Cancelled! How Ideological Cleansing Threatens Australia
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The Complete Book of Cheese by Robert Carlton Brown
THE COMPLETE BOOK OF CHEESE BY ROBERT CARLTON BROWN Chapter One I Remember Cheese Cheese market day in a town in the north of Holland. All the cheese- fanciers are out, thumping the cannon-ball Edams and the millstone Goudas with their bare red knuckles, plugging in with a hollow steel tool for samples. In Holland the business of judging a crumb of cheese has been taken with great seriousness for centuries. The abracadabra is comparable to that of the wine-taster or tea-taster. These Edamers have the trained ear of music-masters and, merely by knuckle-rapping, can tell down to an air pocket left by a gas bubble just how mature the interior is. The connoisseurs use gingerbread as a mouth-freshener; and I, too, that sunny day among the Edams, kept my gingerbread handy and made my way from one fine cheese to another, trying out generous plugs from the heaped cannon balls that looked like the ammunition dump at Antietam. I remember another market day, this time in Lucerne. All morning I stocked up on good Schweizerkäse and better Gruyère. For lunch I had cheese salad. All around me the farmers were rolling two- hundred-pound Emmentalers, bigger than oxcart wheels. I sat in a little café, absorbing cheese and cheese lore in equal quantities. I learned that a prize cheese must be chock-full of equal-sized eyes, the gas holes produced during fermentation. They must glisten like polished bar glass. The cheese itself must be of a light, lemonish yellow. Its flavor must be nutlike. -
Cancel Culture: Posthuman Hauntologies in Digital Rhetoric and the Latent Values of Virtual Community Networks
CANCEL CULTURE: POSTHUMAN HAUNTOLOGIES IN DIGITAL RHETORIC AND THE LATENT VALUES OF VIRTUAL COMMUNITY NETWORKS By Austin Michael Hooks Heather Palmer Rik Hunter Associate Professor of English Associate Professor of English (Chair) (Committee Member) Matthew Guy Associate Professor of English (Committee Member) CANCEL CULTURE: POSTHUMAN HAUNTOLOGIES IN DIGITAL RHETORIC AND THE LATENT VALUES OF VIRTUAL COMMUNITY NETWORKS By Austin Michael Hooks A Thesis Submitted to the Faculty of the University of Tennessee at Chattanooga in Partial Fulfillment of the Requirements of the Degree of Master of English The University of Tennessee at Chattanooga Chattanooga, Tennessee August 2020 ii Copyright © 2020 By Austin Michael Hooks All Rights Reserved iii ABSTRACT This study explores how modern epideictic practices enact latent community values by analyzing modern call-out culture, a form of public shaming that aims to hold individuals responsible for perceived politically incorrect behavior via social media, and cancel culture, a boycott of such behavior and a variant of call-out culture. As a result, this thesis is mainly concerned with the capacity of words, iterated within the archive of social media, to haunt us— both culturally and informatically. Through hauntology, this study hopes to understand a modern discourse community that is bound by an epideictic framework that specializes in the deconstruction of the individual’s ethos via the constant demonization and incitement of past, current, and possible social media expressions. The primary goal of this study is to understand how these practices function within a capitalistic framework and mirror the performativity of capital by reducing affective human interactions to that of a transaction. -
Allora Advertiser Ph 07 4666 3128 - Fax 07 4666 3822 - E-Mail [email protected] - Web THURSDAY, 30Th June 2011
Issue No. 3152 The Allora Advertiser Ph 07 4666 3128 - Fax 07 4666 3822 - E-Mail [email protected] - Web www.alloraadvertiser.com THURSDAY, 30th June 2011 Printed by David Patrick Gleeson and Published by Dairy Brokers Australia Pty. Ltd., at the Office, 53 Herbert Street, Allora, Q. 4362 Issued Weekly as an Advertising Medium to the people of Allora and surrounding Districts. MARKET DAY SPECIALS FRIDAY, 1st JULY 2011 SUPER ONE DAY ONLY PRICES! Fruit & Veg, FRESH from the BRISBANE MARKETS PLUS… ✔ Morning Fresh Dishwashing Liquid BONUS ✔ 2 Regular BBQ Chickens .................... $13.98 450mL .................................................... $1.99 ✔ Buttercup S/Sandwich 650g .................. $1.29 ✔ Four N' Twenty Chunky Meat Pies 4pk . $4.99 ✔ Deb's Sandwich Loaf 700g ................... $1.29 ✔ Smiths Chips 185g ....................... 2 for $4.00 ✔ Your Choice Milk 3L .............................. $3.00 ✔ Cottees Jam 500g ................................. $2.79 ✔ Your Choice Milk 2L .............................. $2.00 ✔ MultiCrop Snail & Slug Killer 600g ........ $2.99 ✔ Duo Laundry Powder 500g Conc. ........ $1.89 ✔ Multix Alfoil 20m .................................... $2.99 ✔ Streets Blue Ribbon Ice Cream 2L ....... $3.49 ✔ Greens Cake Mix 340g/470g ................ $1.89 ✔ Coon Cheese Tasty 750g ...................... $6.99 ✔ ✔ Bushels Tea Bags 100s ......................... $3.39 Ardmona Tinned Fruit 825g ................... $2.99 ✔ Blossom Margarine ...................... 2 for $2.00 ✔ Purex Toilet Rolls 9pk -
