Midnight Oil - Midnight Oil Mp3 Download

Total Page：16

File Type：pdf, Size：1020Kb

Midnight Oil - Midnight Oil mp3 download DOWNLOAD LINKS (Clickable) Genre: Rock Performer: Midnight Oil Album: Midnight Oil Country: Australia Style: Alternative Rock MP3 version RAR size: 1570 mb FLAC version RAR size: 1445 mb WMA version RAR size: 1748 mb Rating: 4.9 Votes: 218 Other Formats: AIFF AU MP2 VOX MP3 MPC AUD MP3 album Midnight Oil - Midnight Oil download description Tracklist A1 Powderworks 5:35 A2 Head Over Heels 4:01 A3 Dust 3:17 A4 Used And Abused 3:10 B1 Surfing With A Spoon 5:22 B2 Run By Night 3:52 B3 Nothing Lost-Nothing Gained 8:23 Companies, etc. Manufactured For – RCA Limited, Australia Distributed By – RCA Limited, Australia Phonographic Copyright (p) – 7 Records Pty Limited Made By – 7 Records Pty Limited Recorded At – Albert Studios Mixed At – Albert Studios Published By – Sprint Music Published By – Rondor Produced For – Marlyn Productions Credits Bass – Andrew James Composed By – Midnight Oil Design [Sleeve & Cover] – Jan Paul, Midnight Oil Drums, Vocals – Rob Hirst Guitar – Martin Rotsey Guitar, Keyboards – Jim Moginie Management – Gary Morris Vasicek* Photography By – Kathleen O'Brien, Kevin Fewster Photography By [Back Cover] – Jan Paul Producer – Midnight Oil Producer, Engineer – Keith Walker Vocals – Peter Garrett Written-By – James* (tracks: A1), Moginie*, Rotsey* (tracks: A1, A2, B1, B2), Garrett* (tracks: A3, B1), Hirst* (tracks: A1 to B2) Notes Recorded and Mixed at Albert's Studio, Sydney, Australia, September 1978. Sound Recording made by 7 Records P/L Cat # MLF 233 appears on rear artwork & spine. Cat # MLF-233 appears on both labels only. An similar version also exists that has MLF 233 on the labels. Barcode and Other Identifiers Matrix / Runout (A Side etched [Ω aproximate logo]): MLS-233-A Ω Matrix / Runout (B Side stamped): MLF 233 B-2 Other versions Category Artist Title (Format) Label Category Country Year Midnight Oil (LP, Powderworks, MLF 233 Midnight Oil MLF 233 Australia 1978 Album) Sprint Music Midnight Oil (Cass, 450902 4 Midnight Oil CBS 450902 4 Europe Unknown Album, RE) Midnight Oil (CD, CK 46133 Midnight Oil Columbia CK 46133 US Unknown Album, Promo) Midnight Oil (LP, Powderworks, New MLF 233 Midnight Oil MLF 233 1978 Album) Sprint Music Zealand Midnight Oil (CD, Columbia, Sprint CK 46133 Midnight Oil CK 46133 US 1990 Album, RE) Music Related MP3 albums to Midnight Oil Midnight Oil 1. Midnight Oil - 10, 9, 8, 7, 6, 5, 4, 3, 2, 1 2. Midnight Oil - Place Without A Postcard 3. Midnight Oil - Armistice Day 4. Midnight Oil - Flat Chat 5. Midnight Oil - Black Rain Falls 6. Midnight Oil - Blue Sky Mining 7. Midnight Oil - 20,000 Watt R.S.L. 8. Midnight Oil - The Green Disc 9. Midnight Oil - Bird Noises 10. Midnight Oil - Diesel And Dust.

