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Programme 2021 PROGRAMME 2021 VIEW DIFFERENTLY, EXHIBITIONS SEE MORE & ACTIVITIES With an exciting mix of old, modern and contemporary MAY IT JUST BE BEAUTIFUL? HAL art, the Frans Hals Museum challenges you to look until 10 January 2021 differently. We bring together phenomena and ideas, combine pixels with brushstrokes and ask critical HAARLEM HEROES. OTHER MASTERS HOF questions, thereby not excluding ourselves. We aim until 1 July 2022 to surprise you, offer new perspectives and, above all, let you see more. FRANS HALS. ALL CIVIC GUARD PIECES HOF until 1 July 2022 We would like to welcome you at our two monumental locations, in the beautiful old city centre of Haarlem. MUSEUM IN BLOOM HOF Will we be seeing you in 2021? 19 March – 24 May 2021 We’ve got so much in store for you to enjoy! WHO IS SHE AND WHAT IS SHE TO YOU? HAL With kind regards, 23 April – 24 October 2021 Ann Demeester, director AT HOME WITH JORDAENS HOF on behalf of the 15 October 2021 – 30 January 2022 Frans Hals Museum team THE MUSEUM’S ANATOMY HAL 26 November 2021 – 6 March 2022 FACES OF NOORD-HOLLAND 2021 – 2024 Photos: Mo Schalkx MORE FOR YOUNG VISITORS VISITING ADDRESSES Frans Hals Museum – Hal Frans Hals Museum – Hof GET MORE OUT OF YOUR VISIT www.franshalsmuseum.nl Grote Markt 16 Groot Heiligland 62 +31(0)23 511 5775 2011 RD Haarlem 2011 ES Haarlem [email protected] The Netherlands The Netherlands MEET AT FRANS HALS MUSEUM until 10 January 2021 HAL MAY IT JUST BE BEAUTIFUL? As an artist, do you always have to innovate and embrace the latest trends? Or can you also stay true to tradition and craft? JACOBUS VAN LOOY Piet, c. 1921. Donated by the Jacobus van Looy Foundation Photo: Arend Velsink To the early 20-century artists Kees Verwey, Jacobus van Looy, Otto B. de Kat, Coba Ritsema, JACOBUS VAN LOOY White Pussycat at an Open Window, c. 1895 Jaap Ploos van Amstel and many other Haarlem- Donated by the Jacobus van Looy Foundation Photo: Arend Velsink based painters, this was clear: art simply had to be beautiful. And although the spirit of the age gave plenty of opportunity for experiment, they consciously continued to paint ‘conservatively’ in the tradition of the late 19th-century impressionists and realists. Just beautiful, or as Kees Verwey put it: “To look is to experience, and the experience is what matters to me.” And that’s exactly what May it just be beautiful? is about. Supported by: Photo: Gert Jan van Rooij until 1 July 2022 HOF HAARLEM HEROES. OTHER MASTERS The Frans Hals Museum bears the name of Haarlem’s most famous artist. But the museum is about more than Frans Hals alone. The collection includes works by many other 16th- and 17th-century masters. Long-term loan from 1948. , In Haarlem Heroes. Other Masters the focus is Rijksmuseum, Amsterdam. Photo: Tom Haartsen Rijksmuseum, Amsterdam. Photo: Tom explicitly on these other ‘heroes’ in our collection: OSTADE ADRIAAN VAN The Quack Hendrick Goltzius, Judith Leijster, Karel van Mander and many others. Starting out from current themes such as gender, religion and origin and background, the exhibition explores why an artist is sometimes ‘in’ or ‘out’. The combination of old, traditional art with modern and contemporary works of, among others, Jan Sluijters, Jozef Israëls and Louise Ashcroft challenges you to look at art differently and therefore see more. , 1917 Supported by: JAN SLUIJTERS Peasant Family from Staphorst from Family Peasant Photo: Arend Velsink until 1 July 2022 HOF FRANS HALS. ALL CIVIC GUARD PIECES No other painter made as many civic guard pieces as Frans Hals. For the first time in over thirty years they can all be seen together at the Frans Hals Museum. Here’s an opportunity to follow Hals’ development as a painter and experience why he is one of the greatest Dutch masters, with his loose touch, his intense use of colour and the liveliness of his portraits. This unique presentation was made possible thanks to the loan of The Meagre Company from the Rijksmuseum. The only work that was begun by Frans Hals, but finished by Pieter Codde. Until this very day there is controversy over who painted which figure. Take a closer look at the hands, the banners, the collars and the sashes. Can you decide who painted what? This presentation is part of the exhibition Haarlem Heroes. Other masters. , Known as ‘The Meagre Company’, 1637 1637 as ‘The Meagre Company’, , Known Supported by: FRANS HALS, PIETER CODDE PIETER HALS, FRANS Militia Company of Militia Company District XI under the Command of Captain Reael Reynier Rijksmuseum, On loan from Amsterdam 19 March – 24 May 2021 HOF MUSEUM IN BLOOM It is not an everyday sight: fresh flowers or plants in a museum. Yet, every year, for a limited period of time, the Frans Hals Museum is in full