Old Master Paintings I Montpelier Street, London I 8 April 2020 25925

Old Master Paintings Montpelier Street, London I 8 April 2020 Old Master Paintings Montpelier Street, London | Wednesday 8 April 2020, at 10.30am

BONHAMS BIDS ENQUIRIES Please see back of catalogue Montpelier Street +44 (0) 20 7447 7447 [email protected] for important notice to bidders Knightsbridge +44 (0) 20 7447 7401 fax +44 (0) 20 7468 8308 London SW7 1HH [email protected] ILLUSTRATIONS www.bonhams.com To bid via the internet please visit SPECIALISTS Front cover: Lot 182 (detail) www.bonhams.com Andrew McKenzie Back cover: Lot 40 VIEWING +44 (0) 20 7468 8261 Sunday 5 April TELEPHONE BIDDING [email protected] IMPORTANT INFORMATION 11am to 3pm Bidding by telephone will only be The United States Government Monday 6 April accepted on lots with a low Caroline Oliphant has banned the import of ivory 9am to 4.30pm estimate in excess of £500. +44 (0) 20 7468 8271 into the USA. Lots containing Tuesday 7 April Condition reports are available [email protected] ivory are indicated by the symbol 9am to 4.30pm for lots with a lower estimate in Ф printed beside the lot number excess of £2500. Lisa Greaves in this catalogue. SALE NUMBER +44 (0) 20 7468 8325 Please note that bids should be [email protected] 25925 REGISTRATION submitted no later than 4pm on IMPORTANT NOTICE the day prior to the sale. New Poppy Harvey-Jones Please note that all customers, CATALOGUE bidders must also provide proof +44 (0) 20 7468 8308 irrespective of any previous activity £18 of identity when submitting bids. [email protected] with Bonhams, are required to Failure to do this may result in complete the Bidder Registration your bid not being processed. Bun Boisseau Form in advance of the sale. The +44 (0) 20 7468 8307 form can be found at the back of [email protected] LIVE ONLINE BIDDING IS every catalogue and on our AVAILABLE FOR THIS SALE website at www.bonhams.com Please email [email protected] PRESS ENQUIRIES and should be returned by email or with ‘live bidding’ in the subject [email protected] post to the specialist department line 48 hours before the auction or to the bids department at to register for this service. CUSTOMER SERVICES [email protected]

Monday to Friday To bid live online and / or 8.30am – 6pm leave internet bids please go to +44 (0) 20 7447 7447 www.bonhams.com/auctions/25925 and click on the Register to bid link at the top left of the page.

Bonhams 1793 Limited Registered No. 4326560 Registered Office: Montpelier Galleries Montpelier Street, London SW7 1HH

+44 (0) 20 7393 3900 +44 (0) 20 7393 3905 fax Central

Middlesex Acton Ln Hospital Park Royal Acton Ln Sale Cadogan Tate Coronation Road W e d s P a te a o r r n R k A v e R e s A o 4 a Information 0 y h a Park l C

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BIDS BUYERS COLLECTION & STORAGE AND HANDLING VAT +44 (0) 20 7447 7447 STORAGE AFTER SALE CHARGES ON SOLD LOTS Will be applied at the current rate +44 (0) 20 7447 7401 fax LOTS MARKED TP RETURNED TO CADOGAN on all above charges. [email protected] All sold lots marked TP will be TATE To bid via the internet please visit removed to Cadogan Tate, 241 Storage will be free of charge The following symbol is used www.bonhams.com Acton Lane, London, NW10 7NP for the first 16 calendar days to denote that VAT is due on from 9am Thursday 9 April 2020 from & including the sale date the hammer price and buyer’s PAYMENTS and will be available for collection Wednesday 8 April 2020 premium Buyers from 9am Tuesday 14 April 2020 and then every working day Charges will apply from 9am † VAT 20% on hammer price and +44 (0) 20 7447 7447 between 9am and 4.30pm. Tuesday 28 April 2020 buyer’s premium +44 (0) 20 7447 7401 fax

Collections are by appointment Large Paintings: * VAT on imported items at SELLERS only & a booking email or phone £6.05 per day +VAT a preferential rate of 5% on Payment of sale proceeds call are required in advance to All other Paintings: hammer price and the prevailing +44 (0) 20 7447 7447 ensure lots are ready at time of £3.03 per day +VAT rate on buyer’s premium. +44 (0) 20 7447 7401 fax collection, photographic id will be (Please note: Charges apply required at time of collection & if every day including weekends Y These lots are subject to VALUATIONS, TAXATION a third party is collecting written and Public Holidays). CITES regulations, please read & HERITAGE authorisation from the successful the information in the back of the +44 (0) 20 7468 8340 buyer is required in advance. Handling catalogue. +44 (0) 20 7468 5860 fax Photographic id of the third party After the first 16 calendar days [email protected] will be requested at the time of following the sale, the following Payment collection. handling charges apply per Lot: All charges due to Cadogan Tate CATALOGUE Large Paintings £45.00+ VAT may be paid to them in advance SUBSCRIPTIONS To arrange a collection time All other Paintings £22.50+ VAT or at the time of collection from To obtain any Bonhams please send a booking email to: their warehouse. Payment may catalogue or to take out an [email protected] or Loss and Damage be made by cash, credit or telephone call to +44 (0)800 988 debit card (Please note Amex annual subscription: Extended Liability cover for the 6100 to ensure lots are ready at is not accepted) Information on Subscriptions Department value of the Hammer Price will time of collection. charges due is available by email +44 (0) 1666 502 200 be charged at 0.6% but will not at [email protected] +44 (0) 1666 505 107 fax exceed the total value of all other All other sold lots will remain or telephone on +44 (0)800 988 [email protected] transfer and storage charges. in the Collections room at 6100 SHIPPING Knightsbridge without charge until 5.30pm Monday 27 April Payment in Advance Please note that Bonhams For information and estimates 2020 lots not collected by this will be closed from 5.30pm (Telephone to ascertain amount on domestic and international time will be removed to the Thursday 9 April 2020 until due) by: cash, credit, or debit shipping as well as export warehouse of Cadogan Tate and 9am Tuesday 14 April 2020 card licenses please contact Alban will be available for collection for the Easter Bank Holiday. Shipping on +44 (0) 1582 493 099 from 9am Wednesday 29 April Payment at time of collection by: [email protected] 2020 where charges will apply. Please note that Cadogan cash, credit, or debit card Tate will be closed from 4.30pm Thursday 9 April 2020 until 9am Tuesday 14 April 2020 for the Easter Bank Holiday. 1

1 FLEMISH SCHOOL, 17TH CENTURY Figures in costume oil on panel 43.2 x 92.2cm (17 x 36 5/16in).

£3,000 - 5,000 €3,600 - 6,000

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 3 2

2 TP GODEFRIED BOCHOUTT (ACTIVE BRUGE, 1659-1666) Vanitas still life with a poem concerning the death of Charles I signed ‘Godtfrdes van Bochou**’ and extensively inscribed and dated ‘anno. 1668’ (on documents, lower right) oil on canvas 83 x 164cm (32 11/16 x 64 9/16in).

£4,000 - 6,000 €4,800 - 7,200

Provenance Private Collection, Belgium, for at least 30 years

According to the RKD, Fred Meijer confirmed the attribution to Bouchoutt (private communication with the owner, in 2006).

3 ATTRIBUTED TO WILLIAM AIKMAN (FORFAR 1682-1731 LONDON) Portrait of Lewis Gordon, 3rd Marquis of Huntly, bust-length within a painted oval bears inscription ‘LEWIS 3RD MARQUIS of HUNTLY’ (lower left) and signature ‘AIKMAN PINX’ (lower right) oil on canvas 75 x 62cm (29 1/2 x 24 7/16in).

£2,000 - 3,000 €2,400 - 3,600

For details of the charges payable in addition to the final Hammer Price of each Lot 4 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 4

4 HENDRICK BLOEMAERT (UTRECHT CIRCA 1601-1672) A fish seller oil on canvas 63.5 x 94cm (25 x 37in).

£7,000 - 10,000 €8,400 - 12,000

Provenance Private Collection, The Netherlands, since the early 20th century

The present work is comparable to Hendrick Bloemaert’s Boy Selling Farm Products, in which the same shepherd boy appears, now in a private collection (see: M. Roethlisberger, Abraham Bloemaert and His sons, Doornspijk, 1993, p. 507, cat. no. H.165, ill., H161). A similar work was offered in these rooms, 9 July 2014, lot 89. We are grateful to Prof. Marcel Roethlisberger for confirming the attribution to Hendrick Bloemaert upon examination of colour photographs.

5 GEORGE JAMESONE (ABERDEEN CIRCA 1589-1644) Portrait of a gentleman, traditionally identified as Mr Scott, bust- length, within a painted oval bears inscription ‘July. 30./ 1634./ AEts./62.’ (upper left) oil on panel 67.6 x 52.8cm (26 5/8 x 20 13/16in).

£2,000 - 3,000 €2,400 - 3,600

6 FLORENTINE SCHOOL, 16TH CENTURY, AFTER ANDREA DEL SARTO The Virgin and Child with the Infant Saint John the Baptist and angels oil on panel 87.4 x 71.9cm (34 7/16 x 28 5/16in). unframed

£6,000 - 8,000 €7,200 - 9,600

The present work is after del Sarto’s original now in the Wallace Collection, London.

7 CIRCLE OF GIOVANNI PIETRO RIZZOLI, CALLED IL GIAMPETRINO (ACTIVE MILAN, CIRCA 1500-CIRCA 1549) Saint Catherine of Alexandria oil on panel 64.5 x 48cm (25 3/8 x 18 7/8in).

£3,000 - 5,000 €3,600 - 6,000

Numerous studio versions of this composition exist, one of which is at the Walters Art Museum, Baltimore (acc. no. 37.1095).

8 ATTRIBUTED TO BERNARDO BITTI (CAMERINO 1548-1610 LIMA, PERU) The Immaculate Conception oil on panel 118.3 x 73.1cm (46 9/16 x 28 3/4in).

£5,000 - 7,000 8 €6,000 - 8,400

For details of the charges payable in addition to the final Hammer Price of each Lot 6 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 9 10

9 FOLLOWER OF GIOVANNI BATTISTA DI JACOPO, CALLED ROSSO FIORENTINO (1494-1540) Mars oil on panel 56.2 x 27cm (22 1/8 x 10 5/8in).

£3,000 - 5,000 €3,600 - 6,000

The present work is based on Rosso Fiorentino’s drawing of the same subject now in the Musée du Louvre, Paris (inv. RF 52177) and which was later engraved by Giovanni Jacopo Caraglio.

