang 2012 ABSTRACT OF THE DISSERTATION Models of Authorship and Text-making in Early China by Hanmo Zhang Doctor of Philosophy in Asian Languages and Cultures University of California, Los Angeles, 2012 Professor David C. Schaberg, Chair This dissertation aims to show how the author functioned as the key to classifying, preserving, and interpreting a body of ancient knowledge; the author not only served as a foundation upon which different elements of knowledge were brought together, but also as furnished cues to the interpretation of composite texts and thus created a notional coherence in texts. On a deeper level, the inquiry of early Chinese authorship also sheds light on the ritual, religious, and sociopolitical contexts influencing authorial attributions and on how such attributions are associated with early Chinese intellectual history in general. I argue in Chapter One that the figure of the Yellow Emperor was forged out of the Eastern Zhou ritual and religious thought that bears the mark of the ancestral veneration of high antiquity while at the same time reflecting the concerns of the changing social realities of the time. -
Ming and Qing Historical Studies in the People's Republic of China
Ming and Qing Historical Studies in the People's Republic of China Institute of East Asian Studies • University ofCalifornia, Berkeley Centerfor Chinese Studies, CHINA RESEARCH MONOGRAPH NO. 17 Ming and Qing Historical Studies In the People's Republic of China Frederic Wakeman, Jr., Editor The U.S. Delegation of Ming and Qing Historians Committee on Scholarly Communication with the People's Republic of China Frederic Wakeman, Jr., Chair Eveiyn S. Rawski, Vice-Chair Charles O. Hucker Philip A. Kuhn John D. Langiois, Jr. Susan Naquin Willard Peterson Lynn Struve Wang Yeh-chien John E. Wills, Jr. Although the Center for Chinese Studies, Institute of East Asian Studies, is responsible for the selection and acceptance of mono graphs in this series, responsibility for the opinions expressed in them and for the accuracy of statements contained in them rests with their authors. NOTICE: The views expressed in this report are those of the Ming- Qing History Delegation and are in no way the official views of the Committee on Scholarly Communication with the People's Republic of China or its sponsoring organizations — The American Council of Learned Societies, the National Academy of Sciences, and the Social Science Research Council. The exchange visit of the Ming-Qing History Delegation to China was supported by a grant from the National Endowment for the Humanities. This visit was part of the exchange program operated by the Committee on Scholarly Communication with the People's Republic of China, founded in 1966 by the American Council of Learned Societies, the National Academy of Sciences, and the Social Science Research Council.