It's All About the Song: the Mount Olympus of American Pop-Rock Songwriters Syllabus Instructor: Pete Elman
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THE CLEVELAND MUSEUM of ART ANNUAL REPORT 2002 1 0-Cover.P65 the CLEVELAND MUSEUM of ART
ANNUAL REPORT 2002 THE CLEVELAND MUSEUM OF ART THE CLEVELAND MUSEUM OF ART REPORT 2002 ANNUAL 0-Cover.p65 1 6/10/2003, 4:08 PM THE CLEVELAND MUSEUM OF ART ANNUAL REPORT 2002 1-Welcome-A.p65 1 6/10/2003, 4:16 PM Feathered Panel. Peru, The Cleveland Narrative: Gregory Photography credits: Brichford: pp. 7 (left, Far South Coast, Pampa Museum of Art M. Donley Works of art in the both), 9 (top), 11 Ocoña; AD 600–900; 11150 East Boulevard Editing: Barbara J. collection were photo- (bottom), 34 (left), 39 Cleveland, Ohio Bradley and graphed by museum (top), 61, 63, 64, 68, Papagayo macaw feathers 44106–1797 photographers 79, 88 (left), 92; knotted onto string and Kathleen Mills Copyright © 2003 Howard Agriesti and Rodney L. Brown: p. stitched to cotton plain- Design: Thomas H. Gary Kirchenbauer 82 (left) © 2002; Philip The Cleveland Barnard III weave cloth, camelid fiber Museum of Art and are copyright Brutz: pp. 9 (left), 88 Production: Charles by the Cleveland (top), 89 (all), 96; plain-weave upper tape; All rights reserved. 81.3 x 223.5 cm; Andrew R. Szabla Museum of Art. The Gregory M. Donley: No portion of this works of art them- front cover, pp. 4, 6 and Martha Holden Jennings publication may be Printing: Great Lakes Lithograph selves may also be (both), 7 (bottom), 8 Fund 2002.93 reproduced in any protected by copy- (bottom), 13 (both), form whatsoever The type is Adobe Front cover and frontispiece: right in the United 31, 32, 34 (bottom), 36 without the prior Palatino and States of America or (bottom), 41, 45 (top), As the sun went down, the written permission Bitstream Futura abroad and may not 60, 62, 71, 77, 83 (left), lights came up: on of the Cleveland adapted for this be reproduced in any 85 (right, center), 91; September 11, the facade Museum of Art. -
74TH SEASON of CONCERTS April 24, 2016 • National Gallery of Art PROGRAM
74TH SEASON OF CONCERTS april 24, 2016 • national gallery of art PROGRAM 3:30 • West Building, West Garden Court Inscape Richard Scerbo, conductor Toru Takemitsu (1930 – 1996) Rain Spell Asha Srinivasan (b. 1980) Svara-Lila John Harbison (b. 1938) Mirabai Songs It’s True, I Went to the Market All I Was Doing Was Breathing Why Mira Can’t Go Back to Her Old House Where Did You Go? The Clouds Don’t Go, Don’t Go Monica Soto-Gil, mezzo soprano Intermission Chen Yi (b. 1953) Wu Yu Praying for Rain Shifan Gong-and-Drum Toru Takemitsu Archipelago S. 2 • National Gallery of Art The Musicians Founded in 2004 by artistic director Richard Scerbo, Inscape Chamber Orchestra is pushing the boundaries of classical music in riveting performances that reach across genres and generations and transcend the confines of the traditional concert experience. With its flexible roster and unique brand of programming, this Grammy-nominated group of high-energy master musicians has quickly established itself as one of the premier performing ensembles in the Washington, DC, region and beyond. Inscape has worked with emerging American composers and has a commitment to presenting concerts featuring the music of our time. Since its inception, the group has commissioned and premiered over twenty new works. Its members regularly perform with the National, Baltimore, Philadel- phia, Virginia, Richmond, and Delaware symphonies and the Washington Opera Orchestra; they are members of the Washington service bands. Inscape’s roots can be traced to the University of Maryland School of Music, when Scerbo and other music students collaborated at the Clarice Smith Center as the Philharmonia Ensemble. -
Bob Dylan: the 30 Th Anniversary Concert Celebration” Returning to PBS on THIRTEEN’S Great Performances in March
