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Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films. -
SHARE a MESSAGE of LOVE #Pandoravalentines
Leader in South Asian News - Tel: 905-795-0639 Friday, FebruaryJune 2, 2017 1, 2019 www.WeeklyVoice.com VolVol 25, 23, No. No. 05 22 PM: 40025701 SHARE A MESSAGE OF LOVE #PANDORAValentines THE PANDORA STORE THE PANDORA STORE THE PANDORA STORE THE PANDORA STORE BRAMALEA CITY ERIN MILLS TOWN MAPLEVIEW SQUARE ONE CENTRE CENTRE CENTRE SHOPPING CENTRE 905.792.8820 905.828.5902 905.632.5400 905.232.0661 © 2019 Pandora Jewelry, LLC • All rights reserved A-2 | Friday, February 1, 2019 www.WeeklyVoice.com co-sponsored in part by Ninepoint Alternative Health Fund The first actively managed mutual fund in Canada focused on the cannabis sector. A mutual fund that takes advantage of changing dynamics in an early stage sector and aims to mitigate risk by diversifying across cannabis and neutraceutical sectors. Co-sponsored in part by Invest in the world’s fastest-growing major GATEWAY TO economy, with unique access to the entire spectrum of the Indian market, including NEW INDIA small and mid-cap equities, as well as Indian fixed-income. Ninepoint Partners is an independent investment manager committed to adding value to SUN LIFE EXCEL INDIA FUND investors’ portfolios through innovative thinking and real-world solutions. SUN LIFE EXCEL INDIA BALANCED FUND Learn more at www.ninepoint.com. InvestSUN LIFE EXC ELin NEW INDIA LEADERS FUND For more information, please call a Financial Advisor at: companies inventingWWW.SHAHFINANCIAL.CA WWW.SHAHFINANCIAL.CA NinepointNinepoint Partners Partners LP is is the the investment investment manager manager to the Ninepoint to the Ninepoint Funds (collectively, Funds (collectively, the ‘’Funds’’). -
Analytical Study of Effects of Television Commercials on Indian
ISSN : 2581-6918 (E), 2582-1792 (P) Anjani Kumar Jha, Rashmi Prakash, SHODH SAMAGAM Year-04, Volume-04, Issue-03 Page No. 1904 - 1910 SHODH SAMAGAM ISSN : 2581-6918 (Online), 2582-1792 (PRINT) Analytical Study of Effects of Television Commercials on Indian Women Anjani Kumar Jha, (Ph.D.), Department of Media Studies, Rashmi Prakash, Research Scholar, Department of Media Studies, Mahatma Gandhi Central University, Motihari, Bihar, INDIA ABSTRACT Television plays an important role in our life. ORIGINAL ARTICLE In today’s competitive world many television channels telecast many serials every day. Most television series are watched by women than by men in our country. Women are free after completing their household chores in the evening, that’s why most of the women watch TV serials during prime time. Primetime for TV serial is generally considered 7 to 11 pm. Television serial may affect women’s minds a lot because they spend Corresponding Authors hours in front of the TV to watch their favourite’s Anjani Kumar Jha, (Ph.D.), shows. The present study evaluates the impact of Department of Media Studies, television serials on Indian women. For this Rashmi Prakash, Research Scholar, research the primary data collected from 100 Department of Media Studies, respondents from numerous parts of the country Mahatma Gandhi Central University, using Google forms. A set of questions framed Motihari, Bihar, INDIA through structured questionnaires was asked from female viewers. The secondary data was collected [email protected] from books, websites, articles, television, etc. The data were graphically analyzed to validate the Received on : 29/07/2021 hypothesis. -
Watch Online Mirch Movie in Hindi
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Balaji Telefilms Limited
Balaji Telefilms Limited Company Overview BSE Code 532382 Balaji Telefilms Limited is in Media & BSE Symbol BALAJITELE Entertainment sector and it is in film production, distribution & entertainment industry. BTL was Key Highlights incorporated in 1994 as a private limited Latest Date 17 Sept 2018 company and became listed in the year 2000. Latest Price (Rs.) 106.5 BTL produces Television serial content, Movies 52 Week High (Rs.) 181 and digital content. 