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International Film Festival April 24 – May 4, 2008 the Washington, Dc International Film Festival
THE 22ND ANNUAL WASHINGTON, DC INTERNATIONAL FILM FESTIVAL APRIL 24 – MAY 4, 2008 THE WASHINGTON, DC INTERNATIONAL FILM FESTIVAL A world of films…a window into our world. Whether experienced in movie theaters, on DVDs or television in our homes, on our iPods or computers, films are the major communications media of our time. Hollywood films dominate commercial cinema. However, scores of talented filmmakers around the globe produce thou- sands of quality films that speak with a different voice, provide a different point of view, and tell different stories. Presenting these films in the nation’s capital is the purpose of Filmfest DC. Photo: Chad Evans Wyatt Film festivals are a journey of Tony Gittens, Festival Director and Shirin Ghareeb, Assistant Director discovery, a visual and thought provoking adventure into how people see and interpret our world. Every Filmfest DC is different and every film is unique from every other film in the festival. Together, they comprise an amazing representation of human imagination, commitment and talent. The festival has two special focuses this year — Politics & Film and New Latin Ameri- can Cinema. Obviously, politics are especially prominent during this election season and we wanted to explore the role affairs of state play in people’s every day lives. Latin American filmmakers are always a treasure trove of inventive storytelling. The di- verse selection of new work we have gathered from the Spanish-speaking world (in- cluding Spain) are moving, humorous, and insightful. None of this would be possible without the many dedicated people who have shared their time and talents with Filmfest DC. -
Forsíða Ritgerða
Hugvísindasvið Nothin’ but the Blues A short History of the Icelandic Blues and the Choice of Icelandic or English Lyrics B.A. Essay Matthías Ægisson September 2012 University of Iceland School of Humanities Department of English Nothin’ but the Blues A short History of the Icelandic Blues and the Choice of Icelandic or English Lyrics B.A. Essay Matthías Ægisson Kt.: 010660-5809 Supervisor: Pétur Knútsson September 2012 3 Contents Abstract .................................................................................................................................. 5 Where it all started ................................................................................................................. 6 The first Icelandic blues tones ............................................................................................... 7 The Icelandic Blues Company (Blúskomaníið) and solo blues artists .................................. 8 Some of the early pioneers ..................................................................................................... 9 Hljómar, the first Icelandic Beatles & Gunnar Þórðarson ................................................... 10 Bluesy driven jazz ................................................................................................................ 11 The breeze before the calm .................................................................................................. 12 A decade of Stagnation ....................................................................................................... -
특집 AI와 과학 저널리즘 5 0 5 0 5 9 3 5 7 2 2 1 7 ISSN 1227-5395 7 9 05 2016 / No.545