Press Contact: Harry Forbes, WNET 212-560-8027 or [email protected] Press materials; http://pressroom.pbs.org/ or http://www.thirteen.org/13pressroom/ Website: http://www.pbs.org/wnet/gperf/ Facebook: http://www.facebook.com/GreatPerformances Twitter: @GPerfPBS “Bob Dylan: The 30 th Anniversary Concert Celebration” Returning to PBS on THIRTEEN’s Great Performances in March A veritable Who’s Who of the music scene includes Eric Clapton, Stevie Wonder, Neil Young, Kris Kristofferson, Tom Petty, Tracy Chapman, George Harrison and others Great Performances presents a special encore of highlights from 1992’s star-studded concert tribute to the American pop music icon at New York City’s Madison Square Garden in Bob Dylan: The 30 th Anniversary Concert Celebration in March on PBS (check local listings). (In New York, THIRTEEN will air the concert on Friday, March 7 at 9 p.m.) Selling out 18,200 seats in a frantic, record-breaking 70 minutes, the concert gathered an amazing Who’s Who of performers to celebrate the 30th anniversary of the enigmatic singer- songwriter’s groundbreaking debut album from 1962, Bob Dylan . Taking viewers from front row center to back stage, the special captures all the excitement of this historic, once-in-a-lifetime concert as many of the greatest names in popular music—including The Band , Mary Chapin Carpenter , Roseanne Cash , Eric Clapton , Shawn Colvin , George Harrison , Richie Havens , Roger McGuinn , John Mellencamp , Tom Petty , Stevie Wonder , Eddie Vedder , Ron Wood , Neil Young , and more—pay homage to Dylan and the songs that made him a legend. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Journal of Academic Perspectives
Journal of Academic Perspectives Religion, Politics, and Public Discourse: Bruce Springsteen and the Public Church of Roll Frederick L. Downing, Professor of Philosophy & Religious Studies, Valdosta State University and Jonathan W. Downing, Co-Director, Screaming Shih-Tzu Productions Abstract The thesis of this paper is that Bruce Springsteen’s art participates in a musical public square in which the outsider can come up close and overhear a dialogue that has been going on for centuries. Following the work of Robert Detweiler on religion and public life, this paper starts from the premise that the bard’s music, like literature, creates a type of public square or a form of public discourse where urgent matters of human survival, like the nature and nurture of a just state, are expressed, a call for social justice can be heard, and faith and hope for the future can be assimilated. Using the theory of Martin Marty on religion and civic life, the paper further describes Springsteen’s work as the creation of a “public church” beyond sectarian demand which is open to all and approximates, in his language, a true “land of hopes and dreams.” The paper uses the theory of Walter Brueggemann on the ancient church idea to demonstrate the nature and dimension of Springsteen’s “public church.” Using Brueggemann’s theory, Springsteen’s Wrecking Ball album is shown to have both a prophetic and priestly function. As a writer and performer, Springsteen demonstrates on this album and on the Wrecking Ball tour that he not only speaks truth to power, but attempts to create a sense of alternative vision and alternative community to the unjust status quo. -
This Week, Purely out of Curiosity, I Looked up Rolling Stones Top 100 Songwriters of All Time. a Few Spots on the List Surpris