52 week low (Rs.) 102 BTL has produced 18000 hours of Television Face Value (Rs.) 2 content since its inception. BTL has produced Market Cap. (Rs. in Cr.) 1112 some of the best television serials in the country Net Worth (Rs. in Cr.) 853 including the famous K series of daily soap: TTM EPS (Rs.) -4.61 ‘Kyunki Saas Bhi Kabhi Bahu Thi', ‘Kahani PE Ratio (x) 0 Ghar Ghar Ki' and more recently created ‘Naagin-1', ‘Naagin-2' a weekend fiction based PB Ratio (x) 1.34 programming. EV/ EBITDA (x) -31.01 Market Cap./ Sales (x) 3.19 Segment Summary Shareholding Pattern The company operates in 3 segments. Promoters 33% FII 18% 1. TV Serial Production DII 35% The backbone of the company is their TV serial Non-Institutional 14% production business. BTL is in this business from the incorporation of the company in 1994. The returns from the TV Business are steady because the company operates on a cost-plus model, whereby company adds profit to the whole cost of production and bill that to the broadcaster. 2. Movie Production The company started movie production in 2001. -
Balaji Telefilms Limited 10 20 11 Company Review
annual report Balaji Telefilms Limited 10 20 11 Company Review 02 A Snapshot of Our World 04 Shifting Paradigms 06 Performance Highlights 07 Financial Highlights 08 Letter to the Shareholders 09 Managing Director’s Review Statutory Report 10 Joint Managing 14 Management Financial Statements Director’s Message Discussion & Analysis 34 Standalone Financial 11 Balaji Shows on 20 Directors’ Report Statements Television 24 Corporate Goverance 61 Consolidated 12 Board of Directors Report Financial Statements Balaji Motion Pictures Limited 86 Directors’ Report 89 Financial Statements 107 AGM Notice Forward looking statement In this Annual Report, we have disclosed forward looking information to enable investors to comprehend our prospects and take investment decisions. This report and other statements, written and verbatim, that we periodically make contain forward looking statements that set out anticipated results based on the management’s plans and assumptions. We have tried wherever possible to identify such statements by using words such as ‘anticipate’, ‘estimate’, ‘expects’, ‘projects’, ‘intends’, ‘plans’, ‘believes’, and words of similar substance in connection with any discussion of future performance. We cannot guarantee that these forward looking statements will be realised, although we believe we have been prudent in assumptions. The achievements of results are subject to risks, uncertainties, and even inaccurate assumptions. Should known or unknown risks or uncertainties materialise, or should underlying assumptions prove inaccurate, actual results could vary materially from those anticipated, estimated, or projected. Readers should keep this in mind. We undertake no obligation to publicly update any forward looking statements, whether as a result of new information, future events or otherwise. Vision is all about looking ahead It is seldom static but often consistent. -
Five Things That Have Changed in Hollywood Since the Harvey Weinstein Case Broke
Wednesday, February 26, 2020 Rajab 2, 1441 AH Doha today 160 - 250 COVER Winds of change STORY Five things that have changed in Hollywood since the Harvey Weinstein case broke. P4-5 BOLLYWOOD BACK PAGE For Karisma, MOM means Pak embassy, Diwan AlArab to ‘Master fo Multitasking’. hold Urdu poetry competition. Page 15 Page 16 2 GULF TIMES Wednesday, February 26, 2020 COMMUNITY ROUND & ABOUT PRAYER TIME Fajr 4.43am Shorooq (sunrise) 6.01am Zuhr (noon) 11.47am Asr (afternoon) 3.05pm Maghreb (sunset) 5.33pm Isha (night) 7.03pm USEFUL NUMBERS Emma Woodhouse, who lives in Georgian- and Regency-era England CAST: Josh OConnor, Bill Nighy, Anya Taylor-Joy and occupies herself with matchmaking – in sometimes DIRECTION: Autumn de Wilde misguided, often meddlesome fashion. SYNOPSIS: Following the antics of a young woman, Emma THEATRES: The Mall, Landmark, Royal Plaza Emergency 999 Worldwide Emergency Number 112 Kahramaa – Electricity and Water 991 Local Directory 180 International Calls Enquires 150 Hamad International Airport 40106666 Labor Department 44508111, 44406537 Mowasalat Taxi 44588888 Qatar Airways 44496000 Hamad Medical Corporation 44392222, 44393333 Qatar General Electricity and Water Corporation 44845555, 44845464 Primary Health Care Corporation 44593333 44593363 Qatar Assistive Technology Centre 44594050 Qatar News Agency 44450205 44450333 Q-Post – General Postal Corporation 44464444 Humanitarian Services Offi ce (Single window facility for the repatriation of bodies) Ministry of Interior 40253371, 40253372, 40253369 Ministry of Health 40253370, 40253364 Hamad Medical Corporation 40253368, 40253365 Qatar Airways 40253374 Bhoot: Part 1: The Haunted Ship SYNOPSIS: Based on a true accident, the fi lm tells the DIRECTION:Bhanu Pratap Singh story of a couple on an abandoned ship lying static on a beach. -
