DOCSLIB.ORG

MUSIC WEEK DECEMBER 13, 1980 'Vl/ F RECORDS ICURO^UDI ARE

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
MUSIC WEEK DECEMBER 13, 1980 'Vl/ F RECORDS ICURO^UDI ARE MUSIC WEEK DECEMBER 13, 1980 Miyim f RECORDS ICURO^UDI 'vl/ FLEETWOOD MAC ARE PROUD TO ANNOUNCE A NEW Live. Warner Brothers K66097. RELEASE BY CURRENTLY THE Despite the fact that Tusk was a BEST SELLING COUNTRY markedly smaller success than SINGER IN BRITAIN... previous blockbusters from Mac, right, this must be a winner — with tracklisting & including Go Your Own Way, cgpxcfKR Rhiannon, Never Going Back A* Again, Sara, and three Millie previously unrclcascd tracks. Good price — £6 or less is suggested by WB. Only just in take time for Christmas, but should ME still make it big.0 home VARIOUS ARTISTS Peter Wilson. A greatest hits Weather and Birdland and Should skirl lower reaches of BRA(BRC)1011 The Guinness Album. Hits of compilation (already!) from while the instrumental Top 75. the Seventies. CBS 10020. one of the most universally virtuosity is as ever at a very Double LP of artists' hits popular of the punk bands and high level, this will only appeal CLIMAX BLUES BAND ALSO AVAILABLE featured in the book of the includes classic tracks like to their hard core jazz fans. Flying the Flag. Warner BRA (BRC) 1003 'GENTLY HOLD ME' same name compiled by Jo and Borstal Breakout and Hersham *** Brothers K56871. Producer: PEGGY SUE & SONNY WRIGHT John Ryan. If this fine old Tim Rice, Paul Gambaccini Boys. This will be snapped up BYRON LEE'S bunch of dues payers don't BRA (BRC) 1002 'SATURDAY NIGHT IN DALLAS' and Mike Read. Thirty number by the fans — especially the ALLSTARS KENNY SERATT ones and five number twos limited edition containing a know how to put together a from stars like Rod Stewart, four track liveEP. Soul-Ska! Echo STLP 1001. thoroughly professional, fine- BRA (BRC) 1007 'RIDIN' THE BIG 'A' KENNY serait Kate Bush and Elton John, Producer: Ally East. Although sounding and good-looking LP BRA (BRC) 1001 'BOXCAR WILLIE boxcar Willie o the ska revival seems to have by now there is no hope for Classic parly album, should do slipped out of fashion all of a anyone. However, they do — bra (BRC) 1004 'DADDY WAS A RAILROAD MAN' well. STEELEYESPAN sudden, this album will be sold and on this latest tight, sweet BOXCAR WILLIE o Sails Of Silver. Chrysalis CHR to anyone who likes the strain offering they prove it again. BRA (BRC) 1006 'BOXCAR WILLIE SINGS HANK 1304. Producer: Gus immediately. It is simply a ♦ ♦♦ WILLIAMS & JIMMIE RODGERS' DEEP PURPLE Dudgeon. After a two and a classic, featuring the title track, ARETHA FRANKLIN BOXCAR WILLIE Deep Purple In Concert, half year gap the folk-rock the uplifting Shoobe Doobe Aretha. Arista SPART 1147. Harvest SHOW 412, Lavish band has re-formed in the line Doo (also covered by U-Roy) Producer: Arif Mardin. double set recorded live up which gave it its greatest hits and the now famous This first Arista LP from the COLORADO SING between 1970-72. Original line- — Maddy Prior, Tim Hart, Rocksteady and Soul-Ska. If lady once dubbed Queen of COUNTRY MUSIC up are featured heavily on pix Rick Kemp, Peter Knight, Bob people knew it existed, they'd Soul is strong enough to do her on inner and outer cover. Will Johnson and Nigel Pegrum. no doubt pounce on it. and her new label some good. ALL ENQUIRIES TO: sell well to a whole new The line up may be of old but *** The tracks produced by Arif generation of Purple the style is new, leaning Mardin (What A Fool Believes, BIG 'R' RECORDS (EUROPE LTD) followers. Should chart high. towards fresh pop rather than THEFALL Come To Me, Can't Turn You 29 HIGH STREET ■ BIGGAR their traditional folk roots. Grotesque. Rough Trade Loose, Love Me Forever) are LANARKSHIRE ■ ML12 60A