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Ctba Newsletter 1107
1 COPYRIGHT © CENTRAL TEXAS BLUEGRASS ASSOCIATION IBMA Member Central Vol. 33 No. 7 Texas Bluegrass July 1, 2011 Copyright © 2011 by Central Texas Bluegrass Association July 15-16, South Shore Harbor Resort & Convention Center, League City, TX Our good friends at the Bay Area Bluegrass Association have once again put together an awesome lineup for their annual Fire on the Strings Music Festival. This year’s lineup will include Charlie Sizemore, Kenny & Amanda Smith, The Chapmans, The Lonestar Bluegrass Band, The Bluegrass Solution, Buffalo Nickel, White Dove, Cypress Creek, Southern Style, and Justified. This event is also where we crown the State of Texas Flatpicking and Banjo Champions! Notice that the event is being held on a different weekend and in A NEW LOCATION!!! The event will be held at the South Shore Harbor Resort and Convention Center, 2500 South Shore Boulevard, in League City! BABA President, Rick Kirkland tells us to, “Be sure to ask for the bluegrass discount when booking rooms for a discount and a free breakfast”. There are also RV sites at the Marina Bay RV Resort 925 Marina Bay Dr, Kemah, TX (281) 334-9944. There are several sites to see. You’re not too far from the beaches, Galveston, NASA, and some really great fishing. I’ll be looking for you, but not at the beach. Hey y’all, let’s pick! Sunday, July 3rd. 1:30 - 6:00 PM. Artz Rib House, 2330 S. Lamar It’s time for CTBA’s Band Scramble!!! Put some new strangs on that banjer, mando, fiddle, gitfiddle and get yourself on down to Artz July 3rd. -
American Folklife Center & Veterans History Project
AMERICAN FOLKLIFE CENTER & VETERANS HISTORY PROJECT Library of Congress Annual Report, Fiscal Year 2010 (October 2009-September 2010) The American Folklife Center (AFC), which includes the Veterans History Project (VHP), had another productive year. Over 150,000 items were acquired, and over 127,000 items were processed by AFC's archive, which is the country’s first national archive of traditional culture, and one of the oldest and largest of such repositories in the world. VHP continued making strides in its mission to collect and preserve the stories of our nation's veterans, acquiring 7,408 collections (13,744 items) in FY2010. The VHP public database provided access to information on all processed collections; its fully digitized collections, whose materials are available through the Library’s web site to any computer with internet access, now number over 8,000. Together, AFC and VHP acquired a total of 168,198 items in FY2010, of which 151,230 were Non-Purchase Items by Gift. AFC and VHP processed a total of 279,298 items in FY2010, and cataloged 54,758 items. AFC and VHP attracted just under five million “Page Views” on the Library of Congress website, not counting AFC’s popular “American Memory” collections. ARCHIVAL ACCOMPLISHMENTS KEY ACQUISITIONS American Voices with Senator Bill Bradley (AFC 2010/004) 117 born-digital audio recordings of interviews from the radio show American Voices, hosted by Sen. Bill Bradley (also appearing under the title American Voices with Senator Bill Bradley), produced by Devorah Klahr for Sirius XM Satellite Radio, Washington, D.C. Dyann Arthur and Rick Arthur Collection of MusicBox Project Materials (AFC 2010/029) Over 100 hours of audio and video interviews of women working as roots musicians and/or singers. -
News from the Library of Congress
NEWS FROM THE LIBRARY OF CONGRESS MOUG/MLA 2011 The News from the Library of Congress this year includes reports from the major Library units concerned with music and sound recording materials: Music Division, National Audio-Visual Conservation Center/Packard Campus, the American Folklife Center, and the Policy and Standards Division. Reports from other Library units which may contain concerns of importance to the music library community (e.g., Copyright Office, Preservation Directorate, Technology Policy Directorate) may be found in the ALA Midwinter report on the Library’s website: http://www.loc.gov/ala/mw-2011-update.html MUSIC DIVISION………………………………………P. 1 PACKARD CAMPUS FOR AUDIO-VISUAL CONSERVATION, RECORDED SOUND SECTION…………………………………….P. 15 AMERICAN FOLKLIFE CENTER………………….P. 19 POLICY AND