2016 NO.545 05 특 집 AI와 과학 저널리즘 ‘파나마 페이퍼스’ 보도와 데이터 저널리즘 ‘슈피겔 혁신보고서’ 무엇을 담고 있나 특집 AI와 과학 저널리즘 과학 AI와 특집 5 0 5 0 5 9 3 5 7 2 2 1 7 ISSN 1227-5395 7 9 05 2016 / NO.545 특집 AI와 과학 저널리즘 006 잘못된 틀 잡기·검증 안 된 연구 결과 보도는 위험 과학철학자가 본 과학 보도 / 이상욱 011 사건기사로 변질되고 전문 취재 시스템도 없어 언론학자가 본 과학 저널리즘 / 김영욱 016 전문가도 전문기자도 없이 ‘장님 코끼리 만지는 격’ IT 전문가가 본 ‘이세돌-알파고 대국’ 보도 / 도안구 022 급변하는 과학기술, 과학 보도 전문성도 진화해야 과학 저널리즘의 토양과 나아갈 방향 / 김윤경 집중점검 ‘파나마 페이퍼스’ 보도와 데이터 저널리즘 028 전 세계 뒤흔든 추악한 스캔들에 한국 언론은 소극적 국내외 언론의 ‘파나마 페이퍼스’ 보도 / 송상근 033 데이터 저널리즘= ‘천천히’ ‘팀’으로 일하기 ‘데이터 저널리즘 서밋 2016’을 통해 본 데이터 저널리즘 / 허백윤 언론 현장 038 "오만함을 반성합니다"… 혁신 위한 냉혹한 자기비판 ‘슈피겔 혁신보고서’ 무엇을 담고 있나 / 심영섭 043 입체적 개표 방송은 성공 민심 파악은 실패 제20대 총선 언론 보도 / 이종혁 047 탁월한 저널리즘 보여주는 현장의 교과서 퓰리처상 100주년 의미와 2016년 수상작 / 정은령 052 뉴스 이용 시간 늘리기 열쇳말은 ‘독자 참여’ ‘2016 ONA 런던’ 참관기 / 이윤녕 취재기·제작기 057 내 몸에 독이 되는 먹거리 바로 알리기 SBS스페셜 ‘설탕전쟁, 당(糖)하고 계십니까?’ / 이윤민 산 업·정 책 063 이용자에게 새로움과 재미를 허하라! 미디어와 마케팅의 새로운 실험 / 이재호 067 매출액 증가·흑자 달성, 전국일간지 성과 돋보여 2015년도 신문사 결산 분석 / 이상기 075 중국 시장 확보에는 필수, 시청률 낮을 땐 무대책 ‘태양의 후예’를 계기로 본 드라마 사전 제작 / 권호영 미디어 포럼 081 정파성, 상업성, 무지가 결합된 부실 보도 ‘외신 인용 보도의 문제점과 개선 방안’ 토론회 / 오세욱 085 디지털 뉴스 미디어 톺아보기 1 ‘독특한 소재·1인칭 시점·고품질’로 세계 우뚝 온라인 동영상 전문 기업 ‘바이스 미디어’ / 한운희 090 해외 미디어 보고서 들춰보기 2 새로운 데이터 분석틀 ‘관심 지수’ 개발 소개 미 API ‘저널리즘의 숨은 문제 해결하기: 형편없는 애널리틱스’ / 류동협 094 광복 70년, 방송기자 탄생 70년 기획 시리즈 17 방송 보도론에서 기념 문집, 학술서까지 다양 1960년대까지 입사한 방송기자들의 저술서 탐구 / 김성호 098 세상을 바꾼 보도 16 국제 공조 취재로 새로운 언론의 지평 열어 ‘파나마 페이퍼스’ ‘버진아일랜드’ 보도 / 이규연 101 중국 방송 산업 현황과 비즈니스 전략 5 방송 성장 이끄는 ‘해외 예능 포맷’ 중국 TV 포맷 산업 현황과 전망 / 홍순철 미디어 월드 와이드 109 미국 트럼프 보도 태도 비난한 오바마, 발끈한 언론계 / 홍예진 113 -
Song, State, Sawa Music and Political Radio Between the US and Syria
Song, State, Sawa Music and Political Radio between the US and Syria Beau Bothwell Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 Beau Bothwell All rights reserved ABSTRACT Song, State, Sawa: Music and Political Radio between the US and Syria Beau Bothwell This dissertation is a study of popular music and state-controlled radio broadcasting in the Arabic-speaking world, focusing on Syria and the Syrian radioscape, and a set of American stations named Radio Sawa. I examine American and Syrian politically directed broadcasts as multi-faceted objects around which broadcasters and listeners often differ not only in goals, operating assumptions, and political beliefs, but also in how they fundamentally conceptualize the practice of listening to the radio. Beginning with the history of international broadcasting in the Middle East, I analyze the institutional theories under which music is employed as a tool of American and Syrian policy, the imagined youths to whom the musical messages are addressed, and the actual sonic content tasked with political persuasion. At the reception side of the broadcaster-listener interaction, this dissertation addresses the auditory practices, histories of radio, and theories of music through which listeners in the sonic environment of Damascus, Syria create locally relevant meaning out of music and radio. Drawing on theories of listening and communication developed in historical musicology and ethnomusicology, science and technology studies, and recent transnational ethnographic and media studies, as well as on theories of listening developed in the Arabic public discourse about popular music, my dissertation outlines the intersection of the hypothetical listeners defined by the US and Syrian governments in their efforts to use music for political ends, and the actual people who turn on the radio to hear the music. -
Pdf Liste Totale Des Chansons