Copy Link

Recommended publications

Instrumental Newsletter
EDITION #20 – September 2008 SPECIAL "SHADOZ" ISSUE!! "Shadoz 2008" marked our 6th anniversary, as well as the 50th anniversary of Cliff and The Shadows. Yet another new venue, and, from all reports the best yet. On a sad note, we recently lost one of our Shadoz friends, Don Hill. Don played drums for Harry's Webb and The Vikings last year, and was one of the 'stalwarts' of Shadoz in recent times. R.I.P. Don. TONY KIEK (Keyboards) and GEORGE LEWIS (Guitar) were fresh from a tour of the UK, where they appeared at a number of Shadows clubs. They were gracious enough to help out by filling the 'dreaded' opening spot. Their set was a wonderful introduction to the day, and they featured some great sounds with WONDERFUL LAND / FANDANGO (with WALTZING MATILDA intro) / DANCES WITH WOLVES / THING-ME-JIG / RODRIGO'S CONCERTO / GOING HOME (THEME FROM 'LOCAL HERO') / THE SAVAGE / SPRING IS NEARLY HERE Whilst Tony and George travelled down from Sydney, no less a feat were the next band, who have travelled from overseas – Phillip Island! - ROB WATSON (Bass) was formerly with Melbourne group "The Avengers", TONY MERCER (Lead Guitar) also played with various Melbourne groups before "retiring" to the island and forming "SHAZAM", MIKE McCABE (Rhythm) worked in England in the 60's with "Hardtack", MARTY SAUNDERS (Drums) played with the popular showband "Out To Lunch" amongst others, and JEFF CULLEN (Lead vocals and rhythm guitar) sang with The Aztecs in Sydney before Billy Thorpe, then with The Rat Finks. A nice mix of Shads and non-Shads numbers included ADVENTURES IN PARADISE / MAN OF MYSTERY / ATLANTIS / THE CRUEL SEA / THE RISE AND FALL OF FLINGEL BUNT / GENIE WITH THE LIGHT BROWN LAMP / IT'S A MAN'S WORLD / THE SAVAGE / CINCINNATTI FIREBALL (voc) / LOVE POTION NO.9 (voc) / THE WANDERER (voc) / THE STRANGER / WALK DON'T RUN One of the joys of "Shadoz" is the ability to welcome newcomers to our shindig.
[Show full text]
14 Good Weekend August 15, 2009 He Easy – and Dare I Say It Tempting – Story to Write Translating About Peter Garrett Starts Something Like This
WOLVES 14 Good Weekend August 15, 2009 he easy – and dare i say it tempting – story to write Translating about Peter Garrett starts something like this. “Peter Garrett songs on the was once the bold and radical voice of two generations of Australians and at a crucial juncture in his life decided to pop stage into forsake his principles for political power. Or for political action on the irrelevance. Take your pick.” political stage We all know this story. It’s been doing the rounds for five years now, ever since Garrett agreed to throw in his lot with Labor and para- was never Tchute safely into the Sydney seat of Kingsford Smith. It’s the story, in effect, going to be of Faust, God’s favoured mortal in Goethe’s epic poem, who made his com- easy, but to his pact with the Devil – in this case the Australian Labor Party – so that he might gain ultimate influence on earth. The price, of course – his service to critics, Peter the Devil in the afterlife. Garrett has We’ve read and heard variations on this Faustian theme in newspapers, failed more across dinner tables, in online chat rooms, up-country, outback – everyone, it seems, has had a view on Australia’s federal Minister for the Environment, spectacularly Arts and Heritage, not to mention another song lyric to throw at him for than they ever his alleged hollow pretence. imagined. He’s all “power no passion”, he’s living “on his knees”, he’s “lost his voice”, he’s a “shadow” of the man he once was, he’s “seven feet of pure liability”, David Leser he’s a “galah”, “a warbling twit”, “a dead fish”, and this is his “year of living talks to the hypocritically”.
[Show full text]
Após Cinco Shows Nostálgicos, Midnight Oil Se Despede Do Brasil
Após cinco shows nostálgicos, Midnight Oil se despede do Brasil Entre os anos 80 e a primeira década do novo século, o Midnight Oil saiu da Austrália para ganhar o mundo, transformando-se em uma das referências do rock´n roll mundial, não só pela qualidade de seu som, mas também pela força de suas ideias. Suas fortes convicções políticas, sua defesa das principais causas ambientais e dos direitos do povo aborígene transformaram seus hits em hinos, seus shows em eventos que ressuscitaram a mítica do espírito contestador e inconformista do rock’n roll. Fundada em 1972, como The Farm (o grupo mudou o nome para Midnight Oil em 76), a banda lançou 13 álbuns entre 1978 e 2002 (ano do lançamento de seu último trabalho, Capricornia), esteve no topo das paradas em todo o mundo, fez turnês por todos os continentes e viveu momentos memoráveis, como quando se apresentou para um público estimado em mais de 1 bilhão de pessoas no encerramento das Olimpíadas de Sidney, em 2000. Após a turnê de lançamento do último álbum e a saída do vocalista Peter Garrett (que deixou a banda para seguir uma carreira política em tempo integral), o Midnight Oil decidiu encerrar suas atividades. Em fevereiro, em uma coletiva de imprensa realizada no porto de Sidney, a banda anunciou uma nova turnê mundial - The Great Circle 2017 World Tour - que começa com um show em um pub em Sydney e, em seguida, passará pelo Brasil, América do Norte, Europa e Nova Zelândia, antes de retornar à Austrália para um encerramento culminante.