STANDARDS DIVISION, ACQUISITIONS & BIBLIOGRAPHIC ACCESS DIRECTORATE…….P. 27 MUSIC DIVISION --Reported by Sue Vita, Joe Bartl, Dan Boomhower, Mark Horowitz, Karen Lund, and Steve Yusko This fiscal year, the Music Division’s first priority was to improve access to its vast collection of more than 20 million items, including scores, libretti, manuscripts, photographs, personal papers, instruments, and memorabilia. This was accomplished on a number of fronts: by processing and creating online finding aids for special collections; by creating new and improved existing bibliographic records; by digitizing items from collections and putting them online; and by publicizing the collections through the Performing Arts Encyclopedia, public programs, orientations, professional meetings, and social media. We made significant progress on the Collections Analysis Project, which will result in 1 improved physical and intellectual control over all of Music’s holdings. This overview will be critical for making decisions regarding acquisitions and digitization, and also space reallocation and organization. -
UPDATED & REVISED 5 EDITION* Cover Design by Bob Mcgrath
UPDATED & REVISED 5th EDITION* Cover design by Bob McGrath CAJUN RECORDS 1946-1989 – A DISCOGRAPHY © Nick Leigh 2019 INTRODUCTION TO THE REVISED EDITIONS I began collecting blues records in 1959 but it was another 7 years before I heard Cleveland Crochet & the Sugar Bees on the Storyville anthology “Louisiana Blues”. My appetite whetted, I wanted more. Buying the Iry Le Jeune LPs on Goldband a few months later (not one but two volumes – and purchased as imports on a student’s allowance!) fuelled an appreciation of Cajun music that has remained undiminished. In the mid 1960s, however, there was little information available about the great music I was listening to, other than the catalogues I obtained from Goldband and Swallow, and the early articles by Mike Leadbitter and John Broven in “Blues Unlimited” and “Jazz Journal”. Thanks to people like Mike, John, Neil Slaven, Rob Ford and Les Fancourt there is now a lot of information available to provide the background to blues and rhythm & blues recordings. However much of the information about the post World War 2 music of South Louisiana in general and the French (Cajun) recordings in particular, remains elusive. So far as I know no single ‘discography’ of post-war Cajun record releases has been published and I thought I would try to correct this oversight. This is notwithstanding the increasing amount of well researched material about the music in general and individual artists. Therefore I take only limited credit for the information included herein about the recordings. My aim has been to bring that material together in a single document. -
ANNUAL REPORT FY 2012 a Letter from WAMU 88.5 General Manager, Caryn G
ANNUAL REPORT FY 2012 A Letter from WAMU 88.5 General Manager, Caryn G. Mathes This past year was a celebratory one, marked by the news WAMU 88.5 also made powerful contributions to Global that WAMU 88.5 has become the most listened to radio Perspectives, the BBC’s international documentary station in the D.C. metro area. That accomplishment program featuring radio stations around the world. was followed by another exciting announcement: Our IT, engineering, and digital media teams played American University will move the station to a new a critical role in our successes by broadening our home in 2013. terrestrial radio coverage and the ease—and depth— How fitting that these accomplishments unfolded with which we take our programming to ever-changing, during a year when we marked an important milestone: ever-improving mobile platforms. 50 years on the air. More than 500 supporters turned out for a gala celebration at the National Building Museum Our commitment to engage and connect our community in October to mark our half-century anniversary. remained unflinching this past year. If anything, we redoubled efforts to demonstrate the powerful impact Arbitron’s Winter 2012 Survey*, which measured that comes from examining national issues through a average weekly listening from January 5 through March local lens. We are proud of the results. 28, showed WAMU 88.5 moving into the No. 1 spot for - Our nine-part “American Graduate” series examined the first time in station history. Subsequent surveys the high school dropout crisis in the District of Colum- confirmed the station’s leadership position, upholding bia, looking at the ramifications for the students who our vision to become for our listeners the most respected fail to graduate, for the communities where they live, and trusted voice in traditional radio and emerging and for the United States in a globalized economy. -
