Laugh Laugh 1 Chords by Beau Brummels

Total Page:16

File Type:pdf, Size:1020Kb

Laugh Laugh 1 Chords by Beau Brummels Home >B >Beau Brummels >Laugh Laugh 1 Laugh Laugh 1 Chords 588 Like artist or song Guitar lessons | Add/correct | Request | Top 50 tabs Artists: A BC D EF G HI J KL M NO P QR S TU V WX Y Z0-9 Laugh Laugh 1 Chords by Beau Brummels Buy CD | Buy sheet music | Buy posters Guitar lesson | Get ringtone How to play Laugh Laugh 1? Watch simple video lesson. Free Lyrics and Chords Lyrics.inboxtoolbar.com Find & Print Sheet Music for Free! So Easy w/ The Free Music Toolbar. LAUGH, LAUGH by the Beau Brummels: Em Am Music video 1.I hate to say it, but I told you so, Em Am Don't mind my preachin' to you. Em Am G I said don't trust him baby, now you know, C F G C You don't learn everything there is to know, in school. Em Am 2.Wouldn't believe me when I gave advice, Em Am I said that he was a tease, Em Am G If you want help you better ask me nice, C F G C So be sincere, convince me with a pretty please. D G Chorus: Laugh, Laugh, I thought I'd die, C F It seemed so funny to me. Bb Eb Laugh, Laugh, you met a guy Ab G Who taught you how it feels to be, C F C F C F -C Lonely, oh, so lonely. Em Am 3.Don't think I'm bein' funny when I say, Em Am You got just what you deserve. Em Am G I can't help feelin' you found out today, C F G C Links You thought you were too good, you had a lot of nerve. Country Tabs Em Am 4.Won't say I'm sorry for the things I said, Share Em Am I'm glad he packed up to go. Em Am G You kept on braggin' he was yours instead, Page 1 of 3 C F G C You found out you didn't know everything there is to know. Chorus again: Em Am 5.Before I go I'd like to say one thing, Em Am Don't close your ears to me, Em Am G Take my advice and you'll find out that bein', C F G C Just another girl won't cause you misery. Em Am 6.You say you can get any boy at your call, Em Am Don't be so smug, or else, Em Am G You'll find you can't get any boy at all, C F G C You'll wind up an old lady sittin' on the shelf. Chorus, again: C -F C - F C- F 7. Lonely, oh, so lonely... A sixties smash from Kraziekhat! Hard to play Laugh Laugh 1? Try simple video lesson. Laugh Laugh 1 Ringtone. Popular Beau Brummels tabs and chords Dont Tal To Strangers 1 Chords Sad Little Girl Chords Just A Little Tabs The Word Chords Laugh Laugh Tabs Theyll Mae You Cry Tabs Laugh Laugh 1 Tabs You Tell Me Why Chords Laugh Laugh Chords You Tell Me Why 1 Chords Comments !dd!!!!!!!e!!!!! Comment using... !!!e!!!k!!!!i!!!!!!!i! Guitar lessons online Page 2 of 3 Bac to top | Tablatures and chords are parodies/interpretations o the original songs. You may use it or priate study scholarship research or language learning purposes only Contact us | Priacy policy | DMCA | Add/correct tabs | Request tabs | Top 50 tabs 01 AZChords.com Titanium Stay A Thousand Daid Guetta Rihanna Years Christina Perri Page 3 of 3.