[Show full text]
Tragedy Strik, Es Town Manager
· Vol. 79 No. 11 Bulk Rate,U-8 P~~taoe PaTf1 TUESDAY, OCTOBER 1 t, 1988 (603)862-1490 Durham.N.H. Durham 1\1 H Perm,, ,r3(i Tragedy Strik,es ·Plea to picket town manager decision process By Pamela DeKoning "If we could go back to the Students were called on to poinL where students were By R. Scott Nelson search will be expanded today picket the process usea by the . involved and come up with the st The search continues for from Nubble Light seven miles admini ration to determine its same conclusions about a site, , I Durham Town Administrator -. south to Ogunquit, with a final new housing site at an emotion- . I,would be happy. The point. is ~ Terry.Hundley and his _11-year · search o-f the accident scene to al forum in Hamiltion Smith that students and faculty were old daughter who were lost and · be conducted at 4 p.m.. last night. , not consulted," he said. presumed drowned Sunday after ,'The s.earch was expanded Jennifer Rand, organizer of Condon also expressed con- · being swept into the ocean near because of extra people, We got the equine students who oppose cerns over the contracting firm Maine.' a whole bunch of help from the administration's , plans, Aring Schroeder which has been Xhe pair was on a large rock vohmteers," Finley said. asked s_tudents to picket Friday's the consultant in architectural below Bald Head Cliff watching "We won'.t allow the search rededication of the·New Eng- matters. Felix De Vito, the swells created by an offshore to be conducted Tuesday if it'.s land Center at 3:30 p.m., when former Campus Planner for the storm when a large wav~ pulled raining and wet," Finley added.
[Show full text]
3. Let's Talk Australia
3. Let’s Talk Australia Australia is the dream continent for many youngsters. the traditions and culture of the Aborigines. Ned Kelly is “Down Under” some things are quite different from a legendary name and you’ll learn how he lived. Was he Europe, and one is the weather at Christmas. The a hero or a villain? Children from two totally different backpacker Mike sends you emails and describes his cultures meet in “Walkabout”. The text is from 1959 and adventures while travelling round in Australia… In there is also a commentary sheet for you and your students “Dreamtime”, the theme is Australian history and also to study. Don’t forget Waltzing Matilda! 100% Australia! Mål för undervisningen: Detta förslag till målmatris kan du använda med dina elever innan du börjar arbeta med kapitlet. Det är enkelt för dina elever att förstå vad de ska lära sig och kontrollera att de faktiskt gör det. Här hittar du konkreta kunskapsmål som du och eleverna kan bocka av. Målsidan är dessutom ett perfekt underlag till såväl utvecklingssamtal som betygsättning MÅL 1 MÅL 2 MÅL 3 Jag kan förstå och läsa en längre Jag kan förstå och uppfatta tydliga Jag kan förstå helhet och uppfatta text i olika genrer. detaljer i en längre text i olika väsentliga detaljer i en text/ett genrer. antal texter i olika genrer. Jag kan återberätta, diskutera och kommentera innehållet i enkel Jag kan återberätta, diskutera och Jag kan återberätta, diskutera och text om Australien samt enkelt kommentera innehållet i några kommentera innehållet i några jämföra med egna erfarenheter texter om Australien samt göra texter om Australien samt göra och kunskaper.
[Show full text]
Anthology of Australian Shorter Texts
Anthology of Australian Shorter Texts KWRSC Year 11 2013 Contents Story ‘American Dreams’ – Peter Carey ‘Postcards from Surfers’ – Helen Garner ‘Christos Mavromatis is a Welder’ – George Papaellinas ‘Night Training’ – David Malouf Poem ‘South of My Days’ – Judith Wright ‘The Surfer’ – Judith Wright ‘The Flame Tree’ – Judith Wright ‘Slate’ – Gwen Harwood ‘The Lion Bride’ – Gwen Harwood ‘Let us not be bitter’ - Oodgeroo Noonuccal ‘Municipal Gum’ – Oodgeroo Noonuccal Song ‘Everything’s turning to white’ – Paul Kelly ‘They Thought I Was Asleep’ – Paul Kelly ‘To her door’ – Paul Kelly ‘From Little Things Big Thing Grow’ – Kev Carmody and Paul Kelly ‘How to Make Gravy’ – Paul Kelly ‘This Country’ – Mia Dyson ‘Took the Children Away’ – Archie Roach ‘Black fella, White fella’ – Neil Murray ‘Treaty’ – Paul Kelly, Mandawuy Yunupingu, Kellaway, Williams, Gurrumul Yunupingu, Mununggurr and Marika ‘Blue Sky Mine’ - Martin Rotsey, Robert Hirst, James Moginie, Peter Garrett, Wayne Stevens Story Poem ‘South of My Days’ South of my days' circle, part of my blood's country, ‘The Surfer’ rises that tableland, high delicate outline of bony slopes wincing under the winter, He thrust his joy against the weight of the sea; low trees, blue-leaved and olive, outcropping granite- climbed through, slid under those long banks of clean, lean, hungry country. The creek's leaf-silenced, foam—- willow choked, the slope a tangle of medlar and crabapple (hawthorn hedges in spring, thorns in the face stinging). branching over and under, blotched with a green lichen; How his brown strength drove through the hollow and coil and the old cottage lurches in for shelter. of green-through weirs of water! Muscle of arm thrust down long muscle of water; O cold the black-frost night.