MIO ANN SAVOY PLAYLIST Dans La Louisiane Savoy
MIO ANN SAVOY PLAYLIST Getting Some Fun Out of Life Ann Savoy & Her Sleepless Knights CD: If Dreams Come True Si J’aurais Des Ailes Ann Savoy & Joel Savoy CD: Allons Boire un Coup: A collection of Cajun and Creole Drinking Songs Dans La Louisiane Savoy-Doucet Cajun Band CD: Live! At the Dance It's Like Reaching for the Moon Ann Savoy & Her Sleepless Knights CD: If Dreams Come True I Can’t Get Over You Ann Savoy (Live) At the Jazz Band Ball Pete Fountain and Al Hirt CD: New Orleans Jazz A Foggy Day Frank Sinatra CD: Songs for Young Lovers If You Were Mine Billie Holiday CD: The Essential Billie Holiday If I Had My Way Peter Paul and Mary CD: Peter Paul and Mary in Japan Fantasie D'Amour Loudovic Bource CD: The Artist (Original Motion Picture Soundtrack) Cathy’s Theme Wuthering Heights Original Trailer, 1959 YouTube I Made a Big Mistake Ann & Marc Savoy CD: J’ai ete au bal Happy One Step Savoy-Doucet Cajun Band CD: The Best of the Savoy-Doucet Cajun Band Happy One Step Dennis McGee CD: The Complete Early Recordings of Dennis McGee Devillier Two Step Dennis McGee and Sady Courville La Vieille Musique Acadienne Lafayette Cleoma Breaux & Joe Falcon CD: Cajun Music Mon Coeur T’appelle Cleoma Breaux CD: Cajun Dance Party: Fais Do-Do Valse de Opelousas Amede Ardoin CD: Mama I’ll Be Long Gone: The Complete Recordings of Amede Ardoin 1929-1934 Muskrat Ramble Lawrence Welk Show, 1955 YouTube Aux Illinois Ann Savoy CD: I Wanna Sing Right: Rediscovering Lomax in the Evangeline Country Nuages Ann Savoy and Her Sleepless Knights CD: Black Coffee Embraceable You Ann Savoy and Her Sleepless Knights, feat. -
33559613.Pdf
Raising the Bar: The Reciprocal Roles and Deviant Distinctions of Music and Alcohol in Acadiana by © Marion MacLeod A dissertation submitted to the School of Graduate Studies in partial fulfillment of the requirements for the degree of Doctor of Philosophy Ethnomusicology Memorial University of Newfoundland June, 2013 St. John 's, Newfoundland ABSTRACT The role of alcohol in musical settings is regularly relegated to that of incidental by stander, but its pervasive presence as object, symbol or subject matter in Acadian and Cajun performance contexts highlights its constructive capacity in the formation of Acadian and Cajun musical worlds. Individual and collective attitudes towards alcohol consumption implicate a wide number of cultural domains which, in this work, include religious display, linguistic development, respect for social conventions, and the historically-situated construction of identities. This research uses alcohol as an interpretive lens for ethnomusicological understanding and, in so doing, questions the binaries of marginal and mainstream, normal and deviant, sacred and profane, traditional and contemporary, sober and inebriated. Attitudes towards alcohol are informed by, and reflected in, all ofthese cultural conflicts, highlighting how agitated such categorizations can be in lived culture. Throughout the dissertation, I combine the historical examples of HatTy Choates and Cy aMateur with ethnographic examinations of culturally-distinct perfonnative habits, attitudes toward Catholicism, and compositional qualities. Compiling often incongruous combinations of discursive descriptions and enacted displays, my research suggests that opposition actually confirms interdependence. Central to this study is an assertion that levels of cultural competence in Cajun Louisiana and Acadian Nova Scotia are uneven and that the repercussions of this unevenness are musically and behaviourally demonstrated. -
Augusta Online Heritage Workshops
