DOCSLIB.ORG

Sl No Name of Artist Type of Music D/Audition Grade

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Sl No Name of Artist Type of Music D/Audition Grade SL NO NAME OF ARTIST TYPE OF MUSIC D/AUDITION GRADE 1 Mangad K Natesan KM Vocal 21.02.2000 Top 2 M K Sankaran Namboothiri KM Vocal 19.11.2009 Top 3 A E Vamanan Namboothiri(Staff) KM Vocal 14.10.2010 Top 4 A Ananthapadmanabhan KM Inst Veena 25.11.2008 Top 5 C Rajendran KM Inst Violin 14.10.2010 Top 6 C S Anuroop(Staff) KM Inst Violin 14.10.2010 Top 7 N Sampath KM Inst Violin 18.03.2019 Top 8 Palakkad T R Rajamany KM Inst Mridangam 21.04.2003 Top 9 Parassala V Ravi KM Inst Mridangam 25.11.2008 Top 10 Kuzhalmmannam G Ramakrishnan KM Inst Mridangam 14.10.2010 Top 11 G Chandrasekharan Nair KM Inst Mridangam 03.10.2013 Top 12 P D Thomas Light Music Composer 18.03.2019 Top 13 Kalanilayam M Unnikrishnan Ind Music Kathakalippadam 22.04.2016 Top 14 Subhadra Thampuran KM Vocal 25.11.1987 A 15 Palakkad K S Narayana Swamy KM Vocal 03.03.1988 A 16 V R Dileepkumar KM Vocal 27.01.1995 A 17 Nedumkunnam Vasudevan KM Vocal 07.01.2003 A 18 T P Nishanth KM Vocal 07.04.2006 A 19 G S Balamurali KM Vocal 11.04.2006 A 20 M S Parameswaran KM Vocal 29.10.2012 A 21 K S Vishnudev KM Vocal 07.02.2012 A 22 K Girija KM Vocal 31.05.2012 A 23 Arackal Nandakumar KM Vocal 05.09.2016 A 24 Vivek P KM Vocal 03.06.2019 A 25 Orumanayur O K Gopi KM Inst Nagaswaram 23.11.2000 A 26 Orumanayur O K Subrahmanyan KM Inst Nagaswaram 25.04.2016 A 27 G Sreevidya KM Inst Veena 29.10.2012 A 28 A Ajith Kumar KM Inst Violin 03.02.2011 A 29 Bindu K Shenoi KM Inst Violin 03.02.2011 A 30 V Sindu KM Inst Violin 07.02.2012 A 31 Vayala Rajendran KM Inst Violin 29.05.2013 A 32 D Usha Vijayakumar Classical Inst Gottuvadyam 07.01.2012 A 33 Palakkad A Ganesan KM Inst Mridangam 30.08.1994 A 34 K Jayakrishnan(Staff) KM Inst Mridangam 11.02.2000 A 35 R V Rajeev KM Inst Mridangam 05.02.2003 A 36 K M S Many KM Inst Mridangam 31.03.2004 A 37 Palakkad K S Mahesh Kumar KM Inst Mridangam 12.11.2007 A 38 B Jayaram KM Inst Mridangam 03.02.2011 A 39 S.R.Sreekanth KM Inst Mridangam 03.02.2011 A 40 Sreedath.S.Pillai KM Inst Mridangam 29.10.2012 A 41 Sanoj P.S KM Inst Mridangam 29.10.2012 A 42 A.Balakrishna Kammath KM Inst Mridangam 29.10.2012 A 43 A E Krishnan Nambudiri KM Inst Mridangam 29.05.2013 A 44 Aneesh K Vasudev KM Inst Mridangam 13.11.2013 A 45 S.Dinesh KM Inst Mridangam 01.10.2014 A 46 K.Ramkumar Varma KM Inst Mridangam 25.04.2016 A 47 N K Madhusudanan KM Inst Mridangam 12.07.2016 A 48 Mangad K B Jagadeendran KM Inst Mridangam 12.07.2016 A 49 Rakesh P M KM Inst Mridangam 27.07.2018 A 50 Sreerag M S KM Inst Mridangam 15.11.2018 A 51 Anirudh Raj N KM Inst Mridangam 20.11.2019 A 52 Harippad.M.S.Rajasekhar KM Inst Ghatam 25.04.2016 A 53 A S Sreejith KM Inst Ghatam 15.11.2018 A 54 Manjoor Unnikrishnan KM Inst Ghatam 01.07.2011 A 55 Thrikkakkara.Y.N.Santharam KM Inst Kanchira 03.10.2008 A 56 Neethul Aravind. (C W 2011) KM Inst Kanchira 25.04.2016 A 57 Gopakumar K D KM Inst Morsing 03.06.2019 A 58 T.Govindaprasad KM Inst Morsing 07.02.2012 A 59 K B Sujatha KM Light Vocal 28.06.1989 A 60 T A Sobha KM Light Vocal 28.12.1994 A 61 Amal Antony KM Light Vocal 02.08.2011 A 62 Pradip Somasundaran KM Light Vocal 12.07.2016 A 63 Arackal Nandakumar KM Light Vocal 12.07.2016 A 64 K J