bloom. Members of the Friends of the Frans Hals Museum under the guidance of floral stylist Vibeke Struben will decorate the museum’s exhibition rooms. Around mid April, floral artist Paul Wijkmeijer and his team will take over. The two teams combine the rooms full of old masters and contemporary art, with colourful and breathtaking flower arrangements in vases, both design and historic, from our own collection. The result is a very special atmosphere in the tulip season when the nearby Keukenhof is open. Supported by: JAN VAN DER VAART DER VAN JAN in vase of Tulips Tower Rees Photo: Simone van 23 April – 24 October 2021 HAL WHO IS SHE AND WHAT IS SHE TO YOU? World history is all too often first and foremost presented as the legacy of (powerful and white) men. Yet, behind the scenes it was often the women who made the difference. With her impressive installation Guess who’s coming to dinner too? (2017), artist and PATRICIA KAERSENHOUT cultural activist Patricia Kaersenhout (1966) pays a Guess Who’s Coming to Dinner Too?, 2017 – 2019 Installation in De Appel Amsterdam tribute to women of colour who have changed history. Special thanks to the artist and Wilfried Lentz Rotterdam. Photo: Aatjan Renders With large dining tables, richly laid with glassware and embroidered table linens, Kaersenhout creates a modern portrait of these heroines of resistance. Exclusively for the Frans Hals Museum Kaersenhout will add names of currently unknown heroines to the artwork, in collaboration with Haarlem residents. The Frans Hals Museum is proud to present Guess who is coming to dinner? in an exhibition that features a selection of portraits of women from its own collection of modern and contemporary art. A selection that stimulates you to explore who these women are. Why are they portrayed in this manner? Does it change your way of looking if you know the story of the woman depicted? JAN SLUIJTERS CHARLEY TOOROP Supported by: Portrait of Elsje van Lier, 1934 (cropping) Portrait of a Lady with a Black Hat, 1928 Photo: Arend Velsink Photo: Thijs Quispel 15 October 2021 – 30 January 2022 HOF AT HOME WITH 1645 1645 – JORDAENS , c. 1640 Where the Northern Netherlands had Frans Hals, Rembrandt and Vermeer, in the Southern Netherlands they had their own Great Three: Jordaens, Rubens and Van Dijk. This exhibition focuses on Jacob Jordaens, with his great flair, worldliness, individuality and The Phoebus Foundation The Phoebus typicalities. JACOB JORDAENS Chirp Folks The Young Sing, The Old Folks Jordaens made portraits, historical scenes and genre paintings until well into his old age. His next of kin were often a source of inspiration to him. His home served as his showroom and the room where he received his – wealthy – clients was spectacularly decorated with his own work. Especially for this exhibition a reconstruction of that reception room will be made in the Frans Hals Museum, which enables visitors to feel as if they were ‘at Jordaens’ home’ for a moment, surrounded by many works that have never been shown together before. In collaboration with the Phoebus Foundation, with the support of Katoen Natie and Indaver. Supported by: 26 November 2021 – 6 March 2022 HAL THE MUSEUM’S ANATOMY Who decides what art is, or what gets to be displayed in a museum? And whom or what do museums themselves depend on? What role do galleries and collectors play? And where is the artist himself in this story? The Frans Hals Museum has asked a select number of artists to respond to this kind of questions with new work. In this project we do not shy away from placing critical notes or giving feedback, thereby certainly not excluding ourselves. Among other participants, Simnikiwe Buhlungu, Simon Fuijwara, Marlie Mul, Ahmet Ögüt and Erik van Lieshout took up the challenge. Expect an inspiring, challenging, perhaps somewhat provocative exhibition. Supported by: 2021 t/m 2024 FACES OF NOORD-HOLLAND Faces of Noord-Holland is a four-year programme , 2005 ) in which new group portraits are made, inspired by Gwennie museum collections. For this project, the Frans Hals ( Museum and Amsterdam Museum join forces and expertise and work together with residents, artists and cultural partners in the province of Noord-Holland. KOOS BREUKEL Cosmetic View A substantial part of the collections of the two museums consists of seventeenth-century (group) portraits, which mainly tell the history of the wealthy and influential. Faces of Noord-Holland sets out to supplement this one-sided image with stories and portraits of current residents of Amsterdam, Haarlem and other municipalities in Noord-Holland, regardless of their wealth and influence. In this way, the past and present are actively linked and new layers are added to the history of the region.
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