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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
O Porquê Da Existência De Festivais Punk Na Europa
Paulo Bettencourt Lemos A INDUSTRIALIZAÇÃO DO MOVIMENTO PUNK Relatório de estágio em Comunicação e Jornalismo, orientado pelo Doutor Carlos Camponez, apresentado ao Departamento de Informação, Comunicação e Filosofia da Faculdade de Letras da Universidade de Coimbra Julho de 2014 1 Faculdade de Letras A INDUSTRIALIZAÇÃO DO MOVIMENTO PUNK Ficha Técnica: Tipo de trabalho Relatório de estágio Título A INDUSTRIALIZAÇÃO DO MOVIMENTO PUNK Autor Paulo Bettencourt Lemos Orientador Doutor Carlos Camponez Júri Presidente: Vogais: 1. 2. Identificação do Curso 2º Ciclo em Comunicação e Jornalismo Data da defesa Classificação 2 Resumo Embora o Punk tenha surgido em finais da década de 70 como uma contra-cultura revolucionária que se opôs aos valores sociais vigentes da sociedade inglesa, rapidamente a indústria absorveu este movimento social. A atual aceitação social da prévia rebeldia Punk deu-se através da sua comercialização, onde foi possível ao mainstream suavizar os seus aspetos mais agressivos popularizando assim agrupamentos musicais do género. A vulgarização do Punk ocorreu deste modo através da incorporação comercial da sua música e estética. Neste relatório de estágio reflete-se sobre o papel e a influência da indústria no Punk. Através de uma análise ao festival Mighty Sounds, compreenderemos como a comercialização desta tribo urbana tornou este fenómeno facilmente reconhecido a nível mundial e qual o impacto da indústria nos movimentos do underground, desconhecidos pelo grande público, e que se encontram fora dos mediatismos comerciais e noticiosos. Palavras-chave: Mighty Sounds, Punk, Música, Festivais de Verão, República Checa, Praga 3 Abstract Although Punk has emerged in the late 70s as a revolutionary counter-culture that opposed the prevailing social values of English society, the industry quickly absorbed this social movement. -
International Film Festival April 24 – May 4, 2008 the Washington, Dc International Film Festival
THE 22ND ANNUAL WASHINGTON, DC INTERNATIONAL FILM FESTIVAL APRIL 24 – MAY 4, 2008 THE WASHINGTON, DC INTERNATIONAL FILM FESTIVAL A world of films…a window into our world. Whether experienced in movie theaters, on DVDs or television in our homes, on our iPods or computers, films are the major communications media of our time. Hollywood films dominate commercial cinema. However, scores of talented filmmakers around the globe produce thou- sands of quality films that speak with a different voice, provide a different point of view, and tell different stories. Presenting these films in the nation’s capital is the purpose of Filmfest DC. Photo: Chad Evans Wyatt Film festivals are a journey of Tony Gittens, Festival Director and Shirin Ghareeb, Assistant Director discovery, a visual and thought provoking adventure into how people see and interpret our world. Every Filmfest DC is different and every film is unique from every other film in the festival. Together, they comprise an amazing representation of human imagination, commitment and talent. The festival has two special focuses this year — Politics & Film and New Latin Ameri- can Cinema. Obviously, politics are especially prominent during this election season and we wanted to explore the role affairs of state play in people’s every day lives. Latin American filmmakers are always a treasure trove of inventive storytelling. The di- verse selection of new work we have gathered from the Spanish-speaking world (in- cluding Spain) are moving, humorous, and insightful. None of this would be possible without the many dedicated people who have shared their time and talents with Filmfest DC. -