Recommended publications
  • BEACH BOYS Vs BEATLEMANIA: Rediscovering Sixties Music
    The final word on the Beach Boys versus Beatles debate, neglect of American acts under the British Invasion, and more controversial critique on your favorite Sixties acts, with a Foreword by Fred Vail, legendary Beach Boys advance man and co-manager. BEACH BOYS vs BEATLEMANIA: Rediscovering Sixties Music Buy The Complete Version of This Book at Booklocker.com: http://www.booklocker.com/p/books/3210.html?s=pdf BEACH BOYS vs Beatlemania: Rediscovering Sixties Music by G A De Forest Copyright © 2007 G A De Forest ISBN-13 978-1-60145-317-4 ISBN-10 1-60145-317-5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of the author. Printed in the United States of America. Booklocker.com, Inc. 2007 CONTENTS FOREWORD BY FRED VAIL ............................................... XI PREFACE..............................................................................XVII AUTHOR'S NOTE ................................................................ XIX 1. THIS WHOLE WORLD 1 2. CATCHING A WAVE 14 3. TWIST’N’SURF! FOLK’N’SOUL! 98 4: “WE LOVE YOU BEATLES, OH YES WE DO!” 134 5. ENGLAND SWINGS 215 6. SURFIN' US/K 260 7: PET SOUNDS rebounds from RUBBER SOUL — gunned down by REVOLVER 313 8: SGT PEPPERS & THE LOST SMILE 338 9: OLD SURFERS NEVER DIE, THEY JUST FADE AWAY 360 10: IF WE SING IN A VACUUM CAN YOU HEAR US? 378 AFTERWORD .........................................................................405 APPENDIX: BEACH BOYS HIT ALBUMS (1962-1970) ...411 BIBLIOGRAPHY....................................................................419 ix 1. THIS WHOLE WORLD Rock is a fickle mistress.
    [Show full text]
  • Warner/Reprise Loss Leaders Booklet
    THE WARNER BROS. LOSS LEADERS SERIES (1969-1980) Depending On How You Count Them, 34 Essential Various Artist Collections From Another Time We figured it was about time to pull together all of the incredible Warner Bros. Loss Leaders releases dating back to 1969 (and even a little earlier). For those who lived through the era, Warner Bros. Records was winning the sales of an entire generation by signing and supporting some of music’s most uniquely groundbreaking recording artists… during music’s most uniquely groundbreak- ing time. With an appealingly irreverent style (“targeted youth marketing,” it would be called today), WB was making lifelong fans of the kids who entered into the label’s vast catalog of art- ists via the Loss Leaders series—advertised on inner sleeves & brochures, and offering generous selections priced at $1 per LP, $2 for doubles and $3 for their sole 3-LP release, Looney Tunes And Merrie Melodies. And that was including postage. Yes… those were the days, but back then there were very few ways, outside of cut-out bins or a five-finger discount, to score bulk music as cheaply. Warners unashamedly admitted that their inten- tions were to sell more records, by introducing listeners to music they weren’t hearing on their radios, or finding in many of their (still weakly distributed) record stores. And it seemed to work… because the series continued until 1980, and the program issued approximately 34 titles, by our questionable count (detailed in later posts). But, the oldsters among us all fondly remember the multi-paged, gatefold sleeves and inviting artwork/packaging that beckoned from the inner sleeves of our favorite albums, not to mention the assorted rarities, b-sides and oddities that dotted many of the releases.
    [Show full text]
  • BEAR Tips / STAFF SELECTIONS Von /By Nico Feuerbach
    36 BEAR TIPs / STAFF SELECTIONS BEAR TIPs / STAFF SELECTIONS von /by Nico Feuerbach RICHARD BERRY Have “Louie” Will Travel The 1956-62 Recordings CD CHD 977 EUR 17.75 Brothers and sisters, praise the Lord!! The first official and complete Flip output of our brother Richard Berry finally came down to our dark and unfriendly earth including many rare and unissued sides which were produced by Gary Paxton! And the TOOTER BOATMAN message is: Romance and Rock!! Romance because the Rockin’ fantastic and handsome Los Angeles Doo-Wop ballads like You Look So Good, Tell Me Why and Dreams Of An Angel will fill the CD CL 4408 EUR 15.50 hearts of you and your girlfriend who really comes close to an angel with warmth and salvation! And