They are touring extensively ROUGH 18. Producers: Mayo among the best, but overall this Tel: (STD 0899) 20666. Telex: 778357 HOT CHOCOLATE before Christmas and there Thompson, Geoff Travis, is a very nice album, on which Class. RAK SRAK 534. should be enough old fans Grant Showbiz and The Fall. Franklin gives a belter Producer: Mickie Most. around to help this into the An excellent album from rock's demonstration of her powers Everything this group does chart. anti-stars that should do belter than during her recent seems to turn to gold at the o than all their other product, as performances in London. moment so this is a sure fire the band are finally getting *** chart record for Christmas. MIKEBATT their sound right — dark yet HARVEY ANDREWS Contains their hit single Are Waves. Epic EPC 84617, rhythmic, obscure but dealing Brand New Day. Polydor You Getting Enough plus an Producer: arlist. A Batt with everyday occurrences. Super 2383 595. Producer: interesting version of The concept in the usual grand Mark Smith's voice is as Martin Lawrence. This is a live Police's Walking on the Moon. manner apparently inspired by distinctive as ever and the concert recording of a long his current yachting trip group's large cult following o will no doubt snap it up. established folk circuit/ around the world. Always *** recording/concert venue HEADING FOR THE CHARTS TOYAH ambitious with many artist who has recently Toyah, Toyah, Toyah. Safari interesting frills, underneath ISAAC HAYES signed with Polydor. This is LIVE 2. Producer: Nick his tunes are simple pop stuff ENTERPRISE Andrews just as he has always Tauber. Toyah is at the centre and several tracks suggest His Greatest Hits. Stax STX been — gently humorous, of so much media attention this themselves as singles apart 88003. Producer: Isaac Hayes. singing his own comments on live LP can't fail to hit the from the actual single release Full length album versions of the world and some other 'mm n charts — and probably gel Winds Of Change. A likely one all his major hits including people's songs. Familar and quite near the top as well. for the bottom end of the Shaft. Not really enough hits to justify a double LP. very pleasant — good chance in Toyah always sounds better at chart. *** its own market. her gigs than she does in the o ** studio so she's in good form VARIOUS ARTISTS JUDY MOWATT here. ATV documentary on PETER SKELLERN It Ain't Me Babe. (Great artists Black Woman, Island ILPS A singer to be screened before Still Magic. Mercury 6359036. sing the songs of Bob Dylan.) 9649. Producer: Judy Mowatt. Christmas should lift this into Producer: arlist. The piano Polystar BOB TV 1. Where else Lovely reggae LP from the lady theTop 10. player with that distinctive would you find the Tremelocs most well known as one of the voice who used to turn up late and Jimi Hendrix together I-Threes, Bob Marley's o night on the radio has moved except on a Dylan compilation? backing vocalists. With help THE CLASH on from the successful concept Cover versions rarely do his from people like Horsemouth Sandinista. CBS FSLNI. idea behind his last successful songs justice and with such a Wallace and Geoffrey Chung Producers: artists. Phew! Their album Astaire. On this he gives diversity of artists in one she has produced an LP good last offering was a double with his special treatment to collection it's hard to see who enough to sell well in its own standards like Buddy Holly's this will appeal to — certainly right, but which will probably barely a duff track on it and not Dylan fans. ■Jjlj their ambition seems to know Raining In My Heart and Is «« sell on the strength of the no bounds with a 36 track You Is Or Is YOu Ain't My Marley connection. treble this time, and of a Baby, plus four of his own