The Beau Brummels Autumn in San Francisco Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

The Beau Brummels Autumn in San Francisco Mp3, Flac, Wma The Beau Brummels Autumn In San Francisco mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Autumn In San Francisco Country: UK Released: 1985 Style: Folk Rock, Pop Rock MP3 version RAR size: 1836 mb FLAC version RAR size: 1719 mb WMA version RAR size: 1226 mb Rating: 4.7 Votes: 641 Other Formats: VOC FLAC AAC AIFF MPC MP1 MOD Tracklist Hide Credits A1 Laugh Laugh Just A Little A2 Written-By – R. Durand*, R. Elliott* A3 You Tell Me Why A4 Don't Talk To Strangers A5 In Good Time A6 Sad Little Girl A7 Still In Love With You Baby Good Time Music A8 Producer – Bob Mitchell Written-By – J. Sebastian* Ain't That Loving You Baby B1 Written-By – D. Malone* B2 Stick Like Glue B3 That's If You Want Me To Can It Be? B4 Written-By – R. Durand*, R. Elliott* B5 When It Comes To Your Love B6 Gentle Wanderin' Ways B7 I Grow Old B8 Lonely Man B9 She Sends Me Companies, etc. Record Company – Demon Records Ltd. Licensed From – Rhino Records Inc. Licensed From – Vault Records Phonographic Copyright (p) – Rhino Records Inc. Phonographic Copyright (p) – Vault Records Copyright (c) – Demon Records Ltd. Pressed By – Damont Published By – ATV Music Ltd. Published By – Koppelman-Rubin Music, Inc. Published By – Acuff Rose Music Ltd. Engineered At – Coast Records Produced At – Golden State Studios Designed At – Waldo's Design Mastered At – Musitech Credits Bass – Ron Meagher Design [Sleeve] – Phil Smee Drums – John Petersen Engineer – Hank McGill, John Heany* Guitar, Vocals – Declan Mulligan*, Ron Elliott Lacquer Cut By – Porky Mastered By [U.K. Mastering By] – George "Porky" Peckham* Producer – Sly Stewart* (tracks: A1 to A7, B1 to B9) Sleeve Notes – Brian Hogg Vocals – Sal Valentino Written-By – R. Elliott* (tracks: A1, A3 to A7, B2, B3, B5 to B9) Notes Recorded at Coast Records, San Francisco, except track 8 recorded at Golden State Studios, San Francisco. Track B9 is mastered from an original acetate. Barcode and Other Identifiers Matrix / Runout (Runout side A, etched): ED-141-A1 MT.1 DAMONT B A PORKY PRIME CUT. Matrix / Runout (Runout side B, etched): ED-141-B1 MT.1 PORKY DAMONT C Other versions Category Artist Title (Format) Label Category Country Year Autumn In San The Beau Edsel ED CD 141 Francisco (CD, Comp, ED CD 141 UK Unknown Brummels Records RE) Related Music albums to Autumn In San Francisco by The Beau Brummels Beau Brummels - Laugh Laugh Beau Brummels, The - Introducing The Beau Brummels The Monkees - Good Times! The Beau Brummels - Laugh, Laugh The Beau Brummels - Introducing The Beau Brummels - From The Vaults The Butlers - Butlers Theme / Laugh, Laugh, Laugh The Beau Brummels - Triangle The Beau Brummels - Continuum The Beau Brummels - Bradley's Barn Butch Engle & The Styx - The Best Of Butch Engle & The Styx. No Matter What You Say Columbia Dance Orchestra - Love Sends A Little Gift Of Roses / Good Night.
