DOCSLIB.ORG

ST. THOMAS DELIVERS! See Story on Page 14 TIM WRIGHT BARBARA WARDEN AUGUST 2007 CARIBBEAN COMPASS PAGE 2 AUGUST 2007 CARIBBEAN COMPASS PAGE 3

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
ST. THOMAS DELIVERS! See Story on Page 14 TIM WRIGHT BARBARA WARDEN AUGUST 2007 CARIBBEAN COMPASS PAGE 2 AUGUST 2007 CARIBBEAN COMPASS PAGE 3 On-line AUGUST 2007 NO. 143 The Caribbean’s Monthly Look at Sea & Shore ST. THOMAS DELIVERS! See story on page 14 TIM WRIGHT BARBARA WARDEN AUGUST 2007 CARIBBEAN COMPASS PAGE 2 Info& Updates Cuban Yacht Club Celebrates 15 Years The Caribbean’s Monthly Look at Sea & Shore The members of the Hemingway International Yacht Club (HIYC) of Havana, Cuba, and its Commodore José Miguel Diaz Escrich offered a warm welcome to hundreds www.caribbeancompass.com of guests from the Cuban government, diplomats, and delegations from Spain, AUGUST 2007 • NUMBER 143 Big Gulp! Swallowing the anchor...........29 JACK FOARD DEAN BARNES Caribbean Optis Record-setting youth regatta ....11 Old Time Island What’s new in Carriacou?......21 AUGUST 2007 CARIBBEAN COMPASS PAGE 3 Commodore Escrich (at left) receives the fishing rod with which Fidel Castro won Havana’s 11th Ernest Hemingway International Billfish Tournament in 1960, from Captain Arocha JULIA BARTLETT France, Italy, Russia, the Cayman Islands, the Bahamas and Switzerland on the occasion of the Club’s 15th anniversary, May 31st. In honor of the event, Captain Julio Arocha Garrido presented HIYC with the fishing rod used by the Cuban President Fidel Castro Ruz when he won first prize by catch- Rainforest Fear ing five marlin at the Ernest Hemingway Billfish Tournament in 1960. That tournament Dread defied in Dominica ......36 was the only time Castro and Hemingway met and the last Ernest Hemingway Billfish Tournament in which Hemingway would participate. The rod will be displayed in the club’s headquarters at Marina Hemingway as one of its most treasured mementos. Cayuco Jungle Ride Cruising Blues In addition to a reception and party, HIYC celebrated by hosting Optimist, kayak, Panama’s other canal ............24 Anchorages being edged out?....42 rowboat and windsurfer races, and a conference on sportsfishing. HIYC hosts a number of long-distance sailing events from Europe, the US and the Lesser Antilles, as well as local regattas, and has sponsored children from the DEPARTMENTS Academy of Nautical Sports of Havana to attend regional youth regattas such as Schoelcher Week in Martinique. For more information contact [email protected]. Business Briefs........................6 Cruising Kids’ Corner ............32 Regatta News ........................9 Dolly’s Deep Secrets.............32 Visitor Safety and Security Discussions Held Destinations ...........................14 All Ashore… ...........................33 The Caribbean Marine Association (CMA), through the representation of the Yacht Services Association of Trinidad & Tobago (YSATT) and the Antigua & Barbuda Eco-News...............................16 Cooking with Cruisers...........37 Marine Association (ABMA) participated in a Visitor Safety and Security Network Meridian Passage .................18 Readers’ Forum .....................39 Policy Dialogue held at the Cascadia Hotel in Port of Spain, Trinidad, on July 5th and 6th. The event was organized jointly by the Association of Caribbean States Sailors’ Horoscope ................30 Classified Ads........................44 (ACS) and Caribbean Hotel Association (CHA). Island Poets ...........................30 Advertisers’ Index .................44 Discussions were held among various stakeholders in the tourism industry with regard to safety and security problems and possible solutions to be implemented at a Cruising Crossword ...............31 Calendar................................46 regional level. Stakeholders were given the opportunity to meet representatives of national and regional associations, ministers of tourism, and local and regional law enforcement officials to discuss specific needs, challenges and suggestions for Caribbean Compass is published monthly by improving visitor safety and security. The group representing the tourism stakehold- Compass Publishing Ltd., P.O. Box 175 BQ, Grenada/Carriacou/Petite Martinique: Bequia, St. Vincent and the Grenadines. Ad Sales & Distribution - Bob and Judi Goodchild ers and ancillary services was led by Sharon McIntosh, General Manager of YSATT Tel: (473) 443-5784, [email protected] and