List of Available Videos
Artist Concert 3 Doors Down Live at the Download Festival 3 Doors Down Live At The Tabernacle 2014 30 Odd Foot Of Grunts Live at Soundstage 30 Seconds To Mars Live At Download Festival 2013 5 Seconds of Summer How Did We End Up Here? 6ft Hick Notes from the Underground A House Live on Stage A Thousand Horses Real Live Performances ABBA Arrival: The Ultimate Critical Review ABBA The Gold Singles Above And Beyond Acoustic AC/DC AC/DC - No Bull AC/DC In Performance AC/DC Live At River Plate\t AC/DC Live at the Circus Krone Acid Angels 101 A Concert - Band in Seattle Acid Angels And Big Sur 101 Episode - Band in Seattle Adam Jensen Live at Kiss FM Boston Adam Lambert Glam Nation Live Aerosmith Rock for the Rising Sun Aerosmith Videobiography After The Fire Live at the Greenbelt Against Me! Live at the Key Club: West Hollywood Aiden From Hell with Love Air Eating Sleeping Waiting and Playing Air Supply Air Supply Live in Toronto Air Supply Live in Hong Kong Akhenaton Live Aux Docks Des Sud Al Green Everything's Going To Be Alright Alabama and Friends Live at the Ryman Alain Souchon J'veux Du Live Part 2 Alanis Morissette Guitar Center Sessions Alanis Morissette Live at Montreux 2012 Alanis Morissette Live at Soundstage Albert Collins Live at Montreux Alberta Cross Live At The ATO Cabin Alejandro Fernández Confidencias Reales Alejandro Sanz El Alma al Aire en Concierto Ali Campbell Live at the Shepherds Bush Empire Alice Cooper AVO Session Alice Cooper Brutally Live Alice Cooper Good To See You Again Alice Cooper Live at Montreux Alice Cooper -
Immortals' Realm
EpicMail presents Immortals’ Realm Version 2.2 Legends II Module First published 1990 in the USA. EpicMail is an Official Licensee, all Legends copyrighted material by Midnight Games, provided with permission. Initial concept and design by Bill Combs, Reagan Schaupp and Scott Bargelt. Reworked in August 2002 Reworked and expanded (Version 2.0) by Jens-Uwe Rüsse, Harald Gehringer, Herwig Dobernigg, Markus Freystätter, Klaus Bachler and Johannes Klapf. Graphics by Danny Willis. Game map by Herwig Bachler. Downloadable map can be found at: www.harlequingames.com Legends II Game System TABLE OF CONTENTS TABLE OF CONTENTS ..................................................................................................................................................... 2 INTRODUCTION ................................................................................................................................................................ 3 OVERVIEW.......................................................................................................................................................................... 5 SETUP RULES ..................................................................................................................................................................... 7 HISTORY OF VERANA ..................................................................................................................................................... 8 FACTIONS......................................................................................................................................................................... -
