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Return from Exile: How Extreme Metal Culture Found Its Niche with Dethklok and Postnetwork TV
Journal of Popular Music Studies, Volume 27, Issue 2, Pages 163–183 Return from Exile: How Extreme Metal Culture Found Its Niche with Dethklok and Postnetwork TV Joe Tompkins Allegheny College In the premiere episode of Metalocalypse, an original animated series entering its fifth season on the Adult Swim channel,1 300, 000 metalheads travel to the Artic Circle to witness Dethklok, “the world’s greatest cultural force,” as they perform a coffee jingle for the Duncan Hills Coffee Corporation. Despite adverse conditions and a mere single song set list, thousands of fans risk life and limb for the chance to witness the legendary death metal band as they perform a raucous musical ode to the virtues of “ultimate flavor.” As one reporter on the scene observes, “Never before have so many people traveled so far for such a short song.” In a further testament to the band’s outstanding popularity and market value, concertgoers eagerly sign “pain waivers” excusing Dethklok from legal liability in the all too likely event they are somehow “burned, lacerated, eaten alive, poisoned, de-boned, crushed, or hammer-smashed” during the show. Meanwhile, the performance launches the international coffee mogul Duncan Hills to monopoly status, “obliterating” the competition. When asked by news reporters if such an act of corporate sponsorship means that Dethklok is “selling out,” frontman Nathan Explosion growlingly rejoins: “We are here to make coffee metal. We will make everything metal. Blacker than the blackest black . times infinity.” Touting “the biggest -
Frank Stefanko Bio
FRANK STEFANKO BIO Frank Stefanko is a fine art photographer whose work graces the album covers of Bruce Springsteen’s Darkness on the Edge of Town and The River . His photographs also appear in Bruce Springsteen & the E Street Band’s Live 75-85 album, Springsteen’s Greatest Hits , Tracks , and the Essential Bruce Springsteen albums. Other album cover work includes Southside Johnny’s Hearts of Stone album cover and Patti Smith’s The Arista Years 1975/2000 box set cover. Stefanko is the author of the book Days of Hope and Dreams: An Intimate Portrait of Bruce Springsteen , which recently has been released in the second edition, and Patti Smith: American Artist . His work Springsteen – Troubadour of the Highway , broke attendance records at the Frederick Weisman Museum in Minneapolis, the Cranbrook Museum in Michigan, the Experience Music Project in Seattle, and the Newark Museum in New Jersey. In 2012, his show The Sound and Vision: Monumental Rock Photography will tour the Columbus Museum in Georgia, the Hunter Museum of American Art in Tennessee, the Gibbes Museum of Art in South Carolina, the Huntsville Museum of Art in Alabama, and the Lauren Rogers Museum of Art in Mississippi. In addition, Stefanko is working on compiling his collection of vintage photographs. Taken in the seventies, these photos feature individuals, locations, and scenes from a unique era that nurtured art, music, and poetry. Residing in New Jersey, Stefanko has been making photographs for over fifty years. Self- taught as a boy and inspired by film noir movies and the old masters such as Edward Steichen, Alfred Steiglitz, and Diane Arbus, he excelled in art and photography both in high school and college. -
Journal of Academic Perspectives
Journal of Academic Perspectives Religion, Politics, and Public Discourse: Bruce Springsteen and the Public Church of Roll Frederick L. Downing, Professor of Philosophy & Religious Studies, Valdosta State University and Jonathan W. Downing, Co-Director, Screaming Shih-Tzu Productions Abstract The thesis of this paper is that Bruce Springsteen’s art participates in a musical public square in which the outsider can come up close and overhear a dialogue that has been going on for centuries. Following the work of Robert Detweiler on religion and public life, this paper starts from the premise that the bard’s music, like literature, creates a type of public square or a form of public discourse where urgent matters of human survival, like the nature and nurture