Sweet & Lowdown Repertoire
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Alshire Records Discography
Alshire Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan Alshire International Records Discography Alshire was located at P.O. Box 7107, Burbank, CA 91505 (Street address: 2818 West Pico Boulevard, Los Angeles, CA 90006). Founded by Al Sherman in 1964, who bought the Somerset catalog from Dick L. Miller. Arlen, Grit and Oscar were subsidiaries. Alshire was a grocery store rack budget label whose main staple was the “101 Strings Orchestra,” which was several different orchestras over the years, more of a franchise than a single organization. Alshire M/S 3000 Series: M/S 3001 –“Oh Yeah!” A Polka Party – Coal Diggers with Happy Tony [1967] Reissue of Somerset SF 30100. Oh Yeah!/Don't Throw Beer Bottles At The Band/Yak To Na Wojence (Fortunes Of War)/Piwo Polka (Beer Polka)/Wanda And Stash/Moja Marish (My Mary)/Zosia (Sophie)/Ragman Polka/From Ungvara/Disc Jocky Polka/Nie Puki Jashiu (Don't Knock Johnny) Alshire M/ST 5000 Series M/ST 5000 - Stephen Foster - 101 Strings [1964] Beautiful Dreamer/Camptown Races/Jeannie With The Light Brown Hair/Oh Susanna/Old Folks At Home/Steamboat 'Round The Bend/My Old Kentucky Home/Ring Ring De Bango/Come, Where My Love Lies Dreaming/Tribute To Foster Medley/Old Black Joe M/ST 5001 - Victor Herbert - 101 Strings [1964] Ah! Sweet Mystery Of Life/Kiss Me Again/March Of The Toys, Toyland/Indian Summer/Gypsy Love Song/Red Mill Overture/Because You're You/Moonbeams/Every Day Is Ladies' Day To Me/In Old New York/Isle Of Our Dreams M/S 5002 - John Philip Sousa, George M. -
15 of the Most Iconic Fads from the Fifties
15 of the most iconic fads from the fifties: Car hops were THE way to get your hamburger and milkshake Hula hoops DA haircuts—yup, it stands for duck’s ass—the hair was slicked back along the sides of the head Poodle skirts are one of the most iconic fashion fads of the fifties. Invented by fashion designer Juli Lynne Charlot. Sock hops were informal dances usually held in high school gymnasiums, featuring the new Devil’s music—rock ‘n roll Saddle shoes, These casual Oxford shoes have a saddle-shaped decorative panel in the middle. Coonskin caps a major craze among young boys - a tribute to boyhood heroes of the era like Davy Crockett and Daniel Boone. Telephone booth stuffing ; college students crammed themselves into a phone booth. Drive-in movies capitalized on a fortuitous merging of the booming car culture Letterman jackets and letter sweaters: high school/college girls wanted to show off they were dating a jock. Conical bras Marilyn Monroe, Jayne Mansfield, and Jane Russell were largely responsible for igniting the fad. Cateye glasses:the accessory of choice for many young women. Jell-O molds people took a serious interest in encapsulating various foods in gelatin. Fuzzy dice During WWII, fighter pilots hung them in their cockpits for good luck. Sideburns: a classic element of the greaser look, along with DA haircuts, bomber jackets, and fitted T-shirts with sleeves rolled up, Weeks Reached #1 Artist Single @ #1 7-Jan-50 Gene Autry "Rudolph, The Red-nosed Reindeer" 1 14-Jan-50 The Andrews Sisters "I Can Dream, Can't I" 4 11-Feb-50 -
Million Dollar Quartet” by Colin Escott & Floyd Mutrux at the Hippodrome Theatre Through December 2
“Million Dollar Quartet” By Colin Escott & Floyd Mutrux At the Hippodrome Theatre through December 2 By James Cooper MEMORIES ARE MADE OF THIS … PRODUCTION Flashing lights, shimmering jackets and long musical solos radiate through the production of “Million Dollar Quartet,” now at the Hippodrome Theatre. Though the special effects and costumes are beneficial in some instances, the show lacks emphasis in the one area it should stress the most: the music. The whole story focuses on the decisions of four major musicians from the 1950s: Carl Perkins, Johnny Cash, Jerry Lee Lewis and Elvis Presley. Music is the main concept within the script, but it certainly isn’t the main concept within the performance. The show focuses on a single event: the night that all four musicians of the “Million Dollar Quartet” were present in the same space at the same time, the Sun Records Studio in Memphis on December 4, 1956. Elvis (Cody Slaughter) used to be a member of the Sun Records family but then he switched to RCA, a bigger label. Since this change, Elvis has lost contact with his former producer, Sam Phillips (Vince Nappo). As Elvis returns with his girlfriend Dyanne (Kelly Lamont) he makes it clear to Sam that he wishes he had stayed at Sun. Sam too wishes that Elvis had stayed, but his main focus is now on producing Johnny (David Elkins) and the up-and-coming Jerry Lee (Martin Kaye). All the while Carl (Robert Britton Lyons) has to decide whether or not he wants to leave Sun Records or move on to Columbia. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Memphis, Tennessee, Is Known As the Home of The