Subcultural Appropriations of Appalachia and the Hillbilly Image, 1990-2010
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2019 The Mountains at the End of the World: Subcultural Appropriations of Appalachia and the Hillbilly Image, 1990-2010 Paul L. Robertson Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the American Popular Culture Commons, Appalachian Studies Commons, Literature in English, North America Commons, and the Other Film and Media Studies Commons © Paul L. Robertson Downloaded from https://scholarscompass.vcu.edu/etd/5854 This Dissertation is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. Robertson i © Paul L. Robertson 2019 All Rights Reserved. Robertson ii The Mountains at the End of the World: Subcultural Appropriations of Appalachia and the Hillbilly Image, 1990-2010 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at Virginia Commonwealth University. By Paul Lester Robertson Bachelor of Arts in English, Virginia Commonwealth University, 2000 Master of Arts in Appalachian Studies, Appalachian State University, 2004 Master of Arts in English, Appalachian State University, 2010 Director: David Golumbia Associate Professor, Department of English Virginia Commonwealth University Richmond, Virginia May 2019 Robertson iii Acknowledgement The author wishes to thank his loving wife A. Simms Toomey for her unwavering support, patience, and wisdom throughout this process. I would also like to thank the members of my committee: Dr. David Golumbia, Dr. -
Roots Radical – Place, Power and Practice in Punk Entrepreneurship Sarah Louise Drakopoulou Dodd
Roots radical – Place, power and practice in punk entrepreneurship Sarah Louise Drakopoulou Dodd The significance continues to grow of scholarship that embraces critical and contextualized entrepreneurship, seeking rich explorations of diverse entrepreneurship contexts. Following these influences, this study explores the potentialized context of punk entrepreneurship. The Punk Rock band Rancid has a 20-year history of successfully creating independent musical and related creative enterprises from the margins of the music industry. The study draws on artefacts, interviews and videos created by and around Rancid to identify and analyse this example of marginal, alternative entrepreneurship. A three-part analytic frame was applied to analysing these artefacts. Place is critical to Rancid’s enterprise, grounding the band socially, culturally, geographically and politically. Practice also plays an important role with Rancid’s activities encompassing labour, making music, movement and human interactions. The third, and most prevalent, dimension of alterity is that of power which includes data related to dominance, subordination, exclusion, control and liberation. Rancid’s entrepreneurial story is depicted as cycles, not just a linear journey, but following more complicated paths – from periphery to centre, and back again; returning to roots, whilst trying to move forwards too; grounded in tradition but also radically focused on dramatic change. Paradox, hybridized practices, and the significance of marginal place as a rich resource also emerged from the study. Keywords: entrepreneurship; social construction; punk rock; paradox; marginality; periphery Special thanks are due to all the punks and skins who have engaged with my reading of the Rancid story, and given me so much support and feedback along the way, especially Rancid’s drummer, Branden Steineckert, Jesse from Machete Manufacturing, Kostis, Tassos (Rancid Punx Athens Crew) and Panayiotis. -
