The Spatial Composition of Buddhist Temples in Central Asia, Part 1: the Transformation of Stupas
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Problems of Chronology in Gandhāran Art
Rienjang and Stewart (eds) Problems of Chronology in Gandhāran Art Edited by Wannaporn Rienjang Peter Stewart Problems of Chronology in Gandhāran Art Since the beginning of Gandhāran studies in the nineteenth century, chronology has been one of the most significant challenges to the understanding of Gandhāran art. Many other ancient societies, including those of Greece and Rome, have left a wealth of textual sources which have put their fundamental chronological frameworks beyond doubt. In the absence of such sources on a similar scale, even the historical eras cited on inscribed Gandhāran works of art have been hard to place. Few sculptures have such inscriptions and the majority lack any record of find-spot or even general provenance. Those known to have been found at particular sites were sometimes moved and reused in antiquity. Consequently, the provisional dates assigned to extant Gandhāran sculptures have sometimes differed by centuries, while the narrative of artistic development remains doubtful and inconsistent. Building upon the most recent, cross-disciplinary research, debate and excavation, this volume reinforces a new consensus about the chronology of Gandhāra, bringing the history of Gandhāran art into sharper focus than ever. By considering this tradition in its wider context, alongside contemporary Indian art and subsequent developments in Central Asia, the authors also open up fresh questions and problems which a new phase of research will need to address. Problems of Chronology in Gandhāran Art is the first publication of the Gandhāra Connections project at the University of Oxford’s Classical Art Research Centre, which has been supported by the Bagri Foundation and the Neil Kreitman Foundation. -
Looking at Gandhāra
HISTORIA I ŚWIAT, nr 4 (2015) ISSN 2299-2464 Kumar ABHIJEET (Magadh University, India) Looking at Gandhāra Keywords: Art History, Silk Route, Gandhāra It is not the object of the story to convey a happening per se, which is the purpose of information; rather, it embeds it in the life of the storyteller in order to pass it on as experience to those listening. It thus bears the marks of the storyteller much as the earthen vessel bears the marks of the potter's hand. —Walter Benjamin, "On Some Motifs in Baudelaire" Discovery of Ancient Gandhāra The beginning of the 19th century was revolutionary in terms of western world scholars who were eager to trace the conquest of Alexander in Asia, in speculation of the route to India he took which eventually led to the discovery of ancient Gandhāra region (today, the geographical sphere lies between North West Pakistan and Eastern Afghanistan). In 1808 CE, Mountstuart Elphinstone was the first British envoy sent in Kabul when the British went to win allies against Napoleon. He believed to identify those places, hills and vineyard described by the itinerant Greeks or the Greek Sources on Alexander's campaign in India or in their memory of which the Macedonian Commanders were connected. It is significant to note that the first time in modern scholarship the word “Thupa (Pali word for stupa)” was used by him.1 This site was related to the place where Alexander’s horse died and a city called Bucephala (Greek. Βουκεφάλα ) was erected by Alexander the Great in honor of his black horse with a peculiar shaped white mark on its forehead. -
The Mahayana Doctrine and Art. Comments on the Story of Amitabha
MISCEIvIvANEOUS. MAHAYANA DOCTRINE AND ART. COMMENTS ON THE STORY "AMITABHA."^ (concluded.) The story Amitabha characterises that phase in the development of Buddhism which may be called " the rise of the Mahayana," or " the origin of Buddhist the- ology." The age in which this process took place is the beginning of the Christian era, and the main events of our story are based upon historical traditions. The General Plan of the Ajant.v Caves. The philosophy of the Mahayana which finds expression in the philosophy of Acvaghosha may be regarded as orthodox Buddhist metaphysics. King Kanishka is a historical personality. His war against Magadha is mentioned in the Records of the Western IVorld, written by the Chinese pilgrim Hsiien Tsang. The con- ditions of peace imposed upon the king of Magadha are related in our story ex- actly as they are mentioned by this Chinese author. 