TODD RUNDGREN eaiesssj similarly high standard. A rich compositions — a nice balance. A Wizard, A True Star. KEITH DEWHURST & THE AMU variety of material taking in With such hot competition at Bcarsvillc IRSP 10. Producer: ALBION BAND fairly simple pop tunes, some this lime of year he will struggle Todd Rundgrcn. Lark Rise to Candleford. reggae and more complex to match the gold status of his Hermit of Mink Hollow. Charisma CDS 4020. numbers like Rebel Waltz. last LP. Bcarsvillc IRSP 11. Producer: *** Todd Rundgrcn. Two classic Producer: Nic Rowley. A Bound to chart high. early Rundgren recordings now magically good album based on o ROCKYSHARPE AND the National Theatre LP = SRT 80428 made available again, after a promenade performances of HAZEL O'CONNOR THE REPLAYS brief deletion, through a deal the musical play taken from Sons And Lovers. Albion ALB Rock It To Mars. Chiswick with Island. Both show CASS = CAS SRT 80428 CWK 3013. Producer: Mike Rundgrcn near, or at, his Flora Thompson's books. 104. Producer: Nigel Gray Vcrnon. One of several revival creative peak, playing and Apart from the fine reditions Not quite the Hazel O'Connor bands enjoying success at the writing everything and allowing of traditional songs and tunes SINGLE = SRTS 80429 we all know from the film and moment. On this they hark his voice to bend towards there are new ones written soundtrack Breaking Glass, but back to classics like Dream specially for the play, and none the worse for that. She Philly soul. Difficult to see enough narrative, and recorded AVAILABLE FROM: confirms a genuine talent with Lover and A Teenager In Love either penetrating any new this LP and the link with Police and as radio producers seem to markets as his sound, ableit snippets from the love programming this sort of brilliant, is acquired taste.
Load more

Recommended publications
  • The History of Rock, a Monthly Magazine That Reaps the Benefits of Their Extraordinary Journalism for the Reader Decades Later, One Year at a Time
    L 1 A MONTHLY TRIP THROUGH MUSIC'S GOLDEN YEARS THIS ISSUE:1969 STARRING... THE ROLLING STONES "It's going to blow your mind!" CROSBY, STILLS & NASH SIMON & GARFUNKEL THE BEATLES LED ZEPPELIN FRANK ZAPPA DAVID BOWIE THE WHO BOB DYLAN eo.ft - ink L, PLUS! LEE PERRY I B H CREE CE BEEFHE RT+NINA SIMONE 1969 No H NgWOMI WI PIK IM Melody Maker S BLAST ..'.7...,=1SUPUNIAN ION JONES ;. , ter_ Bard PUN FIRS1tintFaBil FROM 111111 TY SNOW Welcome to i AWORD MUCH in use this year is "heavy". It might apply to the weight of your take on the blues, as with Fleetwood Mac or Led Zeppelin. It might mean the originality of Jethro Tull or King Crimson. It might equally apply to an individual- to Eric Clapton, for example, The Beatles are the saints of the 1960s, and George Harrison an especially "heavy person". This year, heavy people flock together. Clapton and Steve Winwood join up in Blind Faith. Steve Marriott and Pete Frampton meet in Humble Pie. Crosby, Stills and Nash admit a new member, Neil Young. Supergroups, or more informal supersessions, serve as musical summit meetings for those who are reluctant to have theirwork tied down by the now antiquated notion of the "group". Trouble of one kind or another this year awaits the leading examples of this classic formation. Our cover stars The Rolling Stones this year part company with founder member Brian Jones. The Beatles, too, are changing - how, John Lennon wonders, can the group hope to contain three contributing writers? The Beatles diversification has become problematic.
    [Show full text]
  • Dec. 22, 2015 Snd. Tech. Album Arch
    SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London.
    [Show full text]
  • Off the Beaten Track
    Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious.
