SLEMCO Power July-August 2015
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Germán López, Joel Savoy & Kelli Jones
MUSIC Germán López, Joel Savoy & SAVANNAH Kelli Jones Sat, March 25, 2017 12:30 pm – 1:40 pm Venue Charles H. Morris Center, 10 E Broad St, Savannah, GA 31401 View map Admission Buy tickets More information Savannah Music Festival Credits Presented by the Savannah Music Festival Germán López is a world-renowned ‘timple’ player from the Canary Islands, and is joined by Spanish guitarist Antonio Toledo at the 2017 Savannah Music Festival. Two acoustic duos from remarkably different traditions share this one- time-only double bill. Germán López is a world-renowned timple player from Spain, and is joined by Spanish guitarist Antonio Toledo. López has been performing since the age of 10, including collaborations with the symphony orchestra of Gran Canaria and festival appearances throughout Europe and the U.S. Pronounced “tim-play,” the timple is a diminutive 5-stringed instrument that resembles the 4-stringed ukulele, which López brings to life through a joyous sound that is similar to flamenco music but with a very Portuguese flair. Joel Savoy and Kelli Jones are from Eunice, Louisiana and specialize in Cajun music, honky-tonk and swing on guitar and fiddle. Savoy is the son of renowned Cajun musicians Mark & Ann Savoy, is owner/producer at the Grammy-winning label Valcour Records, and is also the Artistic Director of the Festival of American Fiddle Tunes. This is his third SMF appearance. Kelli Jones grew up playing old-time fiddle alongside her father Carl Jones in North Carolina, and has lived in Louisiana for the past decade. She also performs and tours with Feufollet and T’Monde, in addition to this compelling new project. -
6 Inspiring Cajun Musicians
LeadingLadies 6 INSPIRING CAJUN MUSICIANS In what has become our now annual music their voices have been heard and met with guide, we decided to do something a little praise – even Grammy nominations. All six different. Rather than focus on venues, clubs of these women are carrying on the tradition and places to go, we chose to focus on faces of their Cajun ancestors and bringing it to look for – and more importantly, voices to into the future, and we hope that the trend hear. In the music industry in general – and of women leading their own bands will gain especially when it comes to Cajun music, momentum as they continue to inspire others. women are outnumbered by men. Fortunately, That, we think, is worth singing about. By Michael Patrick Welch \\ Photos by Romero & Romero acadianaprofile.com | 31 gigs as Petite et les Patates (Little and the AT THE AGE OF 18, Potatoes), a quieter three-piece traditional musician Jamie Lynn Fontenot was Cajun band. overtaken by the desire to learn Cajun Along with accordion player Jacques French. “My grandparents, Mary ‘Mimi’ fontenotBoudreaux, Petite et les Patates also often Fontenot and John ‘Toe’ Fontenot, from features Fontenot's husband, French fiddle Opelousas are great, really strong Cajun player Samuel Giarrusso, who moved to speakers,” says Fontenot from her home in Louisiana in 2012 from France to be near his Lafayette. “My siblings and I wanted them father, also a Cajun French musician. “Petite to teach us Cajun French, so she would play et les Patates is actually a constantly rotating me all these old Cajun vinyl records, and band, where I am the only constant,” says she’d tell me the stories the singers were Fontenot. -
It's All About the Music!