USA, the World Is Watching: Mass Violations by U.S. Police of Black
USA: THE WORLD IS WATCHING MASS VIOLATIONS BY U.S. POLICE OF BLACK LIVES MATTER PROTESTERS’ RIGHTS Amnesty International is a global movement of more than 7 million people who campaign for a world where human rights are enjoyed by all. Our vision is for every person to enjoy all the rights enshrined in the Universal Declaration of Human Rights and other international human rights standards. We are independent of any government, political ideology, economic interest or religion and are funded mainly by our membership and public donations. © Amnesty International 2020 Except where otherwise noted, content in this document is licensed under a Creative Commons Cover photo: A line of Minnesota State Patrol officers in Minneapolis, Minnesota (attribution, non-commercial, no derivatives, international 4.0) licence. © Victor J. Blue https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode For more information please visit the permissions page on our website: www.amnesty.org Where material is attributed to a copyright owner other than Amnesty International this material is not subject to the Creative Commons licence. First published in 2020 by Amnesty International Ltd Peter Benenson House, 1 Easton Street London WC1X 0DW, UK Index: AMR 51/2807/2020 Original language: English amnesty.org CONTENTS TITLE PAGE ABREVIATIONS 4 TERMINOLOGY 4 EXECUTIVE SUMMARY 6 KEY RECOMMENDATIONS 6 METHODOLOGY 8 POLICE USE OF DEADLY FORCE 9 FAILURE TO TRACK HOW MANY PEOPLE ARE KILLED BY POLICE IN THE USA 12 DISCRIMINATORY POLICING AND THE DISPROPORTIONATE IMPACT -
'Cancel Culture' Doesn't Stifle Debate, but It Does Challenge the Old Order Billy Bragg
'Cancel culture' doesn't stifle debate, but it does challenge the old order Billy Bragg Speech is only free when everyone has a voice – that’s why young people are angry Outside Broadcasting House in London, the BBC has erected a statue to one of its former employees, George Orwell. The author leans forward, hand on hip, as if to make a telling point. Carved into the wall beside him is a quote from the preface of Animal Farm: “If liberty means anything at all, it means the right to tell people what they do not want to hear.” It’s a snappy slogan that fits neatly into a tweet, but whenever I walk past this effigy of the English writer that I most admire, it makes me cringe. Surely the author of Nineteen Eighty-Four would understand that people don’t want to hear that 2+2=5? For Orwell’s quote is not a defence of liberty; it’s a demand for licence, and has become a foundational slogan for those who wilfully misconstrue one for the other. Over the past decade, the right to make inflammatory statements has become a hot button issue for the reactionary right, who have constructed tropes such as political correctness and virtue signalling to enable them to police the limits of social change while portraying themselves as victims of an organised assault on liberty itself. The latest creation in their war against accountability is “cancel culture”, an ill-defined notion that takes in corporate moves to recognise structural racism, the toppling of statues, social media bullying, public shaming and other diverse attempts to challenge the status quo. -
Deborah L. Rhode* This Article Explores the Leadership Challenges That Arose in the Wake of the 2020 COVID-19 Pandemic and the W
9 RHODE (DO NOT DELETE) 5/26/2021 9:12 AM LEADERSHIP IN TIMES OF SOCIAL UPHEAVAL: LESSONS FOR LAWYERS Deborah L. Rhode* This article explores the leadership challenges that arose in the wake of the 2020 COVID-19 pandemic and the widespread protests following the killing of an unarmed Black man, George Floyd. Lawyers have been key players in both crises, as politicians, general counsel, and leaders of protest movements, law firms, bar associations, and law enforcement agencies. Their successes and failures hold broader lessons for the profession generally. Even before the tumultuous spring of 2020, two-thirds of the public thought that the nation had a leadership crisis. The performance of leaders in the pandemic and the unrest following Floyd’s death suggests why. The article proceeds in three parts. Part I explores leadership challenges during the COVID-19 pandemic and the missteps that put millions of lives and livelihoods as risk. It begins by noting the increasing frequency and intensity of disasters, and the way that leadership failures in one arena—health, environmental, political, or socioeconomic—can have cascading effects in others. Discussion then summarizes key leadership attributes in preventing, addressing, and drawing policy lessons from major crises. Particular attention centers on the changes in legal workplaces that the lockdown spurred, and which ones should be retained going forward. Analysis also centers on gendered differences in the way that leaders addressed the pandemic and what those differences suggest about effective leadership generally. Part II examines leadership challenges in the wake of Floyd’s death for lawyers in social movements, political positions, private organizations, and bar associations. -
