Cork Spring Poetry Festival 2014
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The Gallery Press
The Gallery Press The Gallery Press’s contribu - The Gallery Press has an unrivalled track record in publishing the tion to the cultural life of this first and subsequent collections of poems by now established Irish country is ines timable. The title poets such as Eiléan Ní Chuilleanáin, Eamon Grennan, ‘national treasure’ is these days Michael Coady, Dermot Healy, Frank McGuinness and Peter conferred, facetiously for the Sirr . It has fostered whole generations of younger poets it pub - most part, on almost any old lished first including Ciaran Berry, Tom French, Alan Gillis, thing — person or institution — Vona Groarke, Conor O’Callaghan, John McAuliffe, Kerry but The Gallery Press truly is an Hardie, David Wheatley, Michelle O’Sullivan and Andrew enterprise to be treasured by the Jamison . It has also published seminal career-establishing titles nation. by Ciaran Carson, Paula Meehan, Nuala Ní Dhomhnaill, — John Banville Justin Quinn, Seán Lysaght and Gerald Dawe . The Press has published books by Seamus Heaney, Paul Muldoon and John Banville and repatriated authors such as Brian Friel, Derek Peter Fallon’s Gallery Press is the Mahon and Medbh McGuckian who previously turned to living fulcrum around which the London and Oxford as a publishing outlet. swarm ing life of contemporary Irish poetry rotates. Fallon’s is a Gallery publishes the work of Ireland’s leading women poets truly extraordinary Irish life, and and playwrights including Eiléan Ní Chuilleanáin, Nuala Ní it goes on still, unabated. Dhomhnaill, Medbh McGuckian, Michelle O’Sullivan, Sara — Thomas McCarthy, Irish Berkeley Tolchin, Vona Groarke, Ailbhe Ní Ghearbhuigh, Literary Supplement Aifric MacAodha and Marina Carr . -
Oix-Progint Mise En Page 1 10/06/11 11:54 Page1
10050077-Voix-progINT_Mise en page 1 10/06/11 11:54 Page1 oixde la V méditerranée Festival de poésie 14ème édition Sommaire Les poètes invités I pages 7 à 21 Les modérateurs I pages 22 à 25 Les musiciens I page 26 à 27 Les comédiens I page 28 LES SPECTACLES spectacles jeune public I page 30 spectacles de rue I page 31 spectacles de conte I pages 32 à 33 spectacles et concerts en soirée I pages 34 à 39 LE PROGRAMME Jour par jour I pages 41 à 81 Et tous les jours I pages 83 à 84 Voisinages I page 85 Le marché de la poésie I pages 86 à 91 INFORMATIONS PRATIQUES tarifs I page 93 plan I page 95 10050077-Voix-progINT_Mise en page 1 10/06/11 11:54 Page2 2 10050077-Voix-progINT_Mise en page 1 10/06/11 11:54 Page3 / édito Festival de poésie e 14 ous le patronage de l’UNESCO, le festival Voix de la Méditerranée va accueillir du 16 au 23 juillet, plus d’une centaine de poètes et Sd’artistes, conteurs, chanteurs et musiciens venus de toute la Méditerranée. A nouveau Lodève vivra du matin au soir au rythme de la poésie avec plus de 200 rendez-vous proposés à un public fidèle et curieux, conquis par l’atmosphère intime de la ville et la convivialité de la manifestation. Depuis 14 ans, l’invitation est lancée aux poètes, aux habitants du Voix de la Méditerranée / Voix territoire et à tous les festivaliers pour partager un temps d’échanges et de dialogue entre les cultures mais aussi entre les générations. -
Issue 6 April 2017 a Literary Pamphlet €4
issue 6 april 2017 a literary pamphlet €4 —1— Denaturation Jean Bleakney from selected poems (templar poetry, 2016) INTO FLIGHTSPOETRY Taken on its own, the fickle doorbell has no particular score to settle (a reluctant clapper? an ill-at-ease dome?) were it not part of a whole syndrome: the stubborn gate; flaking paint; cotoneaster camouflaging the house-number. Which is not to say the occupant doesn’t have (to hand) lubricant, secateurs, paint-scraper, an up-to-date shade card known by heart. It’s all part of the same deferral that leaves hanging baskets vulnerable; although, according to a botanist, for most plants, short-term wilt is really a protective mechanism. But surely every biological system has its limits? There’s no going back for egg white once it’s hit the fat. Yet, some people seem determined to stretch, to redefine those limits. Why are they so inclined? —2— INTO FLIGHTSPOETRY Taken on its own, the fickle doorbell has no particular score to settle by Thomas McCarthy (a reluctant clapper? an ill-at-ease dome?) were it not part of a whole syndrome: the stubborn gate; flaking paint; cotoneaster Tara Bergin This is Yarrow camouflaging the house-number. carcanet press, 2013 Which is not to say the occupant doesn’t have (to hand) lubricant, secateurs, paint-scraper, an up-to-date Jane Clarke The River shade card known by heart. bloodaxe books, 2015 It’s all part of the same deferral that leaves hanging baskets vulnerable; Adam Crothers Several Deer although, according to a botanist, carcanet press, 2016 for most plants, short-term wilt is really a protective mechanism. -