10 * TP AFTER LUCA CAMBIASO, 17TH CENTURY Cupid and Psyche oil on canvas 140 x 103.1cm (55 1/8 x 40 9/16in). unframed

£3,000 - 5,000 €3,600 - 6,000

The present work is after Cambiaso’s original, now in the collection of Jean Neger, Paris.

11 SCHOOL OF PARMA, 16TH CENTURY The Madonna and Child with Saint Anne and angels oil on panel 76.6 x 60cm (30 3/16 x 23 5/8in).

£3,000 - 5,000 €3,600 - 6,000 11

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 7 12 FOLLOWER OF JAN SIBERECHTS 12 (ANTWERP 1627-1703 LONDON) Cattle in a watermeadow with a woman and child seated on a bank oil on canvas 58 x 82.5cm (22 13/16 x 32 1/2in).

£4,000 - 6,000 €4,800 - 7,200

Provenance Collection of David Nickerson (1933-1995) by whom bequeathed to the present owners

13 FOLLOWER OF JAN WIJNANTS (HAARLEM CIRCA 1635-1684 AMSTERDAM) Drovers on a country path oil on panel 32.8 x 43.2cm (12 15/16 x 17in).

£2,000 - 3,000 €2,400 - 3,600 13 14 ATTRIBUTED TO JAN VINCENTSZ. VAN DER VINNE (HAARLEM 1663-1721) A drover with his flock crossing a river signed and dated ‘J van der/ Vinne 1703’ (lower left) oil on canvas 58.7 x 71.2cm (23 1/8 x 28 1/16in).

£2,000 - 3,000 €2,400 - 3,600

For details of the charges payable in addition to the final Hammer Price of each Lot 8 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 15 JAN VAN DER MEER THE YOUNGER (HAARLEM 1656-1705) Drovers with their flock before a house 15 signed ‘J. v** der Meer/de Jonge f.’(lower left) oil on canvas 38.2 x 47.5cm (15 1/16 x 18 11/16in).

£3,000 - 5,000 €3,600 - 6,000

16 CIRCLE OF JACOB VAN MOSSCHER (HAARLEM CIRCA 1615-1655) Figures on a village path oil on panel 57.3 x 69.6cm (22 9/16 x 27 3/8in).

£2,000 - 3,000 €2,400 - 3,600

17 * STUDIO OF PEETER NEEFFS THE YOUNGER (ANTWERP 1620-1675) A Church Interior oil on canvas 87.2 x 106.3cm (34 5/16 x 41 7/8in). 16

£3,000 - 5,000 €3,600 - 6,000

18 CIRCLE OF SIR GODFREY KNELLER (LÜBECK 1646-1723 LONDON) Portrait of Mrs Tolen, bust-length, in white and red oil on canvas, oval 76.2 x 64.1cm (30 x 25 1/4in).

£2,000 - 3,000 €2,400 - 3,600

19 CIRCLE OF SIR HENRY RAEBURN R.A. (STOCKBRIDGE 1756- 1823 EDINBURGH) Portrait of a gentleman traditionally identified as Robert Forbes of Castleton, bust-length, in a black coat oil on canvas, unlined 76.2 x 63.3cm (30 x 24 15/16in).

£2,000 - 3,000 €2,400 - 3,600

20 AFTER SIR PETER LELY, 17TH CENTURY Portrait of a lady, said to be Letitia Isabella Smith, Countess of Radnor, half-length, in a stone cartouche oil on canvas 76.2 x 63.3cm (30 x 24 15/16in).

£2,000 - 3,000 €2,400 - 3,600

20 The present work is after the three-quarter-length portrait by Peter Lely and Studio, now at Lanhydrock, Cornwall.

For details of the charges payable in addition to the final Hammer Price of each Lot 10 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 21 22

21 CIRCLE OF ALLAN RAMSAY (EDINBURGH 1713-1784 DOVER) Portrait of an army officer, half-length, in a red coat, within a painted oval oil on canvas 76.2 x 63.5cm (30 x 25in).

£2,000 - 3,000 €2,400 - 3,600

22 FOLLOWER OF CONSTANTYN NETSCHER (THE HAGUE 1668- 1723) Portrait of a lady, three-quarter-length, in blue with a dog oil on panel 50.2 x 41.1cm (19 3/4 x 16 3/16in).

£2,000 - 3,000 €2,400 - 3,600

23 STUDIO OF SIR PETER LELY (SOEST 1618-1680 LONDON) Portrait of Queen Catherine of Braganza bears inscription ‘The Countess of Jersay (sic)/by/Sir Peter Lely’ (on the reverse) oil on canvas 101.8 x 78.8cm (40 1/16 x 31in).

£4,000 - 6,000 €4,800 - 7,200

A similar full-length portrait from the Studio of Peter Lely is in The 23 Royal Hospital Chelsea, London.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 11 24 CIRCLE OF FRANCIS COTES (LONDON 1726-1770) Portrait of Charles Digby, half-length, in a blue coat, seated at a desk bears inscription ‘CHARLES DIGBY./ BORN/ 1743.’ (lower right) oil on canvas 76.6 x 63.2cm (30 3/16 x 24 7/8in).

£2,000 - 3,000 €2,400 - 3,600

Charles (1743-1810), son of Edmund Digby, M.P for Warwick and his wife Charlotte, married Priscilla Mellier in 1775.

25 24 HENRY PERRONET BRIGGS (COUNTY DURHAM 1792-1844 LONDON), AFTER SIR JOSHUA REYNOLDS Portrait of Louis Phillipe Joseph, duc D’Orleans, full-length, in Hussar’s uniform oil on canvas 91.8 x 55.5cm (36 1/8 x 21 7/8in).

£2,000 - 3,000 €2,400 - 3,600

Provenance The artist His sale, 26 April 1844, lot 496, where purchased by Jacob Bell until at least 1865 Sale, Christie’s, South Kensington, 6 September 1988, lot 57, where purchased by the present owner

Literature D. Mannings, Sir Joshua Reynolds: a complete catalogue of his paintings, New Haven and London, 2000, p. 311, copy 1145e

The present work is after Sir Joshua Reynolds’s original, now in the Royal Collection, UK.

25 For details of the charges payable in addition to the final Hammer Price of each Lot 12 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 26

26 FOLLOWER OF SAWREY GILPIN R.A. (CUMBRIA 1733-1807 LONDON) Horses fighting oil on canvas 60.8 x 71.5cm (23 15/16 x 28 1/8in).

£2,000 - 3,000 €2,400 - 3,600

Provenance Charles Baring Wall (1795-1853) Thomas Baring (1799-1873), his cousin, and thereafter by descent through the family

27 CHARLES-GUILLAUME-ALEXANDRE BOURGEOIS (? 1759- 1832 PARIS) Portrait of a lady in profile wearing a black dress and white chemise signed and dated ‘Bourgeois/an 12’ on the sitter’s shoulder watercolour, tondo 6.3 cm (2 1/2 in) diameter

£1,000 - 1,500 27 (actual size) €1,200 - 1,800

The dating of this piece refers to the twelfth year of the French Republican calendar, 1803-4.

28 FOLLOWER OF NICOLAS LANCRET (PARIS 1690-1743) Elegant figures making music oil on canvas 61.6 x 73.6cm (24 1/4 x 29in).

£2,000 - 3,000 €2,400 - 3,600

29 SEBASTIAN-JACQUES LECLERC (PARIS 1734-1785) Elegant figures making music in a landscape; and Elegant figures resting in a landscape a pair, oil on canvas 32.4 x 40.2cm (12 3/4 x 15 13/16in). (2)

£3,000 - 5,000 €3,600 - 6,000

29 Provenance Purchased by the present owner’s family in New York, 1940s

For details of the charges payable in addition to the final Hammer Price of each Lot 14 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 31

30 JOSÉ DE ARELLANO (MADRID 1665-CIRCA 1710) Baskets of flowers on table-tops one signed ‘* Joseph de Arella/no f’ (lower right) a pair, oil on canvas 45.2 x 58.2cm (17 13/16 x 22 15/16in). (2)

£4,000 - 6,000 €4,800 - 7,200

31 CIRCLE OF FRANCESCO MONTI, CALLED IL BRESCIANINO (BRESCIA 1646-1703 PARMA) A cavalry skirmish oil on canvas 61.5 x 102cm (24 3/16 x 40 3/16in).

£4,000 - 6,000 €4,800 - 7,200 29

32 AFTER GERARD TERBORCH, 18TH CENTURY An interior with a young lady washing her hands oil on canvas 53.7 x 45.8cm (21 1/8 x 18 1/16in).

£2,000 - 3,000 €2,400 - 3,600

The present composition is after Terborch’s original work which is now in the Gemäldegalerie Alte Meister, Dresden (gal. no. 1830).

33 DUTCH SCHOOL, 17TH CENTURY Portrait of a lady, half-length, in black costume with a white ruff oil on panel 66.2 x 53.2cm (26 1/16 x 20 15/16in).

£3,000 - 5,000 €3,600 - 6,000

34 * CIRCLE OF HENDRICK BLOEMAERT (UTRECHT CIRCA 1601- 1672) Portrait of a gentleman, bust-length in a black and white costume, within a painted oval charged with the sitter’s coat-of-arms (upper left) oil on panel, trimmed along the upper edge 72.2 x 61cm (28 7/16 x 24in).

34 £3,000 - 5,000 €3,600 - 6,000

Provenance Sale, Christie’s, South Kensington, 5 July 2006, lot 24

For details of the charges payable in addition to the final Hammer Price of each Lot 16 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 35 36

35 FOLLOWER OF WILLEM VAN MIERIS THE ELDER (LEYDEN 1662-1747) The Death of Cleopatra oil on canvas 68.8 x 55cm (27 1/16 x 21 5/8in).

£1,500 - 2,000 €1,800 - 2,400

36 AFTER SIR ANTHONY VAN DYCK, 17TH CENTURY Portrait of a lady, half-length, in black costume holding a rose oil on canvas 85.6 x 68.6cm (33 11/16 x 27in).

£3,000 - 5,000 €3,600 - 6,000

The present work is after van Dyck’s original full-length portrait, now in the Uffizi, Florence.

37 FLEMISH SCHOOL, 1617 Portrait of a lady, bust-length, in a pearl headdress inscribed ‘ANo. AE.*e. 57’ and ‘ANO. DOM. 1617’ (upper left and right, strengthened) oil on panel 57.8 x 44.2cm (22 3/4 x 17 3/8in).