Musicians “It’s all about the music!” Wayne said to me the first time Courtbouillon played together. That makes sense on a lot of levels. Here are three guys, leaders of three of the most successful WAYNE TOUPS: ACCORDION AND VOCALS contemporary Cajun bands, drawn together by nostalgia for the music they grew up listening to. I hesitate to say “music of the past.” These aren’t old STEVE RILEY: ACCORDION, GUITAR AND VOCALS songs, these are their songs- our songs- they’re as timeless to the Cajuns as WILSON SAVOY: ACCORDION, FIDDLE, GUITAR AND VOCALS the Star-Spangled Banner is to Americans. Cajun music is folk music- it’s music by the people for the people, but most of you know Wayne, Steve ERIC FREY: BASS and Wilson as the great bandleaders they are, standing onstage in front of thousands giving themselves to their audience. Here’s a chance to have them in your living room as three friends playing for each other. What a treat! The record was made with that feeling in mind. I wanted to capture that additional information raw passion coming from these guys as they poured themselves into these beautiful songs and the job was easy enough! Standing around one day after Recorded, Mixed and Mastered by Joel Savoy at Studio SavoyFaire a session Wayne looked at us with tears in his eyes and thanked us for letting in Eunice, LA. him be a part of this. This music means so much to these guys. I hope you enjoy it! Photos by Lucius Fontenot. -
Voice Works Fiddle Tunes Writers' Conference Summer Festival Schedule
SUMMER FESTIVAL SCHEDULE creativity in community VOICE FIDDLE PORT TOWNSEND JULY 8–14 WORKS TUNES WRITERS’ High School CONFERENCE Writers JUNE 25-30 JULY 1–8 JULY 15–22 Pharis Romero, Joel Savoy, Sam Ligon, Writers’ Artistic Director Artistic Director Artistic Director Conference Dawn Pemberton FORT WORDEN STATE PARK, PORT TOWNSEND SUPPLEMENT TO THE JUNE 27, 2018 PORT TOWNSEND & JEFFERSON COUNTY LEADER SUMMER AT CENTRUM WELCOME TO CENTRUM’S 45TH SEASON! I INVITE YOU to join the Centrum community in the creation of art and honoring of diverse traditions. DISCOVER creative workshops, mainstage performances, nightclub events, literary readings, lectures, dances, artist residencies, youth programs, and more. CENTRUM PROGRAMS welcome participants from across the globe to historic Fort Worden State Park. Last year alone, Centrum served participants from 16 countries, all 50 states, and 77% of the counties in Washington State. Thirty percent of program participants are age 18 or younger! UNCLE BONSAI As always, we welcome youth age 18 and younger to all performances for free, with an advance FREE FRIDAYS AT THE FORT reservation. Free o erings at Centrum for everyone include our outdoor Free Fridays at the Fort series, all readings at the Writers’ Conference and most Centrum’s popular lunchtime concert and reading series takes workshop participant concerts throughout the place on the lawn of the Nora Porter Commons at Fort Worden summer. State Park. NEW THIS YEAR our Blues and Jazz in the Clubs Performances begin at noon, last until 1 p.m., and are free. In the concerts will appear in venues throughout Fort Worden. -
Swamp Romp Lyrics and Liner Notes
Swamp Romp, A Louisiana Dance Party for Children Johnette Downing with Scott Billington Liner Notes and Lyrics 1. Swamp Romp 2:02 2. Who Got the Baby in the King Cake? 2:07 3. Mudbug Boogie 3:45 4. It Wasn’t Me (The Possum Song) 2:35 5. Poor Worry Anna 3:01 6. J’ai Vu le Loup, le Renard et la Belette 2:35 7. Mississippi River 2:18 8. Bamboula Rhythm 3:21 9. Gather Something Sweet 1:57 10. Your Best Pair of Shoes 2:44 11. How to Dress a Po’ Boy 2:54 12. Crawfish Etouffée 1:46 13. Get Ready, Get Set, Let’s Groove 3:07 14. Our Oxcarts 2:41 15. Stand Up, Jump Up 2:40 16. Star in My Sky 2:08 JOHNETTE DOWNING with SCOTT BILLINGTON SWAMP ROMP JD-11 ℗ 2019 © 2019 Johnette Downing • www.johnettedowning.com • (504) 861-2682 All Rights Reserved. Duplication is strictly prohibited without prior written consent from Johnette Downing, Wiggle Worm Records. P.O. Box 13367, New Orleans, LA 70185, USA. Produced by Scott Billington and Johnette Downing Recorded by Steve Reynolds, Jake Eckert, and Joel Savoy Mixed by Steve Reynolds Mastered by Paul Blakemore Recorded at The Rhythm Shack, New Orleans, Louisiana; Studio SavoyFaire, Eunice, Louisiana (David Livingston, second engineer); and NOCCA Studio, New Orleans, Louisiana Design and Illustration by Heather Stanley Photograph of Johnette and Scott by Rick Olivier Studio photographs and liner notes by Johnette Downing and Scott Billington Beth Blenz-Clucas, Sugar Mountain PR For Beadle, the sweet Cajun prairie dog. -