Recommended publications
  • BEACH BOYS Vs BEATLEMANIA: Rediscovering Sixties Music
    The final word on the Beach Boys versus Beatles debate, neglect of American acts under the British Invasion, and more controversial critique on your favorite Sixties acts, with a Foreword by Fred Vail, legendary Beach Boys advance man and co-manager. BEACH BOYS vs BEATLEMANIA: Rediscovering Sixties Music Buy The Complete Version of This Book at Booklocker.com: http://www.booklocker.com/p/books/3210.html?s=pdf BEACH BOYS vs Beatlemania: Rediscovering Sixties Music by G A De Forest Copyright © 2007 G A De Forest ISBN-13 978-1-60145-317-4 ISBN-10 1-60145-317-5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of the author. Printed in the United States of America. Booklocker.com, Inc. 2007 CONTENTS FOREWORD BY FRED VAIL ............................................... XI PREFACE..............................................................................XVII AUTHOR'S NOTE ................................................................ XIX 1. THIS WHOLE WORLD 1 2. CATCHING A WAVE 14 3. TWIST’N’SURF! FOLK’N’SOUL! 98 4: “WE LOVE YOU BEATLES, OH YES WE DO!” 134 5. ENGLAND SWINGS 215 6. SURFIN' US/K 260 7: PET SOUNDS rebounds from RUBBER SOUL — gunned down by REVOLVER 313 8: SGT PEPPERS & THE LOST SMILE 338 9: OLD SURFERS NEVER DIE, THEY JUST FADE AWAY 360 10: IF WE SING IN A VACUUM CAN YOU HEAR US? 378 AFTERWORD .........................................................................405 APPENDIX: BEACH BOYS HIT ALBUMS (1962-1970) ...411 BIBLIOGRAPHY....................................................................419 ix 1. THIS WHOLE WORLD Rock is a fickle mistress.
    [Show full text]
  • Warner/Reprise Loss Leaders Booklet
    THE WARNER BROS. LOSS LEADERS SERIES (1969-1980) Depending On How You Count Them, 34 Essential Various Artist Collections From Another Time We figured it was about time to pull together all of the incredible Warner Bros. Loss Leaders releases dating back to 1969 (and even a little earlier). For those who lived through the era, Warner Bros. Records was winning the sales of an entire generation by signing and supporting some of music’s most uniquely groundbreaking recording artists… during music’s most uniquely groundbreak- ing time. With an appealingly irreverent style (“targeted youth marketing,” it would be called today), WB was making lifelong fans of the kids who entered into the label’s vast catalog of art- ists via the Loss Leaders series—advertised on inner sleeves & brochures, and offering generous selections priced at $1 per LP, $2 for doubles and $3 for their sole 3-LP release, Looney Tunes And Merrie Melodies. And that was including postage. Yes… those were the days, but back then there were very few ways, outside of cut-out bins or a five-finger discount, to score bulk music as cheaply. Warners unashamedly admitted that their inten- tions were to sell more records, by introducing listeners to music they weren’t hearing on their radios, or finding in many of their (still weakly distributed) record stores. And it seemed to work… because the series continued until 1980, and the program issued approximately 34 titles, by our questionable count (detailed in later posts). But, the oldsters among us all fondly remember the multi-paged, gatefold sleeves and inviting artwork/packaging that beckoned from the inner sleeves of our favorite albums, not to mention the assorted rarities, b-sides and oddities that dotted many of the releases.
    [Show full text]
  • Laugh Laugh 1 Chords by Beau Brummels
    Home >B >Beau Brummels >Laugh Laugh 1 Laugh Laugh 1 Chords 588 Like artist or song Guitar lessons | Add/correct | Request | Top 50 tabs Artists: A BC D EF G HI J KL M NO P QR S TU V WX Y Z0-9 Laugh Laugh 1 Chords by Beau Brummels Buy CD | Buy sheet music | Buy posters Guitar lesson | Get ringtone How to play Laugh Laugh 1? Watch simple video lesson. Free Lyrics and Chords Lyrics.inboxtoolbar.com Find & Print Sheet Music for Free! So Easy w/ The Free Music Toolbar. LAUGH, LAUGH by the Beau Brummels: Em Am Music video 1.I hate to say it, but I told you so, Em Am Don't mind my preachin' to you. Em Am G I said don't trust him baby, now you know, C F G C You don't learn everything there is to know, in school. Em Am 2.Wouldn't believe me when I gave advice, Em Am I said that he was a tease, Em Am G If you want help you better ask me nice, C F G C So be sincere, convince me with a pretty please. D G Chorus: Laugh, Laugh, I thought I'd die, C F It seemed so funny to me. Bb Eb Laugh, Laugh, you met a guy Ab G Who taught you how it feels to be, C F C F C F -C Lonely, oh, so lonely. Em Am 3.Don't think I'm bein' funny when I say, Em Am You got just what you deserve.