£2,000 - 3,000 €2,400 - 3,600

38 FRANÇOIS OCTAVIEN (ROME 1695-1736 PARIS) Elegant figures on a seesaw; and An elegant company dancing in a wooded landscape both signed ‘octavien’ (lower right) a pair, oil on canvas 65.1 x 81.2cm (25 5/8 x 31 15/16in). (2)

£3,000 - 5,000 €3,600 - 6,000

Provenance Charles-Auguste, duc de Morny (1811-1865) Marquis de La Valette (1849-1907) Lady Emily Fitzmaurice (1886-1939) Almarus Edward Henry Digby-Fitzmaurice (1889-1950) (all according to a label on the reverse) With Galerie Heim, Paris, 1968 Sale, Sotheby’s, Paris, 24 July 2009, lot 53 (sold for 25,000 euros), where purchased by the present owner

39 RUSSIAN SCHOOL, 18TH CENTURY Portrait of Tsar Alexis I, bust-length, in bejewelled costume, within a painted oval oil on canvas 73.3 x 61.1cm (28 7/8 x 24 1/16in).

£3,000 - 5,000 €3,600 - 6,000

Provenance 39 The Collection of Lord and Lady St. Just, Wilbury Park, Wiltshire

For details of the charges payable in addition to the final Hammer Price of each Lot 18 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 38

40 CARL LUDWIG CHRISTINEC (? 1732-CIRCA 1794 SAINT PETERSBURG) Portrait of Clementina Gomm, half-length, in a black dress with a fur collar oil on canvas 89.9 x 70.6cm (35 3/8 x 27 13/16in).

£3,000 - 5,000 €3,600 - 6,000

Provenance By descent from the sitter to the present owner

The sitter was the niece of William Gomm (1728-92), an entrepreneur and merchant banker who went to Russia in 1750 to help develop the port of Odessa; Clementina joined her uncle and cousins in St Petersburg and while there she sat to Christinec in the 1760s. She married John Stones in Clerkenwell in 1771.

41 * ATTRIBUTED TO MATHIJS WULFRAET (ARNHEM 1648-1727 AMSTERDAM) A fisherman with his catch oil on canvas 76.4 x 63.8cm (30 1/16 x 25 1/8in).

£3,000 - 5,000 €3,600 - 6,000

Provenance Sale, Christie’s, London, 28 July 1938, lot 90 (bt. Robson, as van Duynen) Private Collection, South Africa

It is likely that the fish are by a different hand.

42 * TP CIRCLE OF THOMAS WILLEBOIRTS, CALLED BOSSCHAERT (BERGEN-OP-ZOOM 1614-1654 ANTWERP) The Penitent Magdalene oil on canvas 125.5 x 95cm (49 7/16 x 37 3/8in).

£3,000 - 5,000 €3,600 - 6,000

Provenance Acquired by the present owner’s great-great-grandfather in the 19th century and thence by descent.

For details of the charges payable in addition to the final Hammer Price of each Lot 20 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 44 44

43 CIRCLE OF PIETER GERRITSZ. VAN ROESTRATEN (HAARLEM CIRCA 1630-1700 LONDON) A nautilus cup with a cup and cover, books and letters on a draped table-top oil on canvas 108.5 x 88.7cm (42 11/16 x 34 15/16in).

£4,000 - 6,000 €4,800 - 7,200

44 * RICHARD BRACKENBURG (HAARLEM 1650-1702) A Mediterranean port with merchants on the quayside; and A Mediterranean port with elegant figures the former signed ‘R.Brakenbürgh’ (lower centre); the latter signed and dated ‘R. Brakenbürgh/ 1676’ (lower left) a pair, oil on panel 34 x 26.6cm (13 3/8 x 10 1/2in). (2)

£2,000 - 3,000 €2,400 - 3,600

45 MANNER OF GASPAR PIETER VERBRUGGHEN, 19TH CENTURY Still life of flowers oil on canvas 99.8 x 75.2cm (39 5/16 x 29 5/8in).

£2,000 - 3,000 €2,400 - 3,600

46 JAN VICTORS (AMSTERDAM 1620-1676 EAST INDIES) Figures outside an inn signed and indistinctly dated ‘***.victors.f.**4*’ (on manger, lower right) oil on canvas 66.1 x 75.1cm (26 x 29 9/16in).

£3,000 - 5,000 €3,600 - 6,000

Provenance Sale, Muller, Amsterdam, November 1910, lot 164 (according to Witt Library mount)

47 ATTRIBUTED TO JAN COSSIERS (ANTWERP 1600-1671) Portrait of a young man, half-length, in a green mantle, with a miniature portrait of a lady and a violin oil on panel 98.9 x 73.5cm (38 15/16 x 28 15/16in).

£6,000 - 8,000 €7,200 - 9,600

Provenance With Dr. Herbert Leyendecker, Berlin/Wiesbaden, 1938 (as Rubens) Private Collection, South Germany, 1960 Sale, Christie’s, South Kensington, 9 December 2011, lot 19 (as ‘Circle of Justus van Egmont’)

For details of the charges payable in addition to the final Hammer Price of each Lot 22 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 48

48 TP JACQUES D’ARTHOIS (BRUSSELS 1613-1686) Figures on a path in an extensive wooded landscape oil on canvas 118 x 183cm (46 7/16 x 72 1/16in).

£5,000 - 7,000 €6,000 - 8,400

Provenance Private Collection, UK

49 ATTRIBUTED TO DIRCK MAAS (HAARLEM 1656-1717) A gentleman holding a glass of wine signed with initials and dated ‘DM./ 1679’ (lower left, the D and M in ligature) oil on canvas 85.3 x 73.4cm (33 9/16 x 28 7/8in).

£4,000 - 6,000 €4,800 - 7,200

50 51 GHERARDO DI GIOVANNI (FLORENCE 1446-CIRCA 1497) FLORENTINE SCHOOL, 15TH CENTURY The Madonna and Child with Angels The Madonna and Child with the Infant Saint John the Baptist and an oil and tempera on panel transferred to canvas angel 91.3 x 62.2cm (35 15/16 x 24 1/2in). tempera on panel 57 x 43.6cm (22 7/16 x 17 3/16in). £3,000 - 5,000 €3,600 - 6,000 £6,000 - 8,000 €7,200 - 9,600 Provenance Sale, Christie’s, London, 10 July 1992, lot 227 (as Gherardo di Giovanni) Provenance With Helene Mark Ltd., London, by December 1992 With Nicolas Aquavella, New York, 1939 (as ‘Piero di Lorenzo (Compagno del Pesellino)’) Everett Fahy confirmed the attribution to Gherardo di Giovanni at the Private Collection, USA by whom sold time of the 1992 sale. Sale, Bonhams, London, 5 December 2018, lot 32

For details of the charges payable in addition to the final Hammer Price of each Lot 24 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 52 * MICHELE DA VERONA (ITALIAN, BORN CIRCA 1470-DIED Pairs of cassoni were among the most popular wedding gifts in BEFORE 1536), AND STUDIO renaissance Italy from the late 14th century until well into the 16th The Triumph of Chastity; and the Triumph of Love century, serving both as storage chests for clothes and as seating. a pair, oil on panel The most impressive examples included painted panels on the 28.2 x 45.7cm (11 1/8 x 18in). (2) front and sides, the subjects of which were intended to provoke discussion. The theme of chastity (represented by the unicorn) and love (represented both by Cupid and by the boar, symbol of £10,000 - 15,000 carnal love) illustrated in the present panels strongly suggests that €12,000 - 18,000 they would have adorned just such a wedding chest. A cassone displaying two panels of similar subjects is in the collection of the Provenance Museo di Castelvecchio, Verona, inv. 48-1B838 and illustrated With Ludwig von Glenk (1886-1908), Berlin in P. Marini et al, Museo di Castelvecchio. Catalogo generale dei The Collection of Edgar Worch, Berlin, by 1927 (according to dipinti e delle miniature delle collezioni civiche veronesi. Dalla fine literature) and thence by descent to the present owner del X all’inizio del XVI secolo, 2010, pp. 227-229 (according to the Fondazione Zeri website). Exhibited On loan to Seattle Art Museum, 1970-2018 Henry (Heinz) Trubner (b.1920) was Curator of Asian Art at the Seattle Art Museum 1968-1987, and these panels were on loan to Literature the Museum from 1970-2018, reference number T.L. 71.1-.4. He was P. Schubring, ‘Zwei Bilder der Atalanta- Sage’, in Der Cicerone. the nephew of Edgar Worch (1880 - 1972), the renowned antiques Halbmonatsschrift für Künstler, Kunstfreunde und Sammler, vol. XIX, dealer who specialised in oriental art. 1927, pp. 559-561 (as Michele da Verona) M. Vinco, ‘Gli inizi di Michele da Verona’, in Proporzione, Annali dalla Fondazione di Roberto Longhi, vol. IX-X, 2008-2009, pp. 43-4, ill. fig. 55-56 (as Michele da Verona) M. Vinco, Cassoni Pittura profana del Rinascimento a Verona, Milan, 2018, cat. no. 78, pp. 250-1, ill (as Michele da Verona and studio)

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 25 53 WORKSHOP OF GEORG FLEGEL (OLMÜTZ 1561-1638 FRANKFURT AM MAIN) Dishes of fruit and nuts with glasses of wine on a table-top oil on panel 45.2 x 97.7cm (17 13/16 x 38 7/16in).

£20,000 - 30,000 €24,000 - 36,000

Provenance Private Collection, UK, since 1990s

For details of the charges payable in addition to the final Hammer Price of each Lot 26 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 54 TP CIRCLE OF JACOB JORDAENS (ANTWERP 1593-1678) Diana and Callisto oil on canvas 130.1 x 157cm (51 1/4 x 61 13/16in).

£2,000 - 3,000 €2,400 - 3,600

Provenance Collection Paul Delaroff (1852–1913), St. Petersburg His sale, Galerie Georges Petit, Paris, 23 April 1914, lot 30 With Bertha Joseph Kunst-Auktionshaus, Berlin, 1927, where acquired by Collection Dr Johannes Krüger, Berlin His sale, Lepke, Berlin, 8 March 1938, lot 404 Collection Otto Bantele, Munich, by 1974 Private Collection, South Germany Sale, Dorotheum, Vienna, 17 October 2007, lot 348

55 54 PIETER CASTEELS III (ANTWERP 1684- 1749 RICHMOND) Chrysanthemums, roses, tulips, orange blossom and other flowers in a bronze urn on a stone ledge signed and dated ‘PCasteels F./ 1715’ (lower left) oil on canvas 83.2 x 111.2cm (32 3/4 x 43 3/4in).

£4,000 - 6,000 €4,800 - 7,200

Provenance With Faustus Galleries, London, where purchased by the present owner in 1974

We are grateful to Dr. Fred Meijer for confirming the attribution to Pieter Casteels III upon examination of colour photographs.