Francis KM Light Inst Clarionet 18.01.2001 A 65 P D Thomas(Staff) KM Light Inst Guitar 12.07.2016 A 66 Kalamandalam C V Sukumaran Ind Music Kathakalippadam 13.07.2001 A 67 Sadanam Syamalan Ind Music Kathakalippadam 22.09.2009 A 68 Vengeri Narayanan Ind Music Kathakalippadam 02.08.2011 A 69 Kottakkal Madhu Ind Music Kathakalippadam 29.10.2012 A 70 Kalamandalam N N Kolathappally Ind Music Kathakalippadam 01.10.2014 A 71 Kottakkal Narayanan Ind Music Kathakalippadam 09.06.2014 A 72 N N Rama Mohanan Ind Music Kathakalippadam 27.07.2018 A 73 Ravindran A M Ind Music Kathakalippadam 03.12.2019 A 74 Kalamandalam M Gopalakrishnan Ind Music Kathakalippadam 04.12.2019 A 75 Kalamandalam Narayanan Embranthiri Ind Music Kathakalippadam 04.12.2019 A 76 Kalamandalam Vinod Ind Music Kathakalippadam 04.12.2019 A 77 Margi Madhu Ind Music Chakiarkooth 05.09.2016 A 78 P Nandakumar Ind Music Edakka 10.10.2007 A 79 M A Krishna Das Ind Music Edakka 22.09.2009 A 80 Kallekulangara Achuthankutty Ind Music Thayambaka 05.09.2016 A 81 Thrithala Sankarakrishnan Ind Music Thayambaka 29.05.2013 A 82 Kalamandalam Sasi Ind Music Thayambaka 29.05.2013 A 83 Mulankunnathukavu T N Krishnan nambiar Indigenous Thiyyattupattu 29.05.2013 A 84 Kalamandalam Parameswaran Indigenous Ottanthullal 05.12.2019 A 85 Kalamandalam Nandakumaran Chenda for Kathakali 02.12.2019 A 86 Kottakkal Prasad Chenda for Kathakali 02.12.2019 A 87 Sadanam Gopalakrishnan Chenda for Kathakali 05.12.2019 A 88 Sadanam Rajagopalan Maddalam for Kadhakali 27.07.2018 A 89 Sreejith K Maddalam for Kadhakali 02.12.2019 A 90 P S Vidyadharan Light Music Composer 30.05.2006 Gr 1 91 Aroor P K Manoharan Light Music Composer 29.05.2013 Gr 1 92 A E Vamanan Namboothiri(Staff) Light Music Composer 29.05.2013 Gr 1 93 Arackal Nandakumar Light Music Composer 12.07.2016 Gr 1 94 Vaikom Saroja KM Vocal 23.05.1965 B High 95 Ernakulam M S Jayalekshmy KM Vocal 21.11.1967 B High 96 Radha Varadarajan KM Vocal 28.05.1973 B High 97 Rema Ramavarma KM Vocal 05.12.1975 B High 98 Mavelikkara P Subrahmanyam KM Vocal 02.06.1979 B High 99 Dhanalekshmy Balasubrahmanyam KM Vocal 09.04.1981 B High 100 Lalitha Balasubrahmanyam KM Vocal 28.01.1982 B High 101 Sukumari Narendra Menon KM Vocal 31.08.1982 B High 102 Vimala B Varma KM Vocal 21.07.1983 B High 103 Malini Hariharan KM Vocal 27.01.1986 B High 104 Aroor P K Manoharan KM Vocal 04.12.1987 B High 105 Nirmala Krishnan KM Vocal 26.02.1988 B High 106 Ammini S Menon KM Vocal 03.03.1988 B High 107 V V Charumathi Ramakrishnan KM Vocal 30.03.1988 B High 108 K G Jayan KM Vocal 23.02.1989 B High 109 V Sindhu KM Vocal 18.05.1990 B High 110 C Raji KM Vocal 28.12.1990 B High 111 C S Jayalekshmi KM Vocal 31.12.1990 B High 112 Ambalappuzha P Thulasi KM Vocal 11.02.1991 B High 113 Thamarakkad Govindan Nambudiri KM Vocal 14.02.1992 B High 114 K Muraleedharanunny KM Vocal 21.05.1992 B High 115 Geetha V KM Vocal 23.12.1994 B High 116 Priyadarsini Sunil KM Vocal 23.04.1996 B High 117 Dr E N Sajith KM Vocal 09.12.1997 B High 118 Binu Chacko Neryamangalam KM Vocal 31.12.1998 B High 119 Trippunithura V Mini KM Vocal 04.09.2000 B High 120 Guruvayur K Manikantan KM Vocal 22.11.2000 B High 121 S Santhala KM Vocal 03.02.2003 B High 122 Bindu B KM Vocal 07.04.2006 B High 123 V Sreelatha KM Vocal 07.04.2006 B High 124 A D Reju KM Vocal 12.11.2007 B