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Julius S. Held Papers, Ca
http://oac.cdlib.org/findaid/ark:/13030/kt3g50355c No online items Finding aid for the Julius S. Held papers, ca. 1921-1999 Isabella Zuralski. Finding aid for the Julius S. Held 990056 1 papers, ca. 1921-1999 Descriptive Summary Title: Julius S. Held papers Date (inclusive): ca. 1918-1999 Number: 990056 Creator/Collector: Held, Julius S (Julius Samuel) Physical Description: 168 box(es)(ca. 70 lin. ft.) Repository: The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles 90049-1688 [email protected] URL: http://hdl.handle.net/10020/askref (310) 440-7390 Abstract: Research papers of Julius Samuel Held, American art historian renowned for his scholarship in 16th- and 17th-century Dutch and Flemish art, expert on Peter Paul Rubens, Anthony van Dyck, and Rembrandt. The ca. 70 linear feet of material, dating from the mid-1920s to 1999, includes correspondence, research material for Held's writings and his teaching and lecturing activities, with extensive travel notes. Well documented is Held's advisory role in building the collection of the Museo de Arte de Ponce in Puerto Rico. A significant portion of the ca. 29 linear feet of study photographs documents Flemish and Dutch artists from the 15th to the 17th century. Request Materials: Request access to the physical materials described in this inventory through the catalog record for this collection. Click here for the access policy . Language: Collection material is in English Biographical / Historical Note The art historian Julius Samuel Held is considered one of the foremost authorities on the works of Peter Paul Rubens, Anthony van Dyck, and Rembrandt. -
Naturalezas Muertas
naturalezas muertas siglos XVI al XXI de colecciones privadas “Naturalezas muertas en el coleccionismo privado español, siglos XVI al XXI” Exposición inaugural del Museo de Arte Contemporáneo “Infanta Elena”, con motivo del 50 aniversario de la Cooperativa “Virgen de las Viñas” de Tomelloso, Ciudad Real. Equipo organizador: Presidente de la Cooperativa: Rafael Torres Ugena Comisario de la Exposición: Fernando López Romero Fotógrafos del Catálogo: Raimundo de Campos Carlos Gutiérrez Agradecimientos: A todos los coleccionistas anónimos; a Pedro Jiménez y María Elizari, de la galería “Theotocopulos”; a la galería “Rafael Lozano” de Madrid; a Ángel Escorial, director de la galería “Arte Segovia”, con sede en La Granja. Edición de COOPERATIVA “VIRGEN DE LAS VIÑAS” Tomelloso Colabora con la impresión: DIPUTACIÓN DE CIUDAD REAL Imprime: Imprenta Provincial, Ciudad Real Depósito legal: CR-687-2011 naturalezas muertas siglos XVI al XXI de colecciones privadas Textos de Fernando López Romero Abogado Catálogo de la Exposición inaugural del Museo de Arte Contemporáneo Infanta Elena Tomelloso, 2011 S.A.R. LA INFANTA doña elena PALABRAS institucionales 13 El Presidente de la Cooperativa “Virgen de las Viñas” Es para mí un motivo de satisfacción poder inaugurar, como Presidente de la Cooperativa “Virgen de las Viñas”, el Museo de Arte Contemporáneo Infanta Elena que se ha construido en sus instalaciones. La exposición inaugural corresponde a colecciones privadas y, por tanto, nunca se han visto reunidas en una muestra pictórica. Hemos querido que sea de naturalezas muertas, de los siglos XVI al XXI, llevando cada una de ellas alguna representación de productos alimentarios que es lo que elabora esta empresa: vinos y aceites. -
HNA November 2017 Newsletter