56 CIRCLE OF MICHAEL DAHL (STOCKHOLM 1659-1743 LONDON) Portrait of a lady, half-length, in a white dress, within a painted oval oil on canvas 76.2 x 63.5cm (30 x 25in).

£2,000 - 3,000 €2,400 - 3,600

57 TP CIRCLE OF ALLAN RAMSAY (EDINBURGH 1713-1784 DOVER) Portrait of a gentleman, half-length, in a brown coat oil on canvas 127 x 102.5cm (50 x 40 3/8in). unframed

£3,000 - 5,000 €3,600 - 6,000

58 TP CIRCLE OF CHARLES D’ AGAR (PARIS 1669-1723 LONDON) Portrait of a young lady, full-length, seated in a pink dress with a dog oil on canvas 127.8 x 102.6cm (50 5/16 x 40 3/8in).

£2,500 - 3,500 €3,000 - 4,200

For details of the charges payable in addition to the final Hammer Price of each Lot 28 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 59 60

59 TP ATTRIBUTED TO RICHARD ROTHWELL (ATHLONE 1800-1868 ROME) Portrait of a gentleman, half-length, in a black coat oil on canvas 94.3 x 79.1cm (37 1/8 x 31 1/8in).

£2,000 - 3,000 €2,400 - 3,600

60 CIRCLE OF JOHN SCOUGALL (CIRCA 1645-CIRCA 1730 PRESTONPANS) Portrait of a gentleman, said to be John Forbes of Balfluig, bust- length, in red costume inscribed ‘AEtatis.37.’ (upper left) oil on canvas 76.7 x 63.8cm (30 3/16 x 25 1/8in).

£2,000 - 3,000 €2,400 - 3,600

61 TP ATTRIBUTED TO MICHAEL DAHL THE YOUNGER (STOCKHOLM CIRCA 1659-1743 LONDON) Portrait of a gentleman, three-quarter-length, in a brown coat oil on canvas 127 x 101.2cm (50 x 39 13/16in). in a carved frame

£3,000 - 5,000 €3,600 - 6,000

62 AFTER SIR JOSHUA REYNOLDS P.R.A., EARLY 19TH CENTURY A boy and a girl seated before a curtain oil on canvas 88.2 x 74.4cm (34 3/4 x 29 5/16in).

£2,000 - 3,000 €2,400 - 3,600

The present work is after the right-hand side of Reynolds’s The Fortune Teller, now at Kenwood House, London.

63 * CIRCLE OF ANGELICA KAUFFMANN (COIRE 1740-1807 ROME) Maria and her dog Silvio from Lawrence Sterne’s novel, A Sentimental Journey Through France and Italy oil on canvas 63.2 x 48.2cm (24 7/8 x 19in).

£3,000 - 5,000 €3,600 - 6,000

64 AFTER DAVID MORIER, 18TH CENTURY Portrait of the Duke of Cumberland oil on canvas 50.6 x 40.2cm (19 15/16 x 15 13/16in).

£2,000 - 3,000 €2,400 - 3,600 64 The present work is after Morier’s original in The National Portrait Gallery, London.

For details of the charges payable in addition to the final Hammer Price of each Lot 30 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 65

65 FOLLOWER OF SIR GODFREY KNELLER (LÜBECK 1646-1723 LONDON) Portrait of a lady, said to be Sarah Churchill, Duchess of Marlborough 66 oil on copper, oval 9.5 x 7.4cm (3 3/4 x 2 15/16in).

£1,500 - 2,000 €1,800 - 2,400

Provenance Sale, Sotheby’s, London, 28 April 1981, lot 81 Sale, Bonhams, Knightsbridge, 19 November 2014, lot 22, where purchased by the present owner

66 CIRCLE OF MICHAEL DAHL THE YOUNGER (STOCKHOLM CIRCA 1659-1743 LONDON) Portrait of John Churchill, 1st Duke of Marlborough, bust-length engraved with ducal coronet above initials ‘J.D.M’ (on reverse) oil on copper, oval 8.1 x 6.7cm (3 3/16 x 2 5/8in). within gilt- metal acorn leaf mount beneath enamel cresting of the Marlborough coat-of-arms

£1,200 - 1,800 €1,400 - 2,200

Provenance With Ellison Fine Art, London, where purchased by the present owner

67 AFTER SIR GODFREY KNELLER, 19TH CENTURY Portrait of Prince William Henry, Duke of Gloucester oil on paper laid down on panel, oval 18 x 15.6cm (7 1/16 x 6 1/8in).

£2,000 - 3,000 67 €2,400 - 3,600

The present work is after a lost original by Kneller, and known through an engraving, in reverse, by Jacobus Houbraken (see Royal Collection inv. no. RCIN 603470).

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 31 68 TP FOLLOWER OF ADAM FRANS VAN DER MEULEN (BRUSSELS Provenance 1632-1690 PARIS) Probably ex collection Donald Glass, Ringmer Park, Lewes, by whom View of the park and Château of Saint Cloud from the Seine, thought to have been left to the present owner’s parents in 1944 mounted in a George II carved giltwood overmantel trumeau mirror, the triple divided plate enclosed by a cut gesso moulded border This view is derived from the very much larger painting by van der flanked by scrolling acanthus leaves within a moulded, cut gesso Meulen (180 x 334 cm) at Versailles (inv. no. MV6265) but differs in and acanthus leaf scrolled frame, the central double scallop shell the disposition of the figures and boats. crest flanked by eagle heads and further scrolling acanthus leaves, previously fitted with candle arms oil on canvas canvas size: 93.7 x 128.1cm x 50 7/16in)., overall size: 183 x 169.5cm. (66 3/4 x 72 1/16in.)

£8,000 - 12,000 €9,600 - 14,000

For details of the charges payable in addition to the final Hammer Price of each Lot 32 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 69

69 * TP CIRCLE OF JAMES SEYMOUR (LONDON 1702-1752) Provenance A coursing scene Sale, Christie’s, London, 23 July 1920, lot 60 (as by Wootton) oil on canvas Mrs Elizabeth Whitney, Virginia 99.6 x 124.6cm (39 3/16 x 49 1/16in). With Jack Partridge, Maine, where purchased by the present owner’s family in 1989

£7,000 - 10,000 A similar work by James Seymour, previously in the Hawes collection, €8,400 - 12,000 was offered at Christie’s, London 11 July 1986, lot 18.

70 GABRIEL FRANCK (ANTWERP CIRCA 1590-1639) A cavalry skirmish signed with initials ‘FFG.F.’ (F, F and G in ligature, on log, lower right) oil on canvas 66.4 x 102.3cm (26 1/8 x 40 1/4in).

£5,000 - 7,000 €6,000 - 8,400

71 ANGLO-DUTCH SCHOOL, 17TH CENTURY Portrait of Thomas, 2nd son of Thomas Keightley, three-quarter-length, in black costume charged with the crest of the Keightley family’s coat-of-arms (on letter, lower centre) oil on canvas, oval 94.2 x 77.3cm (37 1/16 x 30 7/16in).

£2,000 - 3,000 €2,400 - 3,600

Provenance With Fine Art Show Rooms, Dublin, where purchased by the present owner in 1971

The sitter was the second son of Thomas Keightley, a London merchant, and Rose, daughter of Thomas Evelyn of Long Ditton, Surrey. She was the first cousin of John Evelyn the diarist. The present sitter’s 71 nephew, also Thomas Keightley (1650- 1719), married Frances, youngest daughter of Edward Hyde 1st Earl of Clarendon and sister of Anne Hyde who married the Duke of York, the future James II.

For details of the charges payable in addition to the final Hammer Price of each Lot 34 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 72 ATTRIBUTED TO JACOB OCHTERVELT (ROTTERDAM 1634-1682 AMSTERDAM) An interior with a lady giving alms to beggars indistinctly signed ‘***hter***’ (on the floor, lower right) oil on canvas 47.3 x 40.9cm (18 5/8 x 16 1/8in).

£4,000 - 6,000 72 €4,800 - 7,200

Provenance Sale, Christie’s, Paris, 19 September 2017, lot 15, where purchased by the present owner

73 CIRCLE OF NICOLAS POUSSIN (LES ANDELYS 1594-1665 ROME) The Infancy of Bacchus indistinctly signed ‘Dre***’ (lower right) oil on canvas 45.3 x 66.8cm (17 13/16 x 26 5/16in).

£4,000 - 6,000 €4,800 - 7,200

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 35 74 CIRCLE OF PIETER BOUT (BRUSSELS 1658-1719) 74 A river landscape with figures boarding ferries; and Travellers in a landscape a pair, oil on panel 16 x 19.8cm (6 5/16 x 7 13/16in). (2)

£2,000 - 3,000 €2,400 - 3,600

Provenance The Collection of The Hon. Mrs Webb (according to a label on the reverse)

75 CORNELIS DROOCHSLOOT (UTRECHT 1640-CIRCA 1673) A river landscape with a ferry boat oil on panel 24.7 x 35.2cm (9 3/4 x 13 7/8in).

£1,500 - 2,000 €1,800 - 2,400

For details of the charges payable in addition to the final Hammer Price of each Lot 36 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 76 FOLLOWER OF MATHYS SCHOEVAERDTS (BRUSSELS 1665-1695) A wooded landscape with travellers; and A 74 wooded landscape with a shepherd and his flock a pair, oil on copper 19 x 23.1cm (7 1/2 x 9 1/8in). together with an unframed landscape (3)

£1,500 - 2,000 €1,800 - 2,400

77 DIRK VAN BERGEN (HAARLEM CIRCA 1649-CIRCA 1690) Herdswoman with cattle signed and dated ‘D V Bergen/.1688.’ (lower left) oil on copper 37.6 x 48.4cm (14 13/16 x 19 1/16in).

£2,000 - 3,000 €2,400 - 3,600

78 78 CIRCLE OF FRANCESCO ZUCCARELLI (PITIGLIANO 1702- 1788 FLORENCE) Milkmaids in a river landscape oil on canvas 54.8 x 40.6cm (21 9/16 x 16in).

£2,000 - 3,000 €2,400 - 3,600

79 CIRCLE OF ALEXANDER ROSLIN (MALMO 1718-1793 PARIS) Portrait of a gentleman and his wife wearing the insignia of the Order of a Knight of Malta a pair, oil on canvas 55 x 45.2cm (21 5/8 x 17 13/16in). (2) unframed

£2,000 - 3,000 €2,400 - 3,600

For details of the charges payable in addition to the final Hammer Price of each Lot 38 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 79

80 ANDREA BELVEDERE (NAPLES 1642-1732) Tulips, roses and other flowers in a terracotta vase oil on canvas 49.2 x 38.8cm (19 3/8 x 15 1/4in).