High 125 Abhiram Unni KM Vocal 16.12.2008 B High 126 Mahitha Varma KM Vocal 29.10.2012 B High 127 Lola Kesavan KM Vocal 29.10.2012 B High 128 Sharmila S KM Vocal 20.11.2012 B High 129 Priyadarsini K M(C W-2010) KM Vocal 29.10.2012 B High 130 S K S Subrahmanyam KM Vocal 07.02.2012 B High 131 Preethy Satheesh KM Vocal 29.10.2012 B High 132 Manu Narayanan KM Vocal 29.10.2012 B High 133 Manjusha K KM Vocal 15.10.2013 B High 134 Vijayasree Haridas KM Vocal 15.10.2013 B High 135 Anand Jayaram KM Vocal 15.10.2013 B High 136 Muthukrishna M KM Vocal 13.11.2013 B High 137 R.Mohanakrishnan KM Vocal 11.02.2014 B High 138 Dr Mythili E S KM Vocal 11.02.2014 B High 139 Ratheesh P R KM Vocal 05.09.2016 B High 140 Mannur M P Rajakumaranunni KM Vocal 04.09.2005 B High 141 Gayathri Suresh KM Vocal 01.04.2016 B High 142 Harikrishnan K R KM Vocal 27.07.2018 B High 143 Anand K Raj KM Vocal 03.06.2019 B High 144 Bhagyalekshmi G R KM Vocal 03.06.2019 B High 145 Meera K N KM Vocal 20.11.2019 B High 146 Muralisangeeth V KM Vocal 19.11.2019 B High 147 M S Jayakumar KM Inst Violin 22.02.1999 B High 148 Bhavya Lekshmi Saji KM Inst Violin 15.01.2001 B High 149 Manjoor Renjith KM Inst Violin 01.05.2002 B High 150 Guruvayur Narayanan KM Inst Violin 23.08.2002 B High 151 Chembai C K Venkitaraman KM Inst Violin 24.08.2002 B High 152 N V Sankaranarayanan KM Inst Violin 24.08.2002 B High 153 K R Ajith Kumar KM Inst Violin 22.08.2006 B High 154 D.Sunitha KM Inst.Violin 29.10.2012 B High 155 Anand Jayaram KM Inst.Violin 15.10.2013 B High 156 Syam Kalyan M KM Inst.Violin 18.11.2019 B High 157 Aryadatha&Priyadatha KM Inst.Violin Duet 20.11.2019 B High 158 V Balakrishnan KM Inst Veena 29.10.1981 B High 159 Jayasree Mahesh KM Inst Veena 30.08.1994 B High 160 A.Anand Kaushik KM Inst Veena 05.02.2008 B High 161 Devi Vasudevan KM Inst Veena 03.02.2011 B High 162 Padma S Thampuran KM Inst Veena 20.10.2011 B High 163 Hariprasad KM Inst Flute 03.06.2019 B High 164 Madhusudanan N K KM Inst Harmonium 12.07.2016 B High 165 Pallavur C Krishnankutty KM Inst Nagaswaram 13.02.1979 B High 166 Kottappady Surendran KM Inst Nagaswaram 12.11.2007 B High 167 Vadassery Bros(T Sethumadhavan&T V Sivadas KM Inst Nagaswaram 15.07 2003 B High 168 Reghunathan K KM Inst Nagaswaram 03.06.2019 B High 169 T.K.Velu KM Inst Thavil 22.09.1996 B High 170 Sreekumar C H KM Inst.Thavil 25.04.2016 B High 171 Kollengode Rajendran KM Inst.Thavil 25.04.2016 B High 172 Anu Venugopal KM Inst.Thavil 20.11.2019 B High 173 K Parameswaran Nambudiri KM Inst Mridangam 21.12.1973 B High 174 N Sreekumara Varma KM Inst Mridangam 07.12.1977 B High 175 Tvm M Balasubrahmanyam KM Inst Mridangam 06.11.1982 B High 176 M Suresh Kumar KM Inst Mridangam 29.12.1986 B High 177 Suresh Olappamanna KM Inst Mridangam 10.02.1988 B High 178 K Gopalakrishnan KM Inst Mridangam 11.11.1988 B High 179 U Kerala Varma KM Inst Mridangam 03.01.1990 B High 180 K V Vancheeswaran KM Inst Mridangam 25.03.1991 B High 181 Vypin Satheesh KM Inst Mridangam 25.03.1991 B High 182 R.Gopinadha Prabhu KM Inst Mridangam 14.01.1993 B High 183 V KrishnaKammath KM Inst Mridangam 14.02.1995 B High 184
Load more

Recommended publications
  • Farmer Database
