E Have Considered Kanishka, So Far, Only As an Indian King, Whose
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Problems of Chronology in Gandhāran Art
Rienjang and Stewart (eds) Problems of Chronology in Gandhāran Art Edited by Wannaporn Rienjang Peter Stewart Problems of Chronology in Gandhāran Art Since the beginning of Gandhāran studies in the nineteenth century, chronology has been one of the most significant challenges to the understanding of Gandhāran art. Many other ancient societies, including those of Greece and Rome, have left a wealth of textual sources which have put their fundamental chronological frameworks beyond doubt. In the absence of such sources on a similar scale, even the historical eras cited on inscribed Gandhāran works of art have been hard to place. Few sculptures have such inscriptions and the majority lack any record of find-spot or even general provenance. Those known to have been found at particular sites were sometimes moved and reused in antiquity. Consequently, the provisional dates assigned to extant Gandhāran sculptures have sometimes differed by centuries, while the narrative of artistic development remains doubtful and inconsistent. Building upon the most recent, cross-disciplinary research, debate and excavation, this volume reinforces a new consensus about the chronology of Gandhāra, bringing the history of Gandhāran art into sharper focus than ever. By considering this tradition in its wider context, alongside contemporary Indian art and subsequent developments in Central Asia, the authors also open up fresh questions and problems which a new phase of research will need to address. Problems of Chronology in Gandhāran Art is the first publication of the Gandhāra Connections project at the University of Oxford’s Classical Art Research Centre, which has been supported by the Bagri Foundation and the Neil Kreitman Foundation. -
The Mahayana Doctrine and Art. Comments on the Story of Amitabha
MISCEIvIvANEOUS. MAHAYANA DOCTRINE AND ART. COMMENTS ON THE STORY "AMITABHA."^ (concluded.) The story Amitabha characterises that phase in the development of Buddhism which may be called " the rise of the Mahayana," or " the origin of Buddhist the- ology." The age in which this process took place is the beginning of the Christian era, and the main events of our story are based upon historical traditions. The General Plan of the Ajant.v Caves. The philosophy of the Mahayana which finds expression in the philosophy of Acvaghosha may be regarded as orthodox Buddhist metaphysics. King Kanishka is a historical personality. His war against Magadha is mentioned in the Records of the Western IVorld, written by the Chinese pilgrim Hsiien Tsang. The con- ditions of peace imposed upon the king of Magadha are related in our story ex- actly as they are mentioned by this Chinese author. 1 See The Open Court for July, August, September. 622 THE OPEN COURT. The monastic life described in the first, second, and fifth chapters of the story Amitdbha is a faithful portrayal of the historical conditions of the age. The ad- mission and ordination of monks (in Pali called Pabbajja and Upasampada) and the confession ceremony (in Pfili called Uposatha) are based upon accounts of the MahSvagga, the former in the first, the latter in the second, Khandaka (cf. Sacred Books of the East, Vol. XIII.). A Mother Leading Her Child to Buddha. (Ajanta caves.) Kevaddha's humorous story of Brahma (as told in The Open Cozirt, No. 554. pp. 423-427) is an abbreviated account of an ancient Pali text. -
Greece, the Mother of All Religious Art
GREECE, THE MOTHER OF ALL RELIGIOUS ART BY THE EDITOR. the of eternal principles we may IF revelation means discovery justly declare that the Greek nation has been the medium for the revelation of art to mankind as well as the founder of science. The Greek style of literature, Greek methods of artistic represen- tation. Greek modes of thought have become standards and are therefore in this sense called "classical." We stand on the shoul- ders of the ancient Greeks, and whatever we accomplish is but a continuing- of their work, a building higher upon the foundations they have laid. This is true of sculpture, of poetry and of the basic principle of the science of thought, of logic, and also of mathematics. Euclid, more than Leviticus or Deuteronomy, is a book inspired by God.^ Whatever the non-Euclideans- may have to criticize in the outlines of Euclid's plane geometry, we must say that the author of this brief work is, in a definite and well-defined sense, the prophet of the laws that prevail in the most useful of all space- conceptions. By Euclid we understand not so much the author of the book that goes under his name, but the gist of the book itself, the thought of it, the conception of geometry and the principles which are embodied in it. In our recognition of Euclid's geometry we include his predecessors, whosoever they may have been. The man who for the first time in the history of mankind conceived the idea of points, lines, planes as immaterial quantities, as thought-constructions or whatever you may call the presentation of pure figures and their interdependence, was really a divinely inspired mind. -
Shankara: a Hindu Revivalist Or a Crypto-Buddhist?
