CFPGS) HELD on 27Th & 28Th FEBRUARY, 2016 at ALLAHABAD

Total Page:16

File Type:pdf, Size:1020Kb

CFPGS) HELD on 27Th & 28Th FEBRUARY, 2016 at ALLAHABAD F. No. 9-656/2015-S&F Government of India Ministry of Culture ****** Puratatav Bhavan, 2nd Floor ‘D’ Block, GPO Complex, INA, New Delhi-110023 Dated: 05.04.2016 MINUTES OF 31st MEETING OF THE CULTURAL FUNCTIONS AND PRODUCTION GRANT SCHEME (CFPGS) HELD ON 27th & 28th FEBRUARY, 2016 at ALLAHABAD. Under CFPGS Scheme Financial Assistance is given to ‘Not-for-Profit’ Organisations, NGOs including Societies, Trust, Universities and Individuals for holding Conferences, Seminar, Workshops, Festivals, Exhibitions, Production of Dance, Drama- Theatre, Music and undertaking small research projects etc. on any art forms/important cultural matters relating to different aspects of Indian Culture. The quantum of assistance is restricted to 75% of the project cost subject to maximum of Rs. 5 Lakhs per project as recommend by the Expert Committee. In exceptional circumstances Financial Assistance may be given upto Rs. 20 Lakhs with the approval of Hon’ble Minister of Culture. 2. The Expert Committee meeting was attended by the following:- (i) Shri K. K. Mittal, Additional Secretary, Chairman (ii) Shri G. K. Bansal, Director,NCZCC, Allahabad Member (iii) Prof. R.S. Gill, Director, NZCC, Patiyala, (iv) Dr. Sajith E.N., Director, SZCC, Thanjavur, (v) Shri Babu Rajan, DS , Sahitya Akademi, (vi) Shri Santanu Bose, Dean, NSD, (vii) Shri Rajesh Sharma, Supervisor, LKA, (viii) Shri S.K. Arya , DS, Member- Secretary 3. The Expert Committee has considered 405 applications which were complete and supported with all documents as required under the scheme. The Committee examined each and every proposal individually before taking a decision and recommended 269 proposals for financial assistance under the scheme. The detail of 269 cases approved for grant is placed at Annexure-I. The list of 136 numbers of rejected cases is placed at Annexure-II and list of 128 numbers of incomplete proposals is placed at Annexure-III. 1 Annexure-I Sl.No. Name of organaisation & Subject of proposed Time / Amount Address project Duration of recommended the project by Experts (Rs. In Lakhs) Andhra Pradesh 1. Rajiv Yuva Jena Seva Lambadi Dance Not 0.50 Sangham, 1‐73‐1‐B1, Mohiya mentioned Nagar, Kadiri, Ananatapur Dsit., A.P.‐ 515591 2. South Indian Cultural 57th Annual Art Festival 2.11.2015 to 5.00 Association , 111‐0‐19 , L.B. 2015 8.11.2015 Stadium, Hyderabad ‐500001 , Andhra Pradesh Assam 3. Graphic World, NT Road, Promotion and 1.3.2016 to 0.50 Ward No‐4, Rangia, Dsit‐ Dissemination of 31.8.2016 Kamrup, Assam‐781354 Traditional Culture and Art Elements for Sustainable development among the Bodos of Assam State 4. Sur Sadhna , New Geeti Malika (Garland of 10.1.2016 to 0.50 Amolapatty, PO.