    KVK, Trichy - Farmer Database Animal Biofertilier/v Gende Commun Value Mushroo Other S.No Name Fathers name Village Block District Age Contact No Area C1 C2 C3 Husbandry / Honey bee Fish/IFS ermi/organic Others r ity addition m Enterprise IFS farming 1 Subbaiyah Samigounden Kolakudi Thottiyam TIRUCHIRAPPALLI M 57 9787932248 BC 2 Manivannan Ekambaram Salaimedu, Kurichi Kulithalai Karur M 58 9787935454 BC 4 Ixora coconut CLUSTERB 3 Duraisamy Venkatasamy Kolakudi Thottiam TIRUCHIRAPPALLI M 42 9787936175 BC Vegetable groundnut cotton EAN 4 Vairamoorthy Aynan Kurichi Kulithalai Karur M 33 9787936969 bc jasmine ixora 5 subramanian natesan Sirupathur MANACHANALLUR TIRUCHIRAPPALLI M 42 9787942777 BC Millet 6 Subramaniyan Thirupatur MANACHANALLUR TIRUCHIRAPPALLI M 42 9787943055 BC Tapioca 7 Saravanadevi Murugan Keelakalkandarkottai THIRUVERAMBUR TIRUCHIRAPPALLI F 42 9787948480 SC 8 Natarajan Perumal Kattukottagai UPPILIYAPURAM TIRUCHIRAPPALLI M 47 9787960188 BC Coleus 9 Jayanthi Kalimuthu top senkattupatti UPPILIYAPURAM Tiruchirappalli F 41 9787960472 ST 10 Selvam Arunachalam P.K.Agaram Pullampady TIRUCHIRAPPALLI M 23 9787964012 MBC Onion 11 Dharmarajan Chellappan Peramangalam LALGUDI TIRUCHIRAPPALLI M 68 9787969108 BC sugarcane 12 Sabayarani Lusis prakash Chinthamani Musiri Tiruchirappalli F 49 9788043676 BC Alagiyamanavala 13 Venkataraman alankudimahajanam LALGUDI TIRUCHIRAPPALLI M 67 9788046811 BC sugarcane n 14 Vijayababu andhanallur andhanallur TIRUCHIRAPPALLI M 30 9788055993 BC 15 Palanivel Thuvakudi THIRUVERAMBUR TIRUCHIRAPPALLI M 65 9788056444
    [Show full text]
  • A Synonym to Conservation of Intangible Cultural Heritage: Folkland, International Centre for Folklore and Culture, Heading for Its 30Th Anniversary
    A Synonym to Conservation of Intangible Cultural Heritage: Folkland, International Centre for Folklore and Culture, Heading for Its 30th Anniversary V. Jayarajan Folkland, International Centre for Folklore and Culture Folkland, International Centre for Folklore and Culture is an institution that was first registered on December 20, 1989 under the Societies Registration Act of 1860, vide No. 406/89. Over the last 16 years, it has passed through various stages of growth, especially in the fields of performance, production, documentation, and research, besides the preservation of folk art and culture. Since its inception in 1989, Folkland has passed through various phases of growth into a cultural organization with a global presence. As stated above, Folkland has delved deep into the fields of stage performance, production, documentation, and research, besides the preservation of folk art and culture. It has strived hard and treads the untrodden path with a clear motto of preservation and inculcation of old folk and cultural values in our society. Folkland has a veritable collection of folk songs, folk art forms, riddles, fables, myths, etc. that are on the verge of extinction. This collection has been recorded and archived well for scholastic endeavors and posterity. As such, Folkland defines itself as follows: 1. An international center for folklore and culture. 2. A cultural organization with clearly defined objectives and targets for research and the promotion of folk arts. Folkland has branched out and reached far and wide into almost every nook and corner of the world. The center has been credited with organizing many a festival on folk arts or workshop on folklore, culture, linguistics, etc.
