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Wonder Woman & Associates
ICONS © 2010, 2014 Steve Kenson; "1 used without permission Wonder Woman & Associates Here are some canonical Wonder Woman characters in ICONS. Conversation welcome, though I don’t promise to follow your suggestions. This is the Troia version of Donna Troy; goodness knows there have been others.! Bracers are done as Damage Resistance rather than Reflection because the latter requires a roll and they rarely miss with the bracers. More obscure abilities (like talking to animals) are left as stunts.! Wonder Woman, Donna Troy, Ares, and Giganta are good candidates for Innate Resistance as outlined in ICONS A-Z.! Acknowledgements All of these characters were created using the DC Adventures books as guides and sometimes I took the complications and turned them into qualities. My thanks to you people. I do not have permission to use these characters, but I acknowledge Warner Brothers/ DC as the owners of the copyright, and do not intend to infringe. ! Artwork is used without permission. I will give attribution if possible. Email corrections to [email protected].! • Wonder Woman is from Francis Bernardo’s DeviantArt page (http://kyomusha.deviantart.com).! • Wonder Girl is from the character sheet for Young Justice, so I believe it’s owned by Warner Brothers. ! • Troia is from Return of Donna Troy #4, drawn by Phil Jimenez, so owned by Warner Brothers/DC.! • Ares is by an unknown artist, but it looks like it might have been taken from the comic.! • Cheetah is in the style of Justice League Unlimited, so it might be owned by Warner Brothers. ! • Circe is drawn by Brian Hollingsworth on DeviantArt (http://beeboynyc.deviantart.com) but coloured by Dev20W (http:// dev20w.deviantart.com)! • I got Doctor Psycho from the Villains Wikia, but I don’t know who drew it. -
Why No Wonder Woman?
Why No Wonder Woman? A REPORT ON THE HISTORY OF WONDER WOMAN AND A CALL TO ACTION!! Created for Wonder Woman Fans Everywhere Introduction by Jacki Zehner with Report Written by Laura Moore April 15th, 2013 Wonder Woman - p. 2 April 15th, 2013 AN INTRODUCTION AND FRAMING “The destiny of the world is determined less by battles that are lost and won than by the stories it loves and believes in” – Harold Goddard. I believe in the story of Wonder Woman. I always have. Not the literal baby being made from clay story, but the metaphorical one. I believe in a story where a woman is the hero and not the victim. I believe in a story where a woman is strong and not weak. Where a woman can fall in love with a man, but she doesnʼt need a man. Where a woman can stand on her own two feet. And above all else, I believe in a story where a woman has superpowers that she uses to help others, and yes, I believe that a woman can help save the world. “Wonder Woman was created as a distinctly feminist role model whose mission was to bring the Amazon ideals of love, peace, and sexual equality to ʻa world torn by the hatred of men.ʼ”1 While the story of Wonder Woman began back in 1941, I did not discover her until much later, and my introduction didnʼt come at the hands of comic books. Instead, when I was a little girl I used to watch the television show starring Lynda Carter, and the animated television series, Super Friends. -
Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas. -
Wonder Woman by Lindell Gross Based On
Wonder Woman By Lindell Gross Based On: The DC Comics superhero Copyright 2013 Lindell Gross. This screenplay may not be used or reproduced without the expressed written permission of the author. BLACK: SCRAWL: Amazons (n.), a warlike race of females, from the country about the Thermodon river with it’s capital Themiscyra inhabited only by amazons, who were governed by a queen. Their children, when of the female sex, were brought up by the Amazon mothers, and trained in their customary pursuits of war, riding, hunting and cultivating the land. ELECTRICITY. Huge glowing arcs. A shape appears-two iron W’s melded together. Growing. The Wonder Woman SYMBOL. BOOM UP ON: A LITTLE GIRL. Piercing blue eyes, one slightly swollen and set into a bruised, bloody, dirt-grimed face. This is DIANA OF THEMISCYRA, seven years old. She stares, unmoving, breathing hard. Tears on her small cheeks, but they don’t match the fierce determination in those eyes. It’s visibly obvious this little girl has fought a war. WOMAN’S VOICE (O.S.) (Greek) Last lesson, Diana. A WOMAN’S HAND appears, jeweled, it caresses Diana’s chin, brushes the sweaty, jet black strands of Diana’s long hair from her cut brow. WOMAN’S VOICE (O.S.) (Greek) Are you thirsty, little one? Nothing. Silence. Diana just stares, breathing, unnaturally focused. The Mystery Woman leans in close to Diana, still unrevealed; their LIPS touch, a mother/daughter kiss. The Mystery Woman WHISPERS to Diana: WOMAN’S VOICE (O.S.) (Greek) Hera be with you, my little wonder. The Mystery Woman rises, turns and walks away; she is a stunning, older version of Diana, this is QUEEN HIPPOLYTE, Diana’s mother. -