believe me brothers This release from the Collectors label is an older one, but still you’ll be the ones who will profit from these inspiring and worth to talk about because it includes all 50s Rockabilly and sensitive stardust pearls. Rock because this leader of the Rock’n’Roll recordings of Tooter Boatman and the Chaparrals. U.S.Westcoast Pharaos really knows how to fucking shake the Tooter, who recorded for several labels like Gaylo, Rebel and world with psalms like Louie Louie, Besame Mucho, Rock, Rock, Twinkle, died way to early in the mid 60s in a car crash. His best Rock (This Dance Is Crazy) or No Kissin’ And A-Huggin’. Brothers known songs are Thunder And Lightning and Big Deal. Thunder and sisters!! His message is clear!! He wants to wake you up, he And Lightning will change your clean and neat living room
    [Show full text]
  • Jeff Hughson Collection
    http://oac.cdlib.org/findaid/ark:/13030/c8gt5v7h No online items Guide to the Jeff Hughson collection Devon Miller Center for Sacramento History 551 Sequoia Pacific Blvd. Sacramento, California 95811-0229 Phone: (916) 808-7072 Fax: (916) 264-7582 Email: [email protected] URL: http://www.centerforsacramentohistory.org/ © 2013 Center for Sacramento History. All rights reserved. Guide to the Jeff Hughson MS 67 1 collection Guide to the Jeff Hughson collection Collection number: MS 67 Center for Sacramento History Sacramento, CA Processed by: Devon Miller Date Completed: 2020-02-26 Encoded by: Devon Miller © 2013 Center for Sacramento History. All rights reserved. Descriptive Summary Title: Jeff Hughson collection Dates: 1952-2009 Collection number: MS 67 Creator: Hughson, Jeff (1950 - ) Collection Size: 2 linear feet(2 boxes) Repository: Center for Sacramento History Sacramento, California 95811-0229 Abstract: Jeff Hughson was born in Sacramento in 1950 and graduated from Sacramento High School in 1968 and shortly thereafter joined the staff of KZAP, Sacramento’s first freeform rock music radio station. This collection contains biographical information on Jeff Hughson on the form of one DVD and several news articles, and periodicals, radio playlists, concert flyers, promotional material, sound recordings and VHS tapes collected by Hughson and documenting the musical scene in Sacramento from the 1960s to the 1980s. Physical location: 30:I:01 Languages: Languages represented in the collection: English Access Collection is open for research use. Publication Rights All requests to publish or quote from private manuscripts held by the Center for Sacramento History (CSH) must be submitted in writing to the archivist.
    [Show full text]
  • The Role of Music in the Lives of Homeless Young People
    Tuned Souls: The Role of Music in the Lives of Homeless Young People Jill P. Woelfer A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2014 Reading Committee: David Hendry, Chair Susan Kemp Batya Friedman Julie A. Hersberger Program Authorized to Offer Degree: The Information School ©Copyright 2014 Jill P. Woelfer University of Washington Abstract Tuned Souls: The Role of Music is the Lives of Homeless Young People Jill P. Woelfer Chair of the Supervisory Committee: Associate Professor, David G. Hendry The Information School Although music is considered to be an important part of adolescence and young adulthood, little is known about music and homeless youth. Accordingly, this dissertation research investigated the role of music in the lives of homeless young people, aged 15-25. The study was conducted in Seattle, Washington and Vancouver, British Columbia and engaged homeless young people (n=202) and service providers staff who work at agencies that provide support for homeless young people (n=24). Homeless young people completed surveys (n=202), design activities, which included drawing and story writing (n=149), and semi-structured interviews (n=40). Service providers completed semi-structured interviews (n=24). Data analysis included descriptive analysis of survey data and qualitative coding of the design activities and interview responses. Findings indicated that music was an important part of everyday life for homeless young people, who listened to music daily (98%), owned music players (89%), and had wide- ranging and eclectic tastes in music which did not vary based on location.