‐ Itachali‐ Songs) 15.1.2016 782003 , Nagaon, Assam Bihar 5. Ashirwad Rang Mandal, Kali Ashirvad International 27.3.2016 to 4.00 Asthan Chowk, near Rotary Theatre Festival 3.4.2016 Blood Bank, Begusarai, Bihar‐ 851101 6. Bajjikanchal Vikash, Vill‐ Holding Seminar & Festival 20.4.2016 to 0.50 Hakimpur, Po‐ Fullar, PS‐ 23.4.2016 Mahua, Vaishali, Bihar‐ 844122 7. Bodhisatva Society , Awadh Theatre Festival Jan to March‐ 2.50 Bhawan, Piparpati, 2016 Rangbahadur Road, Near Dr. Srikant, Gaya, Bihar‐ 823001 2 8. Bhartiyam, Satya Niwas, CPN Satyawakta 1.1.2016 to 0.50 Colony, Mithanpura, 31.12.2016 Muzaffarpur, Bihar‐ 842002 9. Magadh Vikash lok, Kosut, Dosti 1.2.2016 to 0.75 Masaurhi, Patna, Bihar‐ 31.1.2017 804452 10. Shourya, Vir Kunwar Singh Tuar 1.4.2016 to 0.50 Nagar, Janta Road, patna, 31.3.2017 Bihar‐ 800001 11. Tyag, Vill&Po‐ Khorampur, Rakhi Ki Kasam 1.9.2016 to 1.00 Chakamgola, Vaishali, Bihar‐ 31.8.2017 844504 Chandigarh 12. Artscapes, SCO 7 II Floor, 5th All India Women Artists, March‐2016, 4.00 Sector‐30D, Chandigarh‐ Contemporary Exhibition 160020 13. Centre for Education Clowing in Hospital and After 0.50 And Voluntary Action, Room Destitute Homes Sanction‐ 15th No‐3&4, IInd Floor, Karuna Month Sadan, Sector‐11B, Chandigarh‐ 160011 Delhi 14. Aamra Kajon, Flat‐78, 1st Four Director Four Play 22.1.2016 to 1.00 Floor, Antariksh Appt., Vikash 24.1.2016 Puri, New Delhi‐ 110018 15. Akhil Bhartiya Itihas Sankalan Bhartiy Sanskriti Me Nari 24.12.2015 to 5.00+15.00 Yojna, Baba Sahb Apte Atit Se Bartman Tak 26.12.2015 (after going through the Bhawan, Keshav Kunj, profile and level of Jhandewalan, New Delhi‐ past activities of 110055 the organization, the Expert Committee noted that the functionis of a very high level and therefore recommended higher grant.) 16. Arth Society For The Welfare Poster Not 2.00 Of mankind, 3/121, 3rd Floor, mentioned Lalita Park, Laxmi Nagar, Delhi‐ 110092 3 17. Asavari, T‐2, LL‐103, Common Chirag‐e‐Dair 26.8.2015 5.00 Welth Game Villagae, near Akchardham, Delhi‐92 18. Atelier Theater Society , 680 Atelier`s Act Festival 20.2.2016 to 5.00 , Floor 3 , Mukharjee Nagar , Season‐9 28.2.2016 Delhi 110009 19. Bengal Association, Banga Banga Sanskriti Utsav 15.3.2016 to 2.00 Bhawan, 3‐Hailey Road, New 20.3.2016 Delhi‐ 110001 20. Commune Globus Art Rasikotsav‐ a Tribute to 19.3.2016 to 1.00 Foundation, A‐18, DDA Flats, Maestro Pt. Rasik Behari 20.3.2016 near D Block Market, Vasant Lal Vihar, New Delhi‐ 110057 21. Dance Maestro Pt. Shambhu Pt. Shambhu Maharaj December‐ 1.00 Maharaj Cultural Smriti Samaroh 2015 for 2 Organization, Ispatika Days Apartment, F‐603, Sector‐4, Plot‐29, Dwarka, Delhi‐ 110075 22. Delhi Panchavadya Trust, F‐ 13th Annual Function 27.3.2006 5.00 115/S‐3, Dilshad Colony, Delhi‐ 110095 23. Disha Group of Visual & Oh America 2015‐16 4.50 Performing Arts, C‐166, Gali No‐7, Bhajanpura, Delhi‐73 24. Draupadi Dream Trust, 71, Indraprastha Festival December‐ 5.00+10.00 Mayfair Apt., hauz Khas 2015 to Feb‐ (after going through the Enclave, New Delhi‐ 110016 2016 profile and level of past activities of the organization, the Expert Committee noted that the function is of a very high level and therefore recommended higher grant.) 25. Ganesha Natyalaya, Add:‐ C‐ Namamey Gange March‐2016, 5.00 16 , Kutub Institunal Area , behind Qutub Hotel , New Delhi ‐110016. 4 26. Jammu Kashmir Study Seminar and National 12.2.2016 to 5.00 Centre, B‐38, Ashok Niketan, Workshop on 14.2.2016 Delhi Abhinavagupta 27. Mrignayani S.A.S.S. , B‐51/1, Indian Kathak Dance 15.12.2015 2.00 Mahavir Vihar, Delhi‐ 110081 28. NIPA, CG. No.