£2,000 - 3,000 €2,400 - 3,600

81 CIRCLE OF JEAN-BAPTISTE PILLEMENT (LYON 1728-1808) Studies of flowers oil on canvas 52.1 x 40.2cm (20 1/2 x 15 13/16in).

£3,000 - 5,000 €3,600 - 6,000

82 CIRCLE OF JEAN-BAPTISTE MONNOYER (LILLE 1636-1699 LONDON) Still life of flowers oil on canvas 90.1 x 71.2cm (35 1/2 x 28 1/16in).

£3,000 - 5,000 €3,600 - 6,000

83 TP 84 TP NICOLA VISO (ACTIVE NAPLES, CIRCA 1630) PHILIPP PETER ROOS, CALLED ROSA DA TIVOLI A river landscape with drovers watering their cattle and horses, (FRANKFURT-AM-MAIN 1657-1706 ROME) travellers on a bridge beyond A bull with goats and a dog before a landscape signed ‘N. viso.f.’ (on bridge, lower left) oil on canvas oil on canvas 131.4 x 184cm (51 3/4 x 72 7/16in). 78 x 128.6cm (30 11/16 x 50 5/8in). unframed unframed £4,000 - 6,000 £5,000 - 7,000 €4,800 - 7,200 €6,000 - 8,400

For details of the charges payable in addition to the final Hammer Price of each Lot 40 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 85

85 86 TP CIRCLE OF JACQUES COURTOIS, CALLED IL BORGOGNONE ENGLISH NAIVE SCHOOL, 19TH CENTURY (SAINT-HYPPOLITE 1621-1676 ROME) A jockey with a horse in a landscape A cavalry battle oil on canvas oil on canvas 91.4 x 122.2cm (36 x 48 1/8in). 50.2 x 100.7cm (19 3/4 x 39 5/8in). unframed

£2,000 - 3,000 £2,000 - 3,000 €2,400 - 3,600 €2,400 - 3,600

Provenance The Collection of Conte Giambattista Costabili, Ferrara (inv. no. 454, according to a label on the reverse)

Literature Pitture della raccolta del Co.te. Gio Batta Costabili di Ferrara, 1835, cat. no. 454 (‘Una tela mezzana per traverso rappresentante una battaglia del Padre Iacopo Cortesi detto il Borgognone’)

87 CIRCLE OF PIETER VAN AVONT (MALINES 1600-1652) An Allegory of Spring; An Allegory of Summer; and An Allegory of Autumn three of a set, oil on copper 16.3 x 13.4cm (6 7/16 x 5 1/4in). unframed (3)

£3,000 - 5,000 €3,600 - 6,000

For details of the charges payable in addition to the final Hammer Price of each Lot 42 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 88 89

88 CIRCLE OF JAN VAN HUCHTENBURG (HAARLEM 1647-1733 AMSTERDAM) A cavalry skirmish oil on panel 39.5 x 34.1cm (15 9/16 x 13 7/16in).

£2,000 - 3,000 €2,400 - 3,600

89 ATTRIBUTED TO SEBASTIAN VRANCX (ANTWERP 1573-1647) Bandits in a rocky landscape oil on panel, a fragment 33.7 x 27.2cm (13 1/4 x 10 11/16in).

£1,000 - 1,500 €1,200 - 1,800

90 * ATTRIBUTED TO PEETER NEEFFS THE YOUNGER (ANTWERP 1620-1675) The interior of a gothic church remains of signature ‘EFS’ (far left) oil on panel, cut down 30.9 x 24.5cm (12 3/16 x 9 5/8in).

£3,000 - 5,000 €3,600 - 6,000

91 SPANISH SCHOOL, 17TH CENTURY Saint Catherine of Siena oil on panel 35.7 x 24.8cm (14 1/16 x 9 3/4in). together with a cut-down portrait from the Circle of William Larkin and a Spanish painting of the Pieta’ (3)

£1,500 - 2,000 €1,800 - 2,400

92 AFTER FEDERICO BAROCCI, 17TH CENTURY The Madonna and Child oil on copper 23.8 x 18.9cm (9 3/8 x 7 7/16in).

£1,500 - 2,000 €1,800 - 2,400

The present work is based on an engraving by Barocci with the omission of the putti upper corners (British Museum no. V,8.162).

93 EMILIAN SCHOOL, EARLY 17TH CENTURY Christ on the road to Calvary oil on panel 81 x 50cm (31 7/8 x 19 11/16in).

£2,000 - 3,000 €2,400 - 3,600

For details of the charges payable in addition to the final Hammer Price of each Lot 44 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 94 95

94 ITALIAN SCHOOL, 18TH CENTURY Portrait of a gentleman, bust-length, in embroidered costume bears inscription ‘ANO, 1599, 18 APRILIS/ IN NVPTYS VALENT*/ AETATIS, SVAE 30’ (upper left) and charged with sitter’s coat-of-arms (upper right) oil on canvas 60.3 x 51.6cm (23 3/4 x 20 5/16in).

£2,500 - 3,500 €3,000 - 4,200

95 SPANISH SCHOOL, 16TH CENTURY The Madonna and Child oil on panel 123.8 x 68.5cm (48 3/4 x 26 15/16in). unframed

£4,000 - 6,000 €4,800 - 7,200

96 FLEMISH SCHOOL, EARLY 17TH CENTURY The Crucifixion oil on panel, arched top 28.5 x 23.6cm (11 1/4 x 9 5/16in).

£3,000 - 5,000 €3,600 - 6,000

Based on Pieter de Kempener’s original now in the Národní Galerie, Prague (inv.no. O 9004). 96

97 98 HERMAN SAFTLEVEN (ROTTERDAM CIRCA 1609-1685 ATTRIBUTED TO APOLLONIO DOMENICHINI (VENICE CIRCA UTRECHT) 1740-1760), FORMERLY KNOWN AS THE MASTER OF THE A Rhenish river landscape LANGMATT FOUNDATION VIEWS oil on panel An architectural capriccio of ruins with figures in the foreground 21.1 x 28cm (8 5/16 x 11in). fishing; and An architectural capriccio with figures conversing before ruins a river beyond £7,000 - 10,000 a pair, oil on canvas €8,400 - 12,000 73 x 97.1cm (28 3/4 x 38 1/4in). (2)

Provenance £7,000 - 10,000 The Collection of Avv. Giorgio Giorgiani, 1925 (according to a label €8,400 - 12,000 on the reverse) The present lot works are accompanied by an expertise, dated 21 Exhibited June 1970, from Ferdinando Bologna, suggesting at attribution to Trieste, Esposizione d’Arte Antica, Trieste, 1925, no. 194 (according Francesco Chiarottini. to a label on the reverse)

For details of the charges payable in addition to the final Hammer Price of each Lot 46 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 98

OLD MASTER PAINTINGS | 47 99 100

99 FOLLOWER OF ALLAERT VAN EVERDINGEN (ALKMAAR 1621- 1675 AMSTERDAM) A river landscape with figures on a bridge oil on canvas 80.6 x 64.4cm (31 3/4 x 25 3/8in).

£2,000 - 3,000 €2,400 - 3,600

Provenance Private Collection, UK since 1980

100 PANDOLFO RESCHI (DANZIG 1643-1699 FLORENCE) A rocky landscape with figures in the foreground oil on canvas 98.6 x 73.4cm (38 13/16 x 28 7/8in).

£3,000 - 5,000 €3,600 - 6,000

101 AFTER ANDREA LOCATELLI, 18TH CENTURY Figures seated at the foot of a tree oil on canvas 53.6 x 46.1cm (21 1/8 x 18 1/8in).

£3,000 - 5,000 €3,600 - 6,000

101 The present work is after Locatelli’s original in the Nationalmuseum, Stockholm (inv. no. NM96). The lot is accompanied by a copy of an expertise from Ferdinando Bologna, dated 22 May 1970, suggesting an attribution to Frans de Jongh (Haarlem circa 1644 – 1705).

For details of the charges payable in addition to the final Hammer Price of each Lot 48 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 102 103

102 JOACHIM FRANZ BEICH (RAVENSBURG 1665-1748 MUNICH) A figure on horseback with a drover in a stormy landscape signed with monogram ‘JFB’ (lower right) oil on canvas 99.3 x 73.3cm (39 1/8 x 28 7/8in).

£2,000 - 3,000 €2,400 - 3,600

103 FOLLOWER OF GERRIT DOU (LEIDEN 1613-1675) Saint Jerome oil on canvas 61.4 x 49.2cm (24 3/16 x 19 3/8in).

£2,000 - 3,000 €2,400 - 3,600

104 PAOLO MONALDI (ROME 1725-1780) Figures making music before a ruined arch oil on canvas 46.3 x 38.2cm (18 1/4 x 15 1/16in).

£4,000 - 6,000 €4,800 - 7,200

Provenance Sale, Dorotheum, Vienna, 6 October 2009, lot 261

104

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 49 105 FLEMISH FOLLOWER OF JACOPO DA PONTE, CALLED BASSANO, 17TH CENTURY Summer oil on copper 21.1 x 28.5cm (8 5/16 x 11 1/4in). unframed

£2,000 - 3,000 €2,400 - 3,600

106 TP VINCENT MALO THE ELDER (CAMBRAI 1600-1650 ROME) Venus in the forge of Vulcan signed with initials ‘V.M.’ (lower left) and bears inventory number ‘1178’ (lower right) oil on canvas 90.2 x 142.2cm (35 1/2 x 56in). 105 £2,500 - 3,500 €3,000 - 4,200

107 CIRCLE OF CAJETAN ROOS, CALLED GAETANO DE ROSA (ROME 1690-1770 VIENNA) A village scene oil on canvas 39.6 x 60.2cm (15 9/16 x 23 11/16in).

£2,000 - 3,000 €2,400 - 3,600

106

107

For details of the charges payable in addition to the final Hammer Price of each Lot 50 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 108 TP FOLLOWER OF FRANCESCO GIAMBATTISTA DA PONTE, CALLED FRANCESCO BASSANO (BASSANO 1549-1592 VENICE) Spring oil on canvas 98.8 x 129.7cm (38 7/8 x 51 1/16in). unframed

£1,500 - 2,000 €1,800 - 2,400

109 TP AFTER SIR ANTHONY VAN DYCK, EARLY 17TH CENTURY The Ages of Man oil on canvas 121.8 x 153.5cm (47 15/16 x 60 7/16in). 108

£3,000 - 5,000 €3,600 - 6,000

Provenance Purportedly in the possession of the Emperor Franz Joseph of Austria-Hungary (when restored in 1912 by Hermann Ritschl, Chief Picture Restorer of the Austrian Imperial Picture Collection) Baron Lasky, by whom given to Mrs Resch, Obere Donaustrasse 89a, Vienna, by whom given to her daughter Melanie Adutt of the same address, by whom bequeathed to the grandmother of the present owner

The present composition is after van Dyck’s original painting in the Museo Civico d’Arte e Storia, Vicenza.

