Uppingthe Ante
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It's Coming out Again
14 發光的城市 A R O U N D T O W N FRIDAY, JULY 24, 2009 • TAIPEI TIMES It’s coming out again There’s nothing like a strong comeback, and Chu Ko Liang’s (豬哥亮) return to form after over a decade on the run from creditors is as spectacular as could be hoped for. Recording for his new variety show Chu Ko Hui She (豬 哥會社) for FTV (民視) began this week, with co-host Rene Hou (侯 怡君). Suggestions that he would present the program alongside Little Pig (小豬) (also known as Alan Luo or Show Luo, 羅志祥), who is a self- professed admirer of Chu Ko Liang and has imitated his acting style, came to nothing because of conflicting schedules. Chu Ko Hui She is expected to be a massive hit, and Chu Ko Liang, despite his decade out of the limelight, has gone straight to the top, commanding NT$300,000 an Little S is feeling fresh. episode. According to Yam News, PHOTO: TaIPEI TIMES Chu ��������������������������Ko Liang������������������’s payment is only marginally less than top earner Chang Fei (張菲), who gets NT$320,000 an episode for his Variety Big Brother (綜藝 大哥大) program. Responding to this report, Chang said he thought Chu ��������������������������������������Ko Liang �����������������������������should be paid twice as much, because his talent, having matured over 10 years, would now be like a bottle of old wine: all the better for having been put aside. Kou Chou Ching shares the stage at The Wall on Sunday with long-term collaborators and friends Chang Jui-chuan, MoShang and DJ Point. -
From Zei 賊 to Gu Sha 故殺: a Changing Concept of Liability in Traditional Chinese Law
From Zei 賊 to Gu Sha 故殺: A Changing Concept of Liability in Traditional Chinese Law Geoffrey MacCormack Introduction If we consider the development of law in China from the Western Zhou西周to the Qing清, we can readily distinguish between an earlier or immature stage and a later or mature stage. Where the line is drawn may be a matter of difficulty. Yet some statements may be uncontroversial. For example, few would disagree that the codes of the sixth century B.C. belong to the former, while the Tang code (Tang lü shu-yi 唐 律疏議) belongs to the latter. From the later Zhou period 周(Warring States) the use of law as the principal instrument for the government of the state is continually being developed. Experiments both in the arrangement of the rules of law and in the formulation of individual rules were made. Such experiments continued throughout the Qin 秦, Han 漢, and post-Han漢periods. Important improvements in the composition of the law codes were achieved in both the southern and northern dynasties, the culmination of the process being the Tang code which was itself the model for the codes of future dynasties. We are concerned here mainly with the law of the Qin秦and Han漢periods, which in the context of the evolution of law in China we classify as belonging to the early or immature stage. The theoretical assumption underlying this study is that early law in general takes a situational approach to the problem of liability. This means that the perspective of the rules which impose liability for harm is that of the whole ‘situation’ from which the harm results. -
Cuban Diva Looks Back on 60 Years
14 發光的城市 A R O U N D T O W N FRIDAY, SEPTEMBER 26, 2008 • TAIPEI TIMES Cuban diva looks back on 60 years he frenzy over Faye impersonations of former (王菲) reported vice president Annette Lu T Wong’s rom her days as a pioneer of miscarriage continues (呂秀蓮). Chang says Ni was Cuban jazz music in the 1940s to unabated. According to the ahead of his time, being her legendary appearances with Liberty Times [the Taipei the first in Taiwan to come F the Buena Vista Social Club in the late Times’ sister paper], the up with the idea of canned 1990s and her following artistic revival, media wildfire has spread coffee over 30 years ago. singer Omara Portuondo has good reason from Hong Kong and Taiwan Milk, mortality, coffee — it all to celebrate. to China, where showbiz makes perfect sense. And this is what the 77-year-old Cuban gossip Web sites speculate But at least Chang knows diva has done with her new album, that Wong’s husband, his job is to take people’s Li Gracias, which was officially released (李亞鵬), was having minds off things like food Yapeng yesterday. Portuondo visits Taipei an affair with Chinese actress scares and cross-strait International Convention Center tomorrow (苗圃), which Miao relations. He gave a nod Miao Pu as part of a ����������������tour of Asia and �������urope. angrily denied. to Taiwan’s homegrown, “At this time, I am celebrating 60 Rumormongers then surprise box office hit, Cape years of an artistic career and that is an speculated that Wong, 39, and No. -
A Diachronic Study of Dragon Lexemes in Mandarin Chinese: Lexical Change and Semantic Development *
A Diachronic Study of Dragon Lexemes in Mandarin Chinese: Lexical Change and Semantic Development * Shelley Ching-yu Hsieh Intergrams 8.1 (2007): http://benz.nchu.edu.tw/~intergrams/081/081-hsieh.pdf Abstract This paper aims at exploring the origins, lexical changes, and meanings of dragon lexemes in Mandarin Chinese. The dragon is a mythical animal. Dragon lexemes are generated from legends, literary works, and quotations from celebrities and media. They either describe the character of the referent, the dragon, or the records of ancient customs, or are results of language contact. Dragon lexemes underwent lexical changes in both meaning broadening and semantic shift. Chinese wish for the capability to fly, and they long for luck and value interpersonal relations. These desires are all written with dragon lexemes. The lexical item long 龍 (dragon) now is not only a semantic unit denoting ‘positive, super, strong/strengthen, best person, holy’, but also serves as a popular phonetic representation that stands for the phonological unit [+liquids] + [−front vowels] + [+nasal C.]. As a result, long has developed this way: semantic element > phonetic element > morphological unit > syntactic marker, all triggered by social change and a new Mandarin structure. Keywords: mythical animal, animal metaphors, lexical change, grammaticalization 1 1. Introduction The dragon plays a dramatically important role for the Chinese. It is a mythical creature, but it has represented the Chinese for thousands of years. Scholars have speculated variously about the source of this mystical creature: animal speculation says that it is stereotyped from animals like snakes, crocodiles, horses, and crickets; plant speculation argues that it is the image of pines and cypresses; nature speculation claims that its source was clouds, lightning, and rainbows; and totem speculation declares it that was our ancestors’ totem (Wang 2001:151).