Cork World Book Fest
CORK WORLD BOOK FEST Mon 23 - Sat 28 April 2018 City Library - Grand Parade Triskel Christchurch BOOKING INFORMATION Cork City Library Triskel Christchurch Library events are free of charge In Person: Triskel Box Office and tickets are not required. By phone: 021 4272022 Where pre-booking is specified 24hr Online Booking: you can do so, www.triskelartscentre.ie In person: Reception desk By Phone: 021-4924900 follow us on social media Cork World Book Festival @ WorldBookFest CORK WORLD BOOK FEST 2018 It is hard to believe that it is 13 years The Cork World Book Fest is a joint since the first Cork World Book Fest. production of the City Libraries and Triskel When we put ‘World’ in the title in Christchurch, with the active support of 2005, it was an aspiration. Now Cork the Munster Literature Centre. BOOKING INFORMATION is a vibrant intercultural city, and the This year the Fest will take place in the Intercultural City is one of the key City Library, in the Grand Parade plaza strands of this year’s Fest. outside the Library, in the adjoining Bishop Lucey Park and Triskel The 2018 Fest is the 14th edition of a Christchurch, and on the streets (and festival which continues to grow in some of the cafés) of Cork (see Fired! on range and breadth, and which, we page 14). hope, gets more interesting by the year. We hope you enjoy the 14th Cork World Book Fest – it is you, the audience, who ensure its continued success each year. The Fest has always sought to combine readings by world class writers in a variety of settings with a cultural streetfair: book stalls, music, street entertainment, the The Cork World Book Fest spoken word, and more. -
The Immigrant in Contemporary Irish Literature
From Byzantium to Ballymun A review of Literary visions of multicultural Ireland: the immigrant in contemporary Irish literature. Ed. Pilar Villar-Argáiz. Manchester: Manchester University Press, 2014. Pb 2015. 273 pps. A book like Literary visions of multicultural Ireland: the immigrant in contemporary Irish literature has been long-awaited, and since its publication the topic of migrations has become more burning than ever. That the phenomenon of immigration is more striking in Ireland than in many other countries is due to several factors, the most striking of which would be that Ireland has (1) known a centuries-long history of emigration, (2) an almost equally long history of being colonized and (3) a small population on a much divided island. In The Ex-Isle of Erin (1997) O’Toole punningly catches the inversion of the above situation as the tradition of ‘exile’ has been replaced by mass immigration while the country has been ‘un-islanded’ in its embrace by the EU’s vaster network of (mainly) continental countries. This densely printed book contains 18 contributions divided over four parts: Part I deals with ‘Irish multiculturalisms: obstacles and challenges’; Part II ‘‘Rethink[s] Ireland’ as a postnationalist community’; Part III focuses on ‘‘The return of the repressed’: ‘performing’ Irishness through intercultural encounters’; Part IV, finally, looks at ‘Gender and the city’. In this review I will first present the Irish sociological background as sketched by the contributors, then discuss each of the literary genres scrutinized in this book and conclude with a general assessment. That Ireland has undergone major changes since Mary Robinson became president is obvious. -
Democrat a Dance
8 • terne D get no DEMOCRAT MR. SEAN CAUGHEY No. 194 FEBRUARY 1961 nsuranee LABOUR EXCHANGES Protest at Belfast meeting TOLD "NO IRISH" 1 •g"HE fact that men who had been imprisoned without charge or trial, and 'i Protest by C.A. deprived of the opportunity of paying national insurance contributions, ACCORDING to the "Gazette nolly Association has protested to were held to be out of benefit on their release, was strongly criticised at the vii " and "Post" many local em- the Minister of Labour, and failing ployers notifying Acton Em- a satisfactory answer the matter Annual Meeting of the Northern Ireland Council for Civil Liberties in Belfast. will be taken further. ployment Exchange of their 'I In his address to the Council's annual meeting on January labour requirements, are stipu- 28th, Mr. Caughey criticised what he called "the stubborn, arro- lating "No Irish, No coloured" gant and callous attitude of the authorities in needlessly in that order. VICTORY IS WITHIN SIGHT prolonging the internment of men, without charge or trial." APPEAL Whm Councillor E. W. J. MENTAL HEALTH The appeal from 84 English Everett told Acton Employment Mr. Caughey also referred to an M P s and from over 100 prominent Committee members at a meet- executive committee motion urging British citizens who signed the the Government to include in any ins in December. 1960, he ob- Connolly Association telegrams to new legislation on mental health served that he was "disturbed Lord Brookeborough had not gone adequate appeals machinery open by the situation." unheeded, he said, but the Govern- to voluntary welfare workers as a ment had beat its retreat in the AI:\ \V. -