Georgia State University ScholarWorks @ Georgia State University Religious Studies Theses Department of Religious Studies 12-4-2006 Shankara: A Hindu Revivalist or a Crypto-Buddhist? Kencho Tenzin Follow this and additional works at: https://scholarworks.gsu.edu/rs_theses Part of the Religion Commons Recommended Citation Tenzin, Kencho, "Shankara: A Hindu Revivalist or a Crypto-Buddhist?." Thesis, Georgia State University, 2006. https://scholarworks.gsu.edu/rs_theses/4 This Thesis is brought to you for free and open access by the Department of Religious Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Religious Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. SHANKARA: A HINDU REVIVALIST OR A CRYPTO BUDDHIST? by KENCHO TENZIN Under The Direction of Kathryn McClymond ABSTRACT Shankara, the great Indian thinker, was known as the accurate expounder of the Upanishads. He is seen as a towering figure in the history of Indian philosophy and is credited with restoring the teachings of the Vedas to their pristine form. However, there are others who do not see such contributions from Shankara. They criticize his philosophy by calling it “crypto-Buddhism.” It is his unique philosophy of Advaita Vedanta that puts him at odds with other Hindu orthodox schools. Ironically, he is also criticized by Buddhists as a “born enemy of Buddhism” due to his relentless attacks on their tradition. This thesis, therefore, probes the question of how Shankara should best be regarded, “a Hindu Revivalist or a Crypto-Buddhist?” To address this question, this thesis reviews the historical setting for Shakara’s work, the state of Indian philosophy as a dynamic conversation involving Hindu and Buddhist thinkers, and finally Shankara’s intellectual genealogy. -
Central Asian Contacts and Their Results
Central Asian Contacts and their Results The period around 200 BCE did not witness an empire as large as Mauryas but is regarded as an important period in terms of the intimate and widespread contacts between Central Asia and India. In Eastern India, Central India and the Deccan, the Mauryas were succeeded by a number of native rulers such as the Sungas, the Kanvas and the Satavahanas. In north-western India, the Mauryas were succeeded by a number of ruling dynasties from Central Asia. Get a comprehensive note on the Mauryas for the IAS exam in the linked article. Indo-Greeks/Bactrian Greeks A series of invasions took place from about 200 BCE. The first to cross the Hindukush were the Greeks, who ruled Bactria, lying south of the Oxus river in the area covered by north Afghanistan. One of the important causes of invasion was the weakness of the Seleucid empire, which had been established in Bactria and the adjoining areas of Iran called Parthia. Due to the growing pressure from the Scythian tribes, the later Greek rulers were unable to hold their power in this area. The construction of the Chinese wall prevented the Scythians from entering China. So, their attention turned towards Greeks and Parthians. Pushed by the Scythian tribes, the Bactrian Greeks were forced to invade India. The successors of Ashoka were too weak to thwart the attack. • In the beginning of the 2nd century BCE, the Indo-Greeks/Bactrian Greeks were the first to invade India. • The Indo-Greeks occupied a large part of north-western India, much larger than that conquered by Alexander. -
2.IJHAMS-An Analytical Study on Emperors Asoka, Kanishka And