특집 AI와 과학 저널리즘 5 0 5 0 5 9 3 5 7 2 2 1 7 ISSN 1227-5395 7 9 05 2016 / No.545
2016 NO.545 05 특 집 AI와 과학 저널리즘 ‘파나마 페이퍼스’ 보도와 데이터 저널리즘 ‘슈피겔 혁신보고서’ 무엇을 담고 있나 특집 AI와 과학 저널리즘 과학 AI와 특집 5 0 5 0 5 9 3 5 7 2 2 1 7 ISSN 1227-5395 7 9 05 2016 / NO.545 특집 AI와 과학 저널리즘 006 잘못된 틀 잡기·검증 안 된 연구 결과 보도는 위험 과학철학자가 본 과학 보도 / 이상욱 011 사건기사로 변질되고 전문 취재 시스템도 없어 언론학자가 본 과학 저널리즘 / 김영욱 016 전문가도 전문기자도 없이 ‘장님 코끼리 만지는 격’ IT 전문가가 본 ‘이세돌-알파고 대국’ 보도 / 도안구 022 급변하는 과학기술, 과학 보도 전문성도 진화해야 과학 저널리즘의 토양과 나아갈 방향 / 김윤경 집중점검 ‘파나마 페이퍼스’ 보도와 데이터 저널리즘 028 전 세계 뒤흔든 추악한 스캔들에 한국 언론은 소극적 국내외 언론의 ‘파나마 페이퍼스’ 보도 / 송상근 033 데이터 저널리즘= ‘천천히’ ‘팀’으로 일하기 ‘데이터 저널리즘 서밋 2016’을 통해 본 데이터 저널리즘 / 허백윤 언론 현장 038 "오만함을 반성합니다"… 혁신 위한 냉혹한 자기비판 ‘슈피겔 혁신보고서’ 무엇을 담고 있나 / 심영섭 043 입체적 개표 방송은 성공 민심 파악은 실패 제20대 총선 언론 보도 / 이종혁 047 탁월한 저널리즘 보여주는 현장의 교과서 퓰리처상 100주년 의미와 2016년 수상작 / 정은령 052 뉴스 이용 시간 늘리기 열쇳말은 ‘독자 참여’ ‘2016 ONA 런던’ 참관기 / 이윤녕 취재기·제작기 057 내 몸에 독이 되는 먹거리 바로 알리기 SBS스페셜 ‘설탕전쟁, 당(糖)하고 계십니까?’ / 이윤민 산 업·정 책 063 이용자에게 새로움과 재미를 허하라! 미디어와 마케팅의 새로운 실험 / 이재호 067 매출액 증가·흑자 달성, 전국일간지 성과 돋보여 2015년도 신문사 결산 분석 / 이상기 075 중국 시장 확보에는 필수, 시청률 낮을 땐 무대책 ‘태양의 후예’를 계기로 본 드라마 사전 제작 / 권호영 미디어 포럼 081 정파성, 상업성, 무지가 결합된 부실 보도 ‘외신 인용 보도의 문제점과 개선 방안’ 토론회 / 오세욱 085 디지털 뉴스 미디어 톺아보기 1 ‘독특한 소재·1인칭 시점·고품질’로 세계 우뚝 온라인 동영상 전문 기업 ‘바이스 미디어’ / 한운희 090 해외 미디어 보고서 들춰보기 2 새로운 데이터 분석틀 ‘관심 지수’ 개발 소개 미 API ‘저널리즘의 숨은 문제 해결하기: 형편없는 애널리틱스’ / 류동협 094 광복 70년, 방송기자 탄생 70년 기획 시리즈 17 방송 보도론에서 기념 문집, 학술서까지 다양 1960년대까지 입사한 방송기자들의 저술서 탐구 / 김성호 098 세상을 바꾼 보도 16 국제 공조 취재로 새로운 언론의 지평 열어 ‘파나마 페이퍼스’ ‘버진아일랜드’ 보도 / 이규연 101 중국 방송 산업 현황과 비즈니스 전략 5 방송 성장 이끄는 ‘해외 예능 포맷’ 중국 TV 포맷 산업 현황과 전망 / 홍순철 미디어 월드 와이드 109 미국 트럼프 보도 태도 비난한 오바마, 발끈한 언론계 / 홍예진 113 -
EG Kight Five-Time WC Handy Nominee!
EG KIGHT Singer Songwriter Guitar Player Entertainer The recipient of the 2013 Georgia Music Legend Award, which honors people from Georgia who have contributed to the state's musical heritage, EG Kight is honored to represent her home state, bringing her diverse musical menu to the fans at clubs, theaters, festivals and corporate events across America and in Europe. Kight has been nominated for the 2015 Blues Music Awards Koko Taylor Award, she landed on the AXS.com list of Top 5 Best Blues Artists of 2014, and her latest album landed on the Blues Bytes 2014 Top 10 Albums list, and the Roots Music Report's Top 100 Blues Album Chart for 2014. She was also nominated for two Blues Blast awards, and has had six previous Blues Music Awards nominations, twice for Song of the Year. Many artists have recorded her songs, and she’s had songs on two Grammy-nominated albums, and on two compilations that maintained Billboard chart positions for over a year. Kight’s style transcends musical boundaries. With a blend of americana, southern rock, blues, pop, jazz, gospel and funk, Kight continues to help shape contemporary blues. Early in her career Kight was dubbed “The Georgia Songbird,” and today she is considered one of the few true blues vocalists. With a rich and velvety voice that’s been compared to a cross between Phoebe Snow and Bonnie Raitt, and a mastery of the guitar that has her holding her own next to any other player, Kight mesmerizes audiences of all ages, as a solo, a duo (as the Peach Pickin’ Mamas), and with her Blue South band. -
“Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ................................................................................................................................... -
CONGRESSIONAL RECORD— Extensions of Remarks E1406 HON