Memphis, Tennessee, is known as the Home of the Blues for a reason: Hundreds of bluesmen honed their craft in the city, playing music in Handy Park and in the alleyways that branch off Beale Street, plying their trade in that street’s raucous nightclubs and in juke joints across the Mississippi River. Mississippians like Ike Turner, B.B. King, and Howlin’ Wolf all passed through the Bluff City, often pausing to cut a record before migrating northward to a better life. Other musicians stayed in Memphis, bristling at the idea of starting over in unfamiliar cities like Chicago, St. Louis, and Los Angeles. Drummer Finas Newborn was one of the latter – as a bandleader and the father of pianist Phineas and guitarist Calvin Newborn, and as the proprietor of his own musical instrument store on Beale Street, he preferred the familiar environs of Memphis. Finas’ sons literally grew up with musical instruments in their hands. While they were still attending elementary school, the two took first prize at the Palace Theater’s “Amateur Night” show, where Calvin brought down the house singing “Your Mama’s On the Bottom, Papa’s On Top, Sister’s In the Kitchen Hollerin’ ‘When They Gon’ Stop.’” Before Calvin followed his brother Phineas to New York to pursue a jazz career, he interacted with all the major players on Memphis’ blues scene. In fact, B.B. King helped Calvin pick out his first guitar. The favor was repaid when the entire Newborn family backed King on his first recording, “Three O’ Clock Blues,” recorded for the Bullet label at Sam Phillips’ Recording Service in downtown Memphis. -
DRB Master Song List.Pages
OVERVIEW The DRB plays music from many different genres, and our song list varies literally from week to week as we learn new songs for brides & grooms, pick up the latest hits from the radio, etc. The primary genre’s we play include: • Top 40 • Motown • Funk/R&B • Hip Hop • Jazz • Big Band/Swing • Pop • Some of the artists we model our style after include: • Bruno Mars • Justin Timberlake • Stevie Wonder • Earth, Wind & Fire • The Temptations • Michael Jackson • Prince • Beyonce • Pink • Many more! The list below includes many of the songs we’re currently playing on a nightly basis, and some we haven’t played in a while but can still pull out as needed. It shouldn’t be taken as a comprehensive list as we’re constantly updating it. If you would like a specific song played at your event, let us know, we’re happy to learn it for you! CURRENT SONG LIST 1999 Prince 24K Bruno Mars 7 Prince A Thousand Years Christina Perri Africa Toto Ain’t No Mountain High Enough Marvin Gaye Ain’t Too Proud To Beg The Temptations All About That Bass Meghan Trainor All Night Long Lionel Richie All Summer Long Kid Rock All Blues Miles Davis American Boy Estelle Ft. Kanye West At Last Etta James Baby Got Back Sir Mix-A-Lot Bang Bang Jessie J, Ariana Grande Be With You Mr. Bigg Because You Loved Me Celine Dion Billie Jean Michael Jackson Black or White Michael Jackson Blurred Lines Robin Thicke Bless The Broken Road Rascal Flatts Boogie On Reggae Woman Stevie Wonder Brown Eyed Girl Van Morrison Bust A Move Young MC California Gurls Katy Perry Ft. -
1950S Playlist