This week, purely out of curiosity, I looked up Rolling Stones top 100 songwriters of all time. A few spots on the list surprised me a little but let’s see if you agree with their ordering. I’m not going to read all 100, but I’ll hit a few of the names that we are familiar with today. 97 Taylor Swift 95 Bee gees 91 Eminem 84 Kanye 82 Marvin Gaye 76 Loretta Lynn 69 James Taylor 68 Jay Z 60 Willie Nelson 59 Tom Petty 56 Madonna 54 Kurt Cobain 53 Stevie Nicks 50 Billie Joel 48 Elton John 47 Neil Diamond 43 Johnny Cash 40 John Fogerty 39 David Bowie 35 Bono and the Edge 34 Michael Jackson 33 Merle Haggard 31 Dolly Parton (3000 songs, 20 country #1) 29 Buddy Holly 26 James Brown 22 Van Morrison 18 Prince 16 Leonard Cohen 14 Bruce Springsteen 12 Brian Wilson 11 Bob Marley 10 Stevie Wonder 9 Joni Mitchell 8 Paul Simon 7 Carole King and Gerry Goffin (Wrote music for the Beatles, Dianna Ross, Whitney Houston, Gladys Night and the pips) 6 Mick Jagger and Keith Richards 5 Smokey Robinson 4 Chuck Berry 3 John Lennon 2 Paul McCartney 1 Bob Dylan These are the people who write the score that lays behind the scenes of most of our lives. I’m one of those people who gets overwhelmed with nostalgia anytime a song from my early years comes on the radio. My wife on the other hand grew up weirdly sheltered. We have this pattern that we have probably played out 1,000 times in our marriage where an old song will come on and I immediately start to sing along and I’ll look Esther right in her eyes and sing the rest of the line like I’m an 80s rock star and she’s my groupie and the look that she returns to me is so blank that I almost feel the need to introduce myself to make sure she hasn’t forgotten who I am. -
CBA PTV Promo 1104
Respect #11 Format ADDITIONAL GIFT Personalized letter and form. Ms. Sample, please keep this as a NJN Special Gift Reply Form record of your extra gift. YES, I respect NJN’s unique commitment to television excellence and programming ➧ that reflects my interests and standards. Here’s my special contribution to prove it. ( ) $00 ( ) $000 ( ) Other $_____ The larger your gift, the ■ My check to NJN is enclosed. stronger we’ll be to face Charge my ■ ■ MC AMEX ■ VISA ■ Discover a future with increased Honored Member programming costs. Thank you. Account No. ______________________________ Ms. Jane A. Sample Exp. Date _______/___ Please correct name and address. Director of Membership Optional: Ms. Jane A. Sample My e-mail address is My gift amount ______________ Date sent ______________ 500 Elm Street ____________________. Yourtown, ST 12345 THANK YOU FOR YOUR SUPPORT! NJN, P.O. Box 777, Trenton, NJ 08625-0777 RESPECT. Linda Epps Director of Development Dear Ms. Sample: Respect is something we take very seriously here at NJN, especially when it comes to you and our other supporters. Respect for your intelligence, interests and valuable time is our number one priority when we make our programming decisions. We continue to broadcast all the NJN programs that you’ve come to rely on, programs that have demonstrated for many years our respect for your intelligence and taste. You can count on NJN as a vital source of information, ideas and points of view. We provide insights, not sound bites, so you can gain perspective on issues that affect you. Our programs promote understanding and civic participation -- and bring you exclusive “live” performances that can inspire and delight you. -
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected]
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] KÜNSTLER Chuck Berry TITEL Rock And Roll Music Any Old Way You Choose It Die Gitarrenkoffer-Edition LABEL Bear Family Productions KATALOG # BCD 17053 PREIS-CODE ZY EAN-CODE ÇxDTRBAMy170539z FORMAT Original-Gitarrenkoffer inkl. 16 CD-Box mit 2 gebundenen Büchern (356 Seiten), in leinengebundenem Schuber (28 x 28 x 6 cm) plus magnetischem Schlüsselhalter (12,5 x 20 cm) und signiertem Zertifikat Limitierte Edition: 88 Stück GENRE Rock ‘n’ Roll ANZAHL TITEL 396 SPIELDAUER 1271:04 "Sollten Sie nach einem anderen Namen für Rock And Roll suchen, so könnten Sie ihn auch 'Chuck Berry' nennen." (John Lennon) Seit der Gründung von BEAR FAMILY im Jahre 1975 wollten wir Chuck Berry und sein Lebenswerk würdigen. Chuck Berry-Zusam- menstellungen gab es zu