Louisiana Folk We're Going Paperless!
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
American Folklife Center & Veterans History Project
AMERICAN FOLKLIFE CENTER & VETERANS HISTORY PROJECT Library of Congress Annual Report, Fiscal Year 2010 (October 2009-September 2010) The American Folklife Center (AFC), which includes the Veterans History Project (VHP), had another productive year. Over 150,000 items were acquired, and over 127,000 items were processed by AFC's archive, which is the country’s first national archive of traditional culture, and one of the oldest and largest of such repositories in the world. VHP continued making strides in its mission to collect and preserve the stories of our nation's veterans, acquiring 7,408 collections (13,744 items) in FY2010. The VHP public database provided access to information on all processed collections; its fully digitized collections, whose materials are available through the Library’s web site to any computer with internet access, now number over 8,000. Together, AFC and VHP acquired a total of 168,198 items in FY2010, of which 151,230 were Non-Purchase Items by Gift. AFC and VHP processed a total of 279,298 items in FY2010, and cataloged 54,758 items. AFC and VHP attracted just under five million “Page Views” on the Library of Congress website, not counting AFC’s popular “American Memory” collections. ARCHIVAL ACCOMPLISHMENTS KEY ACQUISITIONS American Voices with Senator Bill Bradley (AFC 2010/004) 117 born-digital audio recordings of interviews from the radio show American Voices, hosted by Sen. Bill Bradley (also appearing under the title American Voices with Senator Bill Bradley), produced by Devorah Klahr for Sirius XM Satellite Radio, Washington, D.C. Dyann Arthur and Rick Arthur Collection of MusicBox Project Materials (AFC 2010/029) Over 100 hours of audio and video interviews of women working as roots musicians and/or singers. -
News from the Library of Congress
NEWS FROM THE LIBRARY OF CONGRESS MOUG/MLA 2011 The News from the Library of Congress this year includes reports from the major Library units concerned with music and sound recording materials: Music Division, National Audio-Visual Conservation Center/Packard Campus, the American Folklife Center, and the Policy and Standards Division. Reports from other Library units which may contain concerns of importance to the music library community (e.g., Copyright Office, Preservation Directorate, Technology Policy Directorate) may be found in the ALA Midwinter report on the Library’s website: http://www.loc.gov/ala/mw-2011-update.html MUSIC DIVISION………………………………………P. 1 PACKARD CAMPUS FOR AUDIO-VISUAL CONSERVATION, RECORDED SOUND SECTION…………………………………….P. 15 AMERICAN FOLKLIFE CENTER………………….P. 19 POLICY AND STANDARDS DIVISION, ACQUISITIONS & BIBLIOGRAPHIC ACCESS DIRECTORATE…….P. 27 MUSIC DIVISION --Reported by Sue Vita, Joe Bartl, Dan Boomhower, Mark Horowitz, Karen Lund, and Steve Yusko This fiscal year, the Music Division’s first priority was to improve access to its vast collection of more than 20 million items, including scores, libretti, manuscripts, photographs, personal papers, instruments, and memorabilia. This was accomplished on a number of fronts: by processing and creating online finding aids for special collections; by creating new and improved existing bibliographic records; by digitizing items from collections and putting them online; and by publicizing the collections through the Performing Arts Encyclopedia, public programs, orientations, professional meetings, and social media. We made significant progress on the Collections Analysis Project, which will result in 1 improved physical and intellectual control over all of Music’s holdings. This overview will be critical for making decisions regarding acquisitions and digitization, and also space reallocation and organization. -
33559613.Pdf
Raising the Bar: The Reciprocal Roles and Deviant Distinctions of Music and Alcohol in Acadiana by © Marion MacLeod A dissertation submitted to the School of Graduate Studies in partial fulfillment of the requirements for the degree of Doctor of Philosophy Ethnomusicology Memorial University of Newfoundland June, 2013 St. John 's, Newfoundland ABSTRACT The role of alcohol in musical settings is regularly relegated to that of incidental by stander, but its pervasive presence as object, symbol or subject matter in Acadian and Cajun performance contexts highlights its constructive capacity in the formation of Acadian and Cajun musical worlds. Individual and collective attitudes towards alcohol consumption implicate a wide number of cultural domains which, in this work, include religious display, linguistic development, respect for social conventions, and the historically-situated construction of identities. This