Lions Film Awards 01/01/1993 at Gd Birla Sabhagarh
1ST YEAR - LIONS FILM AWARDS 01/01/1993 AT G. D. BIRLA SABHAGARH LIST OF AWARDEES FILM BEST ACTOR TAPAS PAUL for RUPBAN BEST ACTRESS DEBASREE ROY for PREM BEST RISING ACTOR ABHISEKH CHATTERJEE for PURUSOTAM BEST RISING ACTRESS CHUMKI CHOUDHARY for ABHAGINI BEST FILM INDRAJIT BEST DIRECTOR BABLU SAMADDAR for ABHAGINI BEST UPCOMING DIRECTOR PRASENJIT for PURUSOTAM BEST MUSIC DIRECTOR MRINAL BANERJEE for CHETNA BEST PLAYBACK SINGER USHA UTHUP BEST PLAYBACK SINGER AMIT KUMAR BEST FILM NEWSPAPER CINE ADVANCE BEST P.R.O. NITA SARKAR for BAHADUR BEST PUBLICATION SUCHITRA FILM DIRECTORY SPECIAL AWARD FOR BEST FILM PREM TELEVISION BEST SERIAL NAGAR PARAY RUP NAGAR BEST DIRECTOR RAJA SEN for SUBARNALATA BEST ACTOR BHASKAR BANERJEE for STEPPING OUT BEST ACTRESS RUPA GANGULI for MUKTA BANDHA BEST NEWS READER RITA KAYRAL STAGE BEST ACTOR SOUMITRA CHATTERHEE for GHATAK BIDAI BEST ACTRESS APARNA SEN for BHALO KHARAB MAYE BEST DIRECTOR USHA GANGULI for COURT MARSHALL BEST DRAMA BECHARE JIJA JI BEST DANCER MAMATA SHANKER 2ND YEAR - LIONS FILM AWARDS 24/12/1993 AT G. D. BIRLA SABHAGARH LIST OF AWARDEES FILM BEST ACTOR CHIRANJEET for GHAR SANSAR BEST ACTRESS INDRANI HALDER for TAPASHYA BEST RISING ACTOR SANKAR CHAKRABORTY for ANUBHAV BEST RISING ACTRESS SOMA SREE for SONAM RAJA BEST SUPPORTING ACTRESS RITUPARNA SENGUPTA for SHWET PATHARER THALA BEST FILM AGANTUK OF SATYAJIT ROY BEST DIRECTOR PRABHAT ROY for SHWET PATHARER THALA BEST MUSIC DIRECTOR BABUL BOSE for MON MANE NA BEST PLAYBACK SINGER INDRANI SEN for SHWET PATHARER THALA BEST PLAYBACK SINGER SAIKAT MITRA for MISTI MADHUR BEST CINEMA NEWSPAPER SCREEN BEST FILM CRITIC CHANDI MUKHERJEE for AAJKAAL BEST P.R.O. -
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'* ; "<%"= %"== !" RNI Regn. No. MPENG/2004/13703, Regd. No. L-2/BPLON/41/2006-2008 /* 01 2 /!") " # $%& !" !"#$% &$' * 3) ) 34 5)6.33..3 . ) 36 +8 &!&'#(%') )'# ..-8) .3 5) )' !)'# ') , 384 ,.9) 3).) . ))3*75 ** )' !#* )'&' +'*%' ' # $%& ' '(%)*)*+ , -": - .-/ rapes and violence for decades meet Pakistan’s Punjab and the Nankana incident Governor and Chief Minister,” shows how minorities there are he said. Longowal said the del- persecuted and why they need egation will comprise Rajinder citizenship in India. Singh Mehta, Roop Singh, Lekhi also said that this Surjit Singh and Rajinder incident should open the eyes Singh. !"" of Congress leaders such as So- “We have spoken with the nia Gandhi, Rahul Gandhi and Gurdwara Nankana Sahib Q ))*+ no borders. Navjot Singh Sidhu, TMC sup- management committee...They Taking to Twitter, Rahul remo Mamata Banerjee, the told us the situation is normal ! he Shiromani Gurdwara termed Friday attack repre- leftists and the “Urban Naxals” now,” Longowal said. # $% TParbhandhak Committee hensible, and said the only who have been opposing the The SGPC chief said the &'() +L (SGPC), the apex body which known antidote to bigotry is amended Citizenship Act. sentiments of the Sikh com- *,- provincial authorities in the - manages Sikh shrines, will love, mutual respect and under- Meanwhile, strongly con- munity were hurt with the Punjab province have informed L send a four-member delegation -
About Balaji Telefilms
Private and Confidential Unique, Distinctive, Disruptive Investor Presentation Unique, Distinctive, Disruptive Disclaimer Certain words and statements in this communication concerning Balaji Telefilms Limited (“the Company”) and its prospects, and other statements relating to the Company‟s expected financial position, business strategy, the future development of the Company‟s operations and the general economy in India & global markets, are forward looking statements. Such statements involve known and unknown risks, uncertainties and other factors, which may cause actual results, performance or achievements of the Company, or industry results, to differ materially from those expressed or implied by such forward-looking statements. Such forward-looking statements are based on numerous assumptions regarding the Company‟s present and future business strategies and the environment in which the Company will operate in the future. The important factors that could cause actual results, performance or achievements to differ materially from such forward-looking