jeder Zeit wie Sand am Meer, mehr als man wird jemals zählen können. Wir jedoch wollten Maßstäbe setzen mit unserer Edition. Zur Feier von Chuck Berrys 88. Geburtstag am 18. Oktober 2014 legen wir eine ultra-limitiere und numerierte Edition unserer Chuck Berry-Box von lediglich 88 Stück auf! Diese Rarität enthält zusätzlich ein signiertes Zertifikat. G Diese Deluxe-Edition kommt in einem exklusiven Gitarrenkoffer in Originalgröße (ES-Series). In solch einem Koffer lag die Gitarre, die Chuck Berry seit den 50er Jahren spielt. G Ebenfalls enthalten: ein magnetischer Schlüsselhalter mit einem seltenen Chuck Berry-Motiv. G Die auf 88 Stück limitierte und numerierte Chuck Berry-Geburtstagsausgabe enthält zusätzlich ein signiertes Zertifikat. G Diese Box enthält jede einzelne auf Single oder LP erschienene Aufnahme, beginnend mit der seltenen Single von Joe Alexander die entstand, bevor Chuck Berry zu CHESS ging. -
Crossing Over: from Black Rhythm Blues to White Rock 'N' Roll
PART2 RHYTHM& BUSINESS:THE POLITICAL ECONOMY OF BLACKMUSIC Crossing Over: From Black Rhythm Blues . Publishers (ASCAP), a “performance rights” organization that recovers royalty pay- to WhiteRock ‘n’ Roll ments for the performance of copyrighted music. Until 1939,ASCAP was a closed BY REEBEEGAROFALO society with a virtual monopoly on all copyrighted music. As proprietor of the com- positions of its members, ASCAP could regulate the use of any selection in its cata- logue. The organization exercised considerable power in the shaping of public taste. Membership in the society was generally skewed toward writers of show tunes and The history of popular music in this country-at least, in the twentieth century-can semi-serious works such as Richard Rodgers and Lorenz Hart, Cole Porter, George be described in terms of a pattern of black innovation and white popularization, Gershwin, Irving Berlin, and George M. Cohan. Of the society’s 170 charter mem- which 1 have referred to elsewhere as “black roots, white fruits.’” The pattern is built bers, six were black: Harry Burleigh, Will Marion Cook, J. Rosamond and James not only on the wellspring of creativity that black artists bring to popular music but Weldon Johnson, Cecil Mack, and Will Tyers.’ While other “literate” black writers also on the systematic exclusion of black personnel from positions of power within and composers (W. C. Handy, Duke Ellington) would be able to gain entrance to the industry and on the artificial separation of black and white audiences. Because of ASCAP, the vast majority of “untutored” black artists were routinely excluded from industry and audience racism, black music has been relegated to a separate and the society and thereby systematically denied the full benefits of copyright protection. -
Catch a Wave: the Rise, Fall and Redemption of the Beach Boys Brian Wilson Pdf
FREE CATCH A WAVE: THE RISE, FALL AND REDEMPTION OF THE BEACH BOYS BRIAN WILSON PDF Peter Ames Carlin | 368 pages | 06 Aug 2007 | RODALE PRESS | 9781594867491 | English | Pennsylvania, United States Catch a Wave by Peter Ames Carlin - PopMatters Superhero media has a history of critiquing the dark side of power, hero worship, and vigilantism, but none have done so as radically as Watchmen and The Boys. Aussie indie rockers, Floodlights' debut From a View is a very cleanly, crisply-produced and mixed collection of shambolic, do-it- yourself indie guitar music. CF Watkins has pulled off the Catch a Wave: The Rise trick of creating an album that is imbued with the warmth of the American South as well as the urban sophistication of New York. Canadian singer-songwriter Helena Deland's first full-length release Someone New reveals her considerable creative talents. Joe Wong, the composer behind Netflix's Russian Doll and Master of Nonearticulates personal grief and grappling with artistic fulfillment into a sweeping debut album. British