UPDATED & REVISED 5 EDITION* Cover Design by Bob Mcgrath
UPDATED & REVISED 5th EDITION* Cover design by Bob McGrath CAJUN RECORDS 1946-1989 – A DISCOGRAPHY © Nick Leigh 2019 INTRODUCTION TO THE REVISED EDITIONS I began collecting blues records in 1959 but it was another 7 years before I heard Cleveland Crochet & the Sugar Bees on the Storyville anthology “Louisiana Blues”. My appetite whetted, I wanted more. Buying the Iry Le Jeune LPs on Goldband a few months later (not one but two volumes – and purchased as imports on a student’s allowance!) fuelled an appreciation of Cajun music that has remained undiminished. In the mid 1960s, however, there was little information available about the great music I was listening to, other than the catalogues I obtained from Goldband and Swallow, and the early articles by Mike Leadbitter and John Broven in “Blues Unlimited” and “Jazz Journal”. Thanks to people like Mike, John, Neil Slaven, Rob Ford and Les Fancourt there is now a lot of information available to provide the background to blues and rhythm & blues recordings. However much of the information about the post World War 2 music of South Louisiana in general and the French (Cajun) recordings in particular, remains elusive. So far as I know no single ‘discography’ of post-war Cajun record releases has been published and I thought I would try to correct this oversight. This is notwithstanding the increasing amount of well researched material about the music in general and individual artists. Therefore I take only limited credit for the information included herein about the recordings. My aim has been to bring that material together in a single document. -
Musiques De Louisiane Vers Un Deuxième Renouveau Francophone ?
Université Toulouse - Jean Jaurès Institut Pluridisciplinaire pour les Études sur les Amériques à Toulouse (IPEAT) Master mention Civilisations, Cultures et Sociétés Parcours Espaces, sociétés, cultures dans les Amériques Musiques de Louisiane Vers un deuxième renouveau francophone ? Mémoire de 2ème année présenté par : Bastien DURAND-TOULOUSE Sous la direction de : Nathalie DESSENS Année Universitaire 2017-2018 Déclaration sur l’honneur de non-plagiat Je soussigné·e, Nom, Prénom : Durand-Toulouse, Bastien Régulièrement inscrit à l’Université de Toulouse – Jean Jaurès - Campus du Mirail N° étudiant : 0210021600126 Année universitaire : 2017-2018 Certifie que le document joint à la présente déclaration est un travail original, que je n’ai ni recopié ni utilisé des idées ou des formulations tirées d’un ouvrage, article ou mémoire, en version imprimée ou électronique, sans mentionner précisément leur origine et que les citations intégrales sont signalées entre guillemets. Conformément à la charte des examens de l’Université de Toulouse – Jean Jaurès Campus du Mirail, le non-respect de ces dispositions me rend passible de poursuites devant la commission disciplinaire. Fait à : Toulouse Le : 19/09/2018 Signature : Bastien Durand-Toulouse 2 Table des matières Déclaration sur l’honneur de non-plagiat ................................................................................... 2 Table des matières ...................................................................................................................... 3 Remerciements .......................................................................................................................... -
MIO ANN SAVOY PLAYLIST Dans La Louisiane Savoy