110 SPANISH SCHOOL, 17TH CENTURY Still life on a ledge with asparagus oil on canvas 109 45.2 x 54.4cm (17 13/16 x 21 7/16in).

£2,000 - 3,000 €2,400 - 3,600

110

111 JEAN-BAPTISTE PILLEMENT (LYON 1728-1808) Figures in a rocky river landscape signed and dated ‘Jean Pillement/ 17*2’ (lower left) oil on canvas 38.3 x 52.5cm (15 1/16 x 20 11/16in).

£3,000 - 5,000 €3,600 - 6,000

Provenance Frederick Quinn, Springfield, Clonmel, by whom offered Sale, Bennetts, Clonmel, 24 June 1931, lot 97 Private Collection, Ireland

112 MARIO NUZZI, CALLED MARIO DE’ FIORI (ROME CIRCA 1603- 1673) Tulips, convolvulus, lilies and other flowers in a terracotta vase oil on canvas 48.2 x 37.2cm (19 x 14 5/8in).

£4,000 - 6,000 €4,800 - 7,200

The present work is offered with a letter from Yuri Primarosa (private communication, dated 6 February 2019) confirming the attribution to Mario de’ Fiori.

112

For details of the charges payable in addition to the final Hammer Price of each Lot 52 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 113

113 CIRCLE OF JEAN-BAPTISTE PATER (VALENCIENNES 1695- 1736 PARIS) Fête Champêtre oil on canvas 73.8 x 91.6cm (29 1/16 x 36 1/16in).

£8,000 - 12,000 €9,600 - 14,000

114 ATTRIBUTED TO LOUISE AIMÉE RIBOT (ACTIVE FRANCE, 19TH CENTURY) Still life with bread, bowls and a bottle of Wine bears signature and inscription ‘a l’ami Bo**/ t. Ribot’ (lower right) oil on canvas 32.7 x 40.7cm (12 7/8 x 16in).

£4,000 - 6,000 114 €4,800 - 7,200

Provenance Possibly, the artist Francois Bonvin (1817-1887)

Gabriel Weisberg has suggested this work is by Louise Aimee, Theodule Ribot’s daughter (private communication). It has been proposed that the inscription refers to François Bonvin, a close friend of the Ribot family.

115 * AFTER JOHN MAURER, 19TH CENTURY View of Buckingham House in St. James’s Park; and View of the Mall in St. James’s Park a pair, oil on canvas 53.3 x 75.6cm (21 x 29 3/4in). (2)

£7,000 - 10,000 €8,400 - 12,000

Provenance With W. Russell Button Inc, Michigan, USA (according to labels on the reverse)

Both the View of Buckingham House in St. James’s Park and the View of the Mall in St. James’s Park are after the original compositions by John Maurer which were engraved by various artists in the 18th century.

116 STUDIO OF JOSEPH WRIGHT OF DERBY (DERBY 1734-1797) Head study for John Staveley oil on paper 42.6 x 31.2cm (16 3/4 x 12 5/16in).

£6,000 - 8,000 €7,200 - 9,600

116

For details of the charges payable in addition to the final Hammer Price of each Lot 54 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 115

117 CIRCLE OF GIOVANNI PAOLO PANINI (PIACENZA CIRCA 1692- 1765 ROME) A capriccio of classical ruins with a shepherd and a shepherdess oil on canvas 63.5 x 49.7cm (25 x 19 9/16in).

£7,000 - 10,000 €8,400 - 12,000

Provenance Kunstsammlungen zu Weimar, 1945, inv. no. 44, whence restituted to the father of vendor Sale, Christie’s, South Kensington, 11 April 2004, lot 138, where purchased by the present owner

This composition derives from a painting in the Galleria Nazionale di Palazzo Corsini, Rome.

117

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 55 118 CIRCLE OF FRANCESCO ZUCCARELLI (PITIGLIANO 1702-1788 FLORENCE) A river landscape with figures resting on the banks; and A milkmaid with her children in a river landscape a pair, oil on canvas 43.6 x 53cm (17 3/16 x 20 7/8in). (2)

£2,000 - 3,000 €2,400 - 3,600 118 Provenance Sale, Christie’s, London, 26 March 1971, lot 102

The latter work is based on Zuccarelli’s original composition now in a private collection, London.

119 VENETIAN SCHOOL, LATE 17TH CENTURY A family seated at the foot of a tree oil on canvas 19 x 27.5cm (7 1/2 x 10 13/16in).

£2,000 - 3,000 €2,400 - 3,600

120 ATTRIBUTED TO CARLO BONAVIA (NAPLES ACTIVE 1751-1788) A Mediterranean coastal landscape with 119 fishermen on the rocks in the foreground oil on canvas 45 x 62.8cm (17 11/16 x 24 3/4in). unframed

£4,000 - 6,000 €4,800 - 7,200

120

For details of the charges payable in addition to the final Hammer Price of each Lot 56 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 121 JACQUES COURTOIS, CALLED IL BORGOGNONE (SAINT-HYPPOLITE 1621-1676 ROME) A cavalry skirmish oil on canvas 51.4 x 101.4cm (20 1/4 x 39 15/16in).

£2,500 - 3,500 €3,000 - 4,200

122 118 FOLLOWER OF APOLLONIO DOMENICHINI (VENICE CIRCA 1740-1760), FORMERLY KNOWN AS THE MASTER OF THE LANGMATT FOUNDATION VIEWS View of the Rialto Bridge from the North with the Fondaco dei Tedeschi, Venice oil on canvas 81.5 x 109.4cm (32 1/16 x 43 1/16in).

£3,000 - 5,000 €3,600 - 6,000

121

122

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 57 123 TP FLEMISH SCHOOL, 17TH CENTURY Cephalus and Procris oil on canvas 90.5 x 119.3cm (35 5/8 x 46 15/16in). 123 £2,000 - 3,000 €2,400 - 3,600

124 FRANS FRANCKEN II (ANTWERP 1581- 1642) AND STUDIO The Continence of Scipio signed ‘Dõ.ffranck.inv*nTOR’ (lower right) oil on copper 56.8 x 76.4cm (22 3/8 x 30 1/16in).

£4,000 - 6,000 €4,800 - 7,200

Provenance Sale, Christie’s, South Kensington, 29 October 2008, lot 24 (as Property of a Gentleman), where purchased by the present owner

125 124 ATTRIBUTED TO JAN SOENS, CALLED IL FIAMMINGO (‘S-HERTOGENBOSCH 1547-CIRCA 1614 PARMA) An extensive mountainous landscape with Tobias and the Angel oil on canvas 87.2 x 104.4cm (34 5/16 x 41 1/8in).

£4,000 - 6,000 €4,800 - 7,200

125

For details of the charges payable in addition to the final Hammer Price of each Lot 58 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 126 TP CIRCLE OF ANTHONIE CLAESSENS (BRUGES CIRCA 1536-1613) An Allegory of Virtue and Vice bears initials ‘RV’ (lower right) oil on canvas 104.5 x 134.5cm (41 1/8 x 52 15/16in).

£2,000 - 3,000 126 €2,400 - 3,600

Provenance Lt.-Col. W.E. Harrison, Wynchor Hall, Stafford, before 1976 Sale, Christie’s, London, 27 May 1983, lot 179 With Haynes Fine Art, Broadway (according to a label on the reverse)

127 CIRCLE OF BARTOLOMEO BIMBI (SETTIGNANO 1648-1730 FLORENCE) A partridge and a goldfinch oil on panel 27.2 x 38.2cm (10 11/16 x 15 1/16in).

£2,000 - 3,000 €2,400 - 3,600

128 FLEMISH SCHOOL, 17TH CENTURY Episodes from the story of David and Abigail oil on panel 63.8 x 116.6cm (25 1/8 x 45 7/8in). 127

£6,000 - 8,000 €7,200 - 9,600

128

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 59 129 TP ATTRIBUTED TO FRANÇOIS VERWILT (ROTTERDAM 1620- 1691) The Meeting of Jacob and Laban oil on canvas 98.2 x 128cm (38 11/16 x 50 3/8in).

£7,000 - 10,000 €8,400 - 12,000

Provenance Sale, Sotheby’s, London, 7 December 2006, lot 157, where purchased by the present owner

For details of the charges payable in addition to the final Hammer Price of each Lot 60 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 130 ATTRIBUTED TO JAN VAN KESSEL THE ELDER (ANTWERP 1626-1679) The Madonna and Child in carved stone niche surrounded by flowers bears signature ‘V BALEN’ (on stone niche, centre left) oil on canvas 111.2 x 81.2cm (43 3/4 x 31 15/16in).

£5,000 - 7,000 €6,000 - 8,400

131

131 CIRCLE OF GIOVANNI BATTISTA GAULLI, CALLED IL BACICCIO (GENOA 1639-1709 ROME) Portrait of Cardinal Giovanni Battista Costaguti, bust-length oil on canvas 66.7 x 50.6cm (26 1/4 x 19 15/16in).

£3,000 - 5,000 €3,600 - 6,000

132 ITALIAN SCHOOL, CIRCA 1630 Portrait of a man, bust-length, in a black coat and lace-trimmed lawn collar oil on paper laid down on copper, oval 6.2 x 5.3cm (2 7/16 x 2 1/16in).

£1,000 - 1,500 €1,200 - 1,800

133 ROMAN SCHOOL, 17TH CENTURY The head of a bearded man oil on paper laid down on canvas 47.8 x 37.8cm (18 13/16 x 14 7/8in).

£4,000 - 6,000 €4,800 - 7,200

133

For details of the charges payable in addition to the final Hammer Price of each Lot 62 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 134

135

134 ROMAN SCHOOL, LATE 17TH CEBTURY Saint Francis held by angels oil on panel tondo 17.2cm (6 3/4in). diameter

£1,500 - 2,000 €1,800 - 2,400

Provenance Gifted by Mary Hales of Hales Place, Kent, to Mary Sibylla Holland (according to a label on the reverse)

135 * CIRCLE OF FELICE BOSELLI (PIACENZA 1650-1732 PARMA) Study of pigeons oil on canvas 29.7 x 24.4cm (11 11/16 x 9 5/8in).

£2,000 - 3,000 €2,400 - 3,600

136 MANNER OF CARLO MARATTA, 19TH CENTURY The Madonna reading oil on canvas 65.7 x 57.6cm (25 7/8 x 22 11/16in).

£2,000 - 3,000 €2,400 - 3,600 136

137 CIRCLE OF NOEL HALLE (PARIS 1711-1781) An interior with a mother and her children oil on canvas 92.3 x 74.2cm (36 5/16 x 29 3/16in).