‐ 19, DDA Flats, International Children 14.11.2015 to 3.00 Gulmohar Enclave, New Theatre Festival 19.11.2015 Delhi‐ 110049 29. Ojswani Sewa Samiti, B‐20, Importance of Play in 22.9.2015 to 3.50 Mayfair Garden, Haujkhas, Indian Culture 25.10.2015 New Delhi‐ 110016 30. Rangshree, C‐304, Ispitika Suraj 16.11.2015 to 4.00 Apt., Plot‐29, Sector‐4, 29.2.2016 Dwarka, New Delhi‐ 110078 31. Rays of Wisdom Society, 5th Veda: Eko Ham Bahu 18.10.2015 to 5.00 Floor Padma Palace, 86, Shyam 8.2.2016 Nehru place, New Delhi‐ 110019 32. Sakha Creations, D‐239, Flat‐ Anandotsav‐ A New Year 1.12.2015 to 3.00 12, Streeet‐10, Lakshmi Celebration 1.1.2016 Nagar, Delhi‐12 33. Samvedana Culture Heritage Whither the Kani Shawl Not 3.00 Trust, C‐122, Anand Niketan, mentioned New Delhi‐ 110021 34. Sangeet Shyamala, Add:‐ A‐ Vasant International Arts 25.3.2016 to 3.00 11 Vasant vihar , opp. A 11/6. Festival 29.3.2016 New Delhi. 35. Society for Social Rastrkavi Ramdhari Singh 19.1.2016 to 0.50 Empowerment, 24‐c, Dinkar & Sanskritik 20.1.2016 Evershine Apartment, D Rasuwad Block, Vikash Puri, New Delhi‐ 18 5 36. Swar Samarpan, R‐12A, First Pt. Omkar Nath Thakur 29.2.2016 to 0.50 Floor ,Hauzkhas Enclave, New Cultural Celebration 1.3.2016 Delhi‐110016 37. The Mission, C/O‐ Alpha Geeta Culture Heritage 6.2.2016 to 5.00 Computer Center, 37‐GF, Promotion Festival 9.2.2016 Nehru Complex, Pandav Nagar, Delhi‐ 110092 Haryana 38. All India Shiksha Evam Vikash Kanjoos 1.7.2016 to 1.00 Association, Shop‐21, 31.7.2016 Stadium Market, MG Road, Safidon, Haryana 39. Ras Kala Manch, Safidon, 7th Chalo Theater National 12.3.2016 to 2.00 Ward no. 8 , near Rajiv chowk Theater Festival 18.3.2016 station, Jind , Haryana . Himachal Pradesh 40. Friends Welfare Cultural Festival on Swami 10.1.2016 to 0.50 AssociationVill‐ Rey, Teh‐ Viovekanand Jaynti 12.1.2016 Fatehpur, Dist‐ Kangra, H.P.‐ 176068 Jammu & Kashmir 41. Ensemble Kashmir Theatre Modern Stage Light Not 2.00 Akademi (Ekta), Opp‐ Equipments mentioned Florence Hospital, Chanpora, Srinagar, J&K‐ 190015 42. GulshanCultural Forum, Samanbal 2015‐16 2.00 Badram Magan, ‐193401, Kashmir (J&K), PO Box‐ 429 GPO Srinagar‐ 190001 43. Progressive Youth Club, 74, Lok Utsav‐2015‐16 Not 3.00 W.N.‐10, Adhyapak Nagar, mentioned The‐ Ramnagar, Dist‐ Udhampur, J&K‐ 182122 44. Sangam Theatre Group , Shann‐E‐Duggar 30.5.2016 to 0.50 Ward No.‐6 , Near Old Dak 16.6.2016 Bunglow Reasi‐182311 (J&k) 6 45. Triple A Performing Arts Showcase of Cultural May to 1.00 Reasi, Lane‐1, opp.‐ PWD Heritage November‐ Store Ward No‐6, Reasi, J&K‐ 2016, 182311 Karnataka 46. Akkamahadevi Mahila Tribal Lambani Folk Festival 24.2.2016 to 1.00 Mandal, Ratnamma Nilaya, & Seminar 26.2.2016 Navadegri, Janwada Road, Bidar, Karnataka‐ 585401 47. Attakkalari Public Charitable International 3.2.2017 to 5.00+15.00 Trust of Contemporary Contemporary Dance 12.2.2017 (after going through the Performing Arts, Attakkalari Festival profile and level of 24‐4, First Cross, BTS Road, past activities of Wilson Garden, Banglore, the organization, the Expert Karnataka‐682016 Committee noted that the function is an international festival therefore recommended higher grant.) 48.