historians of netherlandish art NEWSLETTER AND REVIEW OF BOOKS Dedicated to the Study of Netherlandish, German and Franco-Flemish Art and Architecture, 1350-1750 Vol. 34, No. 2 November 2017 Peter Paul Rubens, Centaur Tormented by Peter Paul Rubens, Ecce Homo, c. 1612. Cupid. Drawing after Antique Sculpture, State Hermitage Museum, St. Petersburg 1600/1608. Wallraf-Richartz-Museum, © The State Hermitage Museum, Cologne © Rheinisches Bildarchiv Köln St. Petersburg 2017 Exhibited in Peter Paul Rubens: The Power of Transformation. Kunsthistorisches Museum, Vienna, October 17, 2017 – January 21, 2018 Städel Museum, Frankfurt, February 8 – May 21, 2018. HNA Newsletter, Vol. 23, No. 2, November 2006 1 historians of netherlandish art www.hnanews.org E-Mail: [email protected] Historians of Netherlandish Art Offi cers President – Paul Crenshaw (2017-2021) Providence College Department of Art History 1 Cummingham Square Providence RI 02918-0001 Vice-President – Louisa Wood Ruby (2017-2021) The Frick Collection and Art Reference Library 10 East 71 Street New York NY 10021 Treasurer – David Levine Southern Connecticut State University 501 Crescent Street New Haven CT 06515 European Treasurer and Liaison - Fiona Healy Seminarstrasse 7 D-55127 Mainz Germany Contents President's Message .............................................................. 1 In Memoriam ......................................................................... 2 Board Members Personalia ............................................................................... 4 Arthur -
Hubert and John Van Eyck, Their Life and Work
CORNELL UNIVERSITY LIBRARY BOUGHT WITH THE INCOME OF THE SAGE ENDOWMENT FUND GIVEN IN 1891 BY HENRY WILLIAMS SAGE r?f>r ARTS HBPASV Cornell University Library ND 673.E97W362 Hubert and John Van Eyck, their life and 3 1924 015 994 878 •< Cornell University ^ Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924015994878 HUBERT AND JOHN VAN EYCK OF THIS EDITION FOUR , , THE ANNUNCIATION BKRLIN I ROYAL GALLERY /'.v /yrrrnu.yi.'n- ij/~ tJit 1 Merlin Phftei/nu'ru'c Co, HUBERT AND JOHN VAN EYCK THEIR LIFE AND WORK BY W. H. JAMES WEALE WITH 41 PHOTOGRAVURE PLATES & 99 OTHER ILLUS- TRATIONS, MANY REPRODUCED FOR THE FIRST TIME LONDON: JOHN LANE, THE BODLEY HEAD k NEW YORK: JOHN LANE COMPANY. MCMVIII HM'l Y TO MY NIECES EMILY, JANE, ANNE AND ELEANOR TO WHOSE AFFECTIONATE KINDNESS THE COMPLETION OF THIS BOOK IS DUE FOREWORD It was not until the publication, in 1849, °f tne fi rst volume of Laborde's work, " Les Dues de Bourgogne," that the biography of the Van Eycks began to be elucidated. The documents printed in that work were collated with the originals by Pinchart, who gave more correct readings, and also published the entries of payments to John van Eyck in 1422-1425, which he discovered in the household accounts of John of Bavaria at the Hague. Since then the present writer has not only published some important documents (3, 18, 19, 23, 25, 26, 29, 31), but has, in the present work, brought together and printed in chronological order all those documents yet discovered. -
2020 Recent Acquisitions
2020 RECENT ACQUISITIONS OLD MASTER PAINTINGS 11 Duke Street, St. James’s, London SW1Y 6BN Telephone: +44 (0) 20 7930 1144 Fax: +44 (0) 20 7976 1596 Email: [email protected] Website: www.rafaelvalls.co.uk @rafaelvallsgallery Member of SLAD ACKNOWLEDGEMENTS We are extremely grateful to the following for their generous help in the writing of this catalogue: Daphne Dorel, David Geggus, Claudine Lebrun Jouve, Kate Lowe, Jan Michel Massing, Elizabeth McGrath, Fred Meijer, Michael Ohajuru, Susan Peabody, Rowland Rhodes and Jamie Rountree. Front and Back Cover: Louis Gentile, Il Cousin ‘A Double Portrait of Adele, Daughter of the Comte de Carcasonne, together with Don Guillen Damiser de Moncada in Commemoration of their Marriage circa 1030’, (detail) cat. no. 14. Catalogue of Works The catalogue is arranged in alphabetical order 1. Jan Asselijn 2. Jan Asselijn 3. Osias Beert I 4. Jacob Bogdani 5. Ferdinand Bol 6. Bartolomeus Breenbergh 7. Elias van den Broeck 8. François Bunel II & Studio 9. Francesco Codino 10. Edwaert Collier 11. David Klöcker Ehrenstrahl 12. Marie Margaretha La Fargue 13. Frans Francken II 14. Louis Gentile, Il Cousin 15. Karl Girardet 16. Karl Girardet 17. Jan Josefsz van Goyen 18. Franciscus Gysbrechts 19. Samuel van Hoogstraten 20. Jules Romain Joyant 21. Carlo Labruzzi 22. Pascuale Mattej 23. Jan Miel 24. Circle of Robert Peake 25. Jean Pillement 26. Franz Rösel von Rosenhof 27. Enoch Seeman 28. John Thomas Serres 29. Johann Friedrich Seupel 30. Maerten Boelema de Stomme 31. Nicolas Antoine Taunay 32. Jan Tilius 33. Cornelis van de Velde 34. Charles Wautier 35. -