    [Show full text]
  • Donovan 2012.Pdf
    PERFORMERS PARKE PUTERBAUGH NOT DUST POP LYRICS BUT MODERN POETRY The view o f the sixties is so generalized it’s good to open up the of the Witch”), and the Allman Brothers Band (whose spirituality o f it and what the music was trying to represent. “Mountain Jam” was based on Donovan’s “There Is a It was certainly not just getting stoned and hanging out, man. Mountain”). Beyond all that, he was a gentle spirit who There was meaning and direction; there was substance to it. sang unforgettably of peace, love, enlightenment, wild —Donovan scenes, and magical visions. Born Donovan Leitch in Glasgow, Scotland, in onovan was the Pied Piper of the counterculture. 1946, he moved at age 10 with his family to Hatfield, A sensitive Celtic folk-poet with an adventurous Hertfordshire, England. After turning 1 6, he pursued a musical mind, he was a key figure on the British romantic wanderlust, running off to roam alongside Beat Dscene during its creative explosion in the mid-sixties. He and bohemian circles. He also studiously applied himself wrote and recorded some of the decade’s most memorable to the guitar, learning a sizable repertoire of folk and blues songs, including “Catch the Wind,” “Sunshine Superman,” songs, with the requisite fingerings. A single appearance “Hurdy Gurdy Man,” and “Atlantis.” He charted a dozen during a performance by some friends’ R & B band resulted Top Forty hits in the U.S. and a nearly equal number in the in an offer for Donovan to cut demos in London, which led U.K.
    [Show full text]
  • 14302 76969 1 1>
    11> 0514302 76969 establishment,” he hastened to clarify. “I wish it were called the Legion of Honour, but it’s not.” Still in all, he thinks it’s good for govern- M artin C arthy ments to give cultural awards and is suitably honored by this one, which has previously gone to such outstanding folk performers as Jeannie Robertson. To decline under such circum- stances, he said, would have been “snotty.” Don’t More importantly, he conceives of his MBE as recognition he shares with the whole Call Me folk scene. “I’ve been put at the front of a very, very long queue of people who work hard to make a folk revival and a folk scene,” he said. Sir! “All those people who organized clubs for nothing and paid you out of their own pocket, and fed you and put you on the train the next morning, and put you to bed when you were drunk! What [the government is] doing, is taking notice of the fact that something’s going on for the last more than 40 years. It’s called the folk revival. They’ve ignored it for that long. And someone has suddenly taken notice, and that’s okay. A bit of profile isn’t gonna hurt us — and I say us, the plural, for the folk scene — isn’t gonna hurt us at all.” In the same year as Carthy’s moment of recognition, something happened that did hurt the folk scene. Lal Waterson, Carthy’s sister-in- law, bandmate, near neighbor and close friend, died of cancer.
    [Show full text]
  • Summer 2013 and Music Club Snape and Potiphar’S Apprentices
    NNootteess The Newsletter of Readifolk Issue 18 Reading's folk song Summer 2013 and music club Snape and Potiphar’s Apprentices. You can read all about these me two acts, as well as all the other artists who are appearing at Welco the club during the coming quarter, in the preview section on pages 4 and 5. to another Readifolk Do make a special note of our Grand Charity Concert on 14 newsletter July which features our very own band Rye Wolf. Rye Wolf play a mix of traditional and self­penned songs in true folk style and Rumblings from the Roots are rapidly making a name for themselves in the local area and further afield. The concert is in support of the local community Welcome to the Summer edition of Notes. radio station, Reading4U, which is of course where many of the band performers and others from Readifolk broadcast the Once again our editor has managed to put together a weekly Readifolk Radio Show (Friday evenings 6 ­ 8 pm on newsletter packed with interesting articles and information www.reading4u.co.uk). Reading Community Radio is run which we hope you will enjoy reading. We thank all of the entirely by volunteers ­ there are no paid employees, and it contributors to this issue of Notes for their considerable efforts. relies on donations, sponsorship etc. for its funding. We hope that with your help this concert will be able to make a sizeable As usual you will find on the back page the full programme of contribution to those funds. events at Readifolk during the next three months.