    [Show full text]
  • In Serving the a 3AY Kunino Needs of the ONZN CZ Music & Record 11111 NY1NZOM Industry CI Cuvh3ra World Ho-S
    1111110!!:3H record !!!!- Dedicated To dOHSzoos-3 NNIn Serving The A 3AY kunino Needs Of The ONZN CZ Music & Record 11111 NY1NZOM Industry CI cuvH3ra world ho-s eptemter6, 1969 60c In the opinion of the editors, this week the following records are the SINGLE PICKS OF THE WEEK WHO IWAINTIMRWMA IN THE IOVI 01INI COON PEON MAW MD 0 00V Elvis Presley sings one of TheWinstonswillfollow- JamesBrown,whokeeps The Monkees bestrecord the songs fromhis Vegas up "Color Him Father" with combiningthebeatwith is now on the market. It's WORLD act, "Suspicion Minds" a smash. It's "Love of the thesocialmessage suc- called "Mommy andDad- (Press,BMI), whichisas Common People" (Tree, cessfully, has "World" dy" (Screen Gems -Columbia, good as anything's he's BMI) and has a won't -quit (Brown. BMI)intwo parts BMI)andMonkeeDolenz done (RCA 47-9764). beat (Metromedia 142). andit'llgo (King 6258). wrote it (Co!gems 5005). SLEEPER PICKS OF THE WEEK CatMotherand theAll The Baskerville Hounds are EdwardsHandis a new CaptainMilk(EdwinHub- NightNewsboysask the thefirst group from Avco duoproducedby George bard) plays the flute with vitalquestion,"Can You Embassy andtheirrocky Martin. Their first single is great facility,and crowds Dance to It?" (Cat Mother- initial release is oldie "If I Thought You'dEver willlovethisrepriseof Emm - Jay - Sea - Lark, EMI) "HoldMe"(Robbins, AS - Change Your Mind" (Al Gal- "Hey, Jude" (Maclen, BMI) (Polydor14007). CAP). Hot (4504). lico,BMI) (GRT13). (Tetragrammaton 1542). At Atlantic Signing To ALBUM PICKS OF THE WEEK Distribute Stone Flower Label, from Left: Atlantic VP Nesuhi Ertegun, Dave Kapralik, Stone Flower's Legal Counsellor Marty Machattlan-tic Exec VP JudyCollinsispresented The Vogues' "Memories" John Mayall, alongwith RobertaFlackwhoplays on "Recollections" in a extend back into the '50s Jon Mark, Steve Thompson piano and sings somewhere Jerry Wexler and, Seated, number of folk songs she when "Moments to Remem- and Johnny Thompson, bow between Washington, D.
    [Show full text]
  • WARNER BROS. / WEA RECORDS 1970 to 1982
    AUSTRALIAN RECORD LABELS WARNER BROS. / WEA RECORDS 1970 to 1982 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 WARNER BROS. / WEA RECORDS, 1970–1982 A BRIEF WARNER BROS. / WEA HISTORY WIKIPEDIA TELLS US THAT... WEA’S ROOTS DATE BACK TO THE FOUNDING OF WARNER BROS. RECORDS IN 1958 AS A DIVISION OF WARNER BROS. PICTURES. IN 1963, WARNER BROS. RECORDS PURCHASED FRANK SINATRA’S REPRISE RECORDS. AFTER WARNER BROS. WAS SOLD TO SEVEN ARTS PRODUCTIONS IN 1967 (FORMING WARNER BROS.-SEVEN ARTS), IT PURCHASED ATLANTIC RECORDS AS WELL AS ITS SUBSIDIARY ATCO RECORDS. IN 1969, THE WARNER BROS.-SEVEN ARTS COMPANY WAS SOLD TO THE KINNEY NATIONAL COMPANY. KINNEY MUSIC INTERNATIONAL (LATER CHANGING ITS NAME TO WARNER COMMUNICATIONS) COMBINED THE OPERATIONS OF ALL OF ITS RECORD LABELS, AND KINNEY CEO STEVE ROSS LED THE GROUP THROUGH ITS MOST SUCCESSFUL PERIOD, UNTIL HIS DEATH IN 1994. IN 1969, ELEKTRA RECORDS BOSS JAC HOLZMAN APPROACHED ATLANTIC'S JERRY WEXLER TO SET UP A JOINT DISTRIBUTION NETWORK FOR WARNER, ELEKTRA, AND ATLANTIC. ATLANTIC RECORDS ALSO AGREED TO ASSIST WARNER BROS. IN ESTABLISHING OVERSEAS DIVISIONS, BUT RIVALRY WAS STILL A FACTOR —WHEN WARNER EXECUTIVE PHIL ROSE ARRIVED IN AUSTRALIA TO BEGIN SETTING UP AN AUSTRALIAN SUBSIDIARY, HE DISCOVERED THAT ONLY ONE WEEK EARLIER ATLANTIC HAD SIGNED A NEW FOUR-YEAR DISTRIBUTION DEAL WITH FESTIVAL RECORDS. IN MARCH 1972, KINNEY MUSIC INTERNATIONAL WAS RENAMED WEA MUSIC INTERNATIONAL. DURING THE 1970S, THE WARNER GROUP BUILT UP A COMMANDING POSITION IN THE MUSIC INDUSTRY. IN 1970, IT BOUGHT ELEKTRA (FOUNDED BY HOLZMAN IN 1950) FOR $10 MILLION, ALONG WITH THE BUDGET CLASSICAL MUSIC LABEL NONESUCH RECORDS.