The 'Nothing-Could-Be-Simpler Line': Form in Contemporary Irish Poetry
The 'nothing-could-be-simpler line': Form in Contemporary Irish Poetry Brearton, F. (2012). The 'nothing-could-be-simpler line': Form in Contemporary Irish Poetry. In F. Brearton, & A. Gillis (Eds.), The Oxford Handbook of Modern Irish Poetry (pp. 629-647). Oxford University Press. Published in: The Oxford Handbook of Modern Irish Poetry Document Version: Early version, also known as pre-print Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:26. Sep. 2021 OUP UNCORRECTED PROOF – FIRST PROOF, 04/19/2012, SPi c h a p t e r 3 8 ‘the nothing-could- be-simpler line’: form in contemporary irish poetry f r a n b r e a r t o n I I n ‘ Th e Irish Effl orescence’, Justin Quinn argues in relation to a new generation of poets from Ireland (David Wheatley, Conor O’Callaghan, Vona Groarke, Sinéad Morrissey, and Caitríona O’Reilly among them) that while: Northern Irish poetry, in both the fi rst and second waves, is preoccupied with the binary opposition of Ireland and England . -
Irish Studies Around the World – 2020
Estudios Irlandeses, Issue 16, 2021, pp. 238-283 https://doi.org/10.24162/EI2021-10080 _________________________________________________________________________AEDEI IRISH STUDIES AROUND THE WORLD – 2020 Maureen O’Connor (ed.) Copyright (c) 2021 by the authors. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged for access. Introduction Maureen O’Connor ............................................................................................................... 240 Cultural Memory in Seamus Heaney’s Late Work Joanne Piavanini Charles Armstrong ................................................................................................................ 243 Fine Meshwork: Philip Roth, Edna O’Brien, and Jewish-Irish Literature Dan O’Brien George Bornstein .................................................................................................................. 247 Irish Women Writers at the Turn of the 20th Century: Alternative Histories, New Narratives Edited by Kathryn Laing and Sinéad Mooney Deirdre F. Brady ..................................................................................................................... 250 English Language Poets in University College Cork, 1970-1980 Clíona Ní Ríordáin Lucy Collins ........................................................................................................................ 253 The Theater and Films of Conor McPherson: Conspicuous Communities Eamon -
The Early Work of Austin Clarke the Early Work (1916-1938)
THE EARLY WORK OF AUSTIN CLARKE THE EARLY WORK (1916-1938) OF AUSTIN CLARKE By MAURICE RIORDAN, M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Doctor of Philosophy McMaster University March 1981 DOCTOR OF PHILOSOPHY (1981) McMASTER UNIVERSITY (English) Hamilton, Ontario TITLE: The Early Work (1916-1938) of Austin Clarke. AUTHOR: Maurice Riordan, B.A. (Cork) M.A. (Cork) SUPERVISOR: Dr. Brian John NUMBER OF Fll.GES: vi, 275 ii ABSTRACT Austin Clarke dedicated himself to the ideal of an independent Irish literature in English. This dedication had two principal consequences for his work: he developed a poetic style appropriate to expressing the Irish imagination, and he found inspiration in the matter of Ireland, in hex mythology and folklore, in her literary, artistic and __ religious traditions, and in the daily life of modern Ireland. The basic orientation of Clarke's work determines the twofold purpose of this thesis. It seeks to provide a clarifying background for his poetry, drama and fiction up to 1938; and, in examining the texts in their prope.r context, it seeks to reveal the permanent and universal aspects of his achievement. Clarke's early development in response to the shaping influence of the Irish Revival is examined in the opening chapter. His initial interest in heroic saga is considered, but, principally, the focus is on his effort to establish stylistic links between the Anglo-Irish and the Gaelic traditions, an effort that is seen to culminate with his adoption of assonantal verse as an essential element in his poetic technique. -
Beckett and His Biographer: an Interview with James Knowlson José Francisco Fernández (Almería, Spain)