The Rules of #Metoo
University of Chicago Legal Forum Volume 2019 Article 3 2019 The Rules of #MeToo Jessica A. Clarke Follow this and additional works at: https://chicagounbound.uchicago.edu/uclf Part of the Law Commons Recommended Citation Clarke, Jessica A. (2019) "The Rules of #MeToo," University of Chicago Legal Forum: Vol. 2019 , Article 3. Available at: https://chicagounbound.uchicago.edu/uclf/vol2019/iss1/3 This Article is brought to you for free and open access by Chicago Unbound. It has been accepted for inclusion in University of Chicago Legal Forum by an authorized editor of Chicago Unbound. For more information, please contact [email protected]. The Rules of #MeToo Jessica A. Clarke† ABSTRACT Two revelations are central to the meaning of the #MeToo movement. First, sexual harassment and assault are ubiquitous. And second, traditional legal procedures have failed to redress these problems. In the absence of effective formal legal pro- cedures, a set of ad hoc processes have emerged for managing claims of sexual har- assment and assault against persons in high-level positions in business, media, and government. This Article sketches out the features of this informal process, in which journalists expose misconduct and employers, voters, audiences, consumers, or professional organizations are called upon to remove the accused from a position of power. Although this process exists largely in the shadow of the law, it has at- tracted criticisms in a legal register. President Trump tapped into a vein of popular backlash against the #MeToo movement in arguing that it is “a very scary time for young men in America” because “somebody could accuse you of something and you’re automatically guilty.” Yet this is not an apt characterization of #MeToo’s paradigm cases. -
Abolition As the Solution: Redress for Victims of Excessive Police Force
Fordham Urban Law Journal Volume 48 Number 3 Toward Abolition: Reflections on the Article 4 Carceral State 2021 Abolition as the Solution: Redress for Victims of Excessive Police Force Alexis Hoag Follow this and additional works at: https://ir.lawnet.fordham.edu/ulj Recommended Citation Alexis Hoag, Abolition as the Solution: Redress for Victims of Excessive Police Force, 48 Fordham Urb. L.J. 721 (2021). Available at: https://ir.lawnet.fordham.edu/ulj/vol48/iss3/4 This Article is brought to you for free and open access by FLASH: The Fordham Law Archive of Scholarship and History. It has been accepted for inclusion in Fordham Urban Law Journal by an authorized editor of FLASH: The Fordham Law Archive of Scholarship and History. For more information, please contact [email protected]. ABOLITION AS THE SOLUTION: REDRESS FOR VICTIMS OF EXCESSIVE POLICE FORCE Alexis Hoag* Introduction .................................................................................... 721 I. An Attempt at Redress: The Civil Rights Act of 1866 .......... 726 II. Reconstruction Redux: 18 U.S.C. § 242 .................................. 730 III. Abolitionist Framework .......................................................... 735 IV. Abolitionist Solutions .............................................................. 738 A. Reparations ..................................................................... 739 B. Divest and Reinvest ....................................................... 741 Conclusion ...................................................................................... -
Culture Wars in the UK: How the Public Understand the Debate
Culture wars in the UK: how the public understand the debate Bobby Duffy, Kirstie Hewlett, George Murkin, Rebecca Benson, Rachel Hesketh, Ben Page, Gideon Skinner and Glenn Gottfried May 2021 Culture wars in the UK How media discussion of “culture wars” has exploded There has been an explosion in UK media Number of articles mentioning “culture wars” in UK newspapers, by those referencing the UK or other countries coverage of culture wars in recent years Articles referencing UK Articles not referencing UK US presidential election There has been a huge surge in media coverage mentioning “culture wars” in recent years, with 808 articles published in 600 UK newspapers talking about culture wars anywhere in the world in 2020 – up from 106 in 2015. Even more strikingly, the number of articles focusing on the 500 existence or nature of culture wars in the UK has gone from just 21 in 2015 to 534 in 2020. When the term first appeared in UK newspapers, most articles related to culture wars in the US – and the influence 400 of the US continued to be visible in the 2000s, with spikes in the number of reports mentioning culture wars following the American presidential election cycle. 300 Since the mid-2000s, the idea of UK specific culture wars began to gain some attention. And since 2016, coverage of No. of articles the UK culture wars has taken off – surpassing the number 200 of references to other countries in 2019 and becoming a term that has entered the journalistic vernacular to describe a wide range of cultural divides in the UK. -