40ú Comórtas Amhrán Eoraifíse 1995 Finale - Le samedi 13 mai 1995 à Dublin - Présenté par : Mary Kennedy Sama (Seule) 1 - Pologne par Justyna Steczkowska 15 points / 18e Auteur : Wojciech Waglewski / Compositeurs : Mateusz Pospiezalski, Wojciech Waglewski Dreamin' (Révant) 2 - Irlande par Eddie Friel 44 points / 14e Auteurs/Compositeurs : Richard Abott, Barry Woods Verliebt in dich (Amoureux de toi) 3 - Allemagne par Stone Und Stone 1 point / 23e Auteur/Compositeur : Cheyenne Stone Dvadeset i prvi vijek (Vingt-et-unième siècle) 4 - Bosnie-Herzégovine par Tavorin Popovic 14 points / 19e Auteurs/Compositeurs : Zlatan Fazlić, Sinan Alimanović Nocturne 5 - Norvège par Secret Garden 148 points / 1er Auteur : Petter Skavlan / Compositeur : Rolf Løvland Колыбельная для вулкана - Kolybelnaya dlya vulkana - (Berceuse pour un volcan) 6 - Russie par Philipp Kirkorov 17 points / 17e Auteur : Igor Bershadsky / Compositeur : Ilya Reznyk Núna (Maintenant) 7 - Islande par Bo Halldarsson 31 points / 15e Auteur : Jón Örn Marinósson / Compositeurs : Ed Welch, Björgvin Halldarsson Die welt dreht sich verkehrt (Le monde tourne sens dessus dessous) 8 - Autriche par Stella Jones 67 points / 13e Auteur/Compositeur : Micha Krausz Vuelve conmigo (Reviens vers moi) 9 - Espagne par Anabel Conde 119 points / 2e Auteur/Compositeur : José Maria Purón Sev ! (Aime !) 10 - Turquie par Arzu Ece 21 points / 16e Auteur : Zenep Talu Kursuncu / Compositeur : Melih Kibar Nostalgija (Nostalgie) 11 - Croatie par Magazin & Lidija Horvat 91 points / 6e Auteur : Vjekoslava Huljić -
REFLECTIONS 148X210 UNTOPABLE.Indd 1 20.03.15 10:21 54 Refl Ections 54 Refl Ections 55 Refl Ections 55 Refl Ections
3 Refl ections DAS MAGAZIN DES ÖSTERREICHISCHEN Refl ections SONG CONTEST CLUBS MERCI CHÉRIE – MERCI, JURY! AUSGABE 2015 | ➝ Es war der 5. März 1966 beim Grand und belgischen Hitparade und Platz 14 in Prix d’Eurovision in Luxemburg als schier den Niederlanden. Im Juni 1966 erreichte Unglaubliches geschah: Die vielbeachte- das Lied – diesmal in Englisch von Vince te dritte Teilnahme von Udo Jürgens – Hill interpretiert – Platz 36 der britischen nachdem er 1964 mit „Warum nur war- Single-Charts. um?“ den sechsten Platz und 1965 mit Im Laufe der Jahre folgten unzähli- SONG CONTEST CLUBS SONG CONTEST 2015 „Sag‘ ihr, ich lass sie grüßen“ den vierten ge Coverversionen in verschiedensten Platz belegte – bescherte Österreich end- Sprachen und als Instrumentalfassungen. Wien gibt sich die Ehre lich den langersehnten Sieg. In einem Hier bestechen – allen voran die aktuelle Teilnehmerfeld von 18 Ländern startete Interpretation der grandiosen Helene Fi- der Kärntner mit Nummer 9 und konnte scher – die Versionen von Adoro, Gunnar ÖSTERREICHISCHEN schließlich 31 Jurypunkte auf sich verei- Wiklund, Ricky King und vom Orchester AUSSERDEM nen. Ein klarer Sieg vor Schweden und Paul Mauriat. Teilnehmer des Song Contest 2015 – Rückblick Grand Prix 1967 in Wien Norwegen, die sich am Podest wiederfan- Hier sieht man das aus Brasilien stam- – Vorentscheidung in Österreich – Das Jahr der Wurst – Österreich und den. mende Plattencover von „Merci Cherie“, DAS MAGAZIN DES der ESC – u.v.m. Die Single erreichte Platz 2 der heimi- das zu den absoluten Raritäten jeder Plat- schen Single-Charts, Platz 2 der deutschen tensammlung zählt. DIE LETZTE SEITE ections | Refl AUSGABE 2015 2 Refl ections 2 Refl ections 3 Refl ections 3 Refl ections INHALT VORWORT PRÄSIDENT 4 DAS JAHR DER WURST 18 GRAND PRIX D'EUROVISION 60 HERZLICH WILLKOMMEN 80 „Building bridges“ – Ein Lied Pop, Politik, Paris. -
Storytelling and Social Media