1 See The Open Court for July, August, September. 622 THE OPEN COURT. The monastic life described in the first, second, and fifth chapters of the story Amitdbha is a faithful portrayal of the historical conditions of the age. The ad- mission and ordination of monks (in Pali called Pabbajja and Upasampada) and the confession ceremony (in Pfili called Uposatha) are based upon accounts of the MahSvagga, the former in the first, the latter in the second, Khandaka (cf. Sacred Books of the East, Vol. XIII.). A Mother Leading Her Child to Buddha. (Ajanta caves.) Kevaddha's humorous story of Brahma (as told in The Open Cozirt, No. 554. pp. 423-427) is an abbreviated account of an ancient Pali text. -
Buddhist Histories
JIABS Journal of the International Association of Buddhist Studies Volume 25 Number 1-2 2002 Buddhist Histories Richard SALOMON and Gregory SCHOPEN On an Alleged Reference to Amitabha in a KharoÒ†hi Inscription on a Gandharian Relief .................................................................... 3 Jinhua CHEN Sarira and Scepter. Empress Wu’s Political Use of Buddhist Relics 33 Justin T. MCDANIEL Transformative History. Nihon Ryoiki and Jinakalamalipakara∞am 151 Joseph WALSER Nagarjuna and the Ratnavali. New Ways to Date an Old Philosopher................................................................................ 209 Cristina A. SCHERRER-SCHAUB Enacting Words. A Diplomatic Analysis of the Imperial Decrees (bkas bcad) and their Application in the sGra sbyor bam po gnis pa Tradition....................................................................................... 263 Notes on the Contributors................................................................. 341 ON AN ALLEGED REFERENCE TO AMITABHA IN A KHARO∑™HI INSCRIPTION ON A GANDHARAN RELIEF RICHARD SALOMON AND GREGORY SCHOPEN 1. Background: Previous study and publication of the inscription This article concerns an inscription in KharoÒ†hi script and Gandhari language on the pedestal of a Gandharan relief sculpture which has been interpreted as referring to Amitabha and Avalokitesvara, and thus as hav- ing an important bearing on the issue of the origins of the Mahayana. The sculpture in question (fig. 1) has had a rather complicated history. According to Brough (1982: 65), it was first seen in Taxila in August 1961 by Professor Charles Kieffer, from whom Brough obtained the photograph on which his edition of the inscription was based. Brough reported that “[o]n his [Kieffer’s] return to Taxila a month later, the sculpture had dis- appeared, and no information about its whereabouts was forthcoming.” Later on, however, it resurfaced as part of the collection of Dr. -
The Apsidal Temple of Taxila
T HE THE APSIDAL TEMPLE OF TAXILA: A TRADITIONAL HYPOTHESIS AND PSIDA L POSSIBLE NEW INTERPRETATIONS T EMP L E Luca Colliva O F T AXI L A The so called ‘apsidal temple’ of Sirkap is an imposing building belonging, according to Marshall, : T RADI to the Indo-Parthian period (Figure 1) (Marshall 1951, 150-151). It is built over an artificial terrace T facing the main street in the northern part of the town and was brought to light by John Marshall at IONA th the beginning of the last century after some minor excavations during the 19 century. Unlike his L H predecessors, who were very doubtful about its nature (Cunningham 1871, 126-128), Marshall identified YPO T this building as a Buddhist gr. ha-stūpa (Marshall 1930, 111; Marshall 1951, 150); this interpretation HESIS has indeed never been questioned and is accepted, also, in the last study on urban form in Taxila A (Coningham & Edwards 1998, 50). ND However, we cannot deem this attribution certain. No traces are detectable of the main stūpa P OSSIB Marshall recognises in the ‘circular room’ (Marshall 1951, 151). Besides, what Marshall describes as L E two additional stūpas are nothing but scanty remains of foundations belonging to two monuments N of uncertain nature. As I already pointed out in a more exhaustive way (Colliva in press), Marshall EW I was probably convinced that the apsidal shape of this building was enough to identify it as a N T Buddhist caitya. The discovery at Sonkh of an apsidal-shaped temple, probably dedicated to a nāga ERPRE cult, shows, on the contrary, that non-Buddhist religious buildings with an apsidal plan occur in T A T periods chronologically consistent with that of the “apsidal temple” of Sirkap (Härtel 1970; Härtel IONS 1993). -