CIRCE Experimental Set-Up Design and Test Matrix Definition
Agenzia nazionale per le nuove tecnologie, l’energia e lo sviluppo economico sostenibile RICERCA DI SISTEMA ELETTRICO CIRCE Experimental set-up design and test matrix definition I. Di Piazza, P. Gaggini, A. Del Nevo, M. Tarantino Report RdS/2012/200 CIRCE EXPERIMENTAL SET-UP DESIGN AND TEST MATRIX DEFINITION I. Di Piazza, P. Gaggini, A. Del Nevo, M. Tarantino - ENEA Settembre 2012 Report Ricerca di Sistema Elettrico Accordo di Programma Ministero dello Sviluppo Economico - ENEA Area: Governo, gestione e sviluppo del sistema elettrico nazionale Progetto: Nuovo nucleare da fissione: collaborazioni internazionali e sviluppo competenze in materia nucleare Responsabile del Progetto: Mariano Tarantino, ENEA Sigla di identificazione Rev. Distrib. Pag. di Ricerca Sistema Elettrico NNFISS – LP3 - 066 0 L 2 86 INDEX 1. SCOPE OF THE EXPERIMENT ........................................................................... 3 2. GENERAL DESCRIPTION OF THE EXPERIMENTAL TEST SECTION ............. 4 2.1 CIRCE FACILITY ........................................................................................................ 4 2.2 ICE TEST SECTION ....................................................................................................... 5 2.3 FUEL PIN SIMULATOR ..................................................................................................13 2.3.1 HEAT SOURCE .......................................................................................................13 2.3.2 FUEL PIN TECHNOLOGY..........................................................................................14 -
Feminine Narrative and Agency in Wonder Woman Mikala Carpenter
Eastern Michigan University DigitalCommons@EMU Master's Theses, and Doctoral Dissertations, and Master's Theses and Doctoral Dissertations Graduate Capstone Projects 2018 Sculpted from clay, shaped by power: Feminine narrative and agency in Wonder Woman Mikala Carpenter Follow this and additional works at: http://commons.emich.edu/theses Part of the Children's and Young Adult Literature Commons, and the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Carpenter, Mikala, "Sculpted from clay, shaped by power: Feminine narrative and agency in Wonder Woman" (2018). Master's Theses and Doctoral Dissertations. 893. http://commons.emich.edu/theses/893 This Open Access Thesis is brought to you for free and open access by the Master's Theses, and Doctoral Dissertations, and Graduate Capstone Projects at DigitalCommons@EMU. It has been accepted for inclusion in Master's Theses and Doctoral Dissertations by an authorized administrator of DigitalCommons@EMU. For more information, please contact [email protected]. Sculpted from Clay, Shaped by Power: Feminine Narrative and Agency in Wonder Woman by Mikala Carpenter Thesis Submitted to the Department of English Language and Literature Eastern Michigan University in partial fulfillment of the requirements for the degree of MASTER OF ARTS in Children’s Literature Thesis Committee: Annette Wannamaker, PhD, Chair Amanda Allen, PhD, Second Reader 15 March 2018 Ypsilanti, Michigan Carpenter ii To the wonder women in my life who have loved me, who have challenged me, who have made me stronger, brighter, better. Carpenter iii Acknowledgments In Wonder Woman Vol. 4 #40 (2015), Diana declares, “An Amazon looks for ways to empower her sisters … because their strength is hers.” The creation of this thesis project has only been accomplished with the same tenet in mind. -
Galaxy: International Multidisciplinary Research Journal the Criterion: an International Journal in English Vol
AboutUs: http://www.the-criterion.com/about/ Archive: http://www.the-criterion.com/archive/ ContactUs: http://www.the-criterion.com/contact/ EditorialBoard: http://www.the-criterion.com/editorial-board/ Submission: http://www.the-criterion.com/submission/ FAQ: http://www.the-criterion.com/fa/ ISSN 2278-9529 Galaxy: International Multidisciplinary Research Journal www.galaxyimrj.com The Criterion: An International Journal in English Vol. 12, Issue-I, February 2021 ISSN: 0976-8165 Wonder Woman: American Dc Comics Purbasa Banerjee Article History: Submitted-15/10/2020, Revised-21/02/2021, Accepted-22/02/2021, Published-28/02/2021. Abstract: Comics enlighten the fact in a light manner with a serious theme to it. Wonder Woman very much serves the purpose of the article that emphasizes on the importance of