Recommended publications
  • Details of Crushers in Palakkad District As on Date of Completion of Quarry
    Details of crushers in Palakkad District as on date of completion of Quarry Mapping Program (Refer map for location of crusher) Code Village Locality Owner Firm Operator Alathur Taluk Aboobacker.V.K, Manager, Aboobacker.V.K, Manager, Malaboor Blue Stone, Malaboor Blue Stone, 523 Kuzhalmannam-II Pullupara Kalapetty. P.O, Kalapetty. P.O, Kuzhalmannam, Palakkad, Kuzhalmannam, Palakkad, Chittur Taluk K.P.Anto, KGP Granites, KGP Granites, K.P.Anto, KGP Granites, 495 Valiyavallampathy Ravanankunnupara Ravanankunnupara, Ravanankunnupara, Ravanankunnupara, P.O.Nattukal P.O.Nattuka P.O.Nattukal Ottapalam Taluk K.abdurahamn, Managing K.abdurahamn, Managing Cresent Stone Creshers, 102 Kulukallur Vandanthara Partner, Crescent Stone Partner, Crescent Stone Mannengod Crusher, Mannengod Crusher, Mannengod New Hajar Indusrties, K.Ummer, Managing 122 Nagalasserry Mooliparambu Partner, Moolipparambu, Kottachira.P.O, Palakkad Antony S. Alukkal, Alukkal Antony S. Alukkal, Alukkal Antony S. Alukkal, Alukkal 125 Thirumittakode II Malayan House, P.O. Kalady, House, P.O. Kalady, House, P.O. Kalady, Ernakulam Ernakulam Ernakulam Abdul Hammed Khan, Jamshid Industries 137 Nagalasserry Kodanad Crusher Unit, Mezhathoor .P.O, Palakkad Abdul Hameed Khan, Abdul Hameed Khan, Abdul Hameed Khan, Jamshid Industries, Crusher Jamshid Industries, Jamshid Industries, 145 Nagalasserry Kodanadu Unit, Mezhathoor.P.O, Crusher Unit, Crusher Unit, Palakkad Mezhathoor.P.O, Palakkad Mezhathoor.P.O, Palakkad Marcose George, Geosons Aggregates, Benny Abraham, 164 Koppam Amayur Cherukunnel, P.O.Amayur, P.O.Amayur Ernakulam Muhammedunni Haji, Muhammedunni Haji, Mabrook Granites, Mabrook Granites,Mabrook Mabrook Granites, 168 Thrithala kottappadom Mabrook Industrial Estate, Industrial Estate, Mabrook Industrial Estate, Kottappadom, Palakkad Kottappadom, Palakkad, Kottappadom, Palakkad, V.V. Divakaran, Sreekrishna V.V. Divakaran, 171 Kappur Kappur Industries, Kalladathoor, Sreekrishna Industries, Palakkad Kalladathoor, Palakkad © Department of Mining and Geology, Government of Kerala.
    [Show full text]
  • Bir Chilarai
    Bir Chilarai March 1, 2021 In news : Recently, the Prime Minister of India paid tribute to Bir Chilarai(Assam ‘Kite Prince’) on his 512th birth anniversary Bir Chilarai(Shukladhwaja) He was Nara Narayan’s commander-in-chief and got his name Chilarai because, as a general, he executed troop movements that were as fast as a chila (kite/Eagle) The great General of Assam, Chilarai contributed a lot in building the Koch Kingdom strong He was also the younger brother of Nara Narayan, the king of the Kamata Kingdom in the 16th century. He along with his elder brother Malla Dev who later known as Naya Narayan attained knowledge about warfare and they were skilled in this art very well during their childhood. With his bravery and heroism, he played a crucial role in expanding the great empire of his elder brother, Maharaja Nara Narayan. He was the third son of Maharaja Biswa Singha (1523–1554 A.D.) The reign of Maharaja Viswa Singha marked a glorious episode in the history of Assam as he was the founder ruler of the Koch royal dynasty, who established his kingdom in 1515 AD. He had many sons but only four of them were remarkable. With his Royal Patronage Sankardeva was able to establish the Ek Saran Naam Dharma in Assam and bring about his cultural renaissance. Chilaray is said to have never committed brutalities on unarmed common people, and even those kings who surrendered were treated with respect. He also adopted guerrilla warfare successfully, even before Shivaji, the Maharaja of Maratha Empire did.