[Show full text]
Oils Rock the Alice After Warming up at Secret Kintore Gig
FRIDAY OCTOBER 6 2017 NEWS 05 Entry policy confusion Andrea Johnston blankets by hand. “Anywhere Punters told not to bring chairs, big bags to Oils gig else you wouldn’t get away PUNTERS at Monday’s Mid- with it, but they were the kind night Oil concert in Alice attendees, but one Alice Ms Fitisemanu said she was “Briar was offered a front- advertise it well enough, but a of exceptions I was making,” Springs have been praised for Springs resident said she and disappointed with how she and row seatrow seat of the grand- major company organised it he said. their good behaviour and a her husband were “forced to her husband were treated. stand on the night but Briar and it goes without saying — The concert had positive ef- trouble free night, by the local leave”, due to seating arrange- “Firstly for not providing and her husband chose not to you don’t take chairs and bags fects on business in town, with security company hired to help ments which were unsuitable. adequate seating for the less take up this offer and departed and eskies to major events hotels reporting 100 per cent run proceedings. Briar Fitisemanu said she able bodied and secondly, for the venue,” a spokesman said. anymore.” occupancy for many nights. Tom Turnbull, the director was on crutches and in a not allowing us to use our own “As a gesture of good will Mr Turnbull said his com- Jeff Huyben from Mercure of Talice Security said it was “moon boot” following recent seating instead.” Briar was provided a refund.” pany tried to be as understand- Alice Springs Resort got into one of the “best events” the surgery.
[Show full text]
Woodward Plans Power Lunch/JSU Professor Plans to Save Landmark
Jacksonville State University JSU Digital Commons Chanticleer Historical Newspapers 1993-11-11 Chanticleer | Vol 41, Issue 11 Jacksonville State University Follow this and additional works at: https://digitalcommons.jsu.edu/lib_ac_chanty Recommended Citation Jacksonville State University, "Chanticleer | Vol 41, Issue 11" (1993). Chanticleer. 1104. https://digitalcommons.jsu.edu/lib_ac_chanty/1104 This Book is brought to you for free and open access by the Historical Newspapers at JSU Digital Commons. It has been accepted for inclusion in Chanticleer by an authorized administrator of JSU Digital Commons. For more information, please contact [email protected]. -- JACKSONVILLE STATEUNIVERSITY VOL. 4 1 NO. 1 1 NOVEMBER1 1, 1 993 1 Kyle Shelton Staff writer Students who drink, drive and generally cause mischief on cam- pus won't be smiling, but could find themselves on candid cam- era. The purpose for the camera, donated to the JSUPolice Depart- ment by Mothers Against Drunk Driving, is for alcohol related in- cidents. It is used primarily to tape the testing of suspected drunk drivers. It is also routinely used to tape persons who are taken into custody so they can't deny their actions at a later date. "Often, when we go to court, those people deny they were in- toxicated or that they were acting L a psrtist:!a;r way," said David Department demonstrates the use of the new tor drunk driving and provide evidence. a .-._.l. Nichols, Director of Public stands, we can use it to find out made and the camera was not on person's behavior-the way he Safety. who's there and to have a record the scene in all cases.