women, the value of women, the superior thought of a woman with awe-inspiring nature and characteristics that eventually demonstrate ‘Feminism’ or invaluable women around. The work is significant as the protagonist is a woman with invincible herself without any fear, facing her own world of the living and also another world where patriarchy narrates itself. There are mixed methods in the article that have been used i.e. some experiments shown in 2017 The Wonder Woman movie and some secondary data have been collected from websites and sites. The protocol used here was to proliferate the womanism as feminism and to wide open the eyes of the people about the feminine entity. And to reach the destination the theoretical angles been used giving all the information on the main character even scientifically. Ultimately, a lot of learning took place that called as results of the article. -
Rewritings of Circe
Rewritings of Circe: Representation, Resistance, and Change in Feminist Revisionism Maria Karlsson English Studies – Literary Option Bachelor 15 Credits Spring Semester 2021 Supervisor: Asko Kauppinen Karlsson Abstract This paper analyses the feminist revisionism of the Circe-myth in the rewritings by Eudora Welty, Margaret Atwood, and Madeline Miller. To that end, the paper first examines three different ways of discussing rewritings: Jeremy M. Rosen’s genre of minor-character elaboration, Linda Hutcheon’s take on postmodern parody, and Alicia Ostriker’s feminist revisionist mythmaking. Then, after positioning itself with the feminist revisionism, the paper conducts a brief reading of the myth as it appears in the Odyssey, followed by readings of the three rewritings: Welty’s short story “Circe,” Atwood’s poetry cycle “Circe/Mud Poems,” and Miller’s novel Circe. Through the reading of these works together, a pattern emerges of criticising former representations, exploring why they are problematic, and resisting them in order to create change. Karlsson Table of Contents Abstract ...................................................................................................................................... i 1. Introduction .......................................................................................................................... 1 2. Rewriting Myths................................................................................................................... 4 2.1. As a Genre ..................................................................................................................... -
DC COMICS Nightwing Is Back...In Blue! He's Been Robin, He's As Superman Finds Ways to Dodge the Scrutiny Placed Been a Super Spy, a Ghost
Nightwing Rebirth: Better Than Batman Superman New 52: What Price Tomorrow? Vol. 1 Vol. 1 By Tim Selley By George Perez DC COMICS Nightwing is back...in blue! He's been Robin, he's As Superman finds ways to dodge the scrutiny placed been a super spy, a ghost. Now, Dick Grayson finds upon him by the public and media, he must stop a mon- himself back in Gotham City fighting to reclaim the strous threat to Metropolis - one that he somehow is the life that was taken from him. Teen cause of! Teen Graphic Superman Graphic Batman Red Hood and Outlaws Rebirth: Dark Superman Rebirth: Son of Superman Vol. 1 By Peter Tomasi Trinity Vol. 1 By Scott Lobdell The world is left without Superman! Luckily, there is an- other Man of Steel to fill his shoes: the pre-Flashpoint Kal Jason Todd, a.k.a. Red Hood has been many things-- -El! However, can this new Superman protect the world a Robin, dead, the Red Hood--now he's back and he's while raising a super-son with his wife, Lois Lane? Teen embracing his bad side! With his new status as a vil- Graphic Superman lain, Red Hood plans to take down Gotham's under- world from the inside. Teen Graphic Red Hood Wonder Woman: Who is Wonder Woman By Allan Heinberg Suicide Squad New 52: Kicked in the Teeth Vol. 1 Is she Diana Prince, secret agent of the Department of Metahuman Affairs? Donna Troy, sister to Diana and the By Adam Glass current bearer of the costume? Or villainous Circe, who Suicide Squad members Harley Quinn, King Shark, and has stolen all of Diana's powers? Teen Graphic Wonder Deadshot, supervillains who are secretly working for Woman the government, withstand imprisonment and an in- tense interrogation by their enemies, who are trying to Wonder Woman New 52: Blood Vol. -
The Canarias Infrared Camera Experiment for the Gran Telescopio Canarias 1