    [Show full text]
  • June-December-2021), PP.101-115 ______
    JHSR Journal of Historical Studies and Research Volume 1, Number 1 (June-December-2021), PP.101-115 www.jhsr.in _____________________________________________________________________________________ A Historical Survey of the Jalpaiguri District of West Bengal Dr. Manadev Roy1 1Assistant Professor, Department of History, Kurseong College (Affiliated to North Bengal University), Kurseong, Darjeeling, West Bengal, Postal Code:734203, India, Email Id : [email protected] ______________________________________________________________________________ Abstract: In prehistoric times the Jalpaiguri district was a part of the kingdom of Pragyotisha, afterwards called, Kamrup, extended to the Karatoya River. Then the area consisted of large tracts of forests, rivers and hills. Various dynasties ruled over it. Taking the opportunity of the jealousy of the Raikot Royal family of Baikunthapur to the Kock Royal family of Cooch Behar the Bhutanese established their sovereignty over the Duars of Jalpaiguri. In this situation, Cooch Behar Raja Dharendra Narayan applied for aid to the British and thereby the British power came to the region and defeated the Bhutias in the battle of Sinchula, 1865, and therefore formed Jalpaiguri district in 1869. Since the formation of the district up to the time of independence of India in 1947 the territorial figure of it was almost unchanged. Only Patgram, Boda, Pachagar, Tentulia and Debiganj police station of the district were attached to the Rangpur and Dinajpur districts of East Pakistan that is present Bangladesh.
    [Show full text]
  • THE DIVISION of CONTINUING EDUCATION and COMMUNITY SERVICE the STATE FOUNDATION on CULTURE and the ARTS and the UNIVERSITY THEATRE Present
    THE DIVISION OF CONTINUING EDUCATION AND COMMUNITY SERVICE THE STATE FOUNDATION ON CULTURE AND THE ARTS AND THE UNIVERSITY THEATRE present by special arrangements with the American Society for Eastern Arts San Francisco, California John F. Kennedy Theatre University of Hawaii September 24, 25, 1970 /(ala mania/am /(aiAahali Company The Kerala Kalamandalam (the Kerala State Academy of the Arts) was founded in 1930 by ~lahaka vi Vallathol, poet laureate of Kerala, to ensure the continuance of the best tradi ­ tions in Kathakali. The institution is nO\\ supported by both State and Central Governments and trains most of the present-day Kathakali actors, musicians and make-up artists. The Kerala Kalamandalam Kathakali company i::; the finest in India. Such is the demand for its performances that there is seldom a "night off" during the performing season . Most of the principal actors are asatts (teachers) at the in::;titution. In 1967 the com pany first toured Europe, appearing at most of the summer festi vals, including Jean-Louis Barrault's Theatre des Nations and 15 performances at London's Saville Theatre, as well as at Expo '67 in Montreal. The next year, they we re featured at the Shiraz-Persepolis International Festival of the Arts in I ran. This August the Kerala Kalamandalam company performed at Expo '70 in Osaka and subsequently toured Indonesia, Australia and Fiji. This. their first visit to the Cnited States, is presented by the American Society for Eastern Arts. ACCOMPANISTS FOR BOTH PROGRAMS Singers: Neelakantan Nambissan S. Cangadharan
    [Show full text]
  • Body Centric Knowledge: Traditions of Performance and Pedagogy in Kathakali
    Indian Journal of History of Science, 51.1 (2016) 131-142 DOI: 10.16943/ijhs/2016/v51i1/48385 Body Centric Knowledge: Traditions of Performance and Pedagogy in Kathakali Mundoli Narayanan* (Received 14 March 2015; revised 24 November 2015) Abstract Most traditional Indian performance forms are characterised by distinct modes of embodied knowledge that increase in intensity with the degree of systematization present in their performative practices and also problematize the mind-body hierarchies that are inherent to most modern schemes of thought. The instance of Kathakali, the traditional performance form of Kerala, is taken to consider how a repetitive training regimen that inscribes in the young student a comprehensive language and aesthetic of performance is employed to establish a distinctive ‘body mind’ and a ‘body memory’ that almost entirely elide the participation or intervention of the ‘conscious mind’. There is also the inherent expectation that this formal embodied knowledge will come to be informally enriched in performance by a greater awareness of the aesthetic, emotive, thematic and other significant aspects of performance, as the student acquires life experience and matures both as a person and as a practitioner. Underlying this pedagogy is a certain relationship between the teacher and the student, characterised by the exercise of hierarchical power and violence from one side, and submissive compliance and deference from the other, which is at once both an extension and a recreation in an instructional setting of a set of social relations and certain paradigms of social power, class and patronage that are to do with the time in which the form evolved.