    [Show full text]
  • FREDDIE STEADY KRC BIOGRAPHY Texas Music Awards Hall-Of-Famer Freddie Steady Krc Comes by His Name Honestly
    FREDDIE STEADY KRC BIOGRAPHY Texas Music Awards Hall-of-Famer Freddie Steady Krc comes by his name honestly. This singer / songwriter / guitarist / drummer / renaissance Texan has plied his musical wares around the world the past few decades. A charismatic live performer, Krc wins over any audience with his captivating original songs and engaging stage presence. He also enjoys capturing the spirit of his favorite cover songs. Krc (rhymes with search) landed in Austin at the moment that a musical revolution was getting started at a styles-don’t-matter joint called the Armadillo. The kid and the town were a perfect match. His first love was rock and roll, which had first found its way into his native Southeast Texas by way of the Beatles. By the time he hit Austin, he was also passionate about the Tex-Mex mix of the Sir Douglas Quintet (his first concert), the psychedelic sounds of rock innovators like the 13th Floor Elevators, and the soulful folk of singer/songwriters like B. W. Stevenson and Jerry Jeff Walker. Freddie Steady would eventually work as a band member with each of these artists, all while fueling his own musical ideas. Krc appeared on dozens of national and international television shows and films. He had a role as a session drummer in the movie Outlaw Blues, starring Peter Fonda and Susan Saint James. He also did a voice-over in the UK animated From psychedelic rock to punk to film, When the Wind Blows. Krc has appeared on Austin City Limits three times, country, this jack-of-all-genres plays it the first of which was in its first season as B.W.
    [Show full text]
  • Villageof the Giants
    Village of the Giants Transcribed Screenplay Screenplay by ALAN CAILLOU Screen Story by BERT I. GORDON Film Transcribed by H. Ekim As our film opens we come upon the giants of our film, dancing in slowmotion, as the screen shifts from different colors. The credits begin to roll. JOSEPH E. LEVINE Prsents A BERT I. GORDON PRODUCTION VILLAGE OF THE GIANTS Based on “The Food Of The Gods” by H.G.WELLS Starring TOMMY KIRK JOHNNY CRAWFORD Co-Starring BEAU BRIDGES JOY HARMON BOB RANDOM GAIL GILMORE TISHA STERLING TIM ROONEY KEVIN O'NEAL CHARLA DOHERTY TONI BASIL and Co-Starring RONNY HOWARD as Genius Guest Stars THE BEAU BRUMMELS FREDDY CANNON MIKE CLIFFORD Featuring HANK JONES JIM BEGG DEBI STORM RANCE HOWARD VICKI LONDON and JOSEPH TURKEL as The Sheriff Music Composed and Conducted by JACK NITZSCHE Special Visual Effects by BERT I. GORDON FLORA GORDON Director of Photography PAUL C. VOGEL, A.S.C. Art Director..................................FRANZ BACHELIN Process Photography....FARCIOT EDOUART, A.S.C. Production Manager.........................FRANK CAFFEY Assistant Production Manager..............CURTIS MICK Choreography TONI BASIL Songs: “Marrianne” by JACK NITZSCHE “Nothing Can Stand In My Way” RUSS TITELMAN “Woman” BY RON ELLIOTT “When It Comes To Your Love” “Little Bitty Corrine” by FRANK SLAY FREDERICK A. PICARIELLO Assistant Director.....................JIM ROSENBERGER Script Supervisor..........................DOROTHY YUTZI Camera Operator..................................TOM MORRIS Sound Recording................................JOHN
    [Show full text]
  • Song List by Member
    song artist album label dj year-month-order leaf house animal collective sung tongs 2004-08-02 bebete vaohora jorge ben the definitive collection 2004-08-08 amor brasileiro vinicius cantuaria tucuma 2004-08-09 crayon manitoba up in flames 2004-08-10 transit fennesz venice 2004-08-11 cold irons bound bob dylan time out of mind 2004-08-13 mini, mini, mini jacques dutronc en vogue 2004-08-14 unspoken four tet rounds 2004-08-15 dead homiez ice cube kill at will 2004-08-16 forever's no time at all pete townsend who came first 2004-08-17 mockingbird trailer bride hope is a thing with feathers 2004-08-18 call 1-800 fear lali puna faking the books 2004-08-19 vuelvo al sur gotan project la revancha del tango 2004-08-21 brick house commodores pure funk polygram tv adam 1998-10-09 louis armstrong - the jazz collector mack the knife louis armstrong edition laserlight adam 1998-10-18 harry and maggie swervedriver adam h. 2012-04-02 dust devil school of seven bells escape from desire adam h. 2012-04-13 come on my skeleton plug back on time adam h. 2012-09-05 elephant tame impala elephant adam h. 2012-09-09 day one toro y moi everything in return adam h. 2014-03-01 thank dub bill callahan have fun with god adam h. 2014-03-10 the other side of summer elvis costello spike warner bros. adam s (#2) 2006-01-04 wrong band tori amos under the pink atlantic adam s (#2) 2006-01-12 Baby Lemonade Syd Barrett Barrett Adam S.