1/10/2005 MONTH YEAR TITLE ARTIST Jan 1950 RAG MOP AMES BROTHERS Jan 1950 WITH MY EYES WIDE OPEN I'M DREAMING PATTI PAGE Jan 1950 ENJOY YOURSELF (IT'S LATER THAN YOU THINK) GUY LOMBARDO Jan 1950 I ALMOST LOST MY MIND IVORY JOE HUNTER Jan 1950 THE WEDDING SAMBA EDMUNDO ROS Jan 1950 I SAID MY PAJAMAS (AND PUT ON MY PRAY'RS) TONY MARTIN/FRAN WARREN Jan 1950 SENTIMENTAL ME AMES BROTHERS Jan 1950 QUICKSILVER BING CROSBY/ANDREWS SISTERS Jan 1950 CHATTANOOGIE SHOE SHINE BOY RED FOLEY Jan 1950 BIBBIDI-BOBBIDI-BOO PERRY COMO Feb 1950 IT ISN'T FAIR SAMMY KAYE/DON CORNELL Feb 1950 RAG MOP LIONEL HAMPTON Feb 1950 THE THIRD MAN THEME ANTON KARAS Feb 1950 MY FOOLISH HEART GORDON JENKINS Feb 1950 THE CRY OF THE WILD GOOSE FRANKIE LAINE Feb 1950 THE FAT MAN FATS DOMINO Feb 1950 DADDY'S LITTLE GIRL MILLS BROTHERS Feb 1950 MUSIC MUSIC MUSIC TERESA BREWER Mar 1950 THE THIRD MAN THEME GUY LOMBARDO Mar 1950 CANDY AND CAKE MINDY CARSON Mar 1950 MY FOOLISH HEART BILLY ECKSTINE Mar 1950 IF I KNEW YOU WERE COMIN' I'D'VE BAKED A CAKE EILEEN BARTON Mar 1950 WANDERIN' SAMMY KAYE Mar 1950 DEARIE GUY LOMBARDO Apr 1950 COUNT EVERY STAR HUGO WINTERHALTER Apr 1950 HOOP-DEE-DOO PERRY COMO Apr 1950 BEWITCHED BILL SNYDER Apr 1950 PETER COTTONTAIL GENE AUTRY Apr 1950 ARE YOU LONESOME TONIGHT BLUE BARRON May 1950 THE OLD PIANO ROLL BLUES HOAGY CARMICHAEL/CASS DALEY May 1950 BEWITCHED DORIS DAY May 1950 VALENCIA TONY MARTIN May 1950 I DON'T CARE IF THE SUN DON'T SHINE PATTI PAGE May 1950 I WANNA BE LOVED ANDREWS SISTERS May 1950 BONAPARTE'S RETREAT KAY STARR Jun 1950 MONA -
Johnny Cash: the Man, His World, His Music,” Tuesday, Aug
For Immediate Release Contacts: P.O.V. Communications: 212-989-7425. Emergency contact: 646-729-4748 Cynthia López, [email protected], Cathy Fisher, [email protected] P.O.V. online pressroom: www.pbs.org/pov/pressroom P.O.V. Revives Classic 1969 Portrait of “Johnny Cash: The Man, His World, His Music,” Tuesday, Aug. 5 on PBS Film Captures Cash on the Road, on Stage and Behind the Scenes Fresh on the Heels of His Breakthrough “Folsom Prison” Album; June Carter Cash, Bob Dylan, Carl Perkins Featured “…a rousing masterpiece.” – Rolling Stone Magazine When the Man in Black died in September 2003, he closed an original and captivating chapter in the great American songbook. Even as death approached, Johnny Cash displayed the hardscrabble grit, authentic individualism and knack for doing the unexpected that had made him an American icon — his powerful video cover of Trent Reznor’s “Hurt,” showing him visibly ailing but resolute, was nominated for six MTV Video Music Awards that year. It had been a long, maybe improbable, certainly American journey for a sharecropper’s son from Kingsland, Ark., and it had more ups and downs and surprising turns than a country road. In 1968, Robert Elfstrom (who went on to an award-winning career as a cinematographer and director) had the insight to make a documentary on Cash — and the luck to strike up a warm and candid rapport with the temperamental singer. By then, Cash, who had begun his career in the late ‘50s, had won over country music audiences with his uniquely intense "underdog" ballads, and was experiencing the first of several crossover successes with Johnny Cash at Folsom Prison. -
Multimillion-Selling Singer Crystal Gayle Has Performed Songs from a Wide Variety of Genres During Her Award-Studded Career, B
MultiMillion-selling singer Crystal Gayle has performed songs from a wide variety of genres during her award-studded career, but she has never devoted an album to classic country music. Until now. You Don’t Know Me is a collection that finds the acclaimed stylist exploring the songs of such country legends as George Jones, Patsy Cline, Buck Owens and Eddy Arnold. The album might come as a surprise to those who associate Crystal with an uptown sound that made her a star on both country and adult-contemporary pop charts. But she has known this repertoire of hardcore country standards all her life. “This wasn’t a stretch at all,” says Crystal. “These are songs I grew up singing. I’ve been wanting to do this for a long time. “The songs on this album aren’t songs I sing in my concerts until recently. But they are very much a part of my history.” Each of the selections was chosen because it played a role in her musical development. Two of them point to the importance that her family had in bringing her to fame. You Don’t Know Me contains the first recorded trio vocal performance by Crystal with her singing sisters Loretta Lynn and Peggy Sue. It is their version of Dolly Parton’s “Put It Off Until Tomorrow.” “You Never Were Mine” comes from the pen of her older brother, Jay Lee Webb (1937-1996). The two were always close. Jay Lee was the oldest brother still living with the family when their father passed away. -
On Born in the U.S.A. by Bruce Springsteen