    [Show full text]
  • Introduction
    Introduction: The vast region to the northeast of India between the foothills of the eastern Himalaya Mountains ranges and extreme North of Bengal consisting the modern territories of Lower Assam (ten Districts), northern districts of present Bangladesh and Jalpaiguri and Koch Behar districts of west Bengal is the abode of the different ethnic groups of various cultures since the historic age. This region had seen the ebb and flow of many dynasties of many ethnic groups from the early times. The rise of some tribal chiefdom, like the Thai Ahom, the Meithei, Jayantiya, Kachari, Tripura, khen and the Koch, from 13'^ century in the region and their transition to state-system by the 16*^ century, marked the beginning of the historical development and religious- socio- economic-political transformation^ Among these, whose rules significantly occupied most important place in the history of northeast India is the Koch dynasty. J. N. Sarkar, in his book, 'History of Bengal', writes, "half-a-century before Sulaiman's accession, a new power had been bom in the extreme North of Bengal"^. No doubt, by the words "new power", he wanted to indicate the Koch power, who established a vast empire in the beginning of the 16'^ century. Hariya Mandal, a Mech / Koch tribal chief of mere 12 Mech / Koch families of the village Chikana, in the Khuntaghat region in the present Goalpara district of lower Assam had organised his tribes and established 'chiefdom'. His able son and successor Biswa Singha, in a chaotic political condition of incessant fighting with the local Bhuyans of the region transformed it into a 'semi- independent kingdom' in the beginning of the 16'^ century.
    [Show full text]
  • Koch Rajbanshi Identity Question
    International Journal of Applied Research 2017; 3(7): 593-597 ISSN Print: 2394-7500 ISSN Online: 2394-5869 Koch Rajbanshi identity question: An analysis from Impact Factor: 5.2 IJAR 2017; 3(7): 593-597 historical perspective www.allresearchjournal.com Received: 24-05-2017 Accepted: 25-06-2017 Tarun Kr. Halder Tarun Kr. Halder Research Scholar, Abstract Department of History, The Koch Rajbanshis are one of the largest plain tribe of India originally from the ancient Kamrupa- Gauhati University, Guwahati, Kamata kingdom. The Koch dynasty came into existence in the first half of sixteenth century. Under Assam, India Naranarayan it reached to a position of glory but in course of time the hay days of them did not last long. Although they had a glorious past, but like many other tribes of India Koch Rajbanshis also have been facing identical problem for a long time due to lack of proper knowledge of their history, external threats, partitions, multi-divisions; colonial interference, elitism, conservative demeanor, geographical alienation, negligence of the governments, multi-names etc. At present they have been striving for protecting their identity through different associations and organisations. Their efforts now have turned into the form of Kshatriya Movement and the Kamatapur Movement. This paper attempts to analyse the deteriorated identical condition of the Koch Rajbanshi people and their measures to protect it. Keywords: The Koch-Rajbanshi, migration, external threats, caste 1. Introduction In India, ethno-based identity has become an important subject of concern in all social sciences. Although a number of study have been done on the Koch Rajbanshi but still not any study on their identity question has done from historical perspectives.
    [Show full text]
  • Class-7 New 2020.CDR
    Class - VII Brief Introduction to Formation of Landforms Assam, located in tropical latitudes (24N˚ to 28N)˚ and eastern longitude (895˚ ’ E - 961˚’ E), is the most populous state in the North-east India. It is surrounded on three sides by hills and mountains. The river Brahmaputra and Barak flows in the north and south respectively. Assam is diverse in physical features and the major physiographical components are the senile plateau of Karbi-Anglong, representing a part of peninsular India, North Cachar hills which display the most youthful and highly differentiated relief features and the Brahmaputra and Barak plains present aggradational surfaces. Landmasses from Archaean to Tertiary origin bear the evidences of the evolutionary history of the earth in Assam and North-East India. The Karbi plateau is a part of Old-Gondwana land of more than 600 million years, the folded hills of North-Cachar belongs to tertiary period and the alluviums are of Quaternary Period. The North-Eastern region of India including Assam is situated in the merging zone of two Tectonic plates, namely the Indo-Australian and Euro-Asian plates. So the entire region is seismically very active. Physiographical Divisions of Assam On the basis of physical setup, Assam can be divided into three physiographical units: 1) The Brahmaputra valley or Assam valley 2) The Barak plain or Surma Valley 3) The hilly areas of Karbi-Anglong and North- Cachar Hill Districts Fig1.1: Physiographic Divisions of Assam. 40 The Brahmaputra Valley The most prominent physical feature in Assam is the Brahmaputra valley. This plain is surrounded by Bhutan and the Arunachal Himalayas in the north, Patkai Bum and Arunachal Hills in the east and Naga Hills, Karbi Plateau in the south.