    [Show full text]
  • THE BIRTH of HARD ROCK 1964-9 Charles Shaar Murray Hard Rock
    THE BIRTH OF HARD ROCK 1964-9 Charles Shaar Murray Hard rock was born in spaces too small to contain it, birthed and midwifed by youths simultaneously exhilarated by the prospect of emergent new freedoms and frustrated by the slow pace of their development, and delivered with equipment which had never been designed for the tasks to which it was now applied. Hard rock was the sound of systems under stress, of energies raging against confnement and constriction, of forces which could not be contained, merely harnessed. It was defned only in retrospect, because at the time of its inception it did not even recognise itself. The musicians who played the frst ‘hard rock’ and the audiences who crowded into the small clubs and ballrooms of early 1960s Britain to hear them, thought they were playing something else entirely. In other words, hard rock was – like rock and roll itself – a historical accident. It began as an earnest attempt by British kids in the 1960s, most of whom were born in the 1940s and raised and acculturated in the 1950s, to play American music, drawing on blues, soul, R&B, jazz and frst-generation rock, but forced to reinvent both the music, and its world, in their own image, resulting in something entirely new. However, hard rock was neither an only child, nor born fully formed. It shared its playpen, and many of its toys, with siblings (some named at the time and others only in retrospect) like R&B, psychedelia, progressive rock, art-rock and folk-rock, and it emerged only gradually from the intoxicating stew of myriad infuences that formed the musical equivalent of primordial soup in the uniquely turbulent years of the second (technicolour!) half of the 1960s.
    [Show full text]
  • When Giants Walked the Earth
    ORION WHEGIA Unit $$PR Page 3 When Giants walked—PKY—234x153mm WHEGIAPR01 When Giants Walked the Earth A BIOGRAPHY OF MICK WALL Input Data Services Ltd 10-02-2008 10:23:58 ORION WHEGIA Unit $$$1 Page 3 When Giants walked—PKY—234x153mm WHEGIA0101 PART ONE Ascension! ‘Worship me with wines and strange drugs whereof I shall tell my prophet, and be drunk thereof! They shall not harm ye at all!’ – Aleister Crowley, The Book of the Law Input Data Services Ltd 10-02-2008 08:33:49 ORION WHEGIA Unit $$$1 Page 4 When Giants walked—PKY—234x153mm WHEGIA0101 Input Data Services Ltd 10-02-2008 08:33:49 ORION WHEGIA Unit $$$1 Page 5 When Giants walked—PKY—234x153mm WHEGIA0101 The Dawn of Now 5 1 The Dawn of Now ou are Jimmy Page. It is the summer of 1968 and you are one of the Y best-known guitarists in London – and one of its least famous. Even the past two years in the Yardbirds haven’t brought you the recognition you know you deserve. People talk about the Yardbirds as though Jeff Beck is still the guitarist, not you, despite everything you’ve done for them; giving up the easy-money session gigs that bought you your house by the river; gifting them one last ride on the merry-go-round with ahead-of-the-game hits like ‘Happening Ten Years Time Ago’, even as Mickie Most sucked the life out of them making them do codswallop like ‘Ha Ha Said The Clown’; sticking with them as their profile has slowly faded from view, along with their own self-worth.