E1406 CONGRESSIONAL RECORD — Extensions of Remarks July 22, 2010 the last four decades. Through their live per- of the World. On April 29–30, 2011, the eyes including hosting a historic meeting of nearly formances and the music and songs still of the barbeque world will be focused on Lex- 500 tribal leaders last year and President played on radio stations around the world ington as it hosts the Inaugural BBQ Capital Obama’s issuance of an Executive Order on every day, the members of Lynyrd Skynyrd Cook-off. Consultation and Coordination with Tribal Gov- have established themselves as timeless art- The Cook-off, which hopes to become an ernments. Yet, as U.S. Ambassador to the ists who transcend any one musical era or annual competition, will not only feature the United Nations Susan Rice has said, ‘‘far generation. tastiest food in the world, but will aid in the more must be done—at home and abroad—to As validated by their induction into the Rock restoration of downtown Lexington. With peo- tackle’’ the challenges facing indigenous peo- and Roll Hall of Fame in 2006, Lynyrd ple coming from all over the east coast and ples. Skynyrd has had a seminal impact on the de- midwest, hotels will be utilized, food will be The Declaration on the Rights of Indigenous velopment of rock and country music and a eaten, gas will be pumped, and most impor- Peoples provides an important framework for profound influence on the career development tantly, people from all over the United States addressing indigenous issues globally. -
Radio Essentials 2012
Artist Song Series Issue Track 44 When Your Heart Stops BeatingHitz Radio Issue 81 14 112 Dance With Me Hitz Radio Issue 19 12 112 Peaches & Cream Hitz Radio Issue 13 11 311 Don't Tread On Me Hitz Radio Issue 64 8 311 Love Song Hitz Radio Issue 48 5 - Happy Birthday To You Radio Essential IssueSeries 40 Disc 40 21 - Wedding Processional Radio Essential IssueSeries 40 Disc 40 22 - Wedding Recessional Radio Essential IssueSeries 40 Disc 40 23 10 Years Beautiful Hitz Radio Issue 99 6 10 Years Burnout Modern Rock RadioJul-18 10 10 Years Wasteland Hitz Radio Issue 68 4 10,000 Maniacs Because The Night Radio Essential IssueSeries 44 Disc 44 4 1975, The Chocolate Modern Rock RadioDec-13 12 1975, The Girls Mainstream RadioNov-14 8 1975, The Give Yourself A Try Modern Rock RadioSep-18 20 1975, The Love It If We Made It Modern Rock RadioJan-19 16 1975, The Love Me Modern Rock RadioJan-16 10 1975, The Sex Modern Rock RadioMar-14 18 1975, The Somebody Else Modern Rock RadioOct-16 21 1975, The The City Modern Rock RadioFeb-14 12 1975, The The Sound Modern Rock RadioJun-16 10 2 Pac Feat. Dr. Dre California Love Radio Essential IssueSeries 22 Disc 22 4 2 Pistols She Got It Hitz Radio Issue 96 16 2 Unlimited Get Ready For This Radio Essential IssueSeries 23 Disc 23 3 2 Unlimited Twilight Zone Radio Essential IssueSeries 22 Disc 22 16 21 Savage Feat. J. Cole a lot Mainstream RadioMay-19 11 3 Deep Can't Get Over You Hitz Radio Issue 16 6 3 Doors Down Away From The Sun Hitz Radio Issue 46 6 3 Doors Down Be Like That Hitz Radio Issue 16 2 3 Doors Down Behind Those Eyes Hitz Radio Issue 62 16 3 Doors Down Duck And Run Hitz Radio Issue 12 15 3 Doors Down Here Without You Hitz Radio Issue 41 14 3 Doors Down In The Dark Modern Rock RadioMar-16 10 3 Doors Down It's Not My Time Hitz Radio Issue 95 3 3 Doors Down Kryptonite Hitz Radio Issue 3 9 3 Doors Down Let Me Go Hitz Radio Issue 57 15 3 Doors Down One Light Modern Rock RadioJan-13 6 3 Doors Down When I'm Gone Hitz Radio Issue 31 2 3 Doors Down Feat.