Manager of the CMA. Tel: (784) 457-3409, Fax: (784) 457-3410, [email protected] Guadeloupe: Ad Sales & Distribution Stéphane Legendre —Continued on next page www.caribbeancompass.com Tel/Fax: + 590 (0) 5 90 84 53 10 Mob: + 590 (0) 6 90 49 45 90 [email protected] Editor...........................................Sally Erdle [email protected] Martinique: Ad Sales & Distribution - Isabelle Prado Tel: (0596) 596 68 69 71, Mob: + 596 (0) 696 93 26 38 Assistant Editor...................Elaine Ollivierre [email protected] [email protected] St. Lucia: Distribution - Wayne Barthelmy Advertising & Distribution........Tom Hopman Tel: (758) 584-1292, “Your articles far surpass other [email protected] [email protected] Art, Design & Production......Wilfred Dederer St. Maarten/St. Barths/St. Kitts & Nevis: sailing magazines!” [email protected] Distribution - Eric Bendahan (599) 553 3850 Accounting.................................Debra Davis Ad Sales - Stéphane Legendre Tel/Fax: + 590 (0) 5 90 84 53 10 Mob: + 590 (0) 6 90 49 45 90 Frank Bozarth [email protected] [email protected] Compass Agents by Island: St. Thomas/USVI: Distribution - Bryan Lezama Antigua: Ad Sales & Distribution - Lucy Tulloch Tel: (340) 774 7931, [email protected] Virginia Beach, Virginia Tel (268) 774-6657 [email protected] St. Vincent & the Grenadines: Ad Sales - Debra Davis, Tel: (784) 457-3527, [email protected] USA Barbados: Distribution - Norman Faria Tel/Fax: (246) 426-0861 Tortola/BVI: Distribution - Gladys Jones [email protected] Tel: (284) 494-2830, Fax: (284) 494-1584 Curaçao: Distribution - Cees de Jong Trinidad: Ad Sales & Distribution - Giselle Sankar Join our growing list of on-line subscribers! Tel: (5999) 767-9042, Fax: (5999) 767-9003, Tel: (868) 634-2055, Fax: (868) 634-2056 12 issues US$29.95, 24 issues US$53.95 [email protected] [email protected] Dominica: Distribution - Hubert J. Winston, Venezuela: Ad Sales & Distribution - Patty Tomasik Dominica Marine Center, 24 Victoria Street, Roseau, Tel: (58-281) 265-3844 Tel/Fax: (58-281) 265-2448, Same price, same content — faster delivery! Tel: (767) 448-2705, [email protected] [email protected] Caribbean Compass welcomes submissions of short articles, news items, photos and drawings. www.caribbeancompass.com See Writers’ Guidelines at www.caribbeancompass.com. Send submissions to [email protected]. We support free speech! But the content of advertisements, columns, articles and letters to the editor are the sole responsibility of the advertiser, writer or correspondent, and Compass Publishing Ltd. accepts no responsibility for any statements made therein. Letters and submissions may be edited for length and clarity. Compass Publishing Ltd. accepts no liability for delayed distribution or printing quality as these services are supplied by other companies. ©2007 Compass Publishing Ltd. All rights reserved. No reproduction, copy or transmission of this publication, Cover Photo: Barbara Warden except short excerpts for review purposes, may be made without written permission of Compass Publishing Ltd. Honeymoon Bay, St. Thomas delivers! ISSN 1605 - 1998 —Continued from previous page Participants learned that property crimes against tourists were the most prevalent, GRENADINES with robbery and larceny accounting for almost 90 percent of all crimes against visi- tors. Crimes against the person were approximately one percent. Although there is a very low probability of a tourist being a victim of crime, it was noted that a serious crime against a visitor had far-reaching negative consequences for a destination as SAILS & CANVAS a whole, and there is the need to address this through a coordinated regional effort. Some of the recommendations made by the stakeholders and ancillary tourism services were: BEQUIA • Community involvement – through local awareness, local ownership of tourism products/services; increased community policing Come in and see us for all your SAILS & CANVAS needs • Communication – collaboration among all tourism stakeholders; communication including CUSTOM-MADE stainless steel by victims of crime to authorities; sharing of statistics and data between agencies and countries; increased signage on roads and at tourism sites; dedicated govern- BIMINI & DODGER frames at competitive prices ment officials to deal with response and follow-up of crime against tourists • Industry standards – development, implantation and enforcement of industry stan- dards for all areas of tourism; recognition and