Augusta Online Heritage Workshops Table of Contents Bluegrass......................2 Blues...........................14 Cajun & Creole..........27 Classic Country..........41 Old-Time.....................52 Swing..........................62 Vocal...........................72 1 Augusta Online Heritage Workshops Bluegrass 2 Alan Bibey • Lesson: Enhancing the Melody • We will discuss ways to play melodies in different ways as well as how to weave in and out of a melody. • Zoom Event: Coming Soon! • Bio: For nearly four decades, Alan Bibey has made a name for himself as one of the most creative and technically gifted mandolinists in bluegrass and acoustic music. 3 Eli Gilbert • Lesson: Write and Improvise Your Own Licks • In this intermediate-to-advanced class students will learn to create their own Scruggs, melodic, and single-string ideas using music theory, common fretboard shapes, and ear training. We'll look at ways to improvise with common Scruggs-style licks, create variations, and create new melodic ideas based on melodic and single string patterns, as well as how to apply this information to common songs and instrumental tunes. All necessary music theory information will be included in the lesson. • Zoom Event: Coming Soon! • Bio: Eli Gilbert is a native of North Yarmouth, Maine. After seeing J.D. Crowe and the New South at a local Bluegrass festival Eli decided to pick up the banjo and eventually moved to Johnson City, Tennessee to study Bluegrass at East Tennessee State University. There he had the chance to perform as a member of Jeff Brown and Still Lonesome and the ETSU Bluegrass Pride Band. Eli currently lives in Maine and performs regionally with Laura Orshaw and the New Velvet Band, Tony Watt and Southeast Expressway, and Dreamcatcher. -
Thursday, April 25, 2019
Thursday, April 25, 2019 Sheraton Allison Miner Cultural Acura Gentilly Congo Square Blues Economy Hall New Orleans Jazz & Gospel Lagniappe Exchange WWOZ Kids Tent Music Heritage Stage Stage Stage Tent Tent Fais Do-Do Heritage Stage Tent Stage Pavilion Jazz Tent Stage Stage World Journey OUTDOOR CAROUSEL 12:00pm - 6:00pm Chouval Bwa Traditionnel 11:15 am 11:15 am 11:15 am 11:15 am 11:15 am 11:15 am 11:15 am 11:15 am of Martinique 11:20 am Kid Simmons’ Goldman Fi Yi Yi The Loyola & the Mandingo Mia Borders Nigel Hall University Local Thibodeaux Wimberly Family 11:30 am 11:30 am 11:30 am Jonathon Long Warriors Gospel Singers Jazz Band International & the Lawtell Mardi Gras Indians Michael Skinkus Young Makueto Rumba Buena 11:55 am 11:55 am Audiences 12:00 pm 12:00 pm 12:00 pm Allstars Playboys and Moyuba Groove 12:05 pm 12:05 pm 12:05 pm with guest Performing Arts & Friends 12:05 pm Michael Ray Showcase 12:15 pm 12:15 pm 12:20 pm 12:15 pm 12:20 pm 12:20 pm 12:20 pm 12:20 pm 12:20 pm Arrianne 12:25 pm 12:25 pm Keelen Gal Holiday Grayson 12:30 pm & the Bill Summers Brockamp 101 Runners 12:35 pm 12:35 pm 12:40 pm J. Monque'D Charlie Gabriel 12:50 pm 12:40 pm Grayhawk James Rivers Honky Tonk & Jazalsa and the Balfa Toujours Revue New Orleans Blues Revue and Friends 1:00 pm presents Interviewer: Pride of Zulu Kinfolk 1:05 pm Wildlife Band Tom Leggett Native American Matt Sakakeeny of South Africa 1:10 pm 1:10 pm 1:00 pm Lore & Tales Brass Band 1:15 pm 1:15 pm 1:15 pm Band 1:15 pm Cynthia Girtley’s 1:20 pm 1:20 pm 1:20 pm Tribute to 1:30 pm 1:25 pm 1:30 pm 1:30 pm Mahalia Jackson 1:35 pm 1:30 pm 1:35 pm 1:35 pm 1:35 pm 1:45 pm When women speak, Smitty Dee's they make a difference! Russell Batiste New Orleans Brass Band 1:45 pm Mia X, Keedy Black, 1:45 pm Amy Helm Rev. -
?Ne People with Disobilities Have Safe, Meoningful, Ond Fun Al^Lards Recreotionol Opportunities
845 Park Place New Albany, IN 47r5o (Btz) g+s-+o6g www.rauchinc.org Dear Friend: www. facebook. corn/rauchinc A teacher who is deof ond uses her experience to inspire learning ond ochievement in others. A woman who devotes countless hours of her personaltime to ensuring ?ne people with disobilities have safe, meoningful, ond fun Al^lARDS recreotionol opportunities. A multinotional corporation PRESENTED BY that sees individuols with disabilities as an osset to its HORIZON WEALTH MANAGEMENT workforce. BENEFITING THE RAUCH FOUNDATION All of the above share the distinction of having been the recipient of an lmagine Award. Since 2000, these awards have honored individuals, community leaders, and corporations in Southern lndiana and Metro Louisville who are committed