Ancient Universities in India
Ancient Universities in India Ancient alanda University Nalanda is an ancient center of higher learning in Bihar, India from 427 to 1197. Nalanda was established in the 5th century AD in Bihar, India. Founded in 427 in northeastern India, not far from what is today the southern border of Nepal, it survived until 1197. It was devoted to Buddhist studies, but it also trained students in fine arts, medicine, mathematics, astronomy, politics and the art of war. The center had eight separate compounds, 10 temples, meditation halls, classrooms, lakes and parks. It had a nine-story library where monks meticulously copied books and documents so that individual scholars could have their own collections. It had dormitories for students, perhaps a first for an educational institution, housing 10,000 students in the university’s heyday and providing accommodations for 2,000 professors. Nalanda University attracted pupils and scholars from Korea, Japan, China, Tibet, Indonesia, Persia and Turkey. A half hour bus ride from Rajgir is Nalanda, the site of the world's first University. Although the site was a pilgrimage destination from the 1st Century A.D., it has a link with the Buddha as he often came here and two of his chief disciples, Sariputra and Moggallana, came from this area. The large stupa is known as Sariputra's Stupa, marking the spot not only where his relics are entombed, but where he was supposedly born. The site has a number of small monasteries where the monks lived and studied and many of them were rebuilt over the centuries. We were told that one of the cells belonged to Naropa, who was instrumental in bringing Buddism to Tibet, along with such Nalanda luminaries as Shantirakshita and Padmasambhava. -
Phase Iii Architecture and Sculpture from Taxila 6.1
CHAPTER SIX PHASE III ARCHITECTURE AND SCULPTURE FROM TAXILA 6.1 Introduction to the Phase III Developments in the Sacred Areas and Afonasteries ef Taxila and the Peshawar Basin A dramatic increase in patronage occurred across the Peshawar basin, Taxila, and Swat during phase III; most of the extant remains in these regions were constructed at this time. As devotional icons of Buddhas and bodhisattvas became increasingly popular, parallel trans formations occurred in the sacred areas, which still remained focused around relic stupas. In the Peshawar basin, Taxila, and to a lesser degree Swat, the widespread incorporation of large iconic images clearly reflects changes occurring in Buddhist practice. Although it is difficult to know how the sacred precincts were ritually used, modifications in the spatial organization of both sacred areas and monasteries provide some insight. Not surprisingly, the use and incorporation of devotional images developed regionally. The most dramatic shift toward icons is observed in the Peshawar basin and some of the Taxila sites. In contrast, Swat seemed to follow a different pattern, as fewer image shrines were fabricated and sacred areas were organized along different lines. This might reflect a lack of patronage; perhaps new sites following the Peshawar basin format were not commissioned because of a lack of resources. More likely, the Buddhist tradition in Swat was of a different character; some sites-notably Butkara I-show significant expansion following a uniquely Swati format. At a few sites in Swat, however, image shrines appear in positions analogous to those of the Peshawar basin; Nimogram and Saidu (figs. 109, 104) arc notable examples. -
Gandharan Sculptures in the Peshawar Museum (Life Story of Buddha)