    [Show full text]
  • A Folkrocker's Guide
    A FOLKROCKER’S GUIDE – FOLKROCKENS FRAMVEKST 1965–1975 «The eletricifcation of all this stuf was A FOLKROCKER’S GUIDE some thing that was waiting to happen» TO THE UNIVERSE •1965–1975 – Martin Carthy «Folkrock» ble først brukt i 1965 som betegnelse på på Framveksten av folkrock i USA I Storbritania, i motsetning til i USA, kom «folkrock» til amerikanske musikere som The Byrds, den elektrifserte Bob og UK i tiåret 65–75 skapte Dylan, Simon & Garfunkel og – pussig nok – Sonny & Cher. mye av inspirasjonen for den å betegne elektrisk musikk basert på tradisjonell folke- Likevel er det i større grad møtet mellom rock og folkemusikk moderne visebølgen i Norden. musikk. i Storbritannia ca 1969–70 som ble bestemmende for hva vi Vi har bedt Morten Bing om å skrive om dette. Han er kon- på 1970-tallet kom til å legge i begrepet her hjemme. servator ved Norsk Folkemu- som hadde bakgrunn i folkrevivalen, en sanger og en felespiller – Sandy seum og var initiativtaker til men som allerede hadde forlatt Denny og Dave Swarbrick – som MORTEN BING Norges første folkrock gruppe tradisjonell folkemusikk til fordel for begge hadde bakgrunn i den Folque i 1973. egenskrevne låter. britiske folkrevivalen. Det var denne rdet «folke-rock» kombinasjonen, og resultatet, LP’n ble brukt første gang Dylan og Byrds Gruppa har sin kanskje siste På mange måter kan en si at den konsert på Rockefeller i Oslo Liege & Lief (1969), som var begyn- i Billboard 12.06.1965, engelske utviklingen gikk mot- nelsen på den britiske folkrocken. i en artikkel om Bob En viktig katalysator for framveksten 18.
    [Show full text]
  • Martin Carthy Shearwater Mp3, Flac, Wma
    Martin Carthy Shearwater mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Shearwater Country: UK Released: 1972 Style: Folk MP3 version RAR size: 1865 mb FLAC version RAR size: 1296 mb WMA version RAR size: 1745 mb Rating: 4.6 Votes: 267 Other Formats: MP4 MMF MP1 APE MP2 AIFF VOX Tracklist A1 I Was A Young Man A2 Banks Of Green Willow A3 Handsome Polly-O A4 Outlandish Knight A5 He Called For A Candle A6 John Blunt B1 Lord Randall B2 William Taylor B3 Famous Flower Of Serving Men B4 Betsy Bell And Mary Gray Companies, etc. Printed By – E.J. Day Group Credits Arranged By, Vocals, Acoustic Guitar – Martin Carthy Art Direction, Design – David Berney Wade, Farrell Engineer – Jerry Boys Photography By – Keith Morris Producer – Terry Brown Vocals – Maddy Prior (tracks: B4) Written-By – Traditional Notes The LP includes a one-sided printed sheet with notes on all songs (probably written by Martin Carthy) and a contact print with a sequence of 14 photographs of Carthy in a studio. Other versions Category Artist Title (Format) Label Category Country Year Martin Shearwater (LP, CREST 008 Mooncrest CREST 008 UK 1991 Carthy Album, RE) Martin Shearwater (CD, CAS 36210-2 Castle Music CAS 36210-2 US 2005 Carthy Album) Martin Shearwater (CD, Mooncrest, TWA CRESTCD 008 CRESTCD 008 UK 1991 Carthy Album, RE) Records Martin Shearwater (CD, CMQCD1096 Castle Music CMQCD1096 UK 2005 Carthy Album, RE) Martin Shearwater (8-Trk, Y8PEG 12 PEG Y8PEG 12 UK 1972 Carthy Album) Related Music albums to Shearwater by Martin Carthy Roy Bailey - Roy Bailey Martin Carthy And Dave Swarbrick - Both Ears And The Tail Various - Classic Folk Guitar Martin Carthy - Signs Of Life Brass Monkey - The Complete Brass Monkey Spiers & Boden - The Works Ray Fisher - Traditional Songs Of Scotland Eliza Carthy - Anglicana Various - English Originals Eliza Carthy, Hannah James, Hannah Read, Hazel Askew, Jenn Butterworth, Jenny Hill , Karine Polwart, Kate Young , Mary Macmaster, Rowan Rheingans - Songs Of Separation.
    [Show full text]
  • Are We Still Rolling?