NIEMAN REPORTS Storytelling and Social Media HANNA, one of the subjects in “Maidan: Portraits from the Black Square,” Kiev, February 2014 Nieman Online From the Archives For some photojournalists, it’s the shots they didn’t take they remember best. In the Summer 1998 issue of Nieman Reports, Nieman Fellows Stan Grossfeld, David Turnley, Steve Northup, Stanley Forman, and Frank Van Riper reflect on the shots they missed, whether by mistake or by choice, in “The Best Picture I Never Took” series. Digital Strategy at The New York Times In a lengthy memo, The New York Times revealed that it hopes to double its “Made in Boston: Stories of Invention and Innovation” brought together, from left, author digital revenue to $800 million by 2020. Ben Mezrich, Boston Globe reporter Hiawatha Bray, author Steve Almond, WGBH’s “Innovation The paper plans to simplify subscriptions, Hub” host Kara Miller, NPR’s “On Point” host Tom Ashbrook, “Our Bodies, Ourselves” improve advertising and sponsorships, co-founder Judy Norsigian, journalist Laurie Penny, and MIT Media Lab director Joi Ito optimize for different mediums, and nieman.harvard.edu, events extend its international reach. No Comments An in-depth look at why seven major news organizations—Reuters, Mic, The Week, Popular Science, Recode, The Verge, and USA Today’s FTW—suspended user comments, the results of that decision, and Innovators “always said how these media outlets are using social no when other people media to encourage reader engagement. said yes and they always 5 Questions: Geraldine Brooks Former Wall Street Journal foreign said yes when other correspondent and Pulitzer Prize-winning novelist Geraldine Brooks talks with her old Columbia Journalism School classmate people said no. -
Vice Founder Suroosh Alvi Returns to Iran in a Feature-Length Special Report
VICE FOUNDER SUROOSH ALVI RETURNS TO IRAN IN A FEATURE-LENGTH SPECIAL REPORT Suroosh Alvi takes viewers on an unforgettable journey through the Islamic Republic on the brink of its biggest upheaval for 40 years ‘The VICE Guide to Iran’ premieres Wednesday April 15, 3PM ET on VICE’s YouTube channel Credit: Jake Burghart / VICE BROOKLYN, NY (April 15, 2020) Today - VICE announced the premiere of The VICE Guide to Iran, a feature-length documentary that takes a visceral and wide-ranging look at life in one of the world’s most politically and socially complex countries. Over the past weeks and months, Iran has descended into chaos. From the downing of a passenger jet, to the assasination of a top general, and now one of the world's largest Coronavirus outbreaks, life in the Islamic Republic is facing its toughest challenges since it was founded in 1979. Hosted by VICE founder Suroosh Alvi, the standalone special offers an indelible account of Iranian society, from hipsters to hostage takers, and from top lawmakers to one of the country’s heaviest metal bands. With exclusive access to militant leaders, Iran's tourist hotspots, and the old US embassy in downtown Tehran, The VICE Guide to Iran is an intimate portrait of a nation on the brink. ABOUT SUROOSH ALVI Suroosh Alvi is a co-founder of VICE Media Group, a critically acclaimed journalist, and producer. As a journalist, Alvi has reported from all over the world including the Democratic Republic of Congo, Saudi Arabia, Afghanistan, Rwanda, and the Gaza Strip. He was a regular host of the Emmy award-winning VICE on HBO show and is a contributor to VICE News. -
Jeff Root Danielle Miraglia Lay Low Moon the Countess Zaleska