£2,000 - 3,000 €2,400 - 3,600

138 TP MANNER OF GIOVANNI PAOLO PANINI, 19TH CENTURY An architectural capriccio with figures before a ruined arch oil on canvas 123.8 x 97.2cm (48 3/4 x 38 1/4in).

£3,000 - 5,000 €3,600 - 6,000

139 * FOLLOWER OF SEBASTIANO RICCI (BELLUNO 1659-1734 VENICE) The Arrest of the Elders oil on canvas 42.3 x 30.5cm (16 5/8 x 12in).

£3,000 - 5,000 €3,600 - 6,000

The present work is based on the right-hand section of Sebastiano Ricci’s Susanna before Daniel, now in Sabauda Gallery, Turin.

139

For details of the charges payable in addition to the final Hammer Price of each Lot 64 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 140

140 141 GERMAN SCHOOL, 19TH CENTURY Christ on the road to Calvary oil and gold ground on canvas laid down on board 78.5 x 58.5cm (30 7/8 x 23 1/16in). unframed

£1,500 - 2,000 €1,800 - 2,400

Provenance Private Collection, UK, for at least 20 years

141 FOLLOWER OF PIETRO FABRIS (NAPLES CIRCA 1740-1792) Two ladies spinning oil on canvas, unlined 49.2 x 37.6cm (19 3/8 x 14 13/16in).

£2,000 - 3,000 €2,400 - 3,600

142 AFTER FRANCISCO JOSÉ DE GOYA Y LUCIENTES, 19TH CENTURY De qué mal morirà? oil on tin 31 x 25.2cm (12 3/16 x 9 15/16in). unframed

£2,000 - 3,000 €2,400 - 3,600

The present composition follows Goya’s De qué mal morirà? from his series of engravings of Los Caprichos published in 1799. 142

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 65 143 GERMAN SCHOOL, 18TH CENTURY Apollo playing his harp before the Muses oil on panel 76.8 x 94.2cm (30 1/4 x 37 1/16in). 143 £2,000 - 3,000 €2,400 - 3,600

144 JOHANN GEORG TRAUTMANN (ZWEIBRÜCKEN 1713-1769 FRANKFURT- AM-MAIN) Figures fleeing a burning village indistinctly signed with initials ‘*T.f.’ (lower centre) oil on canvas 33.3 x 42.2cm (13 1/8 x 16 5/8in).

£3,000 - 5,000 €3,600 - 6,000

145 ATTRIBUTED TO JOHANN CONRAD SEEKATZ (GRÜNSTADT 1719-1768 DARMSTADT) The Adoration of the Shepherds oil on panel 144 25.7 x 31.7cm (10 1/8 x 12 1/2in).

£1,000 - 1,500 €1,200 - 1,800

145

For details of the charges payable in addition to the final Hammer Price of each Lot 66 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 146 ATTRIBUTED TO CORNELIS HUYSMANS (ANTWERP 1648-1727 MECHELEN) A rocky river landscape with figures in a boat 146 oil on canvas 49.2 x 61cm (19 3/8 x 24in). unframed

£3,000 - 5,000 €3,600 - 6,000

147 GERMAN SCHOOL, 18TH CENTURY Harvesters before a farm cottage oil on canvas 31.6 x 36.6cm (12 7/16 x 14 7/16in).

£2,000 - 3,000 €2,400 - 3,600

148 STUDIO OF GERARD HOET THE ELDER (BOMMEL 1648-1733 THE HAGUE) Mars paying homage to Venus oil on copper 23.4 x 30.5cm (9 3/16 x 12in).

£2,000 - 3,000 €2,400 - 3,600 147

A version of the present composition by Hoet (signed, 34.8 x 44 cm) was offered at Christie’s, South Kensington on 31 October 2013, lot 123.

148

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 67 149 WILLIAM SARTORIUS (ACTIVE BRITAIN, 1730-1740) Peaches, pears and grapes in a basket with a melon and a monkey on a stone ledge signed ‘W: Sartorius fecit.’ (on stone ledge, lower right) oil on canvas 149 63.6 x 72.2cm (25 1/16 x 28 7/16in).

£3,000 - 5,000 €3,600 - 6,000

Provenance With Paul Larsen, London, December 1967

150 TP STEPHEN SLAUGHTER (LONDON 1697- 1765) Portrait of Robert Jocelyn, Baron Newport, in the robes of Lord Chancellor inscribed, signed and dated ‘Right Hon. ble Robert Jocelyn Baron Newport./ *rd Chancellor of Ireland. Lord Justice. Dublin/ Step.n Slaughter Pinx.t 1744’ (on table, lower left) oil on canvas 126.8 x 98.2cm (49 15/16 x 38 11/16in).

£3,000 - 5,000 €3,600 - 6,000

Provenance Purchased by the present owner’s father in the 1970s

A further portrait of Baron Newport, of the same composition, was offered at Christie’s, Powerscourt, Co. Wicklow, 24-25 September 1984, lot 32.

150

For details of the charges payable in addition to the final Hammer Price of each Lot 68 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 151 TP FOLLOWER OF DAVID DE CONINCK (ANTWERP 1636-1699 BRUSSELS) A Macaw, turkey, cockerel and hens in parkland oil on canvas 96.7 x 134.8cm (38 1/16 x 53 1/16in). 151 £3,000 - 5,000 €3,600 - 6,000

152 TP ATTRIBUTED TO JOHN RILEY (LONDON 1646-1691) Portrait of Sir Orlando Bridgeman, Chief Justice of the Court of Common Pleas bears inscription ‘BRIDGMAN LORD KEEPER’ (upper right) oil on canvas 127.2 x 112.7cm (50 1/16 x 44 3/8in).

£4,000 - 6,000 €4,800 - 7,200

Provenance Sale, Christie’s, London, 20 June 1919, lot 119 (bt White)

Sir Orlando Bridgeman is here depicted in the robes of the Lord Chief Justice of the Common Pleas, a position that he held between 1660 and 1668. A portrait, given to Pieter Borsselaer, of the same sitter, in the identical pose but as Lord Keeper of the Great Seal, now hangs at Chirk Castle Wrexham. Another version of the present portrait is at Weston Park, Staffordshire.

152

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 69 153 TP . GIOVANNI STANCHI (ROME 1608-CIRCA 1673) A vase of flowers with fruit on a stone ledge, a view to a landscape beyond oil on canvas 130.2 x 94.8cm (51 1/4 x 37 5/16in).

£8,000 - 12,000 €9,600 - 14,000

For details of the charges payable in addition to the final Hammer Price of each Lot 70 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. . 154 TP NEAPOLITAN SCHOOL, 17TH CENTURY Literature Martha and Mary G. Macchi (ed.), Lo Specchio e il Doppio, Milan, 1987, p. 165, no. oil on canvas 49, ill. (as Massimo Stanzione) 132.7 x 96.5cm (52 1/4 x 38in). S. Schultze and T.C. Willette, Massimo Stanzione L’opera completa, Naples, 1992, cat. no. C16, pp. 249-50, ill., fig. 382, p. 408 (as £7,000 - 10,000 attribution not sustained but ‘La figura di Marta sulla destra richiama €8,400 - 12,000 in realtà, opere dello Stanzione della prima metà degli anni Trenta. La Maria Maddalena davanti allo specchiio indica, invece, nel modellato dell’incarnato e nella raffigurazione delle vesti, in maniera evidente, la Exhibited mano di Artemisia.’) Florence, Palazzo Pitti, La Maddalena tra Sacro e Profano, 1981, cat. no. 3 (as Artemisia Gentileschi?)

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 71 155 FOLLOWER OF JOHANNES BOUMAN (STRASBOURG 1601-1658 UTRECHT) Pears and grapes with nuts on a stone ledge oil on canvas 52.7 x 62.2cm (20 3/4 x 24 1/2in). 155 £2,000 - 3,000 €2,400 - 3,600

Provenance Private Collection, Germany for at least 60 years

156 MANNER OF MARMADUKE CRADDOCK, 19TH CENTURY A peacock, hens and other birds in a landscape oil on canvas 99.8 x 114.8cm (39 5/16 x 45 3/16in).

£2,000 - 3,000 €2,400 - 3,600

157 CIRCLE OF JAN-BAPTISTE BOSSCHAERT (ANTWERP 1667-CIRCA 1746) Tulips, roses, chrysanthemums and other 156 flowers in a bronze urn bears signature and indistinct date ‘J: Morrell f ****’ (lower left) oil on canvas 82.1 x 96.8cm (32 5/16 x 38 1/8in). unframed

£3,000 - 5,000 €3,600 - 6,000

157

For details of the charges payable in addition to the final Hammer Price of each Lot 72 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 158 FOLLOWER OF MAXIMILIAN PFEILER (ACTIVE ROME, CIRCA 1694-CIRCA 1721 BUDAPEST) Pomegranates, grapes, figs and other fruit in a landscape oil on canvas 62.2 x 76.1cm (24 1/2 x 29 15/16in). 158 £2,000 - 3,000 €2,400 - 3,600

Provenance With James L. Kirkhope, Glasgow, where purchased by the present owner’s mother in March 1946 (as A. Brueghel)

159 CIRCLE OF PEETER NEEFFS THE YOUNGER (ANTWERP 1620-1675) A church interior with a procession oil on canvas 29.1 x 40cm (11 7/16 x 15 3/4in).

£2,000 - 4,000 €2,400 - 4,800

160 ATTRIBUTED TO BARTOLOMEO CASTELLI THE YOUNGER, CALLED LO 159 SPADINO (ROME 1696-1738) Peaches, plums and grapes oil on canvas 34.8 x 45.4cm (13 11/16 x 17 7/8in).

£2,000 - 3,000 €2,400 - 3,600

Provenance With James L. Kirkhope, Glasgow, where purchased by the present owner’s mother in March 1945 (as Michele Pace del Campidoglio)

160

162

161 TP 162 TP VENETO SCHOOL, 18TH CENTURY CIRCLE OF JAN HACKAERT (AMSTERDAM 1628-1685) A capriccio with figures before the Verona Arena A wooded river landscape with shepherds with their flock oil on canvas oil on canvas 73.1 x 97.1cm (28 3/4 x 38 1/4in). 93.8 x 117.7cm (36 15/16 x 46 5/16in).