statements include, among others, changes in government policies or regulations of India and, in particular, changes relating to the administration of the Company‟s industry, and changes in general economic, business and credit conditions in India. The information contained in this presentation is only current as of its date and has not been independently verified. No express or implied representation or warranty is made as to, and no reliance should be placed on, the accuracy, fairness or completeness of the information presented or contained in this presentation. None of the Company or any of its affiliates, advisers or representatives accepts any liability whatsoever for any loss howsoever arising from any information presented or contained in this presentation. -
Song Catalogue February 2020 Artist Title 2 States Mast Magan 2 States Locha E Ulfat 2 Unlimited No Limit 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G
Song Catalogue February 2020 Artist Title 2 States Mast Magan 2 States Locha_E_Ulfat 2 Unlimited No Limit 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G. Runnin' (Trying To Live) 2Pac Feat. Dr. Dre California Love 3 Doors Down Kryptonite 3Oh!3 Feat. Katy Perry Starstrukk 3T Anything 4 Non Blondes What's Up 5 Seconds of Summer Youngblood 5 Seconds of Summer She's Kinda Hot 5 Seconds of Summer She Looks So Perfect 5 Seconds of Summer Hey Everybody 5 Seconds of Summer Good Girls 5 Seconds of Summer Girls Talk Boys 5 Seconds of Summer Don't Stop 5 Seconds of Summer Amnesia 5 Seconds of Summer (Feat. Julia Michaels) Lie to Me 5ive When The Lights Go Out 5ive We Will Rock You 5ive Let's Dance 5ive Keep On Movin' 5ive If Ya Getting Down 5ive Got The Feelin' 5ive Everybody Get Up 6LACK Feat. J Cole Pretty Little Fears 7Б Молодые ветра 10cc The Things We Do For Love 10cc Rubber Bullets 10cc I'm Not In Love 10cc I'm Mandy Fly Me 10cc Dreadlock Holiday 10cc Donna 30 Seconds To Mars The Kill 30 Seconds To Mars Rescue Me 30 Seconds To Mars Kings And Queens 30 Seconds To Mars From Yesterday 50 Cent Just A Lil Bit 50 Cent In Da Club 50 Cent Candy Shop 50 Cent Feat. Eminem & Adam Levine My Life 50 Cent Feat. Snoop Dogg and Young Jeezy Major Distribution 101 Dalmatians (Disney) Cruella De Vil 883 Nord Sud Ovest Est 911 A Little Bit More 1910 Fruitgum Company Simon Says 1927 If I Could "Weird Al" Yankovic Men In Brown "Weird Al" Yankovic Ebay "Weird Al" Yankovic Canadian Idiot A Bugs Life The Time Of Your Life A Chorus Line (Musical) What I Did For Love A Chorus Line (Musical) One A Chorus Line (Musical) Nothing A Goofy Movie After Today A Great Big World Feat. -
THE BUCHAREST UNIVERSITY of ECONOMIC STUDIES The
THE BUCHAREST UNIVERSITY OF ECONOMIC STUDIES The Faculty of International Business and Economics The Department of Modern Languages and Business Communication of ASE Iuliu Hațieganu University of Medicine and Pharmacy Cluj- Napoca 7th International Conference: Synergies in Communication Bucharest, Romania, 22 - 23 November 2018 BEHIND THE SCREENS: A STUDY OF THE FILMS OF THREE INDIAN WOMEN DIRECTORS Minouti NAIK1 Abstract Indian films, even after 76 years of independence and 105 years of Indian Cinema, are a predominantly male domain. The percentage of women film makers, in the industry, is a mere 9.1%. Despite this, the films directed by women have compelled audiences to take notice, because of the wide spectrum of issues they have touched upon. Three women directors, whose movies have left an indelible mark on the audiences, include Tanuja Chandra, Meghna Gulzar and Gauri Shinde. This paper analyses the work of these three women directors, for the uniqueness of their themes and the characters they have sketched, and attempts to find out, what has led to their films being etched deeply, into the consciousness of their audience. This will be analysed against the backdrop of the realities of the society from which these films emerge, and as a reflection of the gender dynamics existing in Indian society. Keywords: Indian cinema, women, themes, characters, uniqueness 1. Introduction Men have sight, women insight. - Victor Hugo Victor Hugo‟s observation, penned down in his memoirs, might be an apt point to begin with, when one reflects upon films made by Indian women filmmakers. Despite films forming a very important facet of the Indian society and the fact that India completed 105 years of cinema, this year, the number of women making films in India is very small.