Winter 2015 • Volume24 • Number4
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Summer 2017 • Volume 26 • Number 2
sUMMER 2017 • Volume 26 • Number 2 Welcome Home “Son, we’re moving to Oregon.” Hearing these words as a high school freshman in sunny Southern California felt – to a sensitive teenager – like cruel and unusual punishment. Save for an 8-bit Oregon Trail video game that always ended with my player dying of dysentery, I knew nothing of this “Oregon.” As proponents extolled the virtues of Oregon’s picturesque Cascade Mountains, I couldn’t help but mourn the mountains I was leaving behind: Space, Big Thunder and the Matterhorn (to say nothing of Splash, which would open just months after our move). I was determined to be miserable. But soon, like a 1990s Tom Hanks character trying to avoid falling in love with Meg Ryan, I succumbed to the allure of the Pacific Northwest. I learned to ride a lawnmower (not without incident), adopted a pygmy goat and found myself enjoying things called “hikes” (like scenic drives without the car). I rafted white water, ate pink salmon and (at legal age) acquired a taste for lemon wedges in locally produced organic beer. I became an obnoxiously proud Oregonian. So it stands to reason that, as adulthood led me back to Disney by way of Central Florida, I had a special fondness for Disney’s Wilderness Lodge. Inspired by the real grandeur of the Northwest but polished in a way that’s unmistakably Disney, it’s a place that feels perhaps less like the Oregon I knew and more like the Oregon I prefer to remember (while also being much closer to Space Mountain). -
The Theme Park As "De Sprookjessprokkelaar," the Gatherer and Teller of Stories
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2018 Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories Carissa Baker University of Central Florida, [email protected] Part of the Rhetoric Commons, and the Tourism and Travel Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Doctoral Dissertation (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Baker, Carissa, "Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories" (2018). Electronic Theses and Dissertations, 2004-2019. 5795. https://stars.library.ucf.edu/etd/5795 EXPLORING A THREE-DIMENSIONAL NARRATIVE MEDIUM: THE THEME PARK AS “DE SPROOKJESSPROKKELAAR,” THE GATHERER AND TELLER OF STORIES by CARISSA ANN BAKER B.A. Chapman University, 2006 M.A. University of Central Florida, 2008 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the College of Arts and Humanities at the University of Central Florida Orlando, FL Spring Term 2018 Major Professor: Rudy McDaniel © 2018 Carissa Ann Baker ii ABSTRACT This dissertation examines the pervasiveness of storytelling in theme parks and establishes the theme park as a distinct narrative medium. It traces the characteristics of theme park storytelling, how it has changed over time, and what makes the medium unique. -
The University of Chicago Looking at Cartoons
THE UNIVERSITY OF CHICAGO LOOKING AT CARTOONS: THE ART, LABOR, AND TECHNOLOGY OF AMERICAN CEL ANIMATION A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF CINEMA AND MEDIA STUDIES BY HANNAH MAITLAND FRANK CHICAGO, ILLINOIS AUGUST 2016 FOR MY FAMILY IN MEMORY OF MY FATHER Apparently he had examined them patiently picture by picture and imagined that they would be screened in the same way, failing at that time to grasp the principle of the cinematograph. —Flann O’Brien CONTENTS LIST OF FIGURES...............................................................................................................................v ABSTRACT.......................................................................................................................................vii ACKNOWLEDGMENTS....................................................................................................................viii INTRODUCTION LOOKING AT LABOR......................................................................................1 CHAPTER 1 ANIMATION AND MONTAGE; or, Photographic Records of Documents...................................................22 CHAPTER 2 A VIEW OF THE WORLD Toward a Photographic Theory of Cel Animation ...................................72 CHAPTER 3 PARS PRO TOTO Character Animation and the Work of the Anonymous Artist................121 CHAPTER 4 THE MULTIPLICATION OF TRACES Xerographic Reproduction and One Hundred and One Dalmatians.......174 -