support for certified, standardised players in the tourism industry by other stakeholders; standards for tourism facilities Located opposite G.Y.E. (hotels, marinas, beaches, etcetera) must comply with basic standards for safety. On July 7th, a closed session was held for high-level officials in the tourism, legal and (northern side of Admiralty Bay) REPRESENTATIVE judicial sectors. They sought to prioritize issues in need of the most urgent attention and formulated an Action Plan for the implementation of a regional safety and Tel (784) 457-3507 / 457-3527 (evenings) security network. We await the results of their discussions. The first phase of this project was focused on the needs of the hotel industry, how- e-mail: [email protected] VHF Ch16/68 ever, there was much consultation and feedback
Load more

Recommended publications
  • Frank Stefanko Bio
    FRANK STEFANKO BIO Frank Stefanko is a fine art photographer whose work graces the album covers of Bruce Springsteen’s Darkness on the Edge of Town and The River . His photographs also appear in Bruce Springsteen & the E Street Band’s Live 75-85 album, Springsteen’s Greatest Hits , Tracks , and the Essential Bruce Springsteen albums. Other album cover work includes Southside Johnny’s Hearts of Stone album cover and Patti Smith’s The Arista Years 1975/2000 box set cover. Stefanko is the author of the book Days of Hope and Dreams: An Intimate Portrait of Bruce Springsteen , which recently has been released in the second edition, and Patti Smith: American Artist . His work Springsteen – Troubadour of the Highway , broke attendance records at the Frederick Weisman Museum in Minneapolis, the Cranbrook Museum in Michigan, the Experience Music Project in Seattle, and the Newark Museum in New Jersey. In 2012, his show The Sound and Vision: Monumental Rock Photography will tour the Columbus Museum in Georgia, the Hunter Museum of American Art in Tennessee, the Gibbes Museum of Art in South Carolina, the Huntsville Museum of Art in Alabama, and the Lauren Rogers Museum of Art in Mississippi. In addition, Stefanko is working on compiling his collection of vintage photographs. Taken in the seventies, these photos feature individuals, locations, and scenes from a unique era that nurtured art, music, and poetry. Residing in New Jersey, Stefanko has been making photographs for over fifty years. Self- taught as a boy and inspired by film noir movies and the old masters such as Edward Steichen, Alfred Steiglitz, and Diane Arbus, he excelled in art and photography both in high school and college.
    [Show full text]
  • Meroz-Plank Canoe-Edited1 Without Bold Ital
    UC Berkeley Survey Reports, Survey of California and Other Indian Languages Title The Plank Canoe of Southern California: Not a Polynesian Import, but a Local Innovation Permalink https://escholarship.org/uc/item/1977t6ww Author Meroz, Yoram Publication Date 2013 eScholarship.org Powered by the California Digital Library University of California The Plank Canoe of Southern California: Not a Polynesian Import, but a Local Innovation YORAM MEROZ By nearly a millennium ago, Polynesians had settled most of the habitable islands of the eastern Pacific, as far east as Easter Island and as far north as Hawai‘i, after journeys of thousands of kilometers across open water. It is reasonable to ask whether Polynesian voyagers traveled thousands of kilometers more and reached the Americas. Despite much research and speculation over the past two centuries, evidence of contact between Polynesia and the Americas is scant. At present, it is generally accepted that Polynesians did reach South America, largely on the basis of the presence of the sweet potato, an American cultivar, in prehistoric East Polynesia. More such evidence would be significant and exciting; however, no other argument for such contact is currently free of uncertainty or controversy.1 In a separate debate, archaeologists and ethnologists have been disputing the rise of the unusually complex society of the Chumash of Southern California. Chumash social complexity was closely associated with the development of the plank-built canoe (Hudson et al. 1978), a unique technological and cultural complex, whose origins remain obscure (Gamble 2002). In a recent series of papers, Terry Jones and Kathryn Klar present what they claim is linguistic, archaeological, and ethnographical evidence for prehistoric contact from Polynesia to the Americas (Jones and Klar 2005, Klar and Jones 2005).