November 2014 Newsletter
historians of netherlandish art NEWSLETTER AND REVIEW OF BOOKS Dedicated to the Study of Netherlandish, German and Franco-Flemish Art and Architecture, 1350-1750 Vol. 31, No. 2 November 2014 Jacob Jordaens, Merry Company, c. 1644. Watercolor over black chalk, heightened with white gouache, 21.9 x 23.8 cm. The J. Paul Getty Museum, Los Angeles. Exhibited at The Getty Center, Los Angeles, October 14, 2014 – January 11, 2015. HNA Newsletter, Vol. 23, No. 2, November 2006 1 historians of netherlandish art 23 S. Adelaide Avenue, Highland Park, NJ 08904 Telephone: (732) 937-8394 E-Mail: [email protected] www.hnanews.org Historians of Netherlandish Art Offi cers President – Amy Golahny (2013-2017) Lycoming College Williamsport PA 17701 Vice-President – Paul Crenshaw (2013-2017) Providence College Department of Art History 1 Cummingham Square Providence RI 02918-0001 Treasurer – Dawn Odell Lewis and Clark College 0615 SW Palatine Hill Road Portland OR 97219-7899 European Treasurer and Liaison - Fiona Healy Seminarstrasse 7 D-55127 Mainz Germany Contents Board Members President's Message .............................................................. 1 HNA News ............................................................................1 Lloyd DeWitt (2012-2016) Stephanie Dickey (2013-2017) Personalia ............................................................................... 4 Martha Hollander (2012-2016) Boston Conference Photos ....................................................5 Walter Melion (2014-2018) Exhibitions ......................................................................... -
November 2004 Journal
historians of netherlandish art NEWSLETTER Dedicated to the Study of Netherlandish, German and Franco-Flemish Art and Architecture, 1350-1750 Vol. 21, No. 2 www.hnanews.org November 2004 A Passion for Rubens continues with exhibitions in Braunschweig, Vienna and New York, Greenwich (Connecticut), Berkeley and Cincinnati, Québec City, and London Peter Paul Rubens, Young Woman Looking Down (Study for the Head of Apollonia), c.1627-28. Black and red chalk, heightened with white; 414 x 286 mm. Florence, Uffizi HNA Newsletter, Vol. 21, No. 2, November 2004 1 From the President February 2005, in Atlanta, we hope you will attend the annual This is the last of my messages to you as President. New officers reception (watch your email for time and place) and the HNA- will be installed in February at the time of the CAA annual meetings. sponsored session, chaired by Matt Kavaler, “The Uses of Italy and Our new US Treasurer is already known: Leopoldine Prosperetti has Antiquity: Reviewing a Renaissance in the Netherlands and Germany, generously volunteered to take over these duties from Betsy 1400-1700.” Looking ahead to the CAA in Boston in 2006, we want Wieseman, who has done a splendid job. As for our new President to thank Anne Lowenthal for agreeing to chair a session honoring and Vice-President, the posting this month includes a ballot, complete Julius Held. with biographical information. We urge you to cast your vote as soon It has been my immense pleasure to serve HNA since 2001. I as possible. I would like to thank Ellen Konowitz for serving as Vice- look forward, as President Emerita, to working with my successor for President with such efficiency and skill. -
Catalogus Van Het Rijks-Museum Van Schilderijen
BARTHOLOMEUS VAN DERJHELST. [Schutters maaltijd. (La baiiquet de la garde civique (en 1648). Fragment. CATALOGUS VAN HET RIJKS-MUSEUM VAN SCHILDERIJEN DOOR ABR. BREDIUS Derde geheel omgewerkte druk AMSTERDAM Tj. YAN HOLKEMA 1887 R1JKS-MUSEUM VAN SCHILDER IJ EN Directeur: Fr. D. 0. OBREEN, sedert 1883. Commissie van Toezicht: C. SCHÖFFER 1883. J. H. MASCHHAUPT . 1884. Mr. J. A. SILLEM . 