of a just state, are expressed, a call for social justice can be heard, and faith and hope for the future can be assimilated. Using the theory of Martin Marty on religion and civic life, the paper further describes Springsteen’s work as the creation of a “public church” beyond sectarian demand which is open to all and approximates, in his language, a true “land of hopes and dreams.” The paper uses the theory of Walter Brueggemann on the ancient church idea to demonstrate the nature and dimension of Springsteen’s “public church.” Using Brueggemann’s theory, Springsteen’s Wrecking Ball album is shown to have both a prophetic and priestly function. As a writer and performer, Springsteen demonstrates on this album and on the Wrecking Ball tour that he not only speaks truth to power, but attempts to create a sense of alternative vision and alternative community to the unjust status quo. -
St. Nick Spotted Near Campus
October 12, 2009 WWW.UNEWS.COM Vol. 77, Issue 8 St. Nick spotted near campus Continuing campus crime posses threat Tyler Allen Assistant News Editor Crime is a looming problem on campus. Last year alone, there were 142 crimes reported at UMKC. “Even though UMKC is sur- rounded by some bad streets I always felt safe here,” student Kelsey Gos- sen said, “but now that I’m hearing about everything going on, I worry and I try to watch my back.” Other students are not too wor- ried. “I’m not concerned about crime on campus, quite simply because I know exactly how to avoid it,” stu- dent Rachael Herndon said. Unfortunately, not everyone on campus can avoid crime. In the past month, there have been two burglaries at 4747 Troost Ave., the building that houses the In- Blistery, cold weather blew into Kansas City stitute for Entrepreneurship and In- novation. The first incident occurred on Saturday morning and along with it around noon on Sept. 21 when a victim’s money was stolen out of his came a jolly Christmas spirit. desk. painted interior and exterior walls, laid The second incident occurred on Alexia Stout-Lang News Editor carpet, pulled weeds and even moved Sept. 25 and involved Cary Clark, some furniture. Sam Walton Fellow and director of pproximately 20 stu- “This is just such a blessing,” Freddie Students in Free Enterprise. dents, staff and faculty from UMKC bundled up Slaughter, one of the homeowners, said and faced the chill to par- as tears ran down her cheeks. “I just don’t “It’s just sort of random ticipate in the second an- know how to thank you all.” crime. -
YLO89 Magazine
•YLO 91_Layout 1 2/13/13 3:02 PM Page 1 TRD COVER Youth Leaders Only / Music Resource Book / Volume 91 / Spring 2013 Cover: Red 25 Ways To Create A Crisis Page 6 When Volunteers Date Kids Page 8 The Crisis Head/Heart Disconnect Page 10 INSIDE: ConGRADulations! Class of 2013 Music-Media Grad Gift Page 18 Heart of the Artist: RED Page 15 Jeremy Camp Page 16 The American Bible Challenge: Jeff Foxworthy Interview Page 12 Worship Chord Charts from Gungor, Planetshakers, Elevation Worship, Everfound Page 42 y r t s i & n i c i M s u h t M u o g Y n i n z i i a m i i x d a e M M CRISIS: ® HANDLING THOSE “UH OH!” SITUATIONS •YLO 91_Layout 1 2/13/13 3:02 PM Page 2 >> TRD TABLE OF CONTENTS CONTENTS MAIN/MILD/HOT ARE LISTED ALPHABETICALLY BY ARTIST 6 8 10 11 FEATURE 25 Ways To Create When Volunteers The Crisis I’m In A ARTICLES: Your Own Crisis Date Kids Disconnect Crisis NOW MAIN: 18 20 25 CONGRADULATIONS! PURPOSE FILM Artist: CLASS OF 2013 DVD GUNGOR Album Title: ConGRADulations! Class of 2013 Purpose A Creation Liturgy (Live) Song Title: Unstoppable Beautiful Things Study Theme: Sacrifice Life; Purpose Meaning Renewal MILD: 21 22 23 ELEVATION Artist: CAPITAL KINGS WORSHIP EVERFOUND Album Title: Capital Kings Nothing Is Wasted Everfound Song Title: You’ll Never Be Alone Nothing Is Wasted Never Beyond Repair Study Theme: God’s Presence Difficulty; Hope Within Grace HOT: 24 26 28 Artist: FLYLEAF JEKOB JSON Album Title: New Horizons Faith Hope Love Growing Pains Song Title: New Horizons Love Is All Brand New Study Theme: Hope; In God Love; Unconditional -