TR 11 On Born in the U.S.A. by Bruce Springsteen Alina Stefanescu "Born in the U.S.A." He has dark curly hair, a flirt in his laugh, a flag on his mantle, two conservative parents waiting for him back in Atlanta, a family of Limbaugh-lovers and born-again Christians. Bruce Springsteen Born in the U.S.A. Eating it from the inside with their wars and armchair crusades. He is Various the all-American boy I can't stop watching. Born in the U.S.A. "Cover Me" 06/1984 Bombs fall on Baghdad. We kiss like rockets, ready to burn. We are eager to stay free, Columbia running from the last time we lied, the last time we failed. He's not looking for a lover. I'm a single mother 24 years into finding my voice, learning to use it against the war. I'm a wild card, a Romanian-Alabamian. "I'm a shitty girlfriend," I tell him, u"but will y nevero meet a better cover." He shuts the door. "Darlington County" We sit on stools at Jay's and argue about the Iraq war. It's our favorite bar in Arlington, the only place where the owner wears a mullet, offers three-dollar pitchers after work, reminds us of being Southern. The mounted television offers drum-rolls, small-town parades, a diorama of mediated patriotism. He says he can't question the President. Not about war. Not about national security. He was raised a patriot. I relish impugning him, love watching his face fall when I compare him to a missile. -
Johnny Cash by Dave Hoekstra Sept
Johnny Cash by Dave Hoekstra Sept. 11, 1988 HENDERSONVILLE, Tenn. A slow drive from the new steel-and-glass Nashville airport to the old stone-and-timber House of Cash in Hendersonville absorbs a lot of passionate land. A couple of folks have pulled over to inspect a black honky-tonk piano that has been dumped along the roadway. Cabbie Harold Pylant tells me I am the same age Jesus Christ was when he was crucified. Of course, this is before Pylant hands over a liter bottle of ice water that has been blessed by St. Peter. This is life close to the earth. Johnny Cash has spent most of his 56 years near the earth, spiritually and physically. He was born in a three-room railroad shack in Kingsland, Ark. Father Ray Cash was an indigent farmer who, when unable to live off the black dirt, worked on the railroad, picked cotton, chopped wood and became a hobo laborer. Under a New Deal program, the Cash family moved to a more fertile northeastern Arkansas in 1935, where Johnny began work as a child laborer on his dad's 20-acre cotton farm. By the time he was 14, Johnny Cash was making $2.50 a day as a water boy for work gangs along the Tyronza River. "The hard work on the farm is not anything I've ever missed," Cash admitted in a country conversation at his House of Cash offices here, with Tom T. Hall on the turntable and an autographed picture of Emmylou Harris on the wall. -
Willie Nelson
LESSON GUIDE • GRADES 3-6 TABLE OF CONTENTS 3 Introduction 4 About the Guide 5 Pre and Post-Lesson: Anticipation Guide 6 Lesson 1: Introduction to Outlaws 7 Lesson 1: Worksheet 8 Lyric Sheet: Me and Paul 9 Lesson 2: Who Were The Outlaws? 10 Lesson 3: Worksheet 12 Activities: Jigsaw Texts 14 Lyric Sheet: Are You Sure Hank Done It This Way 15 Lesson 4: T for Texas, T for Tennessee 16 Lesson 5: Literary Lyrics 17 Lyric Sheet: Daddy What If? 18 Lyric Sheet: Act Naturally 19 Complete Tennessee Standards 21 Complete Texas Standards 23 Biographies 3-6 Table of Contents 2 Outlaws and Armadillos: Country’s Roaring ‘70s examines how the Outlaw movement greatly enlarged country music’s audience during the 1970s. Led by pacesetters such as Willie Nelson, Waylon Jennings, Kris Kristofferson, and Bobby Bare, artists in Nashville and Austin demanded the creative freedom to make their own country music, different from the pop-oriented sound that prevailed at the time. This exhibition also examines the cultures of Nashville and fiercely independent Austin, and the complicated, surprising relationships between the two. Artwork by Sam Yeates, Rising from the Ashes, Willie Takes Flight for Austin (2017) 3-6 Introduction 3 This interdisciplinary lesson guide allows classrooms to explore the exhibition Outlaws and Armadillos: Country’s Roaring ‘70s on view at the Country Music Hall of Fame and Museum® from May 25, 2018 – February 14, 2021. Students will examine the causes and effects of the Outlaw movement through analysis of art, music, video, and nonfiction texts. In doing so, students will gain an understanding of the culture of this movement; who and what influenced it; and how these changes diversified country music’s audience during this time.