    [Show full text]
  • Particulars of Some Temples of Kerala Contents Particulars of Some
    Particulars of some temples of Kerala Contents Particulars of some temples of Kerala .............................................. 1 Introduction ............................................................................................... 9 Temples of Kerala ................................................................................. 10 Temples of Kerala- an over view .................................................... 16 1. Achan Koil Dharma Sastha ...................................................... 23 2. Alathiyur Perumthiri(Hanuman) koil ................................. 24 3. Randu Moorthi temple of Alathur......................................... 27 4. Ambalappuzha Krishnan temple ........................................... 28 5. Amedha Saptha Mathruka Temple ....................................... 31 6. Ananteswar temple of Manjeswar ........................................ 35 7. Anchumana temple , Padivattam, Edapalli....................... 36 8. Aranmula Parthasarathy Temple ......................................... 38 9. Arathil Bhagawathi temple ..................................................... 41 10. Arpuda Narayana temple, Thirukodithaanam ................. 45 11. Aryankavu Dharma Sastha ...................................................... 47 12. Athingal Bhairavi temple ......................................................... 48 13. Attukkal BHagawathy Kshethram, Trivandrum ............. 50 14. Ayilur Akhileswaran (Shiva) and Sri Krishna temples ...........................................................................................................
    [Show full text]
  • News 21112019115636843Ch
    2019 \hw-_À 23 cmhnse 9.00 aWn¡v thZn : taev]-¯qÀ HmUn-täm-dnbw {]nb `à-P-\-§-sf, hniz-{]-kn-²-amb Kpcp-hm-bqÀ t£{X-¯nÂ, `à-P-\-§Ä AXy´w {hX-\n-jvT-tbmsS BN-cn-¡p¶ kpZn-\-amWv Kpcp-hm-bqÀ GIm-Z-in. Cs¡m-Ãs¯ Kpcp-hm-bqÀ GIm-Zin atlmÕhw Unkw-_À 8 (1195 hrÝnIw 22) Rmb-dm-gvN-bmWv. `K-hm³ {ioIrjvW³ alm-`m-cX-bp-²`qan-bn sh¨v AÀÖp-\\v `KhZvKoX D]-tZ-in-¨-Xnsâ kvac-W-bn "D°m\ GIm-Zin' F¶pw Adn-b-s¸-Sp¶ Cu kpZn\w KoXm-Zn-\-ambpw BN- cn-¨p-h-cp-¶p. At¶Znhkw t£{X-¯n tZhkzw hI-bmbn DZ-bm-kvX-a\-]q-P, hnti-jm ImgvNiothen F¶nh D m-bn-cn-¡p-¶-Xm-Wv. Zi-an-\m-fn KP-cm-P³ tIi-h³ A\p-kva-c-Whpw tZhkzw \S-¯n-h-cp-¶p. Kpcp-hm-bq-c-¸-t\mSv At`-Zy-amb lrZ-b-_Ôw kq£n-¡p-Ibpw ac-Ww-hsc F´p-Xs¶ {]bm-k-§- fp- m-bmepw Kpcp-hm-bqÀ GIm-Zin Znhkw apS-§msX Kpcp-hm-bq-cn-se¯n `K-hm\v kwKotXm-]mk\ sNbvX A\-izc IÀ®m-SI kwKoXN{IhÀ¯n {io. sNss¼ sshZy-\mY `mK-h-X-cpsS kvac-WmÀ°w Kpcp-hm-bq-À tZhkzw sNss¼ kwKo-tXm-Õhw 44- hÀjambn \S-¯n-h-cp-¶p. 45-þmw sNss¼ kwKo-tXm Õhw 2019 \hw_À 23 i\nbmgvN cmhnse 9.00\v ta¸-¯qÀ HmUn-täm-dn-b-¯nse sNss¼ kwKoXaÞ]- ¯n _lp.tIcf kwØm\ klIcW Sqdnkw tZhkzw hIp¸v a{´n {io.