£5,000 - 7,000 £5,000 - 7,000 €6,000 - 8,400 €6,000 - 8,400

Provenance Sir William H. Feilden, Bt. Sale, Christie’s, London, 3 March 1877, lot 60 (as ‘van Huysum’, 15gns. to Graves)

For details of the charges payable in addition to the final Hammer Price of each Lot 74 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 163

164

163 TP 164 TP MONOGRAMMIST GAE (ACTIVE ROME, 17TH CENTURY) FOLLOWER OF GIOVANNI GHISOLFI (MILAN CIRCA 1623- An encounter between Alexander and Thalestris 1683) signed with monogram ‘GAE’ (lower left) Figures in an architectural capriccio oil on canvas oil on canvas 91.6 x 129.7cm (36 1/16 x 51 1/16in). 83.1 x 112.6cm (32 11/16 x 44 5/16in).

£5,000 - 7,000 £5,000 - 7,000 €6,000 - 8,400 €6,000 - 8,400

Literature G. Sestieri, Capriccio architettonico in Italia nel XVII e XVIII, Rome, 2015, vol. II, p. 107, cat. no. 19, ill. p. 106

165 ITALO-FLEMISH SCHOOL, 18TH CENTURY A Mediterranean coastal view with a shepherd and his flock before ruins oil on canvas 41.5 x 118.5cm (16 5/16 x 46 5/8in). together with a later work of the same dimensions and bearing the signature and date ‘J.Griffier/ 1734’ (2)

£2,000 - 3,000 €2,400 - 3,600

166 CHRISTIAN STOCKLIN (GENEVA 1741- 1795 FRANKFURT) An artist sketching a ruined building signed and dated ‘Stocklin **/ 1775’ (lower centre) 166 oil on panel 29.6 x 37.6cm (11 5/8 x 14 13/16in).

£3,000 - 5,000 €3,600 - 6,000

167 ATTRIBUTED TO PETER VAN DEN VELDE (ANTWERP 1634-1687) A harbour scene oil on canvas 55.6 x 79.4cm (21 7/8 x 31 1/4in).

£2,500 - 3,500 €3,000 - 4,200

167

For details of the charges payable in addition to the final Hammer Price of each Lot 76 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 165

168 JOHANN CHRISTIAN VOLLERDT (LEIPZIG 1708-1769 DRESDEN) A river landscape with figures before ruins oil on canvas 61.2 x 76.6cm (24 1/8 x 30 3/16in).

£2,000 - 3,000 €2,400 - 3,600

Provenance With G.M. Lottinga Ltd., London, May 1954 (according to a label on the reverse)

169 AFTER MEINDERT HOBBEMA, 18TH CENTURY A river landscape with a watermill in the distance oil on canvas 71.2 x 91.4cm (28 1/16 x 36in). 168

£2,500 - 3,500 €3,000 - 4,200

The present lot is after Hobbema’s original composition, which is now lost.

169

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 77 170 170 IGNATIUS BECKERS (ACTIVE BRUSSELS AND AMSTERDAM, 18TH CENTURY) Fruit sellers with a dog; and Fruit sellers the former signed and dated ‘J. de BeckeRs/ 1744’ (lower right) and the latter ‘J. de BeckeRs/ 1744’ (lower left) a pair, oil on copper 34.8 x 51.1cm (13 11/16 x 20 1/8in). (2)

£2,000 - 3,000 €2,400 - 3,600

171 CIRCLE OF PIETER ANGELLIS (DUNKIRK 1685-1734 RENNES) A palace interior with figures feasting and dancing; and A palace interior with elegant figures dancing a pair, oil on canvas 53.4 x 62.2cm (21 x 24 1/2in). (2)

£2,000 - 3,000 €2,400 - 3,600

The latter work follows the same composition 171 as a signed painting by Jean Baptiste Bonnecroy, offered at Hôtel Drouot, Paris, 25 November 1985, lot 47.

172

For details of the charges payable in addition to the final Hammer Price of each Lot 78 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 172 170 FOLLOWER OF CORNELIS DE WAEL (ANTWERP 1592-1667 ROME) Shipping approaching land oil on canvas 72.6 x 109.4cm (28 9/16 x 43 1/16in).

£3,000 - 5,000 €3,600 - 6,000

173 BALTHASAR VAN DEN BOSSCHE (ANTWERP 1681-1715) The Sculptor’s Studio signed and dated ‘* Bosche f./1712’(lower left) oil on canvas 47.9 x 58.2cm (18 7/8 x 22 15/16in).

£2,000 - 3,000 €2,400 - 3,600

171

173

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 79 174 TP GEORGE SMITH OF CHICHESTER (CHICHESTER 1714-1776) An Italianate landscape with figures by a campfire oil on canvas 71.2 x 91.5cm (28 1/16 x 36in).

£8,000 - 12,000 €9,600 - 14,000

Provenance Sale, Sotheby’s, 7 June 2006, lot 183, where purchased by the present owner

For details of the charges payable in addition to the final Hammer Price of each Lot 80 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 175 AFTER WILLIAM HOGARTH, 18TH CENTURY Provenance Four scenes from A Harlot’s Progress Charles Baring Wall (1795-1853) four of a set, oil on canvas Thomas Baring (1799-1873), his cousin, and thereafter by descent 34.1 x 41.2cm (13 7/16 x 16 1/4in). (4) through the family

The present works are after Hogarth’s original paintings, now £2,000 - 3,000 destroyed and known through a series of 6 engravings in reverse. €2,400 - 3,600

176 FRANCIS SARTORIUS (LONDON 1734- 1804) Mr Mitchell’s hunter, Badger oil on canvas 23.5 x 33.2cm (9 1/4 x 13 1/16in).

£3,000 - 5,000 €3,600 - 6,000

Provenance The Collection of Mrs James de Rothschild, by whom offered Sale, Christie’s, London, 5 November 1971, lot 202, where purchased by With Arthur Ackermann and Son Ltd., London

177 JOHN BERRIDGE (LINCOLNSHIRE 1740- 1804) Portrait of a lady, half-length, in military costume signed and dated ‘J. Berridge Pinx/ Feby 4. 1761’ (lower right) oil on canvas 76.7 x 63.2cm (30 3/16 x 24 7/8in).

£3,000 - 5,000 €3,600 - 6,000

The present work was advertised in Country Life in 1967 as Thomas Beach.

177

For details of the charges payable in addition to the final Hammer Price of each Lot 82 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 178

178 TP CIRCLE OF JEAN-JACQUES BACHELIER (PARIS 1724-1806) Spaniels flushing partridges oil on canvas 121.2 x 171.1cm (47 11/16 x 67 3/8in).

£6,000 - 8,000 €7,200 - 9,600

179 CIRCLE OF LEMUEL FRANCIS ABBOTT (LEICESTERSHIRE CIRCA 1760-1803 LONDON) Portrait of Alexander MacKenzie, half-length, in a green coat oil on canvas 76.2 x 63.2cm (30 x 24 7/8in).

£3,000 - 5,000 €3,600 - 6,000

Provenance The Collection of Geraldine Mozley, before 1938 (according to literature) Private Collection, UK for at least 50 years

Literature G.N. Mozley, Letters to Jane from Jamaica, 1788-1796, London, 1938, p. 155

The sitter, son of George, President of the Legislative Council, Jamaica and Ann, was born in the 1770s in Jamaica.

179

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. OLD MASTER PAINTINGS | 83 180† ANTONIE DE LORME (TOURNAI 1610- 1673 ROTTERDAM) A church interior with elegant figures oil on panel 66 x 83.9cm (26 x 33 1/16in).

£3,000 - 5,000 €3,600 - 6,000

Provenance Emmet Collection, Seville, from whom purchased by Louis Durr (1821-1880), New York, by whom given to The New York Historical Society, USA, by whom offered Sale, Christie’s, South Kensington, 4 July 2007, lot 29

Literature Catalogue of the Gallery of Art of The New York Historical Society, New York, 1915, p. 112, no. D-102 (as Anthonie de Lorme with 180 figures by Adriaen van de Velde) B.G. Maillet, Intérieurs d’Églises 1580-1720. La Peinture Architecturale dans les Écoles du Nord, Brussels, 2012, cat. no. M-O577, p. 274, ill

181 ATTRIBUTED TO HENRI GASCARS (PARIS 1635-1701 ROME) Portrait of a boy of the Pym family, half- length, in a brown coat, lace cravat and red ribbons at his cuffs, shoulders and neck, within a painted oval dated ‘Ian: 68’ (upper left) oil on canvas 76 x 63cm (29 15/16 x 24 13/16in).

£2,000 - 4,000 €2,400 - 4,800

This portrait and lot 183 represent two of the three sons of the fashionable London merchant and tailor William Pym I (1619- 72) of St Martin’s-in-the-Fields and his wife Margaret Harris. William Pym I specialised in making and selling suits with ribbons, as related in entries in Samuel Pepys’s famous diaries for the years 1660 and 1661 (see the privately printed book by Francis Pym, Sentimental Journey: Tracing an Outline of Family History, 1998, p.xiv and pp.9-11, ISBN 0 9532027 0 4). Their three sons were William (c. 1645-1716), Charles (later a barrister) and James. Given the date of 1668 on the portraits, they most likely show the younger sons Charles and James Pym.

181

For details of the charges payable in addition to the final Hammer Price of each Lot 84 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 182 CIRCLE OF EDWARD COLLIER (BREDA CIRCA 1640-CIRCA 1706 LONDON) Trompe l’oeil with an engraving of Charles I, a sprig of oak and an envelope oil on canvas 29.9 x 41.6cm (11 3/4 x 16 3/8in).

£6,000 - 8,000 €7,200 - 9,600

Provenance The Collection of Ronald A. Lee His sale, Sotheby’s, London, 28 November 2001, lot 65, where purchased by the present owner

183 ATTRIBUTED TO HENRI GASCARS (PARIS 1635-1701 ROME) Portrait of a boy of the Pym family, half- length, in a brown velvet coat, lace cravat and red ribbons at his cuffs and neck, within 182 a painted oval dated ‘Ian: 68’ (upper right) oil on canvas 76 x 63cm (29 15/16 x 24 13/16in).

£4,000 - 6,000 €4,800 - 7,200

See lot 181 for further information.

183

184 JULIUS CAESAR IBBETSON (FULNECK 1759-1817 MASHAM) Langdale Pikes, with elegant travellers waiting for a ferry in the foreground signed, inscribed and dated ‘Julius Ibbetson Pinxt Kilburn Apr 1787’ (lower right) oil on canvas 41.9 x 56.5cm (16 1/2 x 22 1/4in).

£3,000 - 5,000 €3,600 - 6,000

Provenance With John Mitchell Private Collection, UK

185 ATTRIBUTED TO JEAN-BAPTISTE BELIN DE FONTENAY (CAEN 1653-1715 PARIS) Lilies, chrysanthemums, roses and other flowers in a bronze urn on a marble ledge indistinctly signed ‘B***f’ (lower right) oil on canvas 101.8 x 81.3cm (40 1/16 x 32in).

£2,000 - 3,000 €2,400 - 3,600