research uses alcohol as an interpretive lens for ethnomusicological understanding and, in so doing, questions the binaries of marginal and mainstream, normal and deviant, sacred and profane, traditional and contemporary, sober and inebriated. Attitudes towards alcohol are informed by, and reflected in, all ofthese cultural conflicts, highlighting how agitated such categorizations can be in lived culture. Throughout the dissertation, I combine the historical examples of HatTy Choates and Cy aMateur with ethnographic examinations of culturally-distinct perfonnative habits, attitudes toward Catholicism, and compositional qualities. Compiling often incongruous combinations of discursive descriptions and enacted displays, my research suggests that opposition actually confirms interdependence. Central to this study is an assertion that levels of cultural competence in Cajun Louisiana and Acadian Nova Scotia are uneven and that the repercussions of this unevenness are musically and behaviourally demonstrated. -
Augusta Online Heritage Workshops
Augusta Online Heritage Workshops Table of Contents Bluegrass......................2 Blues...........................14 Cajun & Creole..........27 Classic Country..........41 Old-Time.....................52 Swing..........................62 Vocal...........................72 1 Augusta Online Heritage Workshops Bluegrass 2 Alan Bibey • Lesson: Enhancing the Melody • We will discuss ways to play melodies in different ways as well as how to weave in and out of a melody. • Zoom Event: Coming Soon! • Bio: For nearly four decades, Alan Bibey has made a name for himself as one of the most creative and technically gifted mandolinists in bluegrass and acoustic music. 3 Eli Gilbert • Lesson: Write and Improvise Your Own Licks • In this intermediate-to-advanced class students will learn to create their own Scruggs, melodic, and single-string ideas using music theory, common fretboard shapes, and ear training. We'll look at ways to improvise with common Scruggs-style licks, create variations, and create new melodic ideas based on melodic and single string patterns, as well as how to apply this information to common songs and instrumental tunes. All necessary music theory information will be included in the lesson. • Zoom Event: Coming Soon! • Bio: Eli Gilbert is a native of North Yarmouth, Maine. After seeing J.D. Crowe and the New South at a local Bluegrass festival Eli decided to pick up the banjo and eventually moved to Johnson City, Tennessee to study Bluegrass at East Tennessee State University. There he had the chance to perform as a member of Jeff Brown and Still Lonesome and the ETSU Bluegrass Pride Band. Eli currently lives in Maine and performs regionally with Laura Orshaw and the New Velvet Band, Tony Watt and Southeast Expressway, and Dreamcatcher. -
Bayou Boogie: the Americanization of Cajun Music, 1928-1950 Ryan Andre Brasseaux Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2004 Bayou Boogie: the Americanization of Cajun music, 1928-1950 Ryan Andre Brasseaux Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Social and Behavioral Sciences Commons Recommended Citation Brasseaux, Ryan Andre, "Bayou Boogie: the Americanization of Cajun music, 1928-1950" (2004). LSU Master's Theses. 2008. https://digitalcommons.lsu.edu/gradschool_theses/2008 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. BAYOU BOOGIE: THE AMERICANIZATION OF CAJUN MUSIC, 1928-1950 A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts In The Department of Geography and Anthropology By Ryan A. Brasseaux B.A., University of Louisiana at Lafayette, 2000 December 2004 TABLE OF CONTENTS LIST OF FIGURES ....................................................................................................................... iii ABSTRACT................................................................................................................................... iv CHAPTER 1 INTRODUCTION -
Ties That Bind Reflected the Disparate Worlds Comeaux Had and Bluegrass It Preserves Are Communal Navigated with Ease