Disney's Contemporary Resort
WALT DISNEY WORLD DELUXE RESORT DISNEY’S CONTEMPORARY RESORT Disney’s Contemporary Resort Some images do not represent current operational guidelines or health and safety measures, such as face coverings. Some locations, experiences, and services may be modified or unavailable, may have limited capacity and may be subject to limited availability or even closure. Visit disneytraveltradeinfo.com/wdwresorthotels for important details. Retreat to this ultra-modern Disney Resort hotel and discover award-winning dining, spectacular views and dazzling pools. Whether you’re staying in the iconic A-frame ROOMS AT A GLANCE Contemporary tower or the nearby Garden Wing, you can walk to Magic Kingdom® Park 1000+ Guest Rooms main gate or catch the monorail as it breezes through the tower. Inside a 90-foot-tall 428 Villas 633 Deluxe Rooms mural by Disney Legend Mary Blair—responsible for the distinct look and feel of the “it’s a 23 Suites small world” attraction—celebrates the Grand Canyon and the American Southwest. ® sleeps up to four Guests, 4+1 plus one child under age 3 in a crib Standard Rooms 2 queen-size beds & 1 single day bed or 1 king-size bed & 1 single day bed Club Level Guests choosing Club Level accommodations Standard Room at the Tower Club or Atrium Club receive personalized concierge service and lounge with continental breakfast, midday snacks and evening wine, hors d’oeuvres, cordials and desserts. TRANSPORTATION Bus Service to Walt Disney World® Resort Theme Parks, Water Parks Typical Standard Room Parking & Landscaping View, with 1 king-size bed and 1 single day bed or 2 California Grill and Disney Springs® queens and 1 single day bed, 437 sq. -
IR Presentation Material
IR Presentation Material August, 2021 Oriental Land Co., Ltd. This material has been specifically prepared for institutional investors who are not familiar with our company, and is not presentation material for the earnings presentation. Contents I. Business Outline II. Growth Investments beyond FY3/22 I-I. Theme Park Business III. For Long-term Sustainable Growth I-II. Hotel Business IV. Appendix I-III. Overview Cautionary Statement The purpose of this document is to provide information on the operating results and future management strategies of the OLC Group, and not to solicit investment in securities issued by the Company. 2 The data disclosed in this document are based on the judgments and available information as of the date of publication. The OLC Group's business is sensitive to factors such as customer preferences, and social and economic conditions, and therefore the forecasts and outlook presented in this document contain uncertainties. Theme Park attendance figures have been rounded, and financial figures have been truncated. Please refrain from reprinting this document. 2 I. Business Outline Corporate Profile I. Business Outline Corporate Data Stock Information Established July 11, 1960 Tokyo Stock Stock Listing Code Exchange, First No. Total Assets Section 4661 ¥1,040.4 billion [consolidated] Shareholders’ Investment Unit 100 shares Equity ¥759.9 billion [consolidated] Stock Price ¥15,400 JCR : AA [Stable] Aggregate Market Bond Ratings 4 ¥5,600.8 billion R&I : AA- [Stable] Price [As of March 31, 2021] [As of July 28, 2021] Corporate Mission Business Domain Our mission is to create happiness and “We pursue businesses that fill your contentment by offering wonderful heart with energy and happiness” We strive to create new value in a high-value dreams and moving experiences created business for enriching and nourishing people’s hearts with original, imaginative ideas and appealing to abundant humanity and happiness 4 History and Business Description I. -