    [Show full text]
  • GRAM PARSONS LYRICS Compiled by Robin Dunn & Chrissie Van Varik
    GRAM PARSONS LYRICS Compiled by Robin Dunn & Chrissie van Varik. As performed in principal recordings (or demos) by or with Gram Parsons or, in the case of Gram Parsons compositions, performed by others. Gram often varied, adapted or altered the lyrics to non-Parsons compositions; those listed here are as sung by him. Gram’s birth name was Ingram Cecil Connor III. However, ‘Gram Parsons’ is used throughout this document. Following his father’s suicide, Gram’s mother Avis subsequently married Robert Parsons, whose surname Gram adopted. Born Ingram Cecil Connor III, 5th November 1946 - 19th September 1973 and credited as being the founder of modern ‘country-rock’, Gram Parsons was hugely influenced by The Everly Brothers and included a number of their songs in his live and recorded repertoire – most famously ‘Love Hurts’, a truly wonderful rendition with a young Emmylou Harris. He also recorded ‘Brand New Heartache’ and ‘Sleepless Nights’ – also the title of a posthumous album – and very early, in 1967, ‘When Will I Be Loved’. Many would attest that ‘country-rock’ kicked off with The Everly Brothers, and in the late sixties the album Roots was a key and acknowledged influence, but that is not to deny Parsons huge role in developing it. Gram Parsons is best known for his work within the country genre but he also mixed blues, folk, and rock to create what he called “Cosmic American Music”. While he was alive, Gram Parsons was a cult figure that never sold many records but influenced countless fellow musicians, from the Rolling Stones to The Byrds.
    [Show full text]
  • Jeff Hughson Collection
    http://oac.cdlib.org/findaid/ark:/13030/c8gt5v7h No online items Guide to the Jeff Hughson collection Devon Miller Center for Sacramento History 551 Sequoia Pacific Blvd. Sacramento, California 95811-0229 Phone: (916) 808-7072 Fax: (916) 264-7582 Email: [email protected] URL: http://www.centerforsacramentohistory.org/ © 2013 Center for Sacramento History. All rights reserved. Guide to the Jeff Hughson MS 67 1 collection Guide to the Jeff Hughson collection Collection number: MS 67 Center for Sacramento History Sacramento, CA Processed by: Devon Miller Date Completed: 2020-02-26 Encoded by: Devon Miller © 2013 Center for Sacramento History. All rights reserved. Descriptive Summary Title: Jeff Hughson collection Dates: 1952-2009 Collection number: MS 67 Creator: Hughson, Jeff (1950 - ) Collection Size: 2 linear feet(2 boxes) Repository: Center for Sacramento History Sacramento, California 95811-0229 Abstract: Jeff Hughson was born in Sacramento in 1950 and graduated from Sacramento High School in 1968 and shortly thereafter joined the staff of KZAP, Sacramento’s first freeform rock music radio station. This collection contains biographical information on Jeff Hughson on the form of one DVD and several news articles, and periodicals, radio playlists, concert flyers, promotional material, sound recordings and VHS tapes collected by Hughson and documenting the musical scene in Sacramento from the 1960s to the 1980s. Physical location: 30:I:01 Languages: Languages represented in the collection: English Access Collection is open for research use. Publication Rights All requests to publish or quote from private manuscripts held by the Center for Sacramento History (CSH) must be submitted in writing to the archivist.
