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Farmer Database
KVK, Trichy - Farmer Database Animal Biofertilier/v Gende Commun Value Mushroo Other S.No Name Fathers name Village Block District Age Contact No Area C1 C2 C3 Husbandry / Honey bee Fish/IFS ermi/organic Others r ity addition m Enterprise IFS farming 1 Subbaiyah Samigounden Kolakudi Thottiyam TIRUCHIRAPPALLI M 57 9787932248 BC 2 Manivannan Ekambaram Salaimedu, Kurichi Kulithalai Karur M 58 9787935454 BC 4 Ixora coconut CLUSTERB 3 Duraisamy Venkatasamy Kolakudi Thottiam TIRUCHIRAPPALLI M 42 9787936175 BC Vegetable groundnut cotton EAN 4 Vairamoorthy Aynan Kurichi Kulithalai Karur M 33 9787936969 bc jasmine ixora 5 subramanian natesan Sirupathur MANACHANALLUR TIRUCHIRAPPALLI M 42 9787942777 BC Millet 6 Subramaniyan Thirupatur MANACHANALLUR TIRUCHIRAPPALLI M 42 9787943055 BC Tapioca 7 Saravanadevi Murugan Keelakalkandarkottai THIRUVERAMBUR TIRUCHIRAPPALLI F 42 9787948480 SC 8 Natarajan Perumal Kattukottagai UPPILIYAPURAM TIRUCHIRAPPALLI M 47 9787960188 BC Coleus 9 Jayanthi Kalimuthu top senkattupatti UPPILIYAPURAM Tiruchirappalli F 41 9787960472 ST 10 Selvam Arunachalam P.K.Agaram Pullampady TIRUCHIRAPPALLI M 23 9787964012 MBC Onion 11 Dharmarajan Chellappan Peramangalam LALGUDI TIRUCHIRAPPALLI M 68 9787969108 BC sugarcane 12 Sabayarani Lusis prakash Chinthamani Musiri Tiruchirappalli F 49 9788043676 BC Alagiyamanavala 13 Venkataraman alankudimahajanam LALGUDI TIRUCHIRAPPALLI M 67 9788046811 BC sugarcane n 14 Vijayababu andhanallur andhanallur TIRUCHIRAPPALLI M 30 9788055993 BC 15 Palanivel Thuvakudi THIRUVERAMBUR TIRUCHIRAPPALLI M 65 9788056444 -
A Synonym to Conservation of Intangible Cultural Heritage: Folkland, International Centre for Folklore and Culture, Heading for Its 30Th Anniversary
A Synonym to Conservation of Intangible Cultural Heritage: Folkland, International Centre for Folklore and Culture, Heading for Its 30th Anniversary V. Jayarajan Folkland, International Centre for Folklore and Culture Folkland, International Centre for Folklore and Culture is an institution that was first registered on December 20, 1989 under the Societies Registration Act of 1860, vide No. 406/89. Over the last 16 years, it has passed through various stages of growth, especially in the fields of performance, production, documentation, and research, besides the preservation of folk art and culture. Since its inception in 1989, Folkland has passed through various phases of growth into a cultural organization with a global presence. As stated above, Folkland has delved deep into the fields of stage performance, production, documentation, and research, besides the preservation of folk art and culture. It has strived hard and treads the untrodden path with a clear motto of preservation and inculcation of old folk and cultural values in our society. Folkland has a veritable collection of folk songs, folk art forms, riddles, fables, myths, etc. that are on the verge of extinction. This collection has been recorded and archived well for scholastic endeavors and posterity. As such, Folkland defines itself as follows: 1. An international center for folklore and culture. 2. A cultural organization with clearly defined objectives and targets for research and the promotion of folk arts. Folkland has branched out and reached far and wide into almost every nook and corner of the world. The center has been credited with organizing many a festival on folk arts or workshop on folklore, culture, linguistics, etc. -
Particulars of Some Temples of Kerala Contents Particulars of Some
Particulars of some temples of Kerala Contents Particulars of some temples of Kerala .............................................. 1 Introduction ............................................................................................... 9 Temples of Kerala ................................................................................. 10 Temples of Kerala- an over view .................................................... 16 1. Achan Koil Dharma Sastha ...................................................... 23 2. Alathiyur Perumthiri(Hanuman) koil ................................. 24 3. Randu Moorthi temple of Alathur......................................... 27 4. Ambalappuzha Krishnan temple ........................................... 28 5. Amedha Saptha Mathruka Temple ....................................... 31 6. Ananteswar temple of Manjeswar ........................................ 35 7. Anchumana temple , Padivattam, Edapalli....................... 36 8. Aranmula Parthasarathy Temple ......................................... 38 9. Arathil Bhagawathi temple ..................................................... 41 10. Arpuda Narayana temple, Thirukodithaanam ................. 45 11. Aryankavu Dharma Sastha ...................................................... 47 12. Athingal Bhairavi temple ......................................................... 48 13. Attukkal BHagawathy Kshethram, Trivandrum ............. 50 14. Ayilur Akhileswaran (Shiva) and Sri Krishna temples ........................................................................................................... -