    [Show full text]
  • Gradeiii of Assam Ludicial Sewirp, 2O2A PAPER - II (General Knowhdoer Totaltvlarls: 100 Durauon: 03 Hours Date: 21{1-2021 Time: 1:00 PM
    a THE GAUHATI HIGH COURT AT GUWAHATI CftIE HIGH COURT OF ASSAM: NAGAI.AND: MIZORAM AND ARUNIACHAL PRADESH) Main WritHr Examination for dir€ct recruitsnent b GradeIII of Assam ludicial Sewirp, 2O2A PAPER - II (General Knowhdoer Totaltvlarls: 100 DuraUon: 03 Hours Date: 21{1-2021 Time: 1:00 PM 1) Which of the following Nationa! Park has been renamed as Rajiv Gandhi National Park: (a) Nameri NaUonal Park; (b) Manas National Parl$ (c) Orang l,lational Park; (d) Dibru- Saikhowa NaUonal Park. 2) lGzimnga National Park was declarcd as a World Heritage Site by UNESCO in the year:- (a) 1980; (b) 1e8s; (c) 1990; (d) 19es. 3) Whhh is the largest District in Assam by area: (a) KarbiAnglong; (b) Kamrup (!letrc); (c) Golaghat (cl) Dhubri. 4) The Asom Divas is elebnEd on - (a) 10tr Deember; (b) 2" December; (c) 15fr AugusU 25e January. 5) In which location, the Manas river joins the Brahmaputra river? (a) Dhubri; (b) Jogighopa; (c) Bilasipara; (d) Halakura. 6) Which town is also known as the Manchester of Assam? (a) Sualkuchi; (b) Hajo; (c) Barpeta; (d) Halakura. 7) In which year did Asanwget recognition as the State langmge of Assam? (a) 1947; (b) 19s0; (c) 1985; (d) 1961. 8) Assam crtme under Presidenfs rule for he first time in the year- (a) 198s; (b) 1990; (c) 2001; (d) 1979. 9) In whhh ),ear was the Gauhati High Court established? (a) 1947; (b) 19zA; (c) 1950; (d) 19s1. 10) Ali-aai-Ugang is an agri-based fesUvalelebmted by the- (a) Bodo; (b) Mishing; (c) Rabha; (d) Garo.
    [Show full text]
  • 211 SOCIO-CULTURAL TRANSITION of the MUSLIMS in COOCH BEHAR from the REIGN of the KOCH KINGS to MODERN AGE Jahirul Haque
    International Journal of Interdisciplinary Research in Arts and Humanities (IJIRAH) Impact Factor: 4.675, ISSN (Online): 2456 - 3145 (www.dvpublication.com) Volume 2, Issue 1, 2017 SOCIO-CULTURAL TRANSITION OF THE MUSLIMS IN COOCH BEHAR FROM THE REIGN OF THE KOCH KINGS TO MODERN AGE Jahirul Haque Assistant Professor, Department of History, Alipurduar College (Government Sponsored), West Bengal Cite This Article: Jahirul Haque, “Socio-Cultural Transition of the Muslims in Cooch Behar from the Reign of the Koch Kings to Modern Age”, International Journal of Interdisciplinary Research in Arts and Humanities, Volume 2, Issue 1, Page Number 211-216, 2017. Abstract: Cooch Behar was one of the mighty kingdom in the political map of India. From the time immemorial Cooch Behar has been a part of Indian culture. The Cooch kingdom which was founded by Biswasingha in 1515 has become a district of West Bengal since 1st January 1950. The arrival of the Muslims in the Cooch Behar State took place in the beginning of the 13th century. The several Muslim invasions of the Mughal and Pathan rulers and the contribution of the Pirs and Fakirs had contributed in the spread of Islam in this region. A large section of indigenous Hindu population converted in Islam. The Muslims are very close with the Hindu population. Without the difference of religious faiths there are various similarities in occupants, culture and tradition between the Hindus and Muslims in Cooch Behar. The Muslims are the son of the soil Cooch Behar. They are significantly segmented in to certain social groups of varied background.