    Are We Still Phill BRrowonlling? Studios, Drugs and Rock ‘n’ Roll - One Man’s Journey Recording Classic Albums Are We Still Phill BrRowonlling? Studios, Drugs and Rock ‘n’ Roll - One Man’s Journey Recording Classic Albums To Sally: Thank you for everything. I could not have achieved as much without you. “There’s my truth, there’s your truth, and then there’s The Truth.” -Steve Smith “This is my truth - some may disagree.” -Phill Brown In memory of musicians, producers, family and friends who did not make it to 2010: Robert Ash, Mark Bolan, John Bonham, Lenny Breau, Linda Brown, Vicki Brown, Leslie Brown, Jenny Bruce, David Byron, Sandy Denny, Dave Domlio, Jim Capaldi, Mongezi Feza, Lowell George, Keith Harwood, Alex Harvey, Bill Hicks, Nicky Hopkins, Brian Jones, Paul Kossoff, Vincent Crane, Ronnie Lane, John Martyn, George Melly, Bob Marley, Steve Marriott, Jimmy Miller, Denise Mills, Willie Mitchell, Roy Morgan, Mickie Most, Harry Nilsson, Kenji Omura, Robert Palmer, Mike Patto, Cozy Powell, Keith Relf, Lou Reizner, Nigel Rouse, Del Shannon, Norman Smith, Alan Spenner, Guy Stevens, Peter Veitch, Kevin Wilkinson, Suzanne Wightman and Chris Wood. Are We Still Phill BrRowonlling? Studios, Drugs and Rock ‘n’ Roll - One Man’s Journey Recording Classic Albums Copyright 2010 by Phill Brown Published by Tape Op Books www.tapeop.com [email protected] (916) 444-5241 Distributed by Hal Leonard www.halleonard.com Art Direction by John Baccigaluppi Editing by Larry Crane Graphic Design by Scott McChane Proofreading by Caitlin Gutenberger Legal Counsel by Alan Korn Front Cover photo by Roger Hillier Phill would like to thank Larry Crane and John Baccigaluppi at Tape Op Books, Roger Hillier, Julian Gill, Robert Palmer, Barbara Marsh, Dana Gillespie, John Fenton, Ray Doyle, Steve Smith, Sasha Mitchell, Caroline Hillier and Paula Beetlestone.
    [Show full text]
  • Psaudio Copper
    Issue 142 AUGUST 2ND, 2021 Is there a reader among us who doesn’t dig ZZ Top? We mourn the passing of Joseph Michael “Dusty” Hill (72), bassist, vocalist and keyboardist for the tres hombres. Blending blues, boogie, bone-crushing rock, born-for-MTV visuals, humor and outrageousness – they once took a passel of live animals on stage as part of their 1976 – 1977 Worldwide Texas Tour – Hill, drummer Frank Beard and guitarist Billy F. Gibbons have scorched stages worldwide. As a friend said, “it’s amazing how just three guys could make that much sound.” Rest in peace, Mr. Hill. In this issue: Anne E. Johnson gets inspired by the music of Renaissance composer William Byrd, and understands The Animals. Wayne Robins reviews Native Sons, the superb new album from Los Lobos. Ray Chelstowski interviews The Immediate Family, featuring studio legends Waddy Wachtel, Lee Sklar, Russ Kunkel and others, in an exclusive video interview. I offer up more confessions of a record collector. Tom Gibbs finds much to like in some new SACD discs. John Seetoo winds up his coverage of the Audio Engineering Society’s Spring 2021 AES show. Ken Sander travels through an alternate California reality. WL Woodward continues his series on troubadour Tom Waits. Russ Welton interviews cellist Jo Quail, who takes a unique approach to the instrument. In another article, he ponders what's needed for sustaining creativity. Adrian Wu looks at more of his favorite analog recordings. Cliff Chenfeld turns us on to some outstanding new music in his latest Be Here Now column.
    [Show full text]