1884. J. ANKEESMIT Jr. 1884. Jhr. Dr. J. SIX 1884. THE G6ÏÏS CENTER U8RARY ; : ; INLEIDING. Het „K oninklijk Museu m”, waarin behalve schilderijen ook teekeningen, werken van beeldhouwkunst en snijwerk, gesne- den steenen, oudheden, kunstvoorwerpen en zeldzaamheden zouden opgenomen worden, werd bij decreet van 21 April 1808 door koning L o d e w ij k gesticht. Tot de vorming daarvan strekten a. een gedeelte der hier te lande gebleven schilderijen van den Stadhouder prins Willem Y- Deze hadden eerst een deel uitgemaakt van het „Nationaal Museum” te ’s-Gra- venhage, en werden nu — 96 stuks schilderijen en on- geveer 98 Nos. rariteiten — naar Amsterdam overgebracht b. 57 schilderstukken, 6 Juni 1808 voor ongeveer f 100,000 op de verkooping Gr. van der Pot van Groeneveld te Rotterdam aangekocht c. acht schilderijen, oude kunst, in Augustus 1808 uit Den Haag gezonden, en zeven dergelijke stukken, door de stad Amster- dam tijdelijk afgestaan; deze maken echter nu nog een deel ; VI INLEIDING. der verzameling uit, en vormen er den grootsten schat van; daaronder toch bevinden zich de Nachtwacht, de Staalmees- ters en de Schuttersmaaltijd; d. zes schilderijen en een marmeren beeldje, door baron Yan Spaen van Biljoen geschonken, en nog enkele geschenken; e. -
Download PDF Van Tekst
De Gulden Passer. Jaargang 27 bron De Gulden Passer. Jaargang 27. De Nederlandsche Boekhandel, Antwerpen 1949 Zie voor verantwoording: http://www.dbnl.org/tekst/_gul005194901_01/colofon.php © 2015 dbnl i.s.m. 1 [De Gulden Passer 1949] [Nummer 1] Rederijkers en prozaromans door Dr Luc Debaene (Antwerpen) Op 27 April 1949 hield Z.E.P. Dr J. van Mierlo S.J. in de Kon. VI. Academie voor Taal- en Letterkunde, een lezing over Mariken van Nieumeghen (oudste druk: circa 1518 bij Willem Vorsterman te Antwerpen). Uit interne gegevens kwam hij tot het besluit dat de auteur niemand anders zou zijn dan de in 1493 geboren Anna Bijns. De geleerde literatuurhistoricus werd op dit spoor gebracht door ons doctoraal proefschrift: De Nederlandse Volksboeken. Ontstaan en geschiedenis van de Nederlandse Prozaromans, gedrukt tussen 1475 en 1540 (Leuven, Februari 1949). In deze dissertatie werden reeds hypothesen naar vóór gebracht aangaande een mogelijke activiteit van de jonge Antwerpse dichteres op het gebied van volksboeken. Van Mierlo nam onze zienswijze en beschouwingen over de evolutie van het genre der prozaromans over, doch achtte het gewenst de publicatie van de bewijsvoering in deze zaak aan onszelf over te laten. We behandelen hier achtereenvolgens de evolutie der prozaromans - met - rederijkersverzen, de historie van Floris ende Blanceflour en een drietal histories welke een bijzonder onderzoek vereisen. I Tussen circa 1475 en 1540 verschenen er in de Nederlanden een dertigtal prozaromans. Degene die vóór 1501 van de pers kwamen waren alle geheel in proza. Onder degene die tussen 1500 De Gulden Passer. Jaargang 27 2 en 1540 verschenen, zijn er evenwel een aantal die het proza afwisselen met rederijkersverzen, met name: de historie van Alexander van Mets(1), van de Borchgravinne van Vergi(2), Buevijn van Austoen (1504, Antwerpen, Jan van Doesborch), Floris ende Blanceflour (oudste gedeeltelijk bewaarde druk: circa 1517, Antwerpen, Jan van Doesborch), Frederick van Jenuen (oudste bewaarde druk: 8 Februari 1531, Antwerpen, Willem Vorsterman. -
Furniture, Paintings & Works of Art (627) Lot
Five Centuries: Furniture, Paintings & Works of Art (627) Wed, 18th Nov 2020, Live Online | Viewing in Edinburgh Viewing Times: Viewing in Edinburgh now closed. Lot 118 Estimate: £20000 - £30000 + Fees FRANS YKENS (FLEMISH 1601-1693) STILL LIFE WITH ROSES, TULIPS AND CARNATIONS IN A GLASS VASE oil on cradled panel 67cm x 46cm (26in x 18in) Note: During the late-sixteenth to early-seventeenth century, the Netherlands experienced a great cultural shift with mass urbanisation and the rise of a new middle class. This shift brought about an emphasis on the home, with families seeking to demonstrate their new-found wealth, status, and power. Thus, a new genre of art was born: the still life. These richly symbolic, often allegorical, works of art functioned both as a fine decorative object and a status symbol, with luscious local and exotic flowers, fruit, and insects included in various arrangements