    [Show full text]
  • Prisoner's Contact with Their Families
    TABLE OF CONTENTS Topic Page No. List of Tables ii The Research Team iii Acknowledgments iv Glossary of Terms used in Prisons v Chapter I: Introduction 1 Chapter II: Review of Literature 5 Chapter III: Research Methodology 9 Chapter IV: Procedure and Practice for Prisoners’ Communication 14 with the Outside Chapter V: Communication Facilities: Processes, 35 Experiences and Perceptions Chapter VI: Good Practices and Recommendations 68 References 80 Appendix 81 End Notes 88 i List of Tables Title Page No. Table 3.1 Research Sites 10 Table 3.2. Number of Respondents (State-wise) 10 Table 4.1: Procedures for Prisoners’ Meetings with Visitors 14 Table 4.2. Facilities for Telephonic Communication 27 Table 4.3: Facilities for Communication through Inland-letters and Postcards 28 Table 4.4: Feedback and Concerns Shared about Practice and Procedure 29 ii The Research Team Researcher Ms. Subhadra Nair Data Collection Team Ms. Subhadra Nair Ms. Surekha Sale Ms. Pradnya Shinde Ms. Meenal Kolatkar Ms. Priyanka Kamble Ms. Karuna Sangare Ms. Komal Phadtare Report Writing Team Ms. Subhadra Nair Prof. Vijay Raghavan Dr. Sharon Menezes Ms. Devayani Tumma Ms. Krupa Shah Cover-page, Report Design and Layout Tabish Ahsan Administration Support Team Mr. Rajesh Gajbiye Ms. Shital Sakharkar Ms. Harshada Sawant Project Directors Prof. Vijay Raghavan Dr. Sharon Menezes iii Acknowledgements This study has reached its completion due to the support received from the Prison Departments of different states. We especially wish to thank the following persons for facilitating the study. 1. Shri S.N. Pandey, Director General (Prisons & Correctional Services), Mumbai, Maharashtra. 2.
    [Show full text]
  • UUKMA-Kalamela-E-Manual-2017
    ഉള്ളടക്കം INTRODUCTION ....................................................................................................................................................2 AIM .......................................................................................................................................................................2 Eligibility for participation ....................................................................................................................................2 age Categories ......................................................................................................................................................2 Age proof ..............................................................................................................................................................2 List of ITEMS .........................................................................................................................................................3 Number of PARTICIPATING Items .........................................................................................................................3 Number of entries for Regional Kalamela ........................................................................................................3 Number of entries for National Kalamela: .......................................................................................................3 GENERAL GUIDE LINES ..........................................................................................................................................3
    [Show full text]
  • PONNANI PEPPER PROJECT History Ponnani Is Popularly Known As “The Mecca of Kerala”
    PONNANI PEPPER PROJECT HISTORY Ponnani is popularly known as “the Mecca of Kerala”. As an ancient harbour city, it was a major trading hub in the Malabar region, the northernmost end of the state. There are many tales that try to explain how the place got its name. According to one, the prominent Brahmin family of Azhvancherry Thambrakkal once held sway over the land. During their heydays, they offered ponnu aana [elephants made of gold] to the temples, and this gave the land the name “Ponnani”. According to another, due to trade, ponnu [gold] from the Arab lands reached India for the first time at this place, and thus caused it to be named “Ponnani”. It is believed that a place that is referred to as “Tyndis” in the Greek book titled Periplus of the Erythraean Sea is Ponnani. However historians have not been able to establish the exact location of Tyndis beyond doubt. Nor has any archaeological evidence been recovered to confirm this belief. Politically too, Ponnani had great importance in the past. The Zamorins (rulers of Calicut) considered Ponnani as their second headquarters. When Tipu Sultan invaded Kerala in 1766, Ponnani was annexed to the Mysore kingdom. Later when the British colonized the land, Ponnani came under the Bombay Province for a brief interval of time. Still later, it was annexed Malabar and was considered part of the Madras Province for one-and-a-half centuries. Until 1861, Ponnani was the headquarters of Koottanad taluk, and with the formation of the state of Kerala in 1956, it became a taluk in Palakkad district.