    [Show full text]
  • Bruce Springsteen the River Mp3, Flac, Wma
    Bruce Springsteen The River mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: The River Country: US Released: 1980 Style: Folk Rock, Pop Rock, Classic Rock MP3 version RAR size: 1209 mb FLAC version RAR size: 1733 mb WMA version RAR size: 1546 mb Rating: 4.2 Votes: 687 Other Formats: AIFF FLAC AIFF FLAC AC3 XM DTS Tracklist Hide Credits The Ties That Bind A1 3:33 Recorded By – Bob Clearmountain A2 Sherry Darling 4:02 A3 Jackson Cage 3:04 A4 Two Hearts 2:42 A5 Independence Day 4:46 Hungry Heart B1 3:19 Backing Vocals – Howard Kaylan, Mark VolmanMixed By – Bob Clearmountain B2 Out In The Street 4:17 Crush On You B3 3:10 Guitar [Lead] – Steve Van Zandt B4 You Can Look (But You Better Not Touch) 2:36 B5 I Wanna Marry You 3:26 B6 The River 4:59 C1 Point Blank 6:05 C2 Cadillac Ranch 3:02 I'm A Rocker C3 3:34 Organ – Roy Bittan C4 Fade Away 4:40 C5 Stolen Car 3:53 D1 Ramrod 4:04 D2 The Price You Pay 5:27 Drive All Night D3 8:26 Organ – Roy BittanPiano – Bruce SpringsteenRecorded By – Jimmy Iovine D4 Wreck On The Highway 3:53 Credits Acoustic Guitar, Electric Guitar – Steve Van Zandt Artwork By [Art Direction & Design], Photography [Other] – Jimmy Wachtel Backing Vocals – Clarence Clemons, Roy Bittan, Steve Van Zandt Bass – Garry Tallent Drums – Max Weinberg Engineer [Assistant] – Dana Bisbee, Garry Rindfuss, James Farber, Jeff Hendrickson, Raymond Willhard* Lyrics By, Music By – Bruce Springsteen Mixed By – Chuck Plotkin (tracks: A1 to A5, B2 to D4), Toby Scott (tracks: A1 to A5, B2 to D4) Organ – Danny Federici Photography [Cover, Other] – Frank Stefanko Photography [Other] – Amanda Flick, Barry Goldenberg, David Gahr, Joel Bernstein Piano – Roy Bittan Producer – Bruce Springsteen, Jon Landau, Steve Van Zandt Recorded By – Neil Dorfsman (tracks: A2 to D2, D4) Saxophone, Percussion – Clarence Clemons Technician [Digital Operator] – Jim Bauerlein Vocals, Electric Guitar [6 & 12 String], Harmonica – Bruce Springsteen Notes Echo en el Peru.
    [Show full text]
  • Bruce Springsteen. Further up the Road
    BRUCE SPRINGSTEEN. FURTHER UP THE ROAD Photographs by FRANK STEFANKO Introduction by Bruce Springsteen Text by Frank Stefanko Forewords by Danny Clinch, Eric Meola The Signed Limited Edition Book Published November 2017 by Wall of Sound Editions "Frank’s photographs were stark. His talent was he managed to strip away your celebrity, your artifice, and get to the raw you. His photos had a purity and a street poetry to them. They were lovely and true, but they weren’t slick. Frank looked for your true grit and he naturally intuited the conflicts I was coming to terms with. His pictures captured the people I was writing about in my songs and showed me the part of me that was still one of them. We had other cover options but they didn’t have the hungriness of Frank’s pictures.” – Bruce Springsteen (Reprinted by permission from "Born To Run", Simon & Schuster, 2016) Wall of Sound Editions will publish a phenomenal new limited edition book of photographs of Bruce Springsteen made by Frank Stefanko. BRUCE SPRINGSTEEN. FURTHER UP THE ROAD will be published in November 2017 and is an astounding anthology of over 40 years of largely unseen images of Springsteen, all shot by Stefanko throughout Springsteen’s epic career. Frank Stefanko has spent over four decades working closely with Bruce Springsteen. He shot the iconic covers for Darkness on the Edge of Town and The River albums as well as the cover shot for Springsteen's best-selling Born To Run autobiography and accompanying album Chapter And Verse. The new hardback collectors edition features a personal introduction text by Bruce Springsteen himself and is packed full of unseen photos and features, with image captions and text by Stefanko and forewords by fellow Springsteen photographers Eric Meola, who shot the Born To Run and The Promise album covers, and Danny Clinch, who shot the Devils & Dust, The Rising, The Seeger Sessions, and Working on a Dream album covers.