[Show full text]
Instrumental Newsletter
„SHADOZ‟ CANCELLED!! As many of you will already know, we have had “LOADS OF INSTRUMENTALS VOL. 18” to reluctantly cancel “Shadoz 2010”, due to commitments DANGER - RICK & THE FAIRLANES / SHADOW - THE of various kinds. Hopefully an alternative „concert‟ will DEL-LAGUNAS / REDONDO STRAND - SANDY NELSON be arranged for the Queen‟s Birthday weekend – more / JUNGLE BEAT - HAROLD & BOB / SUPERSUDS - later. This issue features a photo montage of the WASHRAG / THE SNEAK - GEORGE YOUNG & THE ROCKIN‟ BOCS / BUFFALO TWISTER - HOOTEN Cliff/Shadows tour, an in-depth review of the Jeff Beck HOLLER / THE BROKEN HIP - THE MOODS / DIXIE gig and new CD, and lots, lots more! DOODLE - LLOYD ARNOLD / DEVIL SURF - CHIYO & THE CRESCENTS / STOMPIN‟ - BENNY JOY / EL PUTTY CD REVIEWS FROM GEOFF‟S - FABULOUS RAINDROPS / TENNESSEE TWISTER - BOB JONES & THE BOB CATS / WAILIN‟ GUITAR - DENNIE JUKEBOX MELLO / MOHAWK ROCK - RHYTHM ACES / DANCING ELEPHANTS - THE DADDY-O‟s / WHEELRIGHT BOOGIE - DUSTY RIVERS & THE RANGERS / FLAT RIVER MAIL TRAIN - WALT PRATER & THE PRATERS / COTTONEYED JOE - AL DEAN & THE ALL STARS / MELODY IN F - THE HUNTERS / THE GUITAR KID - THE FLYING ROCKERS / HOPPIN‟ AT THE HOP - THE RAMBLERS / DIRT TRACK BOOGIE - THE SAFARIS / BLACK MARIA - DICK DAMRON / TOMMY DORSEY BOOGIE - LEON BARNETT / BALLAD FOR LOVERS - DAVE WEST & ORCHESTRA / CHARADE - SI ZENTNER / RAWHIDE - KURT FROBERG / DIRTY FAST BEAT (PARADISE WITH STYLE) - SANDY NELSON / AUSTRALIAN TRAVELLING WEST - BO DIDDLEY Number 18 in a continuing series containg the THE BREAK – “CHURCH OF THE OPEN SKY” weird and (sometimes) wonderful. I am often amazed at I don‟t have a copy of this yet, but this features just how many great instrumentals saw the light of day, ex Midnight Oil members Rob Hirst, Martin Rotsey and particularly in the early 60‟s, only to sink without trace.
[Show full text]
“Covering” the Bluesman from a Distance
Introduction In many ways, my journey towards this thesis topic began with my brother’s music collection. Throughout my teens he would introduce me to a wide range of local and international acts, many of which were influenced by African-American blues artists. This influence is evident in both their construction of sound and the old songs that they rerecorded. From there I began tracing musical influences from song credits and interview excerpts—a path often travelled by musicians and fans alike—that would eventually lead me to an appreciation of blues music. The penultimate step towards this topic came in the form of my honours thesis—a creative project that involved rerecording several tracks from the catalogue of an early Australian country music artist, one of which was titled “Blue Mountain Blues”.1 From there I turned to blues music in Australia. Initially conceived as a history of “Australian blues”, it became apparent that this proposed sub-genre struggled to unify and explain the disparate musical styles contained therein. Although each artist was clearly addressing the musical characteristics and influences I had come to recognise as “blues music”, it all sounded different. In the meantime, I developed a keen interest in a fellow colleague’s thesis topic that addressed the role of “covers” within the Australian music industry (Giuffre, 2005). My epiphany—and catalyst for the current thesis topic—eventually presented itself while viewing a live performance from Peter Green Splinter Group. The concert was split into two courses: an acoustic entrée featuring several Robert Johnson “covers”; and, an electric main with side dishes of early Fleetwood Mac material—the band Green had help found many years ago.
[Show full text]
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least.
[Show full text]
Green Planet.Indd
Published by MELROSE BOOKS An Imprint of Melrose Press Limited St Thomas Place, Ely Cambridgeshire CB7 4GG, UK www.melrosebooks.com FIRST EDITION Copyright © Anthony E. Southby 2010 The Author asserts his moral right to be identified as the author of this work Cover designed by Valerie Burton ISBN 978 1 907040 21 4 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmit- ted, in any form or by any means electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publishers. This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. Printed and bound in Great Britain by: iii Acknowledgements I would like to thank everyone for their support during this work. To my parents Anne and Ernie Hoffmann, and my grandmother Winsley Morris, whose continued support and encouragement have helped me realize my true potential as a writer. To the following friends for reading and insisting on my good work: Sharon Warne, Helena Metcalf, Erika Wernich, Colleen Bond, Lezell Roodt, Karen Ingram, Valerie Venter, Liezel Mentz, Mimi Ferreira and Amy Baird. Then there are the friends who really made the whole venture possible for me. These are the people who encouraged me and absolutely insisted on how wonderful my work was.
[Show full text]