News 21112019115636843Ch
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Prisoner's Contact with Their Families
TABLE OF CONTENTS Topic Page No. List of Tables ii The Research Team iii Acknowledgments iv Glossary of Terms used in Prisons v Chapter I: Introduction 1 Chapter II: Review of Literature 5 Chapter III: Research Methodology 9 Chapter IV: Procedure and Practice for Prisoners’ Communication 14 with the Outside Chapter V: Communication Facilities: Processes, 35 Experiences and Perceptions Chapter VI: Good Practices and Recommendations 68 References 80 Appendix 81 End Notes 88 i List of Tables Title Page No. Table 3.1 Research Sites 10 Table 3.2. Number of Respondents (State-wise) 10 Table 4.1: Procedures for Prisoners’ Meetings with Visitors 14 Table 4.2. Facilities for Telephonic Communication 27 Table 4.3: Facilities for Communication through Inland-letters and Postcards 28 Table 4.4: Feedback and Concerns Shared about Practice and Procedure 29 ii The Research Team Researcher Ms. Subhadra Nair Data Collection Team Ms. Subhadra Nair Ms. Surekha Sale Ms. Pradnya Shinde Ms. Meenal Kolatkar Ms. Priyanka Kamble Ms. Karuna Sangare Ms. Komal Phadtare Report Writing Team Ms. Subhadra Nair Prof. Vijay Raghavan Dr. Sharon Menezes Ms. Devayani Tumma Ms. Krupa Shah Cover-page, Report Design and Layout Tabish Ahsan Administration Support Team Mr. Rajesh Gajbiye Ms. Shital Sakharkar Ms. Harshada Sawant Project Directors Prof. Vijay Raghavan Dr. Sharon Menezes iii Acknowledgements This study has reached its completion due to the support received from the Prison Departments of different states. We especially wish to thank the following persons for facilitating the study. 1. Shri S.N. Pandey, Director General (Prisons & Correctional Services), Mumbai, Maharashtra. 2. -
UUKMA-Kalamela-E-Manual-2017
ഉള്ളടക്കം INTRODUCTION ....................................................................................................................................................2 AIM .......................................................................................................................................................................2 Eligibility for participation ....................................................................................................................................2 age Categories ......................................................................................................................................................2 Age proof ..............................................................................................................................................................2 List of ITEMS .........................................................................................................................................................3 Number of PARTICIPATING Items .........................................................................................................................3 Number of entries for Regional Kalamela ........................................................................................................3 Number of entries for National Kalamela: .......................................................................................................3 GENERAL GUIDE LINES ..........................................................................................................................................3 -
PONNANI PEPPER PROJECT History Ponnani Is Popularly Known As “The Mecca of Kerala”
PONNANI PEPPER PROJECT HISTORY Ponnani is popularly known as “the Mecca of Kerala”. As an ancient harbour city, it was a major trading hub in the Malabar region, the northernmost end of the state. There are many tales that try to explain how the place got its name. According to one, the prominent Brahmin family of Azhvancherry Thambrakkal once held sway over the land. During their heydays, they offered ponnu aana [elephants made of gold] to the temples, and this gave the land the name “Ponnani”. According to another, due to trade, ponnu [gold] from the Arab lands reached India for the first time at this place, and thus caused it to be named “Ponnani”. It is believed that a place that is referred to as “Tyndis” in the Greek book titled Periplus of the Erythraean