The Science Fiction Culture War Of
KREITER, MICHAEL P., Ph.D., May 2021 SOCIOLOGY "THERE WILL BE NO RECONCILIATION": THE SCIENCE FICTION CULTURE WAR OF WHITE SUPREMACIST PUPPIES (170 PP.) Dissertation Advisor: Tiffany Taylor By analyzing the discourse of Sad Puppies and Rabid Puppies, this research shows how an ideology of white supremacy is emerging from the contradictions inherent in colorblind racism. The Sad Puppies are a group of Science Fiction and Fantasy (SFF) fans and writers that formed in online spaces to actively challenge the recent trend in SFF genres of being more inclusive and increasing the diversity of writers and characters. They adhere to the abstract liberalism frame of colorblind racism that asserts that there is no systemic inequality, and that outcomes (like earning literary awards) are the result of individual effort and nothing more. To this end, they see efforts to increase diversity as antithetical to the abstract liberalism frame, as a form of unjust “affirmative action,” which hurts writers like white men precisely because they cannot claim to be “victims.” They employ a variety of discursive strategies to legitimize this political viewpoint, while simultaneously delegitimizing opposing viewpoints that they lump into one all- encompassing group they call “Social Justice Warriors” (SJWs). The success of writers like N. K. Jemisin, the first Black author to win the Hugo Award for Best Novel, can be used by colorblind frames to point to the legitimacy of the ostensibly meritocratic colorblind system. Yet, at the same time, colorblind ideology is simply a justification for the existing racial hierarchy, and Black success is a direct challenge to this hierarchy. -
Canceled: Positionality and Authenticity in Country Music's
Graduate Theses, Dissertations, and Problem Reports 2021 #Canceled: Positionality and Authenticity in Country Music’s Cancel Culture Gabriella Saporito [email protected] Follow this and additional works at: https://researchrepository.wvu.edu/etd Part of the Ethnomusicology Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, Musicology Commons, Other Feminist, Gender, and Sexuality Studies Commons, and the Social Media Commons Recommended Citation Saporito, Gabriella, "#Canceled: Positionality and Authenticity in Country Music’s Cancel Culture" (2021). Graduate Theses, Dissertations, and Problem Reports. 8074. https://researchrepository.wvu.edu/etd/8074 This Thesis is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. #Canceled: Positionality and Authenticity in Country Music’s Cancel Culture Gabriella Saporito Thesis submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Master of Arts in Musicology Travis D. Stimeling, Ph.D., Chair Jennifer Walker, Ph.D. Matthew Heap, Ph.D. -
The Apology | the B-Side | Night School | Madonna: Rebel Heart Tour | Betting on Zero Scene & Heard
November-December 2017 VOL. 32 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES N O . 6 IN THIS ISSUE One Week and a Day | Poverty, Inc. | The Apology | The B-Side | Night School | Madonna: Rebel Heart Tour | Betting on Zero scene & heard BAKER & TAYLOR’S SPECIALIZED A/V TEAM OFFERS ALL THE PRODUCTS, SERVICES AND EXPERTISE TO FULFILL YOUR LIBRARY PATRONS’ NEEDS. Learn more about Baker & Taylor’s Scene & Heard team: ELITE Helpful personnel focused exclusively on A/V products and customized services to meet continued patron demand PROFICIENT Qualified entertainment content buyers ensure frontlist and backlist titles are available and delivered on time SKILLED Supportive Sales Representatives with an average of 15 years industry experience DEVOTED Nationwide team of A/V processing staff ready to prepare your movie and music products to your shelf-ready specifications Experience KNOWLEDGEABLE Baker & Taylor is the Full-time staff of A/V catalogers, most experienced in the backed by their MLS degree and more than 43 years of media cataloging business; selling A/V expertise products to libraries since 1986. 800-775-2600 x2050 [email protected] www.baker-taylor.com Spotlight Review One Week and a Day and target houses that are likely to be empty while mourners are out. Eyal also goes to the HHH1/2 hospice where Ronnie died (and retrieves his Oscilloscope, 98 min., in Hebrew w/English son’s medical marijuana, prompting a later subtitles, not rated, DVD: scene in which he struggles to roll a joint for Publisher/Editor: Randy Pitman $34.99, Blu-ray: $39.99 the first time in his life), gets into a conflict Associate Editor: Jazza Williams-Wood Wr i t e r- d i r e c t o r with a taxi driver, and tries (unsuccessfully) to hide in the bushes when his neighbors show Editorial Assistant: Christopher Pitman Asaph Polonsky’s One Week and a Day is a up with a salad.