bass and pedal steel guitar made him one The group could not know it then, but it of the region’s most-sought-after musicians would take 10 more years of Medicine Shows and earned him four Grammy nominations. and other fundraisers to reach its goal. But off stage, his generous nature and modest demeanor were equally magnetic. “When you met him, you liked him – and BeauSoleil played in Boston in 1989. On you wanted to meet him again. You wanted stage with the venerable French band him to be your best friend,” said Coteau’s that night at Harvard University’s Sanders Gary Newman. Theatre was Comeaux. In the audience was “He was a treasure. Tommy Comeaux Mark F. DeWitt, a graduate student at the was a treasure we all had. When you lose New England Conservatory of Music. something as valuable as his friendship was Although they never met, today DeWitt to all of us, and his brotherhood, and his MEGAN BARRA DESIGN BY POSTER is the inaugural holder of the Dr. Tommy generosity, and his goodness, it strikes you Comeaux Chair in Traditional Music. hard. But when that happened, we all said, Commemorative posters from most 'We have to do something. We have to do of the Medicine Shows hang in DeWitt’s something to keep his spirit alive.’ ” Angelle Hall office, including one from the As the shock of Comeaux’s death second fundraiser in 1998. It features an lessened, his friends began to discuss how ink drawing of the program’s namesake. to memorialize him permanently. -
Augusta Heritage Center
AUGUSTA HERITAGE CENTER 2012 DAVIS & ELKINS COLLEGE • ELKINS, WV CELEBRATING 40 YEARS OF: MUSIC DANCE CRAFT FOLKLORE 304.637.1209 • AugustaHeritageCenter.org 304.637.1209 • AugustaHeritageCenter.org About Davis & Elkins College D&E offers more than 30 academic programs leading to baccalaureate and associate degrees ranging from the traditional arts and sciences to professional career studies. D&E alumni go on to prestigious graduate programs and prominent national firms. More than 80% of the respondents in a recent survey reported working in careers related to their academic major. Our wooded campus, in a National Historic Landmark District, is located in Elkins, West Virginia - a lively arts-oriented community of 10,000 in the Potomac Highlands. Within the town are several National Historic Districts and a variety of shops, restaurants and pubs. The Monongahela National Forest - a million acres of natural playground - is just minutes away. The region hosts whitewater rafting, hiking, trout fishing, mountain biking, rock climbing and skiing. For More Information: dewv.edu • 1.800.624.3157 WELCOME Appalachian Studies The Appalachian Studies program highlights the cultural heritage of the TO AUGUSTA Appalachian region within the context of the modern world. In keeping with our liberal arts mission, this interdisciplinary minor embodies the dedication of 40 Years of Celebrating Traditional Folk Arts! Davis & Elkins College to its home region. The Appalachian Music & Dance Club sponsors concerts, dances, films, panel discussions, traditional food Over the course of four decades, Augusta has evolved from a small community crafts events and more. The Dance Collective and String Band presents traditional project into an internationally-known program that celebrates the traditional music, Appalachian music and dance throughout West Virginia and beyond. -
41St Annual Natchitoches-NSU Folk Festival Celebrating Louisiana's
41st Annual Natchitoches-NSU Folk Festival Celebrating Louisiana’s French Cultures Welcome to the 2020 Natchitoches-NSU Folk Festival! Like so many events throughout Louisiana, the Natchitoches- NSU Folk Festival was not able to be held this summer as a face -to-face event due to the ongoing pandemic. Pivoting to a virtual format, the festival is being held exclusively online featuring three components: crafts, music, and a silent crafts auction. Sad- ly, some elements of the festival, such as the Louisiana State Fiddle Championship, are not able to be held in a virtual format, but we look forward to their return in 2021. The virtual crafts marketplace provides opportunities for patrons to encounter the work of genuine folk artists. The crafts of these folk artisans are evidence not only that folklife is alive and well, but that the skills and talents of these artisans honed over a life- time of following tradition leads to the creation of beautiful art. And these crafts make wonderful gifts for a variety of occasions! Pictures of available crafts have been placed on Facebook, with each crafter’s contact information readily available to put buyers in direct contact with the sellers themselves. The marketplace is a public Facebook group named “2020 Natchitoches-NSU Folk Festival Crafters,” and will run through January 31, 2021. Also on sale in the marketplace is the 2020 Festival t-shirt. Designed by NSU’s Matt DeFord, the t-shirt features a fleur de lis composed of smil- ing alligators. Several crafts persons have also donated some of their favorite creations to be placed in a fully vir- tual silent auction to be held on Facebook from August 17 to September 17, 2020. -
Directed by Patrick Swanson Megan Henderson, Music Director