CIRCE: The Canarias InfraRed Camera Experiment for the Gran Telescopio Canarias 1 CIRCE: The Canarias InfraRed Camera Experiment for the Gran Telescopio Canarias Stephen S. Eikenberry†, Miguel Charcos†, Michelle L. Edwards†‡, Alan Garner†, Nestor Lasso-Cabrera†§, Richard D. Stelter†, Antonio Marin-Franch†§, S. Nicholas Raines†, Kendall Ackley†, John G. Bennett†, Javier A. Cenarro†§, Brian Chinn†, H. Veronica Donoso†, Raymond Frommeyer†, Kevin Hanna†, Michael D. Herlevich†, Jeff Julian†, Paola Miller†, Scott Mullin†, Charles H. Murphey†, Chris Packham†₸, Frank Varosi†, Claudia Vega†, Craig Warner†, A.N. Ramaprakashɸ, Mahesh Burseɸ, Sunjit Punnadiɸ, Pravin Chordiaɸ, Andreas Gerarts., Héctor de Paz Martín., María Martín Calero., Riccardo Scarpa., Sergio Fernandez Acosta., William Miguel Hernández Sánchez., Benjamin Siegel., Francisco Francisco Pérez., Himar D. Viera Martín., José A. Rodríguez Losada., Agustín Nuñez., Álvaro Tejero., Carlos E. Martín González., César Cabrera Rodríguez., Jordi Molgó Sendra., J. Esteban Rodriguez., J. Israel Fernádez Cáceres., Luis A. Rodríguez García., Manuel Huertas Lopez., Raul Dominguez., Tim Gaggstatter., Antonio Cabrera Lavers., Stefan Geier., Peter Pessev., Ata Sarajedini†, A.J. Castro-Tirado †Department of Astronomy, University of Florida, Gainesville, FL 32611, USA, [email protected] ¥OTEG, National Oceanographic Center, European Way, Southampton, SO14 3ZH, UK ‡Large Binocular Telescope Obsercatory, 933 N. Cherry Ave, Room 552, Tucson, AZ 85721, USA. §CEFCA, Centro de Estudios de Física del Cosmos de Aragón, -
BOOK 9 Calypso Alcinous Laertes Circe Zeus Lotus Eaters
Main Characters in the Odyssey BOOK 9 Who are they? Visual Calypso A sea goddess who lives on the island of Ogygia She tries to keep Odysseus on the island and stop him from going home Alcinous The king of the Phaeacians Odysseus tells King Alcinous his adventure stories Father of Odysseus Laertes father and son A goddess and enchantress Circe who lives on the island of Aeaea She has mystic powers and turns men into pigs Zeus The chief of the Greek gods and goddesses Father of Athena and Apollo Inhabitants of a land Odysseus visits The men ate the flower and did not want to Lotus Eaters return to the ship Odysseus forces the men to return to the ship Cyclopes A group of one-eyed giants Odysseus and his men poke the eye out of Polyphemus Polyphemus – the one eyed giant using a 6 foot stake The god of the sea, Poseidon earthquakes, and horses; father of the Polyphemus who battles Odysseus Book 10 Tiresias of Thebes A blind prophet whose spirit Odysseus visits in the underworld Book 12 Sirens Creatures, part woman and part bird, whose songs lure sailors to their deaths. Scylla 6 headed sea monster who devours sailors Charybdis A dangerous whirlpool of water personified as a female sea monster The sun god Helios who pastures his cattle on the island of Thrinacia Books 21-23 Telemachus The son of Odysseus son of Odysseus goddesses Muse of music, poetry, and literature Odysseus Main Character = Odysseus conquers many difficulties to achieve his goal to return to his wife and homeland . -
Wonder Woman: an Assemblage of Complete Virtue Packed in a Tight Swimsuit
https://lthj.qut.edu.au/ LAW, TECHNOLOGY AND HUMANS Volume 2 (2) 2020 https://doi.org/10.5204/lthj.1593 Wonder Woman: An Assemblage of Complete Virtue Packed in a Tight Swimsuit Theresa Ashford1 University of the Sunshine Coast, Australia Neal Curtis2 The University of Auckland, New Zealand Abstract This paper uses actor-network theory (ANT) and Aristotelian virtue ethics to think with/of Wonder Woman as an assemblage of human and non-human actors clustered on a page. It also considers how the emerging assemblage that is Wonder Woman might be viewed as the embodiment of Aristotle’s ‘complete virtue’ or justice. As one of the ‘trinity’ of Detective Comics (DC) superheros, which also include Superman and Batman, Wonder Woman was created to counter the sadism and tyranny of the Nazi threat during the 1930s and 1940s and has been continually published since 1941. Wonder Woman is a multidimensional icon and an exemplary model of a superhero with a different body and voice, who operates in a different way in the world. She is presented here as a case study to trace possible translations of Aristotle’s configurations of virtue and justice. Using ANT, we argue that Wonder Woman arises from an assemblage of actors that include an armoured swimsuit, a magic lasso, shiny bracelets and a star-emblazoned tiara. By problematising these technologies as actors that commonly invite objectification (the swimsuit) or subjugation (the ropes), this paper suggests possible divergent readings that reveal how virtue and justice can emerge within these relational networks. We test how the sexualised body depictions and overt bondage references in the Wonder Woman comics, and in particular, in our chosen story, George Pérez’s Wonder Woman: Destiny Calling, offer something bolder and more profound—a complex performance of justice.