    [Show full text]
  • Department of Mohiniyattam
    M. A. MOHINIYATTAM SYLLABI 2019 Department of Mohiniyattam DEPARTMENT OF MOHINIYATTAM SREE SANKARACHARYA UNIVERSITY OF SANSKRIT, KALADY PG PROGRAMME IN MOHINIYATTAM “SCHEME AND SYLLABUS” (Outcome Based Teaching, Learning and Evaluation - OBTLE) APRIL 2019 Content Page No. 01. Preface 1 02. Programme Outcomes of SSUS 1 03. OBTLE Abbreviations 2 04. Program Specific Outcomes (PSOs) of Department 2 05. General Structure of MA Program 3 06. Semester-wise distribution of Courses 3 07. Semester-wise Course details 5 08. PMOM11001 Nritta aspects of Mohiniyattam (Practical) 9 09. PMOM11002 Musical Compositions in the Nritta aspects of Mohiniyattam (Practical) 12 10. PMOM11003 Abhinaya aspects in Balaramabharatham and Natyasastra (Theory) 15 11. PMOM11004 Vachikabhinaya in the Classical Performing arts of Kerala (Elective Theory) 19 12. PMOM11005 Literature of Mohiniyattam (Elective Theory) 22 13. PMOM11006 Hasta Viniyogas according to Hasthalakshana Deepika- Part I (Practical) 26 14. PMOM11007 Sopana aspects in Mohiniyattam (Practical) 29 15. PMOS11008 Nritya aspects of Mohiniyattam (Practical) 31 16. PMOS11008 Detailed study of South Indian Tala Systems (Practical) 34 17. PMOS11010 Eastern and western Aesthetics (Theory) 37 18. PMOS11011 General Introduction to Mohiniyattam (Elective ) 41 19. PMOS11012 Women Performing Arts of Kerala (Elective - Theory) 45 20. PMOM11013 Abhinaya aspects of Mohiniyattam Part I (Practical) 48 21. PMOM11014 Choreography and Make up (Practical) 52 22. PMOM11015 Research Methodology (Theory) 54 23. PMOM11016 Mohiniyattam and Other South Indian Performing arts (Elective) 57 24. PMOM11017 Music of Mohiniyattam (Elective - Theory) 61 25. PMOS11018 Abhinaya aspects of Mohiniyattam Part II (Practical) 65 26. PMOS11019 History of Indian Classical Dance (Theory) 69 27. PMOS11020 Dissertation 73 28.
    [Show full text]
  • Download Assam History GK PDF Part
    ASSAM HISTORY GK MCQ 20 Most Important Assam History GK NewJobsinAssam.comPART (2) Q21) Who intoduced a silver coin named Narayani in the Koch dynasty: A) Chilarai |B) Naranarayan C) Bhagadutta D) None of these NewJobsinAssam.com Q22) After the death of Koch king Naranarayan, the Kamata kingdom was divided into two parts namely: A) Koch Hajo and Koch Bhoju B) Saraideu and Gargaon C) Kamrup and Kamata D) KochNewJobsinAssam.comBihar and Koch Hajo Q23) The ancient name of Cachar was: A) Hidimba B) Diapur C) Dhanashree D) Narayanpur NewJobsinAssam.com Q24) When did Ahom entered in the Brahmaputra Valley: A) 1228 A.D B) 1229 A.D C) 1230 A.D D) 1128 A.D NewJobsinAssam.com Q25) Who was the first Assamese to fight against British: A) Kushal Knowar B) Piyoli Phukan |C) Moniram dewan D) Gomdhar Knowar NewJobsinAssam.com Q26) The shape of the coins of Ahom reign| was. A) Circular |B) Square C) Octagonal D) Hexagonal NewJobsinAssam.com Q27) Name of the first Ahom King was: A) Sukapha B) Suteupha C) Subinpha D) Sukhampha NewJobsinAssam.com Q28) Major part of the Kachari kingdom was occupied by the Ahoms during the reign of A) Sukhampha B) Sutingpha C) Rudra Singha D) SuhungmungNewJobsinAssam.com Q29) Mula Gabharu died fighting against: A) Det Chung B) Mir Jumla C) Turbak D) Mirza Nathan NewJobsinAssam.com Q30) The Ahoms entered Assam through: A) Diphu Pass B) Phungan Pass C) Patkai Pass D) None of these NewJobsinAssam.com Q31) The Koch coins were known as: A) Tanka B) Mohar C) Mudra D) Narayani NewJobsinAssam.com Q32) In which place the first battle fought |by the Ahoms against the Mughals: A) Itakhuli |B) Bharali C) Saraighat D) Jogighopa NewJobsinAssam.com Q33) Sadiyakhowa Gohain post was |created during the reign of which Ahom King A) Swargadeo Suhungmung B) Swargadeo Rudra Singha C) Swargadeo Pratap Singha D) NoneNewJobsinAssam.comof them Q34) Who was the first king of the Koch dynasty: A) Prithvinarayan B) Pran narayan C) Naranarayan D) Biswa Singha NewJobsinAssam.com Q35) Which of the following animals was used as the royal symbol of the ancient king of Kamrupa.
    [Show full text]