    [Show full text]
  • In Serving the a 3AY Kunino Needs of the ONZN CZ Music & Record 11111 NY1NZOM Industry CI Cuvh3ra World Ho-S
    1111110!!:3H record !!!!- Dedicated To dOHSzoos-3 NNIn Serving The A 3AY kunino Needs Of The ONZN CZ Music & Record 11111 NY1NZOM Industry CI cuvH3ra world ho-s eptemter6, 1969 60c In the opinion of the editors, this week the following records are the SINGLE PICKS OF THE WEEK WHO IWAINTIMRWMA IN THE IOVI 01INI COON PEON MAW MD 0 00V Elvis Presley sings one of TheWinstonswillfollow- JamesBrown,whokeeps The Monkees bestrecord the songs fromhis Vegas up "Color Him Father" with combiningthebeatwith is now on the market. It's WORLD act, "Suspicion Minds" a smash. It's "Love of the thesocialmessage suc- called "Mommy andDad- (Press,BMI), whichisas Common People" (Tree, cessfully, has "World" dy" (Screen Gems -Columbia, good as anything's he's BMI) and has a won't -quit (Brown. BMI)intwo parts BMI)andMonkeeDolenz done (RCA 47-9764). beat (Metromedia 142). andit'llgo (King 6258). wrote it (Co!gems 5005). SLEEPER PICKS OF THE WEEK CatMotherand theAll The Baskerville Hounds are EdwardsHandis a new CaptainMilk(EdwinHub- NightNewsboysask the thefirst group from Avco duoproducedby George bard) plays the flute with vitalquestion,"Can You Embassy andtheirrocky Martin. Their first single is great facility,and crowds Dance to It?" (Cat Mother- initial release is oldie "If I Thought You'dEver willlovethisrepriseof Emm - Jay - Sea - Lark, EMI) "HoldMe"(Robbins, AS - Change Your Mind" (Al Gal- "Hey, Jude" (Maclen, BMI) (Polydor14007). CAP). Hot (4504). lico,BMI) (GRT13). (Tetragrammaton 1542). At Atlantic Signing To ALBUM PICKS OF THE WEEK Distribute Stone Flower Label, from Left: Atlantic VP Nesuhi Ertegun, Dave Kapralik, Stone Flower's Legal Counsellor Marty Machattlan-tic Exec VP JudyCollinsispresented The Vogues' "Memories" John Mayall, alongwith RobertaFlackwhoplays on "Recollections" in a extend back into the '50s Jon Mark, Steve Thompson piano and sings somewhere Jerry Wexler and, Seated, number of folk songs she when "Moments to Remem- and Johnny Thompson, bow between Washington, D.
    [Show full text]
  • WARNER BROS. / WEA RECORDS 1970 to 1982
    AUSTRALIAN RECORD LABELS WARNER BROS. / WEA RECORDS 1970 to 1982 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 WARNER BROS. / WEA RECORDS, 1970–1982 A BRIEF WARNER BROS. / WEA HISTORY WIKIPEDIA TELLS US THAT... WEA’S ROOTS DATE BACK TO THE FOUNDING OF WARNER BROS. RECORDS IN 1958 AS A DIVISION OF WARNER BROS. PICTURES. IN 1963, WARNER BROS. RECORDS PURCHASED FRANK SINATRA’S REPRISE RECORDS. AFTER WARNER BROS. WAS SOLD TO SEVEN ARTS PRODUCTIONS IN 1967 (FORMING WARNER BROS.-SEVEN ARTS), IT PURCHASED ATLANTIC RECORDS AS WELL AS ITS SUBSIDIARY ATCO RECORDS. IN 1969, THE WARNER BROS.-SEVEN ARTS COMPANY WAS SOLD TO THE KINNEY NATIONAL COMPANY. KINNEY MUSIC INTERNATIONAL (LATER CHANGING ITS NAME TO WARNER COMMUNICATIONS) COMBINED THE OPERATIONS OF ALL OF ITS RECORD LABELS, AND KINNEY CEO STEVE ROSS LED THE GROUP THROUGH ITS MOST SUCCESSFUL PERIOD, UNTIL HIS DEATH IN 1994. IN 1969, ELEKTRA RECORDS BOSS JAC HOLZMAN APPROACHED ATLANTIC'S JERRY WEXLER TO SET UP A JOINT DISTRIBUTION NETWORK FOR WARNER, ELEKTRA, AND ATLANTIC. ATLANTIC RECORDS ALSO AGREED TO ASSIST WARNER BROS. IN ESTABLISHING OVERSEAS DIVISIONS, BUT RIVALRY WAS STILL A FACTOR —WHEN WARNER EXECUTIVE PHIL ROSE ARRIVED IN AUSTRALIA TO BEGIN SETTING UP AN AUSTRALIAN SUBSIDIARY, HE DISCOVERED THAT ONLY ONE WEEK EARLIER ATLANTIC HAD SIGNED A NEW FOUR-YEAR DISTRIBUTION DEAL WITH FESTIVAL RECORDS. IN MARCH 1972, KINNEY MUSIC INTERNATIONAL WAS RENAMED WEA MUSIC INTERNATIONAL. DURING THE 1970S, THE WARNER GROUP BUILT UP A COMMANDING POSITION IN THE MUSIC INDUSTRY. IN 1970, IT BOUGHT ELEKTRA (FOUNDED BY HOLZMAN IN 1950) FOR $10 MILLION, ALONG WITH THE BUDGET CLASSICAL MUSIC LABEL NONESUCH RECORDS.