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At the Crossroads of Jim Donnelly Metal Music West Coast News and Comedy By Justine Taormino ’06 By Peter Gordon ’78 Northern California alumni are abuzz At the improbable intersection of Brendon Small ’97 with news of their work in a variety metal music, animated TV, and stand- of areas. Here are some recent high- up comedy, the story of guitarist, com- lights. poser, actor, and producer Brendon sitcom that aired from 1999 to 2004. Benjamin Flint ’85 of Oakland led Small ’97 stands apart. Metal fans Although he also provided the show’s two Diablo Valley College jazz choirs worldwide know him as the creative music, he rapidly became better Reno Jazz Festival where they took first mastermind behind the smash-hit ani- known as a comedian. and third places in their division. Flint mated TV show Metalocalypse and the Toward the end of the show’s run, also directs the Oakland Jazz Choir and metal bands Dethklok and Galaktikon. Small began to turn back to the guitar. has taught at Jazz Camp West. Small’s unique journey began in “I was so excited to hear what people This fall, saxophonist Sonya the laid-back northern California town were doing in metal,” he says. “They Jason ’85 of Montara, will release of Salinas, where he remembers spend- were actually playing their instruments Feels So Good: Live in Half Moon Bay, ing long hours practicing guitar and incredibly well! I now had the comedy her fourth solo album. Recorded live re-watching VHS copies of his favorite chops and could write, thanks to Home at the legendary jazz venue Bach comedies. -
Catch a Wave: the Rise, Fall and Redemption of the Beach Boys Brian Wilson Pdf
FREE CATCH A WAVE: THE RISE, FALL AND REDEMPTION OF THE BEACH BOYS BRIAN WILSON PDF Peter Ames Carlin | 368 pages | 06 Aug 2007 | RODALE PRESS | 9781594867491 | English | Pennsylvania, United States Catch a Wave by Peter Ames Carlin - PopMatters Superhero media has a history of critiquing the dark side of power, hero worship, and vigilantism, but none have done so as radically as Watchmen and The Boys. Aussie indie rockers, Floodlights' debut From a View is a very cleanly, crisply-produced and mixed collection of shambolic, do-it- yourself indie guitar music. CF Watkins has pulled off the Catch a Wave: The Rise trick of creating an album that is imbued with the warmth of the American South as well as the urban sophistication of New York. Canadian singer-songwriter Helena Deland's first full-length release Someone New reveals her considerable creative talents. Joe Wong, the composer behind Netflix's Russian Doll and Master of Nonearticulates personal grief and grappling with artistic fulfillment into a sweeping debut album. British rocker Peter Frampton grew up fast before reaching meteoric heights with Frampton Comes Alive! Now the year- old Grammy-winning artist facing a degenerative muscle condition looks back on his life in his new memoir and this revealing interview. Bishakh's Som's graphic memoir, Spellboundserves as a reminder that trans memoirs need not hinge on transition narratives, or at least not on the ones we are used to seeing. Seductively approachable, Gamblers' sunny sound masks the tragedy and despair that populate the band's debut album. Peter Guralnick's homage to writing about music, 'Looking to Get Lost', shows Catch a Wave: The Rise good music writing gets the music into the readers' head. -
0801-PT-A Section.Indd
Mt. Hood Jazz Fest cranks up the groove Local bands, big names add funk and soul to day of music — SEE LIFE,E, BB11 PortlandTribune THURSDAY, AUGUST 1, 2013 • TWICE CHOSEN THE NATION’S BEST NONDAILY PAPER • WWW.PORTLANDTRIBUNE.COMOM • PUBLISHED THURSDAY Apartment market is hot hot hot Construction strong, apartment buildings are under as recently completed,” Barry construction throughout the says. but some worry about region. Dozens more are in the Activity is so strong, in fact, planning stage. that TMT Development is hop- local overbuilding In fact, 136 apartment proj- ing to restart its stalled down- TRIBUNE PHOTO: JONATHAN HOUSE ects were either recently com- town Park Avenue West proj- Grant High senior Andrew By JIM REDDEN pleted, under construction or ect by adding 15 floors of Davidson just began his one-year The Tribune proposed to be built in the re- apartments above 13 fl oors of term as the