MIO ANN SAVOY PLAYLIST Getting Some Fun Out of Life Ann Savoy & Her Sleepless Knights CD: If Dreams Come True Si J’aurais Des Ailes Ann Savoy & Joel Savoy CD: Allons Boire un Coup: A collection of Cajun and Creole Drinking Songs Dans La Louisiane Savoy-Doucet Cajun Band CD: Live! At the Dance It's Like Reaching for the Moon Ann Savoy & Her Sleepless Knights CD: If Dreams Come True I Can’t Get Over You Ann Savoy (Live) At the Jazz Band Ball Pete Fountain and Al Hirt CD: New Orleans Jazz A Foggy Day Frank Sinatra CD: Songs for Young Lovers If You Were Mine Billie Holiday CD: The Essential Billie Holiday If I Had My Way Peter Paul and Mary CD: Peter Paul and Mary in Japan Fantasie D'Amour Loudovic Bource CD: The Artist (Original Motion Picture Soundtrack) Cathy’s Theme Wuthering Heights Original Trailer, 1959 YouTube I Made a Big Mistake Ann & Marc Savoy CD: J’ai ete au bal Happy One Step Savoy-Doucet Cajun Band CD: The Best of the Savoy-Doucet Cajun Band Happy One Step Dennis McGee CD: The Complete Early Recordings of Dennis McGee Devillier Two Step Dennis McGee and Sady Courville La Vieille Musique Acadienne Lafayette Cleoma Breaux & Joe Falcon CD: Cajun Music Mon Coeur T’appelle Cleoma Breaux CD: Cajun Dance Party: Fais Do-Do Valse de Opelousas Amede Ardoin CD: Mama I’ll Be Long Gone: The Complete Recordings of Amede Ardoin 1929-1934 Muskrat Ramble Lawrence Welk Show, 1955 YouTube Aux Illinois Ann Savoy CD: I Wanna Sing Right: Rediscovering Lomax in the Evangeline Country Nuages Ann Savoy and Her Sleepless Knights CD: Black Coffee Embraceable You Ann Savoy and Her Sleepless Knights, feat. -
FF Map & Schedule 4
BES FOOD E T CRAFTS H O T F a taste of tradition crafting a tradition The stories, smells, memories and tastes of beloved foods are This year we celebrate 30 years of presenting craft artists at work. the things that people hold on to longest in their lives, dispite 30 You may see familiar faces as we feature some of the most skilled changes through time, geography, and even language. Whether YEARS and engaging individuals who have demonstrated over the years foodways are adapted by immigrants long settled or those newly and welcome new ones to the festival. Their work is inspired by arrived, we all can share generations’ worth of techniques and the human urge to make music, to celebrate, to commemorate, to wisdom in every bite, along with cooks’ stories from some of the FOOD & CRAFT worship, to adorn, or to delight the senses. Like the music heard cultures that make up the American foodscape, such as African TRADITIONS on festival stages, these craft traditions have been handed down American, Chinese, Jamaican, Polish, Puerto Rican and beyond. within families, ethnicities, occupations, or apprenticeships. foodways 2pm: Walk through the folk craft area and you will observe master craftspeople carving demo schedule West African chicken peanut stew letterforms in stone, working clay, marbling paper, and carving fruit so stunningly it defies saturday & sunday Charles Coe eating. Watch musical instrument makers plane a plank of spruce or insert a decorative Noon: 3pm: inlay. Marvel at the material culture of Lithuanian mid-summer. Pose in one of the Hat Polish pierogi Jamaican fish Tea Ladies of Fiesta’s creations as you learn how one venerable tradition spawns a new one. -
33559613.Pdf
Raising the Bar: The Reciprocal Roles and Deviant Distinctions of Music and Alcohol in Acadiana by © Marion MacLeod A dissertation submitted to the School of Graduate Studies in partial fulfillment of the requirements for the degree of Doctor of Philosophy Ethnomusicology Memorial University of Newfoundland June, 2013 St. John 's, Newfoundland ABSTRACT The role of alcohol in musical settings is regularly relegated to that of incidental by stander, but its pervasive presence as object, symbol or subject matter in Acadian and Cajun performance contexts highlights its constructive capacity in the formation of Acadian and Cajun musical worlds. Individual and collective attitudes towards alcohol consumption implicate a wide number of cultural domains which, in this work, include religious display, linguistic development, respect for social conventions, and the historically-situated construction of identities. This research uses alcohol as an interpretive lens for ethnomusicological understanding and, in so doing, questions the binaries of marginal and mainstream, normal and deviant, sacred and profane, traditional and contemporary, sober and inebriated. Attitudes towards alcohol are informed by, and reflected in, all ofthese cultural conflicts, highlighting how agitated such categorizations can be in lived culture. Throughout the dissertation, I combine the historical examples of HatTy Choates and Cy aMateur with ethnographic examinations of culturally-distinct perfonnative habits, attitudes toward Catholicism, and compositional qualities. Compiling often incongruous combinations of discursive descriptions and enacted displays, my research suggests that opposition actually confirms interdependence. Central to this study is an assertion that levels of cultural competence in Cajun Louisiana and Acadian Nova Scotia are uneven and that the repercussions of this unevenness are musically and behaviourally demonstrated. -