rocker Peter Frampton grew up fast before reaching meteoric heights with Frampton Comes Alive! Now the year- old Grammy-winning artist facing a degenerative muscle condition looks back on his life in his new memoir and this revealing interview. Bishakh's Som's graphic memoir, Spellboundserves as a reminder that trans memoirs need not hinge on transition narratives, or at least not on the ones we are used to seeing. Seductively approachable, Gamblers' sunny sound masks the tragedy and despair that populate the band's debut album. Peter Guralnick's homage to writing about music, 'Looking to Get Lost', shows Catch a Wave: The Rise good music writing gets the music into the readers' head. -
June Program Guide
PROGRAM GUIDE | JUNE 2021 | VOL. 40 NO. 6 Two new films on traditional Polynesian navigation on PBS Hawai‘i Presents Wade Fairley, copyright Vaka Taumako Project Taumako copyright Vaka Fairley, Wade A Long Story That Informed, Influenced STATEWIDE BOARD OF DIRECTORS and Inspired Chair The show’s eloquent description Joanne Lo Grimes nearly says it all… Vice Chair Long Story Short with Leslie Wilcox Jason Haruki features engaging conversations with Secretary some of the most intriguing people in Joy Miura Koerte Hawai‘i and across the world. Guests Treasurer share personal stories, experiences Kent Tsukamoto and values that have helped shape who they are. Muriel Anderson What it does not express is the As we continue to tell stories of Susan Bendon magical presence Leslie brought to Hawai‘i’s rich history, our content Jodi Endo Chai will mirror and reflect our diverse James E. Duffy Jr. each conversation and the priceless communities, past, present and Matthew Emerson collection of diverse voices and Jason Fujimoto untold stories she captured over the future. We are in the process of AJ Halagao years. Former guest Hoala Greevy, redefining some of our current Ian Kitajima Founder and CEO of Paubox, Inc., programs like Nā Mele: Traditions in Noelani Kalipi may have said it best, “Leslie was Hawaiian Song and INSIGHTS ON PBS Kamani Kuala‘au HAWAI‘I, and soon we will announce Theresia McMurdo brilliant to bring all of these pieces Bettina Mehnert of Hawai‘i history together to live the name and concept of a new series. Ryan Kaipo Nobriga forever in one amazing library. -
June Thank You Items 2018
JUNE THANK YOU ITEMS 2018 PROGRAM PLEDGE SUST PREMIUM ITEM MARKET LEVEL VALUE Buddy Holly: Rave On $ 72 $ 6 Buddy Holly: The Definitive Collection CD $ 9.98 $180 $15 COMBO: Buddy Holly: Listen to Me – The Ultimate Buddy Party DVD & $54.97 Buddy Holly: The Memorial Collection 3-CD Set Fleetwood Mac: The Dance $ 96 $ 8 Fleetwood Mac: The Dance DVD $24.99 $156 $13 COMBO: Fleetwood Mac: The Dance DVD & Fleetwood Mac: The Dance CD $36.97 $360 $30 Deluxe Set includes: 3-CDs, Audio DVD plus Fleetwood Mac Deluxe Master $99.98 LP Highwaymen Live at Nassau Coliseum $ 72 $ 6 The Very Best of the Highwaymen CD $11.98 $144 $12 COMBO: The Very Best of the Highwaymen CD & The Highwaymen Live at $25.96 Nassau Coliseum DVD $240 $20 COMBO: The Very Best of the Highwaymen CD & The Highwaymen Live – $71.96 American Outlaw 3-CD/DVD Box Set JFK: The Last Speech $96 $8 Companion DVD & Robert Frost: The Road Not Taken Book $22.98 $144 $12 JFK: A Vision for America Hardback Book $45.00 $180 $15 COMBO: Companion DVD, Robert Frost: The Road Not Taken Book & JFK: $67.98 A Vision for America Hardback Book Ken Burns: America’s Storyteller – The War $ 72 $ 6 Ken Burns America Collection: Brooklyn Bridge DVD $19.99 $156 $13 Ken Burns: The War 6-DVD Set $99.99 $300 $25 Ken Burns, America at War Collection (includes: Ken Burns: The Civil War $299.97 25th Anniversary Edition 6-DVD Set, Ken Burns: The War 6-DVD Set, Ken Burns: The Roosevelts 7-DVD Set & Letter from Ken Burns) Leonard Cohen: Tower of Song $ 72 $ 6 Leonard Cohen: The Best of Leonard Cohen CD $ 7.98 $120 $10