that required an educated, elite viewer to understand the symbolism that lay within. One such artist who made a name for himself in the field of still lifes was Frans Ykens (1601- 1693). Born in Antwerp, Ykens began his artistic formation under his uncle Osias Beert the Elder (1580- 1623), who was a pioneer in the development of flower and banquet paintings. He travelled France for around twelve years until he was admitted as a master of the painter’s Guild of St Luke in 1631. Four years later, Ykens married fellow flower painter Catarina Floquet, who was also from an artistic family. Ykens achieved great success throughout his long and varied career, and counted numerous prominent figures as his patrons; including the Queen of Poland, the Archduke Leopold of Austria, and the artist Peter Paul Rubens, who listed six pieces by Ykens in his inventory. -
Aanwinsten | Acquisitions Rubenianum 01/11/2013 - 30/11/2013
Aanwinsten | Acquisitions Rubenianum 01/11/2013 - 30/11/2013 Inhoud Boeken | Books ....................................................................................................................................... 1 Verzamelingen | Collections ............................................................................................................... 5 Tentoonstellingen | Exhibitions .......................................................................................................... 6 Artikels | Articles ..................................................................................................................................... 9 Overdrukken | Offprints ...................................................................................................................... 9 Excerpten | Excerpts ......................................................................................................................... 10 Boeken | Books The Oxford dictionary of Christian art & architecture / Murray, Peter ** Oxford, 2013 1 D 2 / 2013 / a / 1 Meer informatie: http://anet.ua.ac.be/record/rub/opacrub/c:lvd:14137295 Adolph Goldschmidt (1863-1944) : normal art history im 20. Jahrhundert ** Weimar, 2007 1 D 4 / GOL 3 / 2007 / a / 1 Meer informatie: http://anet.ua.ac.be/record/rub/opacrub/c:lvd:14137317 Zwischen den Welten: Beiträge zur Kunstgeschichte für Jürg Meyer zur Capellen: Festschrift zum 60. Geburtstag ** Weimar, 2001 1 D 4 / MEY 3 / 2001 / a / 1 Meer informatie: http://anet.ua.ac.be/record/rub/opacrub/c:lvd:6824404 The -
A Spiritual Journey
Jesus Page: 1 A Visual Journey into the Bible Jesus René Jean-Paul Dewil Copyright ©: René Dewil Number of Words: 190032 V1: 2007 V2: June 2010 Jesus Page: 2 Copyright Clause Copyright © René Jean-Paul Dewil 2007 René Jean-Paul Dewil is identified as the sole author of this work. All rights reserved. No part of this publication may be altered without the written permission of the author. The ebook may be copied in electronic or other forms for personal use only. It may not be printed, introduced in any retrieval system, electronic or otherwise, photocopied or otherwise recorded without the prior written permission of the author. The only system where the ebook may be retrieved from is the Internet website www.theartofpainting.be, which holds the only and original text acknowledged by the author. This publication remains under copyright. Copyright ©: René Dewil Number of Words: 190032 V1: 2007 V2: June 2010 Jesus Page: 3 Jesus Table of Contents Jesus ............................................................................................................................... 1 Table of Contents .................................................................................................... 3 Introduction ................................................................................................................ 6 The Gospels ............................................................................................................. 6 The New Testament Apocrypha .............................................................................