    [Show full text]
  • Volume 8 Issue 11
    Presorted Standard US POSTAGE PAID BELLMAWR, NJ PERMIT No. 67 1 1 E U S S I 8 E M U L O V BRUCE SPRINGSTEEN IN HADDONFIELD IN 1978, AS SHOT BY LOCAL PHOTOGRAPHER FRANK STEFANKO. xx SOUTH JERSEY MAGAZINE VOLUME 8 ISSUE 3 SouthJersey.com The BIRTH of BR UCE On the heels of his 17th al bum and new tour this month, we examine Bruce Springsteen’s storied South Jersey past and trace the local roots that help ed spawn a legend ary rock ca reer that has spanned four decades. BY RANDY ALEXANDER SouthJersey.com VOLUME 8 ISSUE 12 SOUTH JERSEY MAGAZINE 59 ACK IN HIS college days, Dell Poncett used to fancy himself as the first Bruce Spring - steen fan in South Jersey. He got hooked one mid-January night in 1973 on Long Island, having left Cherry Hill for the weekend to visit his cousin. Looking to catch some live music, Poncett stum - bled upon “this scruffy little kid” with “so much charisma” as the opening act for the Paul Winter Consort at My Father’s Place, a popular cabaret housed in a Roslyn, N.Y. bowling alley. Poncett could n’t wait to get back to Cherry Hill to tell his buddies how he’d CLOCKWISE FROM TOP LEFT: BRUCE SPRINGSTEEN & THE E STREET BAND INSIDE been impressed by this “unbelievable” SHELLOW’S LUNCHEONETTE IN EAST guy with vividly intoxicating songs and CAMDEN (1978); A FLYER FOR A CAMDEN COUNTY COLLEGE SHOW IN 1974; SPRING - lighthearted stories made funnier when STEEN AND HIS 1960 CORVETTE ON COLO - he’d stop mid-song and bang on his NIAL AVENUE IN HADDONFIELD (1978); OUT - SIDE PHOTOGRAPHER FRANK STEFANKO’S amplifier to keep it from short-circuiting.
    [Show full text]
  • The Lawyer As Poet Advocate: Bruce Springsteen and the American Lawyer, an Introduction Randy Lee
    Widener University Commonwealth Law School From the SelectedWorks of Randy Lee 2005 The Lawyer as Poet Advocate: Bruce Springsteen and the American Lawyer, an Introduction Randy Lee Available at: https://works.bepress.com/randy_lee/2/ WIDENER LAW JOURNAL Copyright © 2005 by the Widener University School of Law VOLUME 14 2005 NUMBER 3 Symposium THE LAWYER AS POET ADVOCATE: BRUCE SPRINGSTEEN AND THE AMERICAN LAWYER AN INTRODUCTION Randy Lee* SOlTIe lawyers struggled to understand it: What is a poet advocate, and what could Bruce Springsteen have to offer lawyers'Z' What could bind law, the ultilTIate profession of undiluted rcason.r with poetry, the bastion of umnitigated passion'Z' On what field could lawyers, the personification of restrained discipline, lTIeet Bruce Springsteen, the articulator of engine-fired freedom? Yet, on February 24, 2005, two-hundred lawyers and law students created a standing rOOlTI only audience in Harrisburg, * Professor of Law, Widener University School of Law, Harrisburg, PA. The author would like to acknowledge the efforts ofMs. Sandra Graeff, program coordinator, in making this program a reality and thank Dr. Robert Coles for his help in planning this conference. He would also like to acknowledge the contributions of Widener Dean Douglas Ray and Vice Dean Loren Prescott. Finally, he would like to thank his family both for their technical support and also for their love. 1 See, e.g., Bernard Grimm, Connecting With the Boss: Listening as a Person andBecoming the Lawyer I Ought to Be, 14 WIDENER L.J. 935 (2005). 2 PAGE SMITH, 1 JOHN ADAMS 125 (1962) (John Adams saying, "The law, in all its vicissitudes of government, flucuations of the passions, or flights of enthusiasm, will preserve a steady undeviating course; it will not bend to the uncertain wishes, imaginations and wanton tempers ofmen.It).