Gandharan Sculptures in the Peshawar Museum (Life Story of Buddha) Ihsan Ali Muhammad Naeem Qazi Hazara University Mansehra NWFP – Pakistan 2008 Uploaded by [email protected] © Copy Rights reserved in favour of Hazara University, Mansehra, NWFP – Pakistan Editors: Ihsan Ali* Muhammad Naeem Qazi** Price: US $ 20/- Title: Gandharan Sculptures in the Peshawar Museum (Life Story of Buddha) Frontispiece: Buddha Visiting Kashyapa Printed at: Khyber Printers, Small Industrial Estate, Kohat Road, Peshawar – Pakistan. Tel: (++92-91) 2325196 Fax: (++92-91) 5272407 E-mail: [email protected] Correspondence Address: Hazara University, Mansehra, NWFP – Pakistan Website: hu.edu.pk E-mail: [email protected] * Professor, Department of Archaeology, University of Peshawar, Currently Vice Chancellor, Hazara University, Mansehra, NWFP – Pakistan ** Assistant Professor, Department of Archaeology, University of Peshawar, Pakistan CONTRIBUTORS 1. Prof. Dr. Ihsan Ali, Vice Chancellor Hazara University, Mansehra, Pakistan 2. Muhammad Naeem Qazi, Assistant Professor, Department of Archaeology, University of Peshawar, Pakistan 3. Ihsanullah Jan, Lecturer, Department of Cultural Heritage & Tourism Management, Hazara University 4. Muhammad Ashfaq, University Museum, Hazara University 5. Syed Ayaz Ali Shah, Department of Archaeology, University of Peshawar, Pakistan 6. Abdul Hameed Chitrali, Lecturer, Department of Cultural Heritage & Tourism Management, Hazara University 7. Muhammad Imran Khan, Archaeologist, Charsadda, Pakistan 8. Muhammad Haroon, Archaeologist, Mardan, Pakistan III ABBREVIATIONS A.D.F.C. Archaeology Department, Frontier Circle A.S.I. Archaeological Survery of India A.S.I.A.R. Archaeological Survery of India, Annual Report D.G.A. Director General of Archaeology E.G.A.C. Exhibition of the German Art Council I.G.P. Inspector General Police IsMEO Instituto Italiano Per il Medio ed Estremo Oriente P.M. -
Punjab Tourism for Economic Growth Final Report Consortium for Development Policy Research
Punjab Tourism for Economic Growth Final Report Consortium for Development Policy Research ABSTRACT This report documents the technical support provided by the Design Team, deployed by CDPR, and covers the recommendations for institutional and regulatory reforms as well as a proposed private sector participation framework for tourism sector in Punjab, in the context of religious tourism, to stimulate investment and economic growth. Pakistan: Cultural and Heritage Tourism Project ---------------------- (Back of the title page) ---------------------- This page is intentionally left blank. 2 Consortium for Development Policy Research Pakistan: Cultural and Heritage Tourism Project TABLE OF CONTENTS LIST OF ACRONYMS & ABBREVIATIONS 56 LIST OF FIGURES 78 LIST OF TABLES 89 LIST OF BOXES 910 ACKNOWLEDGMENTS 1011 EXECUTIVE SUMMARY 1112 1 BACKGROUND AND CONTEXT 1819 1.1 INTRODUCTION 1819 1.2 PAKISTAN’S TOURISM SECTOR 1819 1.3 TRAVEL AND TOURISM COMPETITIVENESS 2324 1.4 ECONOMIC POTENTIAL OF TOURISM SECTOR 2526 1.4.1 INTERNATIONAL TOURISM 2526 1.4.2 DOMESTIC TOURISM 2627 1.5 ECONOMIC POTENTIAL HERITAGE / RELIGIOUS TOURISM 2728 1.5.1 SIKH TOURISM - A CASE STUDY 2930 1.5.2 BUDDHIST TOURISM - A CASE STUDY 3536 1.6 DEVELOPING TOURISM - KEY ISSUES & CHALLENGES 3738 1.6.1 CHALLENGES FACED BY TOURISM SECTOR IN PUNJAB 3738 1.6.2 CHALLENGES SPECIFIC TO HERITAGE TOURISM 3940 2 EXISTING INSTITUTIONAL ARRANGEMENTS & REGULATORY FRAMEWORK FOR TOURISM SECTOR 4344 2.1 CURRENT INSTITUTIONAL ARRANGEMENTS 4344 2.1.1 YOUTH AFFAIRS, SPORTS, ARCHAEOLOGY AND TOURISM -
The Study on Improvement of Management Information Systems in Health Sector in the Islamic Republic of Pakistan Dhis Manual
JAPAN INTERNATIONAL COOPERATION AGENCY (JICA) MINISTRY OF HEALTH, ISLAMIC REPUBLIC OF PAKISTAN THE STUDY ON IMPROVEMENT OF MANAGEMENT INFORMATION SYSTEMS IN HEALTH SECTOR IN THE ISLAMIC REPUBLIC OF PAKISTAN DHIS MANUAL FEBRUARY 2007 NATIONAL HEALTH INFORMATION RESOURCE CENTER HM SYSTEM SCIENCE CONSULTANTS INC. JR 06-46 Japan International Cooperation Agency Ministry of Health, Islamic Republic of Pakistan THE STUDY ON IMPROVEMENT OF MANAGEMENT INFORMATION SYSTEMS IN HEALTH SECTOR IN THE ISLAMIC REPUBLIC OF PAKISTAN FINAL REPORT DHIS MANUAL February 2007 System Science Consultants Inc PART I PROCEDURES MANUAL Procedures Manual For District Health Information System (DHIS) Pakistan The Study on Improvement of Management Information Systems in Health Sector in the Islamic Republic of Pakistan National Health Information Resource Center, Ministry of Health, Pakistan Japan International Cooperation Agency (JICA) Systems Science Consultants, Inc. Contents Table 