BEST: International Journal of Humanities, Arts, Medicine and Sciences (BEST: IJHAMS) ISSN (P): 2348-0521, ISSN (E): 2454-4728 Vol. 6, Issue 1, Jan 2018, 13-20 © BEST Journals AN ANALYTICAL STUDY ON EMPERORS ASOKA, KANISHKA AND HARSHA D. M. L. HARSHIKA BANDARA DASANAYAKA Assistant Lecture, Department of Pāli & Buddhist Studies, University of Ruhuna, Matara, Sri Lanka ABSTRACT Among the many kings who extended their patronage to Buddhism, the most prominent are Asoka, Kaniska and Harsha. Asoka was the person that made Buddhism a world religion. It was during his time well known nine missions were sent to various countries. Many inscriptions to impart the knowledge of morals were erected everywhere in his kingdom. After Ashoka a Kushana king called Kaniska supported Sarvastivada School, although it was during his times that the first Mahayana Sutras marked their appearance. King Harsha Wardhana was also a great patron of Buddhism in India. Asoka (268-232) is mentioned by historians as ‘the greatest of kings’, ‘not because of the physical extent of his empire, extensive as it was, but because of his character as a man, the ideals for which he stood and the principals by which he governed. Whatever religion Asoka believed in before his deeply moving experience of Kalinga war, he had converted himself to Buddhism at the time of third council. His conversion to Buddhism is compared by Rhys Davids with the Roman Emperor Constantine’s to Christianity. 1 His pilgrimages to the Buddhist sites were followed by erection of pillars with inscriptions that record the historical significance of those places. -
When Herakles Followed the Buddha: Power, Protection, and Patronage in Gandharan Art
WHEN HERAKLES FOLLOWED THE BUDDHA: POWER, PROTECTION, AND PATRONAGE IN GANDHARAN ART Jonathan Homrighausen Jesuit School of Theology, Berkeley ong before the twenty-first century adage that “the and Iranian mythological figures and artistic styles. L world is flat,” ancient empires and trade routes Gandharan Buddhist art also incorporates Hindu enabled cultural globalization of a kind quite familiar deities such as Shiva (Quagliotti 2011). The fusion of to us today. Modern buzzwords like ‘syncretism’ and such varied elements makes the study of Gandharan ‘alterity/otherness’ apply to these ancient cultures as art a vibrant field involving many cultures, but also much as they do to modern ones. The art of Gandha- can make it difficult to determine the provenance of ra in the 1st to 5th century Indian subcontinent offers particular iconographic motifs. many examples: coins, sculpture, and architecture Graeco-Roman artistic culture first spread into depicting scenes from Indic mythologies, but sharing Gandhara through the conquests of Alexander the an iconographic vocabulary with Graeco-Roman and Great (335–323 BCE) and the settlers he left behind in Iranian Zoroastrian arts and religions. This article ex- Bactria. The Hellenistic successor states declined, to amines Herakles’ iconographic journey to India and be replaced in Bactria and Gandhara (territories en- his transformation into Vajrapani, the bodyguard of compassing northeastern Afghanistan and northern the Buddha. In Gandharan sculptural reliefs depict- Pakistan and India) by the Kushan empire [Fig. 1]. In ing events from the life of the Buddha, the Heraklean the Kushan period, Classical artistic influence contin- Vajrapani serves as a sacred icon embodying the Bud- ued (Nehru, pp. -
Theravada and Mahayana Buddhism in Thailand
International Journal of Science and Research (IJSR) ISSN: 2319-7064 ResearchGate Impact Factor (2018): 0.28 | SJIF (2018): 7.426 Theravada and Mahayana Buddhism in Thailand Dang Thi Phuong Ph.D Research Scholar in Acharya Nagarjuna University, Guntur-522510, A.P., India Abstract: Buddhism in Thailand is the main religion of Theravada Buddhism, but there is evidence that Thailand still has the presence of Mahayana Buddhism transmitted from northern India to neighbouring countries, including Thailand. With the proofs and surveys show that Thailand still exists Mahayana Buddhism among the nation is considered a minor state religion. Keywords: Theravada, Buddhism, Mahayana 1. Theravada "Bhumi." Both words are Sanskrit; the former means wealth, and