•Our 33rd Year Proudly Promoting All Things Music• FREE! December 2018 The Countess Zaleska Lay Low Moon Jeff Root Danielle Miraglia Metro•Scene ATWOOD’S TAVERN 12/12- Gang of Youths HOUSE OF BLUES 12/29- Becky and the Swinging Bards Cambridge, MA. 12/13- Lemaitre Boston, MA. (617) 864-2792 12/14- Street Dogs; Art Thieves; Noi!se (888) 693-BLUE 12/15- Street Dogs; Slapshot; Ramallah; Dori Cameron & the MIDDLE EAST 12/1- Julie Rhodes Invisible Monsters 12/3- Miracle On Lansdowne Street RESTAURANT & NIGHTCLUB 12/2- Jimmy Ryan & Hayride 12/16- Street Dogs; Ramallah; 1916 12/5- Russell Dickerson and Carly Pearce Cambridge, MA. 12/3- Monday Night Bluegrass 12/20- Big Something; Dewpoint; Butterchild 12/7 & 8- Brett Young (617) 864-3278 12/6- The Wolff Sisters 12/21- Emo Night Brooklyn 12/9- Amine 12/8- Roy Sludge 12/22- Kung Fu 12/10- YBN Nahmir; YBN Almighty Jay; YBN Cordae Upstairs 12/9- Old Fox; Doug Paisley 12/29- Doom Lover; Oompa; Cliff Notez 12/12- Boston Music Awards 12/1- Moe Dee 12/11- The Talbott Brothers 12/31- New Years’ Eve w/The Felice Brothers 12/16- Jorja Smith 12/2- Wes Walker; Javan 12/13- Anjimile; Nova One 12/20- Nghtmre B4 Xmas Tour 12/4- Elley Duhe; Butch Dawson 12/14- Beware The Dangers Of A Ghost Scorpion; Kremlin Bats 12/26- The Roots 12/7- Wyland; Valley; Jantsen, Uncle Bob b2b BIZDO, Electrya 12/15- Nickel & Rose; Hy Brasil BULL RUN RESTAURANT 12/28, 29 & 30- The Mighty Mighty Bosstones 12/8- Charing Cross; JZAC 12/17- Monday Night Bluegrass Shirley, MA. -
HEAVY METAL in BAGHDAD Panorama HEAVY METAL in BAGHDAD Dokumente HEAVY METAL in BAGHDAD Regie: Eddy Moretti, Suroosh Alvi
PD_0570:PD_ 26.01.2008 17:55 Uhr Seite 226 Berlinale 2008 HEAVY METAL IN BAGHDAD Panorama HEAVY METAL IN BAGHDAD Dokumente HEAVY METAL IN BAGHDAD Regie: Eddy Moretti, Suroosh Alvi USA 2007 Dokumentarfilm Länge 84 Min. Format HDcam Farbe Stabliste Buch Eddy Moretti Suroosh Alvi Kamera Eddy Moretti Schnitt Bernardo Loyola Musik Acrassicauda Produzenten Eddy Moretti Suroosh Alvi Monica Hampton Executive Producers Shane Smith Spike Jonze Produktion Vice Films 97 North Tenth St. #202 Acras si cauda USA-Brooklyn NY 11211 HEAVY METAL IN BAGHDAD Tel.: +1 71 82333642 [email protected] Der Vietnamkrieg hat entscheidend zur Verbreitung von Rockmusik beigetra - gen. Der Irakkrieg klingt definitiv nach Heavy Metal. Nicht nur die Musik - Weltvertrieb importe der amerikanischen Besatzungstruppen spielen dabei eine Rolle, Lumina Films mit Acrassicauda gibt es auch eine aktive irakische Heavy-Metal-Band. Ihre 3rd Fl., 1a Adpar Street Vorbilder sind Bands wie Metallica, Slayer und Slipknot, ihre Musik machen GB-London W21DE Tel.: +44 20 75356714 sie seit 2001. Eine Heavy-Metal-Band hat es nicht leicht im Irak, auch nicht Fax: +44 20 75637283 nach dem Sturz Saddam Husseins. Acrassicauda (der Name ist von der latei- [email protected] nischen Bezeichnung für „Schwarze Skorpione” abgeleitet) hatten vor Kriegs- beginn 2003 überhaupt nur drei Auftritte absolviert. Nach Ende der Kämp- fe verließ ihr Leadsänger das Land, ein neuer musste gefunden werden. Die Sicherheitslage machte das gemeinsame Üben schwierig, von Auftritten ganz zu schweigen. Als sich die Situation verschärfte, erhielten sie Todes - drohungen von Aufständischen und religiösen Fundamentalisten, die sie beschuldigten, Satan zu verehren. 2005 fiel ein geplanter Auftritt im Hotel Al Fanar aus, weil in unmittelbarer Nähe eine Autobombe gezündet wor- den war. -
“The Greatest Gift Is the Realization That Life Does Not Consist Either In