to making a better community and world for people with disabilities. March 7 ,2015, will mark the 15th annual lmagine Awards benefiting the Rauch Foundation. The lmagine Awards gala features a large silent auction, a live auction, a dynamic professional entertainer with a disability, and culminates with the presentation of the lmagine Awards. This yea/s entertainer is Michael Cleveland, the lnternational Bluegrass Music Association's 9-Time Fiddle performer of the Year. Michael, who was born blind, will be performing with his band Flamekeeper, the 4-Time lnternational Bluegrass Music Association lnstrumental Group of the Year. Over the years, support from area businesses like yours has been vital to this event's success. Last Year, the event's silent and live auctions alone raised over $16,000. These proceeds are vital to Rauch's continued service to over 1,000 children and adults with disabilities and their families each year. -
Katherine Conrad Doss a Thesis Submitted to the Faculty of The
LOUISIANA ROMP: EXAMINING THE PERFORMANCE OF TRADITIONAL CAJUN MUSIC WITHIN A CONTEMPORARY SETTING Katherine Conrad Doss A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of the Arts in the Curriculum in Folklore. Chapel Hill 2008 Approved by: William R. Ferris James L. Peacock Patricia E. Sawin 2008 Katherine Conrad Doss ALL RIGHTS RESERVED ii ABSTRACT KATHERINE CONRAD DOSS: Louisiana Romp: Examining the Performance of Traditional Cajun Music Within a Contemporary Setting (Under the direction of William R. Ferris) The Lost Bayou Ramblers, a young Cajun band based in South Louisiana, infuse energy and vivacity into the traditional creative expression of Cajun music, as they travel to share their sound and thus their culture with the world. I suggest that the Ramblers, in the face of globalization, are purposefully engaged in protecting and enhancing their culture by performing this roots music far and near. They offer a compelling performance and thus transport, produce, and extend their culture through music, which serves as a powerful symbol, drawing each audience into participation of it. Through a focus on the specific dynamic between culture, its music, and the performance techniques of these particular cultural practitioners, I examine how music acts as an agent of cultural understanding while simultaneously transforming the place and culture that produced it. iii DEDICATION To the members of the Lost Bayou Ramblers, whose inimitable talent and vision captured me and countless others, drawing us into their world. Their willingness to extend their friendship and share their stories, insights, sense of humor, dance tips and van space is deeply appreciated. -
Cajun Revival - Music - New York Times 03/09/2007 03:55 PM
Cajun Revival - Music - New York Times 03/09/2007 03:55 PM HOME PAGE MY TIMES TODAY'S PAPER VIDEO MOST POPULAR TIMES TOPICS Free 14-Day Trial Log In Register Now Music Arts All NYT WORLD U.S. N.Y. / REGION BUSINESS TECHNOLOGY SCIENCE HEALTH SPORTS OPINION ARTS STYLE TRAVEL JOBS REAL ESTATE AUTOS ART & DESIGN BOOKS DANCE MOVIES MUSIC TELEVISION THEATER MUSIC More Articles in Arts » Cajun Sound, Rock ’n’ Roll Energy TicketWatch - Theater Offers by E-Mail Sign up for ticket offers from Broadway shows and other advertisers. See Sample | Privacy Policy Jillian Johnson Among the bands bringing Cajun music into the 21st century are the Pine Leaf Boys, from left: Cedric Watson, Blake Miller, Drew Simon, Wilson Savoy and Jon Bertrand. By GEOFFREY HIMES Published: March 4, 2007 SIGN IN TO E-MAIL OR LAFAYETTE, La. SAVE THIS PRINT THIS wasn’t a show for Mardi Gras tourists. On Multimedia Lundi Gras, as they call the day before Fat Tuesday in REPRINTS MOST POPULAR south Louisiana, the Pine Leaf Boys were onstage ''Pine Leaf Boy Two Step'' (mp3) SHARE E-MAILED BLOGGED SEARCHED before a crowd of locals at the Grant Street Dancehall here. The five musicians, all in their 20s, played 1. Journey From a Chinese Orphanage to a Jewish Rite of Passage songs by Cajun legends like the 1950s accordionist Iry 2. Dress Codes : Slim Suits: The Attraction Is Physical ''Zydeco Gris Gris'' (mp3) LeJeune and the 1930s fiddler Dennis McGee, but the 3. 36 Hours in Charleston, S.C. dancers who were packed shoulder to shoulder on the 4.