    [Show full text]
  • FREDDIE STEADY KRC BIOGRAPHY Texas Music Awards Hall-Of-Famer Freddie Steady Krc Comes by His Name Honestly
    FREDDIE STEADY KRC BIOGRAPHY Texas Music Awards Hall-of-Famer Freddie Steady Krc comes by his name honestly. This singer / songwriter / guitarist / drummer / renaissance Texan has plied his musical wares around the world the past few decades. A charismatic live performer, Krc wins over any audience with his captivating original songs and engaging stage presence. He also enjoys capturing the spirit of his favorite cover songs. Krc (rhymes with search) landed in Austin at the moment that a musical revolution was getting started at a styles-don’t-matter joint called the Armadillo. The kid and the town were a perfect match. His first love was rock and roll, which had first found its way into his native Southeast Texas by way of the Beatles. By the time he hit Austin, he was also passionate about the Tex-Mex mix of the Sir Douglas Quintet (his first concert), the psychedelic sounds of rock innovators like the 13th Floor Elevators, and the soulful folk of singer/songwriters like B. W. Stevenson and Jerry Jeff Walker. Freddie Steady would eventually work as a band member with each of these artists, all while fueling his own musical ideas. Krc appeared on dozens of national and international television shows and films. He had a role as a session drummer in the movie Outlaw Blues, starring Peter Fonda and Susan Saint James. He also did a voice-over in the UK animated From psychedelic rock to punk to film, When the Wind Blows. Krc has appeared on Austin City Limits three times, country, this jack-of-all-genres plays it the first of which was in its first season as B.W.
    [Show full text]
  • Villageof the Giants
    Village of the Giants Transcribed Screenplay Screenplay by ALAN CAILLOU Screen Story by BERT I. GORDON Film Transcribed by H. Ekim As our film opens we come upon the giants of our film, dancing in slowmotion, as the screen shifts from different colors. The credits begin to roll. JOSEPH E. LEVINE Prsents A BERT I. GORDON PRODUCTION VILLAGE OF THE GIANTS Based on “The Food Of The Gods” by H.G.WELLS Starring TOMMY KIRK JOHNNY CRAWFORD Co-Starring BEAU BRIDGES JOY HARMON BOB RANDOM GAIL GILMORE TISHA STERLING TIM ROONEY KEVIN O'NEAL CHARLA DOHERTY TONI BASIL and Co-Starring RONNY HOWARD as Genius Guest Stars THE BEAU BRUMMELS FREDDY CANNON MIKE CLIFFORD Featuring HANK JONES JIM BEGG DEBI STORM RANCE HOWARD VICKI LONDON and JOSEPH TURKEL as The Sheriff Music Composed and Conducted by JACK NITZSCHE Special Visual Effects by BERT I. GORDON FLORA GORDON Director of Photography PAUL C. VOGEL, A.S.C. Art Director..................................FRANZ BACHELIN Process Photography....FARCIOT EDOUART, A.S.C. Production Manager.........................FRANK CAFFEY Assistant Production Manager..............CURTIS MICK Choreography TONI BASIL Songs: “Marrianne” by JACK NITZSCHE “Nothing Can Stand In My Way” RUSS TITELMAN “Woman” BY RON ELLIOTT “When It Comes To Your Love” “Little Bitty Corrine” by FRANK SLAY FREDERICK A. PICARIELLO Assistant Director.....................JIM ROSENBERGER Script Supervisor..........................DOROTHY YUTZI Camera Operator..................................TOM MORRIS Sound Recording................................JOHN
    [Show full text]
  • Winter 2008-2009 Edition of Genesis Magazine
    th e al um n i m ag az in e o f s ain t ign ati us c oll ege p reparato ry, san francisco winter 2008 The Alumni Magazine of St. Ignatius College Preparatory, San Francisco Summer 2008 Duets: SI Grads Working in Tandem First Words Society of Jesus in 1965 and whose vision helped shape Jesuit schools long after his death. In the spirit of the Gospels (which the best of the 1960s tried to emulate), Arrupe called on Jesuit schools to form “men and women for and with others.” To do this, students found an example in Arrupe’s own life, especially in his care for the victims of the atomic blast at Hiroshima, where he worked during World War II as master of novices. SI today is the result of Fr. Arrupe’s call to action and of the spirit of the 1960s that told us not to be complacent, not to stop dreaming or challenging truths handed down from on high. Religious studies teacher Mike Shaughnessy ’67 teaches juniors about Augustine’s Just War Theory because he wants them to question our government any time it sends soldiers onto foreign soil. Science Department Chairman Byron Philhour devoted one unit in his AP Physics course to the Father Harry V. IN THE IMMORTAL WORDS OF THE GREAT 1969 lunar landing because he wants his students to Carlin, S.J., in Yogi Berra, “This is like deja vu all over again.” dream big, beyond the confines of the planet. And most 1967 stands in A young, charismatic president takes office, while teachers do their best to weave social justice into the the U.S.