Portland School gion, according to a survey offi ce space. Board’s student representative. Are Portland-area apart- conducted by Patrick Barry, an But Barry believes there’s ment buildings the next real appraiser assistant with Mark no reason to worry the market estate bubble? D. Barry & Associates. is getting oversaturated. De- The local apartment market “There are twice as many spite the flurry of activity, Student is suddenly so hot that some units under construction as apartment construction in the real estate experts wonder if it there are units that have re- region is actually below his- TRIBUNE PHOTO: JAIME VALDEZ These apartment buildings in St. -
Bruce Springsteen the River Mp3, Flac, Wma
Bruce Springsteen The River mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: The River Country: US Released: 1980 Style: Folk Rock, Pop Rock, Classic Rock MP3 version RAR size: 1209 mb FLAC version RAR size: 1733 mb WMA version RAR size: 1546 mb Rating: 4.2 Votes: 687 Other Formats: AIFF FLAC AIFF FLAC AC3 XM DTS Tracklist Hide Credits The Ties That Bind A1 3:33 Recorded By – Bob Clearmountain A2 Sherry Darling 4:02 A3 Jackson Cage 3:04 A4 Two Hearts 2:42 A5 Independence Day 4:46 Hungry Heart B1 3:19 Backing Vocals – Howard Kaylan, Mark VolmanMixed By – Bob Clearmountain B2 Out In The Street 4:17 Crush On You B3 3:10 Guitar [Lead] – Steve Van Zandt B4 You Can Look (But You Better Not Touch) 2:36 B5 I Wanna Marry You 3:26 B6 The River 4:59 C1 Point Blank 6:05 C2 Cadillac Ranch 3:02 I'm A Rocker C3 3:34 Organ – Roy Bittan C4 Fade Away 4:40 C5 Stolen Car 3:53 D1 Ramrod 4:04 D2 The Price You Pay 5:27 Drive All Night D3 8:26 Organ – Roy BittanPiano – Bruce SpringsteenRecorded By – Jimmy Iovine D4 Wreck On The Highway 3:53 Credits Acoustic Guitar, Electric Guitar – Steve Van Zandt Artwork By [Art Direction & Design], Photography [Other] – Jimmy Wachtel Backing Vocals – Clarence Clemons, Roy Bittan, Steve Van Zandt Bass – Garry Tallent Drums – Max Weinberg Engineer [Assistant] – Dana Bisbee, Garry Rindfuss, James Farber, Jeff Hendrickson, Raymond Willhard* Lyrics By, Music By – Bruce Springsteen Mixed By – Chuck Plotkin (tracks: A1 to A5, B2 to D4), Toby Scott (tracks: A1 to A5, B2 to D4) Organ – Danny Federici Photography [Cover, Other] – Frank Stefanko Photography [Other] – Amanda Flick, Barry Goldenberg, David Gahr, Joel Bernstein Piano – Roy Bittan Producer – Bruce Springsteen, Jon Landau, Steve Van Zandt Recorded By – Neil Dorfsman (tracks: A2 to D2, D4) Saxophone, Percussion – Clarence Clemons Technician [Digital Operator] – Jim Bauerlein Vocals, Electric Guitar [6 & 12 String], Harmonica – Bruce Springsteen Notes Echo en el Peru. -
Karaoke Book
10 YEARS 3 DOORS DOWN 3OH!3 Beautiful Be Like That Follow Me Down (Duet w. Neon Hitch) Wasteland Behind Those Eyes My First Kiss (Solo w. Ke$ha) 10,000 MANIACS Better Life StarStrukk (Solo & Duet w. Katy Perry) Because The Night Citizen Soldier 3RD STRIKE Candy Everybody Wants Dangerous Game No Light These Are Days Duck & Run Redemption Trouble Me Every Time You Go 3RD TYME OUT 100 PROOF AGED IN SOUL Going Down In Flames Raining In LA Somebody's Been Sleeping Here By Me 3T 10CC Here Without You Anything Donna It's Not My Time Tease Me Dreadlock Holiday Kryptonite Why (w. Michael Jackson) I'm Mandy Fly Me Landing In London (w. Bob Seger) 4 NON BLONDES I'm Not In Love Let Me Be Myself What's Up Rubber Bullets Let Me Go What's Up (Acoustative) Things We Do For Love Life Of My Own 4 PM Wall Street Shuffle Live For Today Sukiyaki 110 DEGREES IN THE SHADE Loser 4 RUNNER Is It Really Me Road I'm On Cain's Blood 112 Smack Ripples Come See Me So I Need You That Was Him Cupid Ticket To Heaven 42ND STREET Dance With Me Train 42nd Street 4HIM It's Over Now When I'm Gone Basics Of Life Only You (w. Puff Daddy, Ma$e, Notorious When You're Young B.I.G.) 3 OF HEARTS For Future Generations Peaches & Cream Arizona Rain Measure Of A Man U Already Know Love Is Enough Sacred Hideaway 12 GAUGE 30 SECONDS TO MARS Where There Is Faith Dunkie Butt Closer To The Edge Who You Are 12 STONES Kill 5 SECONDS OF SUMMER Crash Rescue Me Amnesia Far Away 311 Don't Stop Way I Feel All Mixed Up Easier 1910 FRUITGUM CO. -
Rockfest 80'S Returns for Year Three!