    [Show full text]
  • The KARAOKE Channel Song List
    11/17/2016 The KARAOKE Channel Song list Print this List ... The KARAOKE Channel Song list Show: All Genres, All Languages, All Eras Sort By: Alphabet Song Title In The Style Of Genre Year Language Dur. 1, 2, 3, 4 Plain White T's Pop 2008 English 3:14 R&B/Hip- 1, 2 Step (Duet) Ciara feat. Missy Elliott 2004 English 3:23 Hop #1 Crush Garbage Rock 1997 English 4:46 R&B/Hip- #1 (Radio Version) Nelly 2001 English 4:09 Hop 10 Days Late Third Eye Blind Rock 2000 English 3:07 100% Chance Of Rain Gary Morris Country 1986 English 4:00 R&B/Hip- 100% Pure Love Crystal Waters 1994 English 3:09 Hop 100 Years Five for Fighting Pop 2004 English 3:58 11 Cassadee Pope Country 2013 English 3:48 1-2-3 Gloria Estefan Pop 1988 English 4:20 1500 Miles Éric Lapointe Rock 2008 French 3:20 16th Avenue Lacy J. Dalton Country 1982 English 3:16 17 Cross Canadian Ragweed Country 2002 English 5:16 18 And Life Skid Row Rock 1989 English 3:47 18 Yellow Roses Bobby Darin Pop 1963 English 2:13 19 Somethin' Mark Wills Country 2003 English 3:14 1969 Keith Stegall Country 1996 English 3:22 1982 Randy Travis Country 1986 English 2:56 1985 Bowling for Soup Rock 2004 English 3:15 1999 The Wilkinsons Country 2000 English 3:25 2 Hearts Kylie Minogue Pop 2007 English 2:51 R&B/Hip- 21 Questions 50 Cent feat. Nate Dogg 2003 English 3:54 Hop 22 Taylor Swift Pop 2013 English 3:47 23 décembre Beau Dommage Holiday 1974 French 2:14 Mike WiLL Made-It feat.
    [Show full text]
  • Sly and the Family Stone
    performers sly and the family stone Sly Stone was very cool. Shirtless, vested, the languorous family. But he loved the limousines and the helpers.” look, one eye cocked, mouth half-open as if caught laugh­ Sly spent days without sleep. Concerts were an inconve­ ing at his own joke. Freddie, Rosie, Gregg, Larry, Cynthia nience, Journalist Roy Carr witnessed one tour: and Jerry were the Family, and we were the children. “Sly was locked in a hotel room to insure making the The bikers, the stoners, a butcher, a banker, the long­ gig, bpt come show time he wasn’t there. Someone in the haired hippies and the Afro-ed blacks, we were all entourage confessed to seeing him leave through the back Everyday People. Sly Stone alone created that mix. And door with passport in hand. After a mad rush to the air­ when he raised two long fingers skyward at Woodstock, port we found Sly at customs. ‘I’m off to Amsterdam to we went wherever he wanted to take us — literally, go shopping,’ he says. ‘Tell the audience to.-wait spiritually, eventually. Sly showed his scars with the torturous 1971 album, Sly & The Family Stone’s music was immensely liberat­ There’s a R iot G ain’ Dm. Gritty and sarcastic, it sound­ ing. A tight, riotous funk, it was precisely A Whole New ed like a record at the wrong speed. And still he drew Thing. And they were a beautiful sight: rock’s first integrat­ blood. “Sly created a moment of lucidity in the midst of ed band, black, white, women, men.
    [Show full text]