“The greatest gift is the realization that life does not consist either in wallowing in the past or peering anxiously into the future; and it is appalling to contemplate the great number of often painful steps by which ones arrives at a truth so old, so obvious, and so frequently expressed. It is good for one to appreciate that life is now. Whatever it offers, little or much, life is now –this day-this hour.” Charles Macomb Flandrau Ernest Hemingway drank here. Cuban revolutionaries Fidel Castro and Che Guevera drank here. A longhaired young hippie musician named Jimmy Buffett drank and performed here, too. From the 1930’s through today this rustic dive bar has seen more than its share of the famous and the infamous. It’s a little joint called Capt. Tony’s in Key West, Florida. Eighty-seven-year-old Anthony ‘Capt. Tony’ Tarracino has been the owner and proprietor of this boozy establishment since 1959. It seems Tony, as a young mobster, got himself into some serious trouble with ‘the family’ back in New Jersey and needed to lay low for a while. In those days, the mosquito invested ‘keys’ (or islands) on the southernmost end of Florida’s coastline was a fine place for wise guys on the lam to hide out. And this was well before the tee-shirt shops, restaurants, bars, art galleries, charming B&B’s and quaint hotels turned Key West into a serious year-round tourist destination. Sure, there were some ‘artsy’ types like Hemingway and Tennessee Williams living in Key West during the late 50’s when Tony bought the bar, but it was a seaside shanty town where muscular hard-working men in shrimp boats and cutters fished all day for a living. -
Hearst Corporation Los Angeles Examiner Photographs, Negatives and Clippings--Portrait Files (N-Z) 7000.1C
http://oac.cdlib.org/findaid/ark:/13030/c8w37tqm No online items Hearst Corporation Los Angeles Examiner photographs, negatives and clippings--portrait files (N-Z) 7000.1c Finding aid prepared by Rebecca Hirsch. Data entry done by Nikita Lamba, Siria Meza, Stephen Siegel, Brian Whitaker, Vivian Yan and Lindsey Zea The processing of this collection and the creation of this finding aid was funded by the generous support of the Council on Library and Information Resources. USC Libraries Special Collections Doheny Memorial Library 206 3550 Trousdale Parkway Los Angeles, California, 90089-0189 213-740-5900 [email protected] 2012 April 7000.1c 1 Title: Hearst Corporation Los Angeles Examiner photographs, negatives and clippings--portrait files (N-Z) Collection number: 7000.1c Contributing Institution: USC Libraries Special Collections Language of Material: English Physical Description: 833.75 linear ft.1997 boxes Date (bulk): Bulk, 1930-1959 Date (inclusive): 1903-1961 Abstract: This finding aid is for letters N-Z of portrait files of the Los Angeles Examiner photograph morgue. The finding aid for letters A-F is available at http://www.usc.edu/libraries/finding_aids/records/finding_aid.php?fa=7000.1a . The finding aid for letters G-M is available at http://www.usc.edu/libraries/finding_aids/records/finding_aid.php?fa=7000.1b . creator: Hearst Corporation. Arrangement The photographic morgue of the Hearst newspaper the Los Angeles Examiner consists of the photographic print and negative files maintained by the newspaper from its inception in 1903 until its closing in 1962. It contains approximately 1.4 million prints and negatives. The collection is divided into multiple parts: 7000.1--Portrait files; 7000.2--Subject files; 7000.3--Oversize prints; 7000.4--Negatives.