Thursday, April 25, 2019
Thursday, April 25, 2019 Sheraton Allison Miner Cultural Acura Gentilly Congo Square Blues Economy Hall New Orleans Jazz & Gospel Lagniappe Exchange WWOZ Kids Tent Music Heritage Stage Stage Stage Tent Tent Fais Do-Do Heritage Stage Tent Stage Pavilion Jazz Tent Stage Stage World Journey OUTDOOR CAROUSEL 12:00pm - 6:00pm Chouval Bwa Traditionnel 11:15 am 11:15 am 11:15 am 11:15 am 11:15 am 11:15 am 11:15 am 11:15 am of Martinique 11:20 am Kid Simmons’ Goldman Fi Yi Yi The Loyola & the Mandingo Mia Borders Nigel Hall University Local Thibodeaux Wimberly Family 11:30 am 11:30 am 11:30 am Jonathon Long Warriors Gospel Singers Jazz Band International & the Lawtell Mardi Gras Indians Michael Skinkus Young Makueto Rumba Buena 11:55 am 11:55 am Audiences 12:00 pm 12:00 pm 12:00 pm Allstars Playboys and Moyuba Groove 12:05 pm 12:05 pm 12:05 pm with guest Performing Arts & Friends 12:05 pm Michael Ray Showcase 12:15 pm 12:15 pm 12:20 pm 12:15 pm 12:20 pm 12:20 pm 12:20 pm 12:20 pm 12:20 pm Arrianne 12:25 pm 12:25 pm Keelen Gal Holiday Grayson 12:30 pm & the Bill Summers Brockamp 101 Runners 12:35 pm 12:35 pm 12:40 pm J. Monque'D Charlie Gabriel 12:50 pm 12:40 pm Grayhawk James Rivers Honky Tonk & Jazalsa and the Balfa Toujours Revue New Orleans Blues Revue and Friends 1:00 pm presents Interviewer: Pride of Zulu Kinfolk 1:05 pm Wildlife Band Tom Leggett Native American Matt Sakakeeny of South Africa 1:10 pm 1:10 pm 1:00 pm Lore & Tales Brass Band 1:15 pm 1:15 pm 1:15 pm Band 1:15 pm Cynthia Girtley’s 1:20 pm 1:20 pm 1:20 pm Tribute to 1:30 pm 1:25 pm 1:30 pm 1:30 pm Mahalia Jackson 1:35 pm 1:30 pm 1:35 pm 1:35 pm 1:35 pm 1:45 pm When women speak, Smitty Dee's they make a difference! Russell Batiste New Orleans Brass Band 1:45 pm Mia X, Keedy Black, 1:45 pm Amy Helm Rev. -
Ann Savoy Completes Second Volume on Cajun Music, Culture
Japanese St. Ed’s maples create to hold tranquility holiday Page 2 tournament Page 7 The Eunice News VOL. 116 NO. 103 SUNDAY, DECEMBER 27, 2020 $1.00 New Hope Church announces a new private Christian school Eunice Christian Acad- include Joy Jodon, admin- credibly excited to begin emy (ECA) will be open- istrator and teacher; Ka- this journey and be the ing in August 2021 for the tie Richard, early child- start and the foundation 2021-2022 school year. hood curriculum director of Eunice Christian Acad- ECA is a Christ-centered, and teacher; Wendy Nu- emy.” private school serving gent, teacher; Margaret Students at ECA will pre-kindergarten to sixth Gil, teacher; Katie Savoy, experience daily worship, grade. office manager; and Ev- prayer, and devotions to “We offer hands-on elyn Ashford, aftercare begin every day, and these learning, enriched with director. Biblical foundations will creative and innovative All teachers have bach- be incorporated through- ways of teaching while elor’s degrees and/or out the accredited Abeka also equipping students teaching certificationscurriculum. “We believe with Christ-like purpose,” along with years of class- by setting this type of said Megan Frye, direc- room experience. Christian environment tor of development. While Of the staff, Frye said, we provide a safe and nur- New Hope church will “We are very passionate turing atmosphere where facilitate the school, stu- about providing the best students and families can Staff at the planned Eunice Christian Acad- director and teacher; Joy Jodon, adminis- dents from all religious education possible while explore and understand emy includes, from left, Katie Savoy, office trator and teacher; Margaret Gil, teacher; backgrounds are invited instilling Biblical prin- their identity in Christ,” manager; Megan Frye: director of develop- and Wendy Nugent, teacher.