    [Show full text]
  • Rhythm & Blues...47
    COUNTRY .......................2 POP.............................79 AMERICANA/ROOTS/ALT. .............14 POP INSTRUMENTAL .................87 OUTLAWS/SINGER-SONGWRITER .......15 LATIN ............................91 WESTERN..........................17 JAZZ .............................91 C&W SOUNDTRACKS.................18 SOUNDTRACKS .....................92 C&W SPECIAL COLLECTIONS...........18 SWING ...........................93 COUNTRY AUSTRALIA/NEW ZEALAND....19 COUNTRY DEUTSCHLAND/EUROPE.......19 DEUTSCHE OLDIES ..............94 BLUEGRASS ........................22 KLEINKUNST / KABARETT ..............99 INSTRUMENTAL .....................24 OLDTIME ..........................25 BOOKS/BÜCHER ................101 HAWAII ...........................26 DISCOGRAPHIES ....................109 CAJUN/ZYDECO ....................26 CHARTS ..........................110 FOLK .............................27 SINGLES ..........................110 CD SINGLES .......................106 ROCK & ROLL ...................30 POSTER ...........................106 LABEL R&R .........................40 R&R SOUNDTRACKS .................41 DVD ............................109 R&R SPECIAL COLLECTIONS............41 VINYL...........................120 ELVIS .............................42 RHYTHM & BLUES...............47 ARTIST INDEX...................122 BLUES ............................51 ORDER TERMS/VERSANDBEDINGUNGEN..127 GOSPEL ...........................52 SOUL.............................53 PRICELIST/PREISLISTE ...........128 VOCAL GROUPS ....................55 LABEL
    [Show full text]
  • Country Y R T N U O C Country
    COUNTRY COUNTRY .................................1 BEAT, 60s/70s.............................50 AMERICANA/ROOTS/ALT. ........................14 SURF ........................................60 OUTLAWS/SINGER-SONGWRITER ..................16 REVIVAL/NEO ROCKABILLY .......................62 WESTERN .....................................20 BRITISH R&R ...................................67 WESTERN SWING ...............................21 AUSTRALIAN R&R ...............................68 TRUCKS & TRAINS ..............................22 INSTRUMENTAL R&R/BEAT ........................68 C&W SOUNDTRACKS............................22 POP .......................................69 C&W SPECIAL COLLECTIONS ......................23 LATIN ........................................82 COUNTRY CANADA .............................23 JAZZ.........................................83 COUNTRY AUSTRALIA/NEW ZEALAND ...............24 SOUNDTRACKS ................................84 COUNTRY DEUTSCHLAND/EUROPE .................25 SWING.......................................85 BLUEGRASS ...................................25 ........................86 NEWGRASS ...................................27 DEUTSCHE OLDIES KLEINKUNST / KABARETT .........................88 INSTRUMENTAL ................................28 OLDTIME .....................................28 BOOKS ....................................89 HAWAII ......................................29 DISCOGR./REFERENCES STYLES ....................94 CAJUN/ZYDECO/TEX MEX ........................30 PRICE GUIDES .................................94
    [Show full text]