    [Show full text]
  • Report 2015-16
    NATIONAL SERVICE SCHEME 2015-2016 ANNUAL REPORT JUNE 2015 CLEAN KOTTAYAM PROGRAMME In connection with the `clean kottayam’ programme various programmes were held at MG University. On 4 th June, NSS volunteers from the college participated in the `LakshamVriksham’ programme. As part of this programme saplings were distributed among the volunteers and they were instructed to take good care of the saplings. Volunteers took active part in the `SuchithwaDeepashikaPrayanam’ also. WORLD ENVIRONMENT DAY CELEBRATION World environment day was observed on the 5 th of June. National Service Scheme volunteers from the college attended the state level inaugural ceremony of World Environment Day Celebrations held at MammenMappila Hall, Kottayam, and performed a skit about the importance of the day. As part of the celebrations held at Baseliuscollege, NSS volunteers planted 100 seedlings in and out of the college campus. HELPING HAND FOR A CANCER PATIENT On 9th June a fund raising programme was conducted inorder to help AmbiliFathima, a cancer patient. Each and every student of the college participated in it. NSS Programme officer Prof.Sarath P. Nath handed over the amount to AmbililFathima’s family. WORLD ELDER ABUSE DAY OBSERVATION As a part of World Elder Abuse Day observation an elder abuse survey was conducted at Kumaranalloor by the National Service Scheme unit of Baselius College. It was conducted in collaboration with Kerala Social Justice Department. Volunteers were divided into groups and they conducted the survey. The details collected were analysed and a discussion on that was also conducted. BLOOD DONATION CAMP As a part of World Blood Donation Day celebration, a blood donation camp was organized.
    [Show full text]
  • Palghat Mani Iyer.Pdf
    COVER STORY Palghat T.S. Mani Iyer (1912-1981) Sriram.V ometime in the 17th century, a Raja of Palghat is said to have invited many Brahmin families Sbelonging to the Tanjavur region to his principality. They were to inculcate learning and culture in the area. These families settled in 96 villages of Palghat district and greatly enriched the place. Many of their descendants rose to high positions in administration, business and other walks of life. Several shone as musicians. But the man who was to prefix the name of the district to his own name and make it synonymous with percussion was Mani Iyer, the mridanga maestro. Palghat T.S. Mani Iyer was born on 12th June 1912 at Pazhayanur, Tiruvilvamala Taluk, in Palghat District to Sesham Bhagavatar and Anandambal as their second son. The couple had many children of whom some died early with only two sons (Mani Iyer and a younger brother) and two daughters surviving into adulthood. Sesham Bhagavatar was a vocalist in the Harikatha troupe of Mukkai Sivaramakrishna Bhagavatar, a famous exponent of the art form. Mani was christened Ramaswami at birth— after his grandfather who was a school teacher besides being a good singer. Destined as it seemed Mani Iyer was to acquire fame Young Mani in the field of percussion, the forces that control fates could not have selected a better place for his birth. Tiruvilvamala, a village on the southern side of the Born for the Mridanga Bharatapuzha river, was well known for its Panchavadyam performers. ‘Maddalam’ Venkicchan and Konthai were famed practitioners of the percussive arts.