Directed by Patrick Swanson Megan Henderson, Music Director 23640 R16_Pbook_COVER_TOPRINT cc15.indd 1 11/10/16 10:39 AM 23640 R16_Pbook_COVER_TOPRINT cc15.indd 2 11/7/16 9:03 AM The 46th Annual Production Directed by Patrick Swanson Megan Henderson, Music Director +n Acadian-Cajun Celebration of the Winter Sol◊ice December 9 -- 27, 2016 17 Performances: Matinees & Evenings Infrared listening devices and large print programs: Available at the Sanders Theatre Box Office. Revels apparel, recordings and more: Please visit our lobby table. Our new CD: Valse de Noël: An Acadian-Cajun Christmas Revels with contains much of the music from today’s performance. David Coffin Josée Vachon Les Voix d’Acadie Chorus Les Petits Voyageurs Children Le Grand Dérangement Dancers The Grand Pré Traveling Band Thanks to our generous Corporate featuring David Greely, Partners and Media Sponsors: Keith Murphy, Lisa Ornstein, Tom Pixton, Becky Tracy www.cambridgetrust.com Actors Steven Barkhimer, Noni Lewis, Ross MacDonald, Lola May Williamson The Pinewoods Morris Men Cambridge Symphonic Brass Ensemble The Abbots Bromley Horn Dance The Lord of the Dance TM Lynda A. Johnson, Production Manager Jeremy Barnett, Set Design Jeff Adelberg, Lighting Design Heidi Hermiller, Costume Design With support from: Bill Winn, Sound Design Gillian Stewart, Choreography Garrett Herzig, Projection Design 23640 R16_Pbook_INTERIOR cc2015.indd 1 11/17/16 1:32 PM Introduction Welcome to the 46th annual Chri◊mas Revels! One might think that the grim underpinnings of this year’s Revels would make for a gloomy Christmas celebration. Nothing could be further from the truth. Paradoxically the darkness of this story sets off the brilliant light of the Acadian spirit. -
Louisiana Folklife Program Project Files Mss. 4730 List of Recordings
Louisiana Folklife Program Project Files Mss. 4730 List of Recordings with Topics # 1 Interviewee: Linda Freyou, Janell Deronen, By N/A 9/28/90 Rochelle Judice LA Open House Storytelling New Iberia, Sugar Cane Festival Topics: Sugar Cane # 2 Interviewee: Karen Gay By N/A 9/28/90 LA Open House Storytelling New Iberia, Sugar Cane Festival Topics: Farming; Sugar Ccane # 3 Interviewee: Janet Boudreaux By N/A 9/29/90 LA Open House Storytelling New Iberia, Sugar Cane Festival Topics: Sugar -- Nutritional Value # 4 Interviewee: Chad Judice, Kevin Freyou By N/A 9/29/90 LA Open House Storytelling New Iberia, Sugar Cane Festival Topics: # 5 Interviewee: Louis Judice, Norman Boudreau, By N/A 9/29/90 Millard Eldridge LA Open House Storytelling New Iberia, Sugar Cane Festival Topics: Farming # 6 Interviewee: Charlotte Acosta, Margie LeBlanc By N/A 8/13/90 LA Open House Storytelling Shrimp and Petroleum Festival -- Morgan City Topics: History -- Morgan City's Shrimp and Petroleum Festival # 7 Interviewee: Jake Garrett, Don Deming By N/A 5/27/90 LA Open House Storytelling New Orleans Topics: Mississippi River as the "Lifeblood of our Continent"; history of steamboats # 8 Interviewee: Peggy Cullighan, Captain Keith By N/A 5/27/90 Manring LA Open House Storytelling New Orleans Topics: History -- Louisiana; United States Marine Corps # 9 Interviewee: Jake Garrett, Marvin Perrett By N/A 5/27/90 LA Open House Storytelling New Orleans Topics: Mississippi River as the "Lifeblood of our Continent"; Andrew Higgins; World War II # 10 Interviewee: Richard Gale; -
American Folklife Center, Library of Congress, Annual Report, Fiscal
AMERICAN FOLKLIFE CENTER Library of Congress Annual Report, Fiscal Year 2011 (October 2010-September 2011) The American Folklife Center (AFC), which includes the Veterans History Project (VHP), had another productive year. Over 222,400 items were acquired, over 231,000 items were processed, and over 66,500 items were cataloged by AFC's archive, which is the country’s first national archive of traditional culture, and one of the oldest and largest of such repositories in the world. VHP continued making strides in its mission to collect and preserve the stories of our nation's veterans, acquiring 5,957 collections (20,179 items) in FY 2011. The VHP public database provided access to information on all processed collections; its fully digitized collections, whose materials are available through the Library’s web site to any computer with internet access, now number over 10,500. Together, AFC and VHP acquired a total of 242,648 items in FY 2011. AFC and VHP processed a total of 231,147 items in FY 2011, and added 447 catalog records in ILS, a sizeable increase over last year. AFC and VHP attracted just under seven million “page views” on the Library of Congress website. ARCHIVAL ACCOMPLISHMENTS Key Acquisitions: Peggy Bulger Collection (AFC 2011-001). Twenty-six original audio-cassette tapes and 1 CD-R of audio interviews with Stetson Kennedy and others, including David Lord, Myles Horton, Virginia Durr, and Judge Dan Duke, conducted in Florida and Alabama by Peggy Bulger from 1988 to 1990. Includes "Stetson Kennedy / G. Bedell, Visual Dialogues in Anthropology, May 5, 1989," plus 3 videocassettes (VHS): "Stetson Kennedy Interviewed by Jean Trebbi," Ft.