UPDATED KPCC-KVLA-KUOR Quarterly Report JAN-MAR 2013
Date Key Synopsis Guest/Reporter Duration Quarterly Programming Report JAN-MAR 2013 KPCC / KVLA / KUOR 1/1/13 MIL With 195,000 soldiers, the Afghan army is bigger than ever. But it's also unstable. Rod Nordland 8:16 When are animals like humans? More often than you think, at least according to a new movement that links human and animal behaviors. KPCC's Stephanie O'Neill 1/1/13 HEAL reports. Stephanie O'Neill 4:08 We've all heard warning like, "Don't go swimming for an hour after you eat!" "Never run with scissors," and "Chew on your pencil and you'll get lead poisoning," from our 1/1/13 ART parents and teachers. Ken Jennings 7:04 In "The Fine Print," Pulitzer Prize-winning author David Cay Johnston details how the David Cay 1/1/13 ECON U.S. tax system distorts competition and favors corporations and the wealthy. Johnston 16:29 Eddie Izzard joins the show to talk about his series at the Steve Allen Theater, plus 1/1/13 ART he fills us in about his new show, "Force Majeure." Eddie Izzard 19:23 Our regular music critics Drew Tewksbury, Steve Hochman and Josh Kun join Alex Drew Tewksbury, Cohen and A Martinez for a special hour of music to help you get over your New Steve Hochman 1/1/13 ART Year’s Eve hangover. and Josh Kun 12:57 1/1/2013 IMM DREAM students in California get financial aid for state higher ed Guidi 1:11 1/1/2013 ECON After 53 years, Junior's Deli in Westwood has closed its doors Bergman 3:07 1/1/2013 ECON Some unemployed workers are starting off the New Year with more debt Lee 2:36 1/1/2013 ECON Lacter on 2013 predictions -
Magic Kingdom Park ESPN Wide World of Sports Complex
Magic Kingdom Park Orlando International Airport (20 miles) 7 1 3 6 4 5 2 Disney’s Animal Kingdom Theme Park 11 12 16 15 13 17 24 To Orlando and 26 8 Epcot 20 19 International 14 18 Drive 9 25 4 Disney’s Blizzard Beach Water Park 10 Downtown Disney Area Disney's Hollywood Studios 21 28 Disney’s Typhoon Lagoon Water Park ESPN Wide World of Sports Complex 22 27 Directions to the Walt Disney World Resort 23 Osceola Parkway Driving from Orlando International Airport, take the South Exit (417 South) to Osceola Parkway West (Exit 3). Follow the signs to the Walt Disney World Resort. Driving West on I-4, take Exit 68, 67, or 64B. Or, driving East on I-4 take Exit 64B, 67, or 68. U.S. 192 Follow the signs to the Walt Disney World Resort. To Tampa Magic Kingdom Resort Area Epcot Resort Area Downtown Disney Resort Area Disney’s Animal Kingdom Resort Area Disney’s Hollywood Studios Resort Area 1. Disney’s Contemporary Resort 8. Disney’s BoardWalk Inn 16. Disney’s Port Orleans Resort - Riverside 21. Disney’s All-Star Sports Resort 27. Disney’s Pop Century Resort 2. Disney’s Fort Wilderness Resort & Campground 9. Disney’s BoardWalk Villas 17. Disney’s Port Orleans Resort - French Quarter 22. Disney’s All-Star Music Resort 28. Disney’s Art of Animation Resort 3. Disney’s Grand Floridian Resort & Spa 10. Disney’s Caribbean Beach Resort 18. Disney’s Old Key West Resort 23. Disney’s All-Star Movies Resort (Phase 1 Opening Summer 2012) 4. -
Journal of Religion & Society
Journal of Religion & Society Volume 6 (2004) ISSN 1522-5658 David, Mickey Mouse, and the Evolution of an Icon1 Lowell K. Handy, American Theological Library Association Abstract The transformation of an entertaining roguish figure to an institutional icon is investigated with respect to the figures of Mickey Mouse and the biblical King David. Using the three-stage evolution proposed by R. Brockway, the figures of Mickey and David are shown to pass through an initial entertaining phase, a period of model behavior, and a stage as icon. The biblical context for these shifts is basically irretrievable so the extensive materials available for changes in the Mouse provide sufficient information on personnel and social forces to both illuminate our lack of