the latter means land. Therefore, Suvarnabhumi implies That the primary kind of Buddhism dropped at Thailand was Golden Land or Gold Land. Taking into account the that of Buddhism (The school of thought of the Elders) abundance of nature that has just been mentioned in that part college is incontestible by varied archeologic remnants of Asia; the term seems appropriate. The reason the uncovered in Nakon Pathom's investigations, like the academics of Thailand articulated the opinion that Nakon Dharma Chakra (Wheel of Law), Buddha's footprints and Pathom was the capitol of Suvarnabhumi owing to revealed chairs, and writings within the Pali idiom, beat stones. Such archeological findings in the neighboring region. As objects of Buddhist worship existed in the Republic of India mentioned above, none of those in Burma, not even Thaton, before the religious mystic image was introduced that later could find such a large and varied number of ancient relics appeared through Greek influence. -
On Yuan Chwang's Travels in India, 629-645 A.D
-tl Strata, Sfew Qotlt BOUGHT WITH THE INCOME OF THE WASON ENDOWMENT FUND THE GIFT OF CHARLES W. WASON CORNELL 76 1918 ^He due fnterllbrary Io^jj KlYSILL The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924071132769 ORIENTAL TRANSLATION FUND NEW SEFtlES. VOL. XIV. 0^ YUAN CHWAIG'S TRAVELS IN INDIA 629—645 A, D. THOMAS WATTERS M.R.A.S. EDITED, APTER HIS DEATH, T. W. RHYS DAVIDS, F.B.A. S. W. BUSHELL, M.D.; C.M.G. ->is<- LONDON ROYAL ASIATIC SOCIETY 22 ALBXMASLE STBBET 1904 w,\^q4(^ Ketrinttd by the Radar Promt hy C. G. RSder Ltd., LeipBig, /g2J. CONTENTS. PEEFACE V THOMAS WAITERS Vm TBANSIilTEEATION OF THE PlLGEEVl's NAME XI CHAP. 1. TITLE AND TEXT 1 2. THE INTBODUCTION 22 3. FEOM KAO CHANG TO THE THOUSAMD 8PEINGS . 44 4. TA&AS TO KAPIS ..." 82 5. GENERAL DESCRIPTION OP INDIA 131 6. LAMPA TO GANDHARA 180 7. UDTANA TO TrASTTMTR. 225 8. K4.SHMIB TO RAJAPUE 258 9. CHEH-KA TO MATHUEA 286 10. STHANESVAEA TO KAMTHA 316 11. KANTAKUBJA TO VI^OKA 340 12. SEAVASTI TO KUSINAEA 377 PREFACE. As will be seen from Dr. Bushell's obituary notice of Thomas "Watters, republished from the Journal of the Royal Asiatic Society for 1901 at the end of those few words of preface, Mr, Watters left behind him a work, ready for the press, on the travels of Ylian-Chwang in India in the 7*'' Century a. -
Buddha's Forgotten Country : the History of Buddhism in Afghanistan
POETRY ART&mOUGIIT PIKRUN WA FANN 41st cznd) .yeat~ no. 78 (no: 3) November 2003 - May 2004 , Publisher: Goethe-Institute Chief Editor: Stefan Weidner Editorial Board: Manutshehr Amirpur Brigitte Oleschinski Ahmad Hissou G2 Mission Impossible Stefan Weidner A Trip to the First International Poetry Festival in Indonesia Translations: Timothy Nevill Copy Editor: Charlotte Collins Ranjit Hoskote 68 Lool<ing for Anchorage, Assistance with photographic material: and Not in Alasl<a Alone Hella Roth Special thanks to Ratbil Ahang Sh<uriel and his reliable German-Afghan 11<:1.vvuu~-- REVIEWS Layout & Design: Stefan Weidner Graphieteam Köln Bonn 7 2 Saying the Unspeakahle Michael Krupp AGD A NewStory by Atiq Rahimi Printing: Köllen Druck+ Verlag Bettina Prato Publlsher's Address: 7 3 Earning the Right to Watch Goethe Institut Inter Nationes Susan Sonlag's Kennedyallee 91-10~_ "Regarding The Pain of Olhers" 53175 Bonn Germany Stefan Weidner 75 A Pinch of Afghano-Centrism Piease Editor's Address: Nicolas Bouvier's Travels in Afghanistan Art & Thought/Fikrun wa Fann Kasparstr. 41 Michael Thoss ·50670 Köln 77 Khaled Hosseini's Novel Germany "The l<ite Runner" e-mail: [email protected] Slefan Weidner 73 The Swallows of l<abul •: Intern~t: . .. Yasmina Khadra's New Novel www.goethe.de/in/d/pub/fikrun/fikrun.hUnl www.qantara.de Art & Thought is a cultural magazine_ published twice a year by the German Goethe Institute in English,, Arabic ("Fikrun wa Fann"), ·. and Farsi ("Andishe va Honar."), ßO Alighiero Boetti and Afghanistan ~ GOETH!·INSTITUT Jens-Utve Hartmann Buddha's Forgotten Country The History of Buddhism in Afghanistan /1 fghanistan was alw,1ys a completely Is Prices rase rapidly and considerable sums are ' lamic countty'. -