    [Show full text]
  • List of Empanelled Artist
    INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT ARTISTS S.No. Name of Artist/Group State Date of Genre Contact Details Year of Current Last Cooling off Social Media Presence Birth Empanelment Category/ Sponsorsred Over Level by ICCR Yes/No 1 Ananda Shankar Jayant Telangana 27-09-1961 Bharatanatyam Tel: +91-40-23548384 2007 Outstanding Yes https://www.youtube.com/watch?v=vwH8YJH4iVY Cell: +91-9848016039 September 2004- https://www.youtube.com/watch?v=Vrts4yX0NOQ ananda.jayant@gmail.com San Jose, Panama, https://www.youtube.com/watch?v=YDwKHb4F4tk anandasj@rediffmail.com Tegucigalpa, https://www.youtube.com/watch?v=SIh4lOqFa7o Guatemala City, https://www.youtube.com/watch?v=MiOhl5brqYc Quito & Argentina https://www.youtube.com/watch?v=COv7medCkW8 2 Bali Vyjayantimala Tamilnadu 13-08-1936 Bharatanatyam Tel: +91-44-24993433 Outstanding No Yes https://www.youtube.com/watch?v=wbT7vkbpkx4 +91-44-24992667 https://www.youtube.com/watch?v=zKvILzX5mX4 vymala.bali@yahoo.in https://www.youtube.com/watch?v=kyQAisJKlVs https://www.youtube.com/watch?v=q6S7GLiZtYQ https://www.youtube.com/watch?v=WBPKiWdEtHI 3 Sucheta Bhide Maharashtra 06-12-1948 Bharatanatyam Cell: +91-8605953615 Outstanding 24 June – 18 July, Yes https://www.youtube.com/watch?v=WTj_D-q-oGM suchetachapekar@hotmail 2015 Brazil (TG) https://www.youtube.com/watch?v=UOhzx_npilY .com https://www.youtube.com/watch?v=SgXsRIOFIQ0 https://www.youtube.com/watch?v=lSepFLNVelI 4 C.V.Chandershekar Tamilnadu 12-05-1935 Bharatanatyam Tel: +91-44- 24522797 1998 Outstanding 13 – 17 July 2017- No https://www.youtube.com/watch?v=Ec4OrzIwnWQ
    [Show full text]
  • Theatrical Performativity of Ritualistic Music: an Embellishment of Rhythmic Ensemble Kellikottu
    International Journal of Humanities and Social Science Invention (IJHSSI) ISSN (Online): 2319 – 7722, ISSN (Print): 2319 – 7714 www.ijhssi.org ||Volume 10 Issue 4 Ser. II || April 2021 || PP 08-11 Theatrical Performativity of Ritualistic Music: An Embellishment of Rhythmic Ensemble Kellikottu Thomas Joe Research Scholar, Department of Theatre, Sree Sankaracharya Universiy of Sanskrit, Kalady --------------------------------------------------------------------------------------------------------------------------------------- Date of Submission: 20-03-2021 Date of Acceptance: 04-04-2021 --------------------------------------------------------------------------------------------------------------------------------------- I. INTRODUCTION Can we imagine that there will be people who are not interested in percussion tones. Rhythm is a law of the universe. If we examine the movements of our universe, we know that they all have a rhythmic movement. We can understand that musical instruments and arts are originated in the ancient period. If we look for the origin of these, we come to the time of primitive man. The creatures and birds always express their joy and happiness in dance. The peacock is always conscious of his beauty. Rhythm is the central point of every item, poetry, music, or dance and the human gets it by nature. A special raga is played for charming the snakes. Art is a performance that is closely related to sow a foundation of a culture. PERFORMANCE IN RITUAL Anything can be a performance, the way you use it the way you treat it. Believing yourself as an actor, performer, or laborer anything else makes you the same during the work. Religious belief is a reality in our society. The ritual performance of a community, the festivals, and celebrations happening in the spiritual space are all cultural beliefs and are certain reasons for the development of society.
    [Show full text]
  • Masculinity and the Structuring of the Public Domain in Kerala: a History of the Contemporary
    MASCULINITY AND THE STRUCTURING OF THE PUBLIC DOMAIN IN KERALA: A HISTORY OF THE CONTEMPORARY Ph. D. Thesis submitted to MANIPAL ACADEMY OF HIGHER EDUCATION (MAHE – Deemed University) RATHEESH RADHAKRISHNAN CENTRE FOR THE STUDY OF CULTURE AND SOCIETY (Affiliated to MAHE- Deemed University) BANGALORE- 560011 JULY 2006 To my parents KM Rajalakshmy and M Radhakrishnan For the spirit of reason and freedom I was introduced to… This work is dedicated…. The object was to learn to what extent the effort to think one’s own history can free thought from what it silently thinks, so enable it to think differently. Michel Foucault. 1985/1990. The Use of Pleasure: The History of Sexuality Vol. II, trans. Robert Hurley. New York: Vintage: 9. … in order to problematise our inherited categories and perspectives on gender meanings, might not men’s experiences of gender – in relation to themselves, their bodies, to socially constructed representations, and to others (men and women) – be a potentially subversive way to begin? […]. Of course the risks are very high, namely, of being misunderstood both by the common sense of the dominant order and by a politically correct feminism. But, then, welcome to the margins! Mary E. John. 2002. “Responses”. From the Margins (February 2002): 247. The peacock has his plumes The cock his comb The lion his mane And the man his moustache. Tell me O Evolution! Is masculinity Only clothes and ornaments That in time becomes the body? PN Gopikrishnan. 2003. “Parayu Parinaamame!” (Tell me O Evolution!). Reprinted in Madiyanmarude Manifesto (Manifesto of the Lazy, 2006). Thrissur: Current Books: 78.
    [Show full text]