understanding for changes in David while providing some comparative material for similar development. Introduction [1] One can perceive a progression in the development of the figure of David from the rather unsavory character one encounters in the Samuel narratives, through the religious, righteous king of Chronicles, to the messianic abstraction of the Jewish and Christian traditions.2 The movement is a shift from “trickster,” to “Bourgeoisie do-gooder,” to “corporate image” proposed for the evolution of Mickey Mouse by Robert Brockway.3 There are, in fact, several interesting parallels between the portrayals of Mickey Mouse and David, but simply a look at the context that produced the changes in each character may help to understand the visions of David in three surviving biblical textual traditions in light of the adaptability of the Mouse for which there is a great deal more contextual data to investigate. -
Contemporary Resort Hotel Overview Flier
Disney’s Contemporary Resort This Disney Deluxe Resort is an architectural marvel of modern design, complete with a monorail transportation system breezing through the enormous A-frame tower. Bay Lake Tower at Disney’s Contemporary Resort blends modern architectural style with unforgettable views of Bay Lake and Magic Kingdom® Park. Room Accommodations • 655 Rooms, 428 Villas. • Rooms accommodate up to five Guests, plus one child under age 3 in a crib. • All rooms have two queen-size beds, or one king-size bed and a day bed, and large bathroom. • Guests choosing Club Level accommodations at the Atrium Club and Tower Club receive personalized concierge service, turndown service, refrigerator, coffeemaker, and lounge with continental breakfast, midday snacks, refreshments and evening hors d’oeuvres, cordials and desserts. Dining 1 Contemporary Tower Signature Dining 2 South Garden Wing 3 Bay Lake Tower • California Grill – Dinner inspired by California cooking offering Bus Transportation abundant flavors influenced by the West Coast melting pot. Onstage kitchen with spectacular views. Bay Lake Table-Service Dining • The Wave...of American Flavors – Breakfast, lunch and dinner offering American cooking blended with world flavors, and healthful menu selections with fresh flavors and trendy cocktails. 3 2 Disney Character Dining • Chef Mickey’s Fun Time Buffet at Chef Mickey’s – All-you-care-to-enjoy breakfast and dinner. Quick-Service Dining Monorail • Contempo Cafe – Open breakfast, lunch and dinner with a 1 contemporary flair. Convenient, modern touch-screen kiosks To allow Guests to select and customize their orders. Convention Center Other Dining Options • Lounge serving appetizers, poolside bar, room service. -
Upholding the Disney Utopia Through American Tragedy: a Study of the Walt Disney Company’S Responses to Pearl Harbor and 9/11
Upholding the Disney Utopia Through American Tragedy: A Study of The Walt Disney Company's Responses to Pearl Harbor and 9/11 Lindsay Goddard Senior Thesis presented to the faculty of the American Studies Department at the University of California, Davis March 2021 Abstract Since its founding in October 1923, The Walt Disney Company has en- dured as an influential preserver of fantasy, traditional American values, and folklore. As a company created to entertain the masses, its films often provide a sense of escapism as well as feelings of nostalgia. The company preserves these sentiments by \Disneyfying" danger in its media to shield viewers from harsh realities. Disneyfication is also utilized in the company's responses to cultural shocks and tragedies as it must carefully navigate maintaining its family-friendly reputation, utopian ideals, and financial interests. This paper addresses The Walt Disney Company's responses to two attacks on US soil: the bombing of Pearl Harbor in 1941 and the attacks on September 11, 200l and examines the similarities and differences between the two. By utilizing interviews from Disney employees, animated film shorts, historical accounts, insignia, government documents, and newspaper articles, this paper analyzes the continuity of Disney's methods of dealing with tragedy by controlling the narrative through Disneyfication, employing patriotic rhetoric, and reiterat- ing the original values that form Disney's utopian image. Disney's respon- siveness to changing social and political climates and use of varying mediums in its reactions to harsh realities contributes to the company's enduring rep- utation and presence in American culture. 