    [Show full text]
  • Colombati Bruce Springsteen – Like a Killer in the Sun
    Colombati Bruce Springsteen – Like a Killer in the Sun Leonardo Colombati Bruce Springsteen – Like a Killer in the Sun Songtexte Aus dem Italienischen übersetzt von Johannes von Vacano Songtexte übersetzt von Heinz Rudolf Kunze Mit Vorworten von Ennio Morricone, Wolfgang Niedecken und Dave Marsh Reclam Titel der italienischen Ausgabe: Bruce Springsteen. Come un killer sotto il sole. Testi scelti 1972–2017. 2019 Philipp Reclam jun. Verlag GmbH, Siemensstraße 32, 71254 Ditzingen Copyright © 2017 by Leonardo Colombati First Published in Italy in 2017 by Mondadori Umschlagabbildungen: Frank Stefanko, stefankostudio.com (Vorderseite) / Eric Muhr, unsplash.com (Rückseite) Druck und buchbinderische Verarbeitung: Mohn Media, Carl-Bertelsmann-Straße 161M, 33311 Gütersloh Reclam ist eine eingetragene Marke der Philipp Reclam jun. GmbH & Co. KG, Stuttgart ISBN 978-3-15-011218-2 Auch als E-Book erhältlich www.reclam.de Inhalt Vorworte Ennio Morricone: Cantautore, Storyteller, Folksinger 11 Wolfgang Niedecken: »How ’bout a little Hungry Heart tonight?« 13 Dave Marsh: Mythos Springsteen 17 Der Große Amerikanische Roman Einleitung Warum ein »amerikanischer Roman«? 23 Erster Teil 24 Zweiter Teil 58 Bruce Springsteen – Like a Killer in the Sun Songtexte Prolog American Land 190 1. Jungleland Growin’ Up Used Cars 198 Mansion on the Hill 200 My Father’s House 202 Growin’ Up 204 Spirit in the Night 206 Incident on 57th Street 210 New York City Serenade 214 Meeting Across the River 218 Jungleland 220 6 A Runaway American Dream Rosalita (Come Out Tonight) 226 4th of July, Asbury Park (Sandy) 230 Backstreets 234 Born to Run 238 Independence Day 242 Thunder Road 244 Where Our Sins Lie Unatoned Badlands 250 Adam Raised a Cain 254 Something in the Night 258 The Promised Land 260 Sherry Darling 262 Come On (Let’s Go Out Tonight) 264 Because the Night 266 Candy’s Room 270 Iceman 274 Racing in the Street 276 Heart of Darkness The Promise 282 Darkness on the Edge of Town 286 The River 288 Stolen Car 292 The Price You Pay 294 2.
    [Show full text]
  • Bruce Springsteen's Hope and the Lawyer As Poet Advocate*
    Widener University Commonwealth Law School From the SelectedWorks of Randy Lee 2005 Bruce Springsteen’s Hope and the Lawyer as Poet Advocate Randy Lee Available at: https://works.bepress.com/randy_lee/1/ BRUCE SPRINGSTEEN'S HOPE AND THE LAWYER AS POET ADVOCATE* Randy Lee** The Am.erican experience is filled with lawyers who were poets. 1 The overlap between these two fields should com.e as no surprise. The lawyer, like the poet, seeks to capture life in words, to use words to im.prove life, and to identify and address the questions in life that m.atter m.ost. The lawyer, like the poet, is also called to serve his com.m.unity by accepting the m.antle of the prophet: he m.ust resist the tem.ptations of the world's earthly trappings and rem.ain true to his pursuit of truth wherever that journey m.ay lead. At their best, both lawyers and poets are listeners. They "stand back"; they "let it all be"; they take it all in.2 It is easy to forget that. Before lawyers and poets can speak, they m.ust capture life, and then they translate the life into words so the rest of the world can know and understand what they have encountered.f Aldous Huxley once described words as "a device m.en use for suppressing and distorting the truth" to "protect our sensibilities and preserve * Randy Lee, Address at the Widener Law Journal Symposium, The Lawyer as Poet Advocate: Bruce Springsteen and the American Poet (Feb. 24 2005). ** Professor of Law, Widener University School of Law, Harrisburg, PA.