Sea is Ponnani. However historians have not been able to establish the exact location of Tyndis beyond doubt. Nor has any archaeological evidence been recovered to confirm this belief. Politically too, Ponnani had great importance in the past. The Zamorins (rulers of Calicut) considered Ponnani as their second headquarters. When Tipu Sultan invaded Kerala in 1766, Ponnani was annexed to the Mysore kingdom. Later when the British colonized the land, Ponnani came under the Bombay Province for a brief interval of time. Still later, it was annexed Malabar and was considered part of the Madras Province for one-and-a-half centuries. Until 1861, Ponnani was the headquarters of Koottanad taluk, and with the formation of the state of Kerala in 1956, it became a taluk in Palakkad district. -
Report 2015-16
NATIONAL SERVICE SCHEME 2015-2016 ANNUAL REPORT JUNE 2015 CLEAN KOTTAYAM PROGRAMME In connection with the `clean kottayam’ programme various programmes were held at MG University. On 4 th June, NSS volunteers from the college participated in the `LakshamVriksham’ programme. As part of this programme saplings were distributed among the volunteers and they were instructed to take good care of the saplings. Volunteers took active part in the `SuchithwaDeepashikaPrayanam’ also. WORLD ENVIRONMENT DAY CELEBRATION World environment day was observed on the 5 th of June. National Service Scheme volunteers from the college attended the state level inaugural ceremony of World Environment Day Celebrations held at MammenMappila Hall, Kottayam, and performed a skit about the importance of the day. As part of the celebrations held at Baseliuscollege, NSS volunteers planted 100 seedlings in and out of the college campus. HELPING HAND FOR A CANCER PATIENT On 9th June a fund raising programme was conducted inorder to help AmbiliFathima, a cancer patient. Each and every student of the college participated in it. NSS Programme officer Prof.Sarath P. Nath handed over the amount to AmbililFathima’s family. WORLD ELDER ABUSE DAY OBSERVATION As a part of World Elder Abuse Day observation an elder abuse survey was conducted at Kumaranalloor by the National Service Scheme unit of Baselius College. It was conducted in collaboration with Kerala Social Justice Department. Volunteers were divided into groups and they conducted the survey. The details collected were analysed and a discussion on that was also conducted. BLOOD DONATION CAMP As a part of World Blood Donation Day celebration, a blood donation camp was organized. -
Palghat Mani Iyer.Pdf
COVER STORY Palghat T.S. Mani Iyer (1912-1981) Sriram.V ometime in the 17th century, a Raja of Palghat is said to have invited many Brahmin families Sbelonging to the Tanjavur region to his principality. They were to inculcate learning and culture in the area. These families settled in 96 villages of Palghat district and greatly enriched the place. Many of their descendants rose to high positions in administration, business and other walks of life. Several shone as musicians. But the man who was to prefix the name of the district to his own name and make it synonymous with percussion was Mani Iyer, the mridanga maestro. Palghat T.S. Mani Iyer was born on 12th June 1912 at Pazhayanur, Tiruvilvamala Taluk, in Palghat District to Sesham Bhagavatar and Anandambal as their second son. The couple had many children of whom some died early with only two sons (Mani Iyer and a younger brother) and two daughters surviving into adulthood. Sesham Bhagavatar was a vocalist in the Harikatha troupe of Mukkai Sivaramakrishna Bhagavatar, a famous exponent of the art form. Mani was christened Ramaswami at birth— after his grandfather who was a school teacher besides being a good singer. Destined as it seemed Mani Iyer was to acquire fame Young Mani in the field of percussion, the forces that control fates could not have selected a better place for his birth. Tiruvilvamala, a village on the southern side of the Born for the Mridanga Bharatapuzha river, was well known for its Panchavadyam performers. ‘Maddalam’ Venkicchan and Konthai were famed practitioners of the percussive arts. -
List of Empanelled Artist
INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT ARTISTS S.No. Name of Artist/Group State Date of Genre Contact Details Year of Current Last Cooling off Social Media Presence Birth Empanelment Category/ Sponsorsred Over Level by ICCR Yes/No 1 Ananda Shankar Jayant Telangana 27-09-1961 Bharatanatyam Tel: +91-40-23548384 2007 Outstanding Yes https://www.youtube.com/watch?v=vwH8YJH4iVY Cell: +91-9848016039 September 2004- https://www.youtube.com/watch?v=Vrts4yX0NOQ [email protected] San Jose, Panama, https://www.youtube.com/watch?v=YDwKHb4F4tk [email protected] Tegucigalpa, https://www.youtube.com/watch?v=SIh4lOqFa7o Guatemala City, https://www.youtube.com/watch?v=MiOhl5brqYc Quito & Argentina https://www.youtube.com/watch?v=COv7medCkW8 2 Bali Vyjayantimala Tamilnadu 13-08-1936 Bharatanatyam Tel: +91-44-24993433 Outstanding No Yes https://www.youtube.com/watch?v=wbT7vkbpkx4 +91-44-24992667 https://www.youtube.com/watch?v=zKvILzX5mX4 [email protected] https://www.youtube.com/watch?v=kyQAisJKlVs https://www.youtube.com/watch?v=q6S7GLiZtYQ https://www.youtube.com/watch?v=WBPKiWdEtHI 3 Sucheta Bhide Maharashtra 06-12-1948 Bharatanatyam Cell: +91-8605953615 Outstanding 24 June – 18 July, Yes https://www.youtube.com/watch?v=WTj_D-q-oGM suchetachapekar@hotmail 2015 Brazil (TG) https://www.youtube.com/watch?v=UOhzx_npilY .com https://www.youtube.com/watch?v=SgXsRIOFIQ0 https://www.youtube.com/watch?v=lSepFLNVelI 4 C.V.Chandershekar Tamilnadu 12-05-1935 Bharatanatyam Tel: +91-44- 24522797 1998 Outstanding 13 – 17 July 2017- No https://www.youtube.com/watch?v=Ec4OrzIwnWQ -
Theatrical Performativity of Ritualistic Music: an Embellishment of Rhythmic Ensemble Kellikottu
International Journal of Humanities and Social Science Invention (IJHSSI) ISSN (Online): 2319 – 7722, ISSN (Print): 2319 – 7714 www.ijhssi.org ||Volume 10 Issue 4 Ser. II || April 2021 || PP 08-11 Theatrical Performativity of Ritualistic Music: An Embellishment of Rhythmic Ensemble Kellikottu Thomas Joe Research Scholar, Department of Theatre, Sree Sankaracharya Universiy of Sanskrit, Kalady --------------------------------------------------------------------------------------------------------------------------------------- Date of Submission: 20-03-2021 Date of Acceptance: 04-04-2021 --------------------------------------------------------------------------------------------------------------------------------------- I. INTRODUCTION Can we imagine that there will be people who are not interested in percussion tones. Rhythm is a law of the universe. If we examine the movements of our universe, we know that they all have a rhythmic movement. We can understand that musical instruments and arts are originated in the ancient period. If we look for the origin of these, we come to the time of primitive man. The creatures and birds always express their joy and happiness in dance. The peacock is always conscious of his beauty. Rhythm is the central point of every item, poetry, music, or dance and the human gets it by nature. A special raga is played for charming the snakes. Art is a performance that is closely related to sow a foundation of a culture. PERFORMANCE IN RITUAL Anything can be a performance, the way you use it the way you treat it. Believing yourself as an actor, performer, or laborer anything else makes you the same during the work. Religious belief is a reality in our society. The ritual performance of a community, the festivals, and celebrations happening in the spiritual space are all cultural beliefs and are certain reasons for the development of society. -
Masculinity and the Structuring of the Public Domain in Kerala: a History of the Contemporary
MASCULINITY AND THE STRUCTURING OF THE PUBLIC DOMAIN IN KERALA: A HISTORY OF THE CONTEMPORARY Ph. D. Thesis submitted to MANIPAL ACADEMY OF HIGHER EDUCATION (MAHE – Deemed University) RATHEESH RADHAKRISHNAN CENTRE FOR THE STUDY OF CULTURE AND SOCIETY (Affiliated to MAHE- Deemed University) BANGALORE- 560011 JULY 2006 To my parents KM Rajalakshmy and M Radhakrishnan For the spirit of reason and freedom I was introduced to… This work is dedicated…. The object was to learn to what extent the effort to think one’s own history can free thought from what it silently thinks, so enable it to think differently. Michel Foucault. 1985/1990. The Use of Pleasure: The History of Sexuality Vol. II, trans. Robert Hurley. New York: Vintage: 9. … in order to problematise our inherited categories and perspectives on gender meanings, might not men’s experiences of gender – in relation to themselves, their bodies, to socially constructed representations, and to others (men and women) – be a potentially subversive way to begin? […]. Of course the risks are very high, namely, of being misunderstood both by the common sense of the dominant order and by a politically correct feminism. But, then, welcome to the margins! Mary E. John. 2002. “Responses”. From the Margins (February 2002): 247. The peacock has his plumes The cock his comb The lion his mane And the man his moustache. Tell me O Evolution! Is masculinity Only clothes and ornaments That in time becomes the body? PN Gopikrishnan. 2003. “Parayu Parinaamame!” (Tell me O Evolution!). Reprinted in Madiyanmarude Manifesto (Manifesto of the Lazy, 2006). Thrissur: Current Books: 78.