1 Introduction A young Walt Disney craftily grabbed some shoe polish and cardboard, donned his father's coat, applied black crepe hair to his chin, and went about his day to his fifth-grade class. -
STORY 1 Blight Before Christmas STORY 4 High-Tech Herbert
STORY 2 Meter Your Maker from Italian Topolino 2299, 1999 (New to the USA) WRITER Alberto Savini ARTIST Corrado Mastantuono COLORIST Disney Italia with David Gerstein LETTERER Travis and Nicole Seitler TRANSLATION AND DIALOGUE David Gerstein STORY 3 Christmas Clubbing from Dutch Donald Duck 52/2002 (New to the USA) WRITER Kirsten de Graaf and Mau Heymans STORY 1 ARTIST Mau Heymans Blight Before Christmas COLORIST Sanoma with Travis and Nicole Seitler from Italian Almanacco Topolino 108, 1965 (New to the USA) LETTERER Travis and Nicole Seitler TRANSLATION AND DIALOGUE Thad Komorowski WRITER Abramo and Giampaolo Barosso ARTIST Giovan Battista Carpi COLORIST Digikore Studios with Dave Alvarez LETTERER Travis and Nicole Seitler TRANSLATION AND DIALOGUE Jonathan H. Gray STORY 4 High-Tech Herbert from Dutch Donald Duck 1/2013 (New to the USA) WRITER AND ARTIST Carlo Gentina COLORIST Sanoma LETTERER Travis and Nicole Seitler TRANSLATION AND DIALOGUE David Gerstein EDITORS STORY 5 Sarah Gaydos & The Sinister Space Santa Michael Benedetto from Italian Topolino 2730, 2008 (New to the USA) IFC DESIGNER Paul Hornschemeier WRITER Stefano Ambrosio ARCHIVAL EDITOR ARTIST Marco Mazzarello COLORIST Disney Italia with Travis and Nicole Seitler David Gerstein LETTERER Travis and Nicole Seitler COVER Giorgio Cavazzano TRANSLATION AND DIALOGUE Joe Torcivia COVER COLORS Disney Italia For international rights, Special thanks to Curt Baker, Julie Dorris, Manny Mederos, Roberto Santillo, Camilla Vedove, Stefano Ambrosio, and Carlotta Quattrocolo please contact -
Disney Springs
WHAT'S INSIDE • Holiday joy in all four Theme PRSRT STD U.S. POSTAGE Parks, including The Osborne HOLIDAY 2015 Family Spectacle of Dancing PAID Lights in its final year The Walt Disney World® Passholder Newsletter Disney Destinations, LLC • Downtown Disney® officially Disney Destinations, LLC ™ becomes Disney Springs — PO Box 10045 and unveils more new magic Lake Buena Vista, FL 32830-0045 • New Star Wars™ experiences • A look ahead at the Rivers of Light nighttime spectacular • Holiday parties, parades, treats and more BONUS FEATURES • 12 pages of Disney Springs gift ideas • Exclusive art by Lorelay Bové of Walt Disney Animation Studios on almost every page! ON THE COVER “Forever Twinkling in Our Hearts” by Lorelay Bové ©Disney ©Disney/Pixar ©Disney/Lucasfilm Ltd. © & TM Lucasfilm Ltd. WDWAP-15-43842 throughout its final shimmering season! shimmering itsfinal throughout Enjoy this holiday favorite favorite thisholiday Enjoy HOLIDAY 2015 2015 HOLIDAY IN THIS ISSUE Dear Santa Mickey, Our “elves” have been busily working on the best issue ever—but GET TO KNOW our work is play because it’s all about All I want this year is to go back for holiday celebrations at Walt Disney World wonders. Like all the special events at ® ! I had the best time at Magic Kingdom® Park, including Mickey’s Very Merry Christmas last year. Can I do it again? I loved Party. Candlelight Processional and so much more to enjoy at Epcot®. seeing the fireworks and parade in person, and not just on TV. I And your chance to join with us to honor The Osborne Family Spectacle also want to see ® decorated in lights of Dancing Lights in its final year (though our collective memories will one last time before they leave for good.