Development of Stupa Architecture in India
DEVELOPMENT OF STUPA ARCHITECTURE IN INDIA The word Stupa is mentioned in the Rigveda, Atharvaveda, Vajasaneyi Samhita, Taittriya Samhita, in the Panchavimsata Brahmana and the Monier-Williams Sanskrit-English Dictionary 49 which says it a “knot or tuft of hair, the upper part of head, crest, top, summit, a heap or pile of earth or bricks etc.” Rigveda refers to a Stupa raised by the King Varuna above the forest in a place having no foundation .The word ‘estuka’ is also used in the same sense in Rigveda, probably by then anything raised on the ground like a heap/pile might have been known as Stupa. However the Pali word ‘thupa’ is quite similar to the term ‘Stupa’. Thupa means a conical heap, a pile or a mound or a conical or bell shaped shrine containing a relic. The Stupa is so linked to the Buddhistic life that they were not content to erect monuments alone: sculptors represented them on stones, and we find them abundantly represented on panels on the Stupa monuments itself, on the railings-balustrades surrounding it, on cave walls, structural, monolithic made out of varied material starting from clay, stone, wood, ivory, metals, terracotta etc. the study material is abundant and spreads over time and space. The studies of the Mahavastu, Divyavadana and Kriyasamgraha have helped to evolve a chronology of the figurative Stupa in India from the second century BCE to fourth century CE, thus enabling us to step ahead in our knowledge of the indispensable monument of Buddhism. According to M. Sivarammurti Stupa is regarded as a monument for veneration. -
Unit 3 Sculptures-Gandhara, Mathuraand Amaravati Schools
UNIT 3 SCULPTURES-GANDHARA, MATHURAAND AMARAVATI SCHOOLS Structure 3.1 Introduction 3.2 Objectives 3.3 Kushana and Shatavahana period - Background 3.4 Sculptural art Relief Rounded Sculptures 3.5 Stylistic Features 3.6 Representational Examples 3.7 Summary 3.8 Self-Assessment Questions 3.9 Terminal Questions 3.10 Terminal Questions and Answers 3.1 INTRODUCTION In the previous unit, we have studied the early Buddhist phase of Indian sculpture during the Mauryan period. This period made a great beginning in introducing stone for sculptures. In this unit we will see the development of sculptural art in three Schools of Art. Indian art flourished in the three geographical regions of Gandhara, Mathura and down south in Amaravati. The use of different stones in the Kushana and Satavahana periods bring new styles in the art of sculpture. We will study the salient features of the sculptures in this period along with a few masterpieces of art, 3.2 OBJECTIVES After reading this unit you will be able to • discuss brief background of Kushana and Shatavahana periods which made the beginning of new phase in Indian sculpture. • discuss the information about the three schools of sculpture namely Gandhara, Mathura and Amaravati in South India. • understand the fine techniques adopted in stone carving in these three schools. 3.3 KUSHANAAND SATAVAHANAPERIOD- BACKGROUND After the Mauryan rule in Magadha the Shunga who were Brahmin officers under Mauryas came to power and ruled during 2nd - 1st centuries BC. Being Brahmin rulers, they patronized the Vedic religion but they equally promoted Buddhism. The Sanchi 31 t- Indian Sculpture - Major stupa was extended to the present size, the Barhut stupa was built and even Karle Schools rock cut caves dedicated to Buddhist and Bhaja cave, the first instance of the represe~tation of Vedic deities were executed in their times.