    [Show full text]
  • Boxerin Club
    GRATUITARIVISTA ® N°3 (5) - gennaio/febbraio 2014 BOXERIN CLUB IL MURO DEL CANTO RUBBISH FACTORY NOBRAINO LE INTERVISTE IN QUESTO NUMERO Renato Marengo, Daev Tommaso Di Giulio Giancane Hopes Die Last Michael Pergolani I Cani Masons Il Muro Del Canto Nobraino e la chiusura di ‘DEMO’ Rubbish Factory Uscita 17 Viva Lion SOMMARIO 3 EDITORIALE ® Ripresa economia e... culturale 4 MIXER Editore/Direttore Tra ritmica e armonia: il BASSO Francesco Galassi 6 SUL PALCO Vice Direttore Riccardo De Stefano Hanno distrutto la parola “EMERGENTE” Direttore Responsabile 8 LE INTERVISTE Federico Formica Renato Marengo e Michael Pergolani Caporedattore Matteo Rotondi 10 ROCK THE DJ Addetto Stampa Giancane - Carne Flavio Talamonti I Cani - Glamour Hanno collaborato 11 Raffaella Aghemo PROMOBAND Francesco Bommartini Nobraino Valerio Cesari Hopes Die Last Mad Curtis Viva Lion! Sergio Di Giangregorio Il Muro del Canto - Ancora ridi Giulio Falla Dario Ferrari Tommaso Di Giulio - Per fortuna dormo poco Matteo Gherardi Daniela Masella 14 IN COPERTINA Alberto Quadri Boxerin Club - Aloha Krakatoa Marco Reda 16 Giovanni Romano IL RECENSORE Danilo Silvestri Uscita 17- Solo buone notizie Valentina Mariani Masons - Masons Sede Daev - Daev Via Pietro Adami, 32 Rubbish Factory - The Sun 00168- Roma (Italy) Tel: 338.1786026 18 INDIPENDENTEMENTE E-mail: [email protected] Download, du du du. Stampa Fr.am Print s.r.l I soldi più virtuali che esistano Via Panfilo Castaldi 24, 19 LIBRI IN TOUR 00153 - Roma Rubrica di recensione libri Impaginazione e grafica Francesca Radicetta 20 SUONARE SUONARE Diffondere o difendere? La foto di copertina dei Boxerin Club è a cura di Danilo D’Auria 21 L’AVVOCATO RISPONDE La riproduzione anche parziale degli articoli è Il diritto d’immagine permessa solo dietro autorizzazione scritta.
    [Show full text]
  • Volume 4 • 2020 Published by Mcgill University
    Volume 4 • 2020 Published by McGill University 2 Volume 4 • 2020 Managing Editor: Caroline Madden Editors: Jonathan D. Cohen Roxanne Harde Irwin Streight Editorial Board: Eric Alterman Jim Cullen Steven Fein Bryan Garman Stephen Hazan Arnoff Donna Luff Lorraine Mangione Lauren Onkey June Skinner Sawyers Bryant Simon Jerry Zolten Mission Statement BOSS: The Biannual Online-Journal of Springsteen Studies aims to publish scholarly, peer- reviewed essays pertaining to Bruce Springsteen. This open-access journal seeks to encourage consideration of Springsteen’s body of work primarily through the political, economic, and socio-cultural factors that have influenced his music and shaped its reception. BOSS welcomes broad interdisciplinary and cross-disciplinary approaches to Springsteen’s songwriting and performance. The journal aims to secure a place for Springsteen Studies in the contemporary academy. Submission Guidelines The editors of BOSS welcome submissions of articles that are rigorously researched and provide original, analytical approaches to Springsteen’s songwriting, performance, and fan community. Inter- and cross-disciplinary works, as well as studies that conform to specific disciplinary perspectives, are welcome. Suggested length of submission is between 15 and 25 pages. Contact To access BOSS, please visit http://boss.mcgill.ca/ Please address all queries and submissions to Caroline Madden (Managing Editor) at [email protected]. Cover Image By Danny Clinch. Used with kind permission from Shore Fire Media (http://shorefire.com/). Contents Introduction to BOSS Caroline Madden Contributors 7 Articles Everyday People: Elvis Presley, Bruce Springsteen, and the Gospel Tradition Brian Conniff 9 Signifying (and Psychoanalyzing) National Identity in Rock: Bruce Springsteen and The Tragically Hip Alexander Carpenter & Ian Skinner 50 Bruce Springsteen’s “Land of Hope and Dreams”: Towards Articulating and Assessing Its Inclusiveness Barry David 88 Reviews Long Walk Home: Reflections on Bruce Springsteen, edited by Jonathan D.
    [Show full text]
  • Practical Archaeology Contributors
    Practical Archaeology Contributors Brian D. Dillon David M. Van Horn john R. Murray David S. Whitley J. V Linscheid L. Mark Raab Louis J. Tartaglia Melissa C. Winans Ross C. Winans Thomas]. Banks Clement W Meighan ARCHAEOLOGICAL RESEARCH TOOLS 2 Practical Archaeology Field and Laboratory Techniques and Archaeological Logistics THIRD EDITION Edited by Brian D. Dillon Institute of Archaeology University of California, Los Angeles 1993 eBook ISBN: 978-1-938770-24-1 Contents Introduction vii Brian D. Dillon Chapter 1 Transit-Controlled Surface Collecting 1 David M. Van Hom and john R. Murray Chapter 2 Practical Mapping for the Field Archaeologist 7 David 5. Whitley Chapter 3 A Method for Effectively Screening Some Clay Matrices 13 David M. Van Horn , john R. Murray , and]. V. Linscheid Chapter 4 Laboratory Automation: Computer-Linked Measurement Devices and Videomicroscopy 19 L. Mark Raab Chapter 5 X Rays in Archaeological Analysis 25 Louis]. I artaglia Chapter 6 Measuring Systems, Techniques, and Equipment for Taphonomic Studies 33 Melissa C. Winans and Ross C. Winans Chapter 7 The Archaeological Field Vehicle 39 Brian D. Dillon Chapter 8 Archaeological Survey Via Muleback 63 Thomas]. Banks and Blian D. Dillon Chapter 9 Small Boats in Archaeological Exploration 69 Clement W. Meighan and Blian D. Dillon Bibliography 83 Introduction Brian D. Dillon ll archaeological writing can be placed in two cate­ The practical ideas presented herein should help the field gories: that which reports on or interprets archaeo­ archaeologist to expand data recovery capabilities and to A logical discoveries and that which proposes the make investigation of the past more efficient.
    [Show full text]
  • Co-Cathedral's Organ Sets the Bar for City's Music
    E2 HOUSTON CHRONICLE ¬¬¬ ON TWO Thursday, October 7, 2010 MUSIC Co-Cathedral’s organ sets the bar forcity’s music 9 Fridayrecital by Pasi in conjunction HEAR THE with the cathedral’smusi- INSTRUMENT to show offits cians and consultant Rob- ertBates of the University The neworgan at the exquisitesound of Houston. Co-Cathedral of the “It’s thrilling to play Sacred Heart, 1111 St. and hear,and it does ev- Joseph Parkway, will By CHARLES WARD erything one expects out be one of the largest in Like European cathe- of alarge organ, from a the city.Hereare some drals, the Co-Cathedral of gorgeous whisper to aglo- opportunities to hear the the Sacred Heartispoised rious wall of sound,”said newinstrument: to become the city’s heart MatthewDirst, prize-win- 9• Organ Recital: */Davi3IRd of great religious, liturgical ning organist at St. Philip @IMMHiggs72, TL/I:A/?chairman >Oof 5LPthe and organ music. Presbyterian Church and >:orgaM/?Rn departmenP</:5AP?5/t a5t With its long, tall shape artistic director of Ars 5LPthe C/Eastma75A/?n $TSchooL>>Dl >Oof (known as “shoe box” Lyrica Houston. 847ITMusic2<, performP:O>:A7s /5at H8 in sonic jargon), the co- Overall, the sound, or <0p.mA0. B:FridayIR/#0. "ITicketTFP57Ts cos>75t cathedral is blessed with tonal design, of Opus XIX WS$25N0. acoustics that allowsound is “eclectic,”Dirst said. to swirl robustlythrough- That is, the organ will be 9•CANTAREHouston: out the building. Such suitable formanytypes of "LThPMe grou:>4<p <P:Operform>:A7s asetting is perfect for works important forCath- &/TLA/?I?>Rachmaninoff'OOK7s VPVesper7<P:7s Martin Pasi’s5,499-pipe olic worship,particularly JAMES NIELSEN : STAFF /5at JE7:3Q.0 <0p.mA0.
    [Show full text]