1 List of DHIS Instruments......................................................................................1 Table 2 When and Who Fills the DHIS Instruments.........................................................2 Table 3 Source of Data for DHIS Monthly Reports ........................................................82 Table 4 Detail Description of Data Source for DHIS Monthly Report ...........................83 Procedures Manual 1. Central Registration Point Register .................................................................................4 2. OPD Ticket ....................................................................................................................8 -
Archaeological Survey of District Mardan in the North-West Frontier Province of Pakistan
55 Ancient Pakistan, Vol. XIV Archaeological Survey of District Mardan in the North-West Frontier Province of Pakistan TAJ ALI Contents Introduction 56 Aims and Objectives of the Survey 56 Geography and Land Economy 57 Historical and Archaeological Perspective 58 Early Surveys, Explorations and Excavations 60 List of Protected Sites and Monuments 61 Inventory of Archaeological Sites Recorded in the Current Survey 62 Analysis of Archaeological Data from the Surface Collection 98 Small Finds 121 Conclusion 126 Sites Recommended for Excavation, Conservation and Protection 128 List of Historic I Settlement Sites 130 Acknowledgements 134 Notes 134 Bibliographic References 135 Map 136 Figures 137 Plates 160 56 Ancient Pakistan, Vol. XIV Archaeological Survey of District Mardan in the North-West Frontier Province of Pakistan TAJ ALI Introduction The Department of Archaeology, University of Peshawar, (hereafter the Department) in collaboration with the Department of Archaeology and Museums, Government of Pakistan, (hereafter the Federal Department) initiated a project of surveying and documenting archaeological sites and historical monuments in the North-West Frontier Province (NWFP). The primary objectives of the project were to formulate plans for future research, highlight and project the cultural heritage of the Province and to promote cultural tourism for sustainable development. The Department started the project in 1993 and since then has published two survey reports of the Charsadda and Swabi Districts. 1 Dr. Abdur Rahman conducted survey of the Peshawar and Nowshera Districts and he will publish the report after analysis of the data. 2 Conducted by the present author, the current report is focussed on the archaeological survey of the Mardan District, also referred to as the Yusafzai Plain or District. -
Geographical Differences and Similarities in Gandhāran Sculptures ��������������������������������������������41 Satoshi Naiki Part 2 Provenances and Localities
The Geography of Gandhāran Art Proceedings of the Second International Workshop of the Gandhāra Connections Project, University of Oxford, 22nd-23rd March, 2018 Edited by Wannaporn Rienjang Peter Stewart Archaeopress Archaeology Archaeopress Publishing Ltd Summertown Pavilion 18-24 Middle Way Summertown Oxford OX2 7LG www.archaeopress.com ISBN 978-1-78969-186-3 ISBN 978-1-78969-187-0 (e-Pdf) DOI: 10.32028/9781789691863 © Archaeopress and the individual authors 2019 All rights reserved. No part of this book may be reproduced or transmitted, in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior written permission of the copyright owners. This book is available direct from Archaeopress or from our website www.archaeopress.com Contents Acknowledgements ������������������������������������������������������������������������������������������������������������������������iii Editors’ note �����������������������������������������������������������������������������������������������������������������������������������iii Contributors ����������������������������������������������������������������������������������������������������������������������������������� iv Preface ������������������������������������������������������������������������������������������������������������������������������������������� ix Wannaporn Rienjang and Peter Stewart Part 1 Artistic Geographies Gandhāran art(s): methodologies and preliminary results of a stylistic analysis ������������������������� 3 Jessie Pons