The European English Messenger, 15.2 (2006) Beckett and His Biographer: An Interview with James Knowlson José Francisco Fernández (Almería, Spain) James Knowlson is Emeritus Professor of French at the University of Reading. He is also the founder of the International Beckett Foundation (previously the Beckett Archive) at Reading, and he has written extensively on the great Irish author. He began his monumental biography, Damned to Fame:The Life of Samuel Beckett (London: Bloomsbury, 1996) when Beckett was still alive, and he relied on the Nobel Prize winner’s active cooperation in the last months of his life. His book is widely acknowledged as the most accurate source of information on Beckett’s life, and can only be compared to Richard Ellmann’s magnificent biography of James Joyce. James Knowlson was interviewed in Tallahassee (Florida) on 11 February 2006, during the International Symposium “Beckett at 100: New Perspectives” held in that city under the sponsorship of Florida State University. I should like to express my gratitude to Professor Knowlson for giving me some of his time when he was most in demand to give interviews in the year of Beckett’s centennial celebrations. José Francisco Fernández JFF: Yours was the only biography on or even a reply to the earlier biography of authorised by Beckett. That must have been Deirdre Bair. It needs to stand on its own two a great responsibility. Did it represent at any feet. And I read with great fascination the time a burden? Knowing that what you wrote biography of Deirdre Bair and have never said would be taken as ‘the truth’. -
New Writing from Irelandfromwriting New New Writing from Ireland Ireland Literatureirelandexchange
New Writing from Ireland New Writing from Ireland Ireland Literature Exchange Ireland Literature Ireland Literature Exchange – Promoting Irish literature abroad Welcome Welcome to the 2007 edition of New Writing from Ireland This year’s expanded catalogue contains an even wider cross-section of newly Finally, there are poetry collections by some of Ireland’s most established poets published titles of Irish interest. - Peter Fallon, Seán Lysaght, Gerard Smyth, Francis Harvey, Liam Ó Muirthile and Cathal Ó Searcaigh. New collections also appear from a generation of The fiction section includes novels by several new voices including débuts younger poets, including Nick Laird, John McAuliffe, Alan Gillis and from Karen Ardiff, Alice Chambers and Julia Kelly. We also list books by a Mary O’Donoghue. number of established and much-loved authors, e.g. Gerard Donovan, Patrick McCabe and Joseph O’Connor, and we are particularly pleased this year to We hope that you enjoy the catalogue and that many international publishers present a new collection by the short story writer, Claire Keegan, and a new will apply to Ireland Literature Exchange for translation funding. play by Sebastian Barry. Sinéad Mac Aodha Rita McCann Children’s books have always been a particular strength of Irish writing. There Director Programme Officer are books here from, amongst others, Conor Kostick, Deirdre Madden, Eileen O’Hely and Enda Wyley. A former magician’s rabbit, a mysterious notebook, giant venomous spiders and a trusted pencil are just some of the more colourful elements to be found in the children’s fiction category. Inclusion of a book in this catalogue does not indicate that it has been approved for a translation subsidy by ILE. -
Romanian Book Review Address of the Editorial Office : the Romanian Cultural Institute , Playwrights’ Club at the RCI Aleea Alexandru No
Published by the Romanian Cultural Institute Romanian ditorial by ANDREI Book REORIENMTARTGIOA NS IN EUROPE For several years now, there are percepti- ble cEhanges in our world. In the late eighties, liberal democracy continued the expansion started after World War II, at least in Europe. Meanwhile, national states have weakened, under the pressure to liberalize trade and the fight for recognition of minority (ethnic, poli- Review tical, sexual, etc.) movements. Globalization of the economy, communications, security, ISSUED MONTHLY G No. 5 G JUNE 2013 G DISTRIBUTED FOR FREE knowledge has become a reality. The financial crisis that broke out in 2008 surprised the world organized on market prin- ciples as economic regulator, and threatens to develop into an economic crisis with extended repercussions still hard to detect. U.S. last two elections favored the advocates of “change”, and the policy reorientation of the first world power does not remain without consequences for all mankind. On the stage of the producers of the world, China and Germany are now the first exporters. Russia lies among the powers that cannot be ignored in a serious political approach. (...) What happens, now? Facts cannot be cap- tured only by impressions, perceptions and occasional random experiences, even though many intellectuals are lured by them, produ- cing the barren chatter around us. Systematic TTThhhrrreeeeee DDDaaayyysss WWWiiittthhh thinking is always indispensable to those who want to actually understand what is going on . Not long ago, the famous National Intelligence Council, which, in the U.S., periodically offers interpretations of the global trends, published Global Report 2015 (2008).