Contact: Roy Anthony Rockfest Concerts, LLC. [email protected] Rockfest 80’s Returns For Year Three! Brand New Venue And The Ultimate Line Up To Date, Bringing The Best 80’s Music Festival In The Country. One “Rockin” Veterans Day Weekend ----- 16 Rock Icons Will Grace The Stage (Miramar, FL – July 2018) – Get ready for round three, with the most ultimate line-up set to ignite South Florida this fall for the third Annual Rockfest 80’s festival event. The epic two-day event is coming to Miramar Amphitheater, Saturday November 10th & Sunday November 11th, 2018 – Doors open noon to 10:30pm each day. Tickets are on-sale: http://www.rockfest80s.com This year’s spectacular lineup features: Vince Neil, Ace Frehley, Cinderella’s Tom Keifer, Night Ranger, Sebastian Bach, KIX, Winger, Mr Big’s Eric Martin, Trixter, Firehouse, Steelheart, Nelson, Zebra and Kickin Valentina. Paying homage to South Florida’s local music scene, Rockfest 80’s always brings the best of the best. The local band scene joining the line-up thus far: Stellar Revival and Big Rock Band. Miramar Amphitheater (Home to Rockfest 80's) located in Miramar, FL. is the center piece of the Miramar Regional Park. The completion of the Miramar Amphitheater came in spring of 2017 with a July 4th grand opening. This State of the Art Amphitheater is the only Amphitheater in South Florida with a canopy covering its 3,000 luxury seats, flanked by a general admission lawn that holds an additional 2,000 people. Being one of Broward County’s premier parks and extremely popular serving Miramar, Pembroke Pines, Hollywood and both Ft Lauderdale and Miami. -
Rock Music's Crusade of Authenticity
ROCK MUSIC’S CRUSADE OF AUTHENTICITY by DANIEL BROMFIELD A THESIS Presented to the Department of Journalism and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts June 2016 An Abstract of the Thesis of Daniel Bromfield for the degree of Bachelor of Arts in the School of Journalism and Communications to be taken June 2016 Title: Rock Music's Crusade Of Authenticity Prof. Thomas Wheeler This thesis attempts to define rock music's standards of authenticity and explore their origins. Included are comparison of rock's standards of authenticity to those of other genres and an exploration of how authenticity has been perceived throughout the history of rock music. This study argues that rock's standards of authenticity are unusual among pop music genres in that they entail artists both writing their own songs and playing their own instruments. This is in contrast to genres like hip hop, contemporary pop, and R&B, which have their own quite different standards of authenticity. Quotes from rock fans, critics, and musicians are used to provide insight into rock's standards of authenticity and how they developed over time. ii Acknowledgements I would like to first and foremost thank my father for introducing me to music. If not for his decision to turn me on to the Beatles one sunny day in June 2006, I would surely be